The Night Strangers (16 page)

“Captain,” the man says, but the woman only gazes at you with a worried look in her eyes. A chasmlike gash disfigures the right side of her face, and blood is pooling on the shoulder of her blouse. She is fortunate that she wasn’t one of the three passengers on the plane who were decapitated. Her name is Sandra Durant, though her hair—which was honey in the snapshot photos you saw in the newspaper—has been darkened by lake water and muddied by blood: thirty-two years old, a single woman who you learned in the weeks after the disaster had been on your plane because she had just interviewed for a job in Vermont. She worked at a computer company in Cherry Hill, New Jersey, and was considering a job at IBM’s Essex Junction facility. She was a public relations manager. Had a boyfriend, parents, two brothers. A cat named Ozzie.

The man is a strong, well-built fellow about forty, and he, too, suffered a horrific head wound: His forehead looks as if someone drilled a hole in it the size of a flute. His biceps stretch the fabric of his green short-sleeved polo shirt. His handshake is solid.

“You’re Ashley’s dad,” you say, referring to the child with the Dora the Explorer backpack. Again, you saw a photo in the newspaper. After he releases your hand, you glance down at the drops of lake water that Ethan Stearns has left on your fingers and palm.

“That’s right.”

Ashley’s mother is alive in a suburb of Burlington, Vermont. You believe it’s called Monkton. Ashley and her parents were traveling to Florida to visit an aunt and uncle there before school resumed in September. They would have changed planes in Philadelphia. You recall the voice of Ashley’s mother as she screamed her daughter’s name in the waves and dove under the surface of Lake Champlain over and over in the seconds after the aircraft broke apart and jet fuel coated the surface like olive oil.

“I’m sorry about Ashley,” you tell him. “I’m sorry about everything,” you tell them both.

“It wasn’t your fault,” says Sandra Durant.

“We were so close to being all right,” you tell her. “You know that, don’t you?” You consider adding,
It was the birds that brought us down, but it was the wake from a boat that did us in
. But you will never know that for certain. What if you had kept the aircraft nose a single degree higher above the horizon? Or, perhaps, a single degree lower? Would a wave still have pitchpoled your plane and killed thirty-nine of your passengers?

The woman looks at Ethan, a little frightened. Behind you the furnace kicks on. This sudden rumbling, a reminder of the bricks and mortar and horsehair tangibility of the house, takes you back to the reality that you are standing in cold dirt and coal dust. You gaze for a moment at the splintered pieces of wood from the door that once had been sealed shut with thirty-nine carriage bolts. Thirty-nine. A day or two after you had counted them for the first time, you returned to the basement and envisioned the door was the diagram for a CRJ700, your old plane. You touched each of the bolts with the tips of your fingers. You worked your way back to the rear of the cabin, attaching names to the bolts wherever you could. When you finally smashed in the door, you wanted to be sure that you did not dislodge the bolts from their spots in the wood. If you managed to break through the barnboard without inadvertently dislodging one, you pretended, you would ditch the plane without a single casualty. Everyone would get out alive. You knew you couldn’t rewrite history this way or bring back the dead, but it wasn’t precisely a game, either.

“Ashley was smart and beautiful and she had a huge heart,” says Ethan Stearns. “She was a kid with unbelievable promise. She was a ballerina.”

“All little girls are ballerinas,” you tell him. What you meant was,
I know what you mean. I have twins and they’re dancers, too
. But the words hang out there wrong in the air, all wrong; they sound antagonistic, challenging—as if you are disputing this angry, grieving dead man in your basement. Impugning his lovely little girl’s talents.

“You have no idea what she would have done with her life,” he says, his tone the confrontational murmur that first drew you from sleep. His hatred for you permeates every syllable. He blames you for his child’s death. The fact that he is dead, too, is irrelevant. This is a good man, you conclude. You would be just as irate if, God forbid, something happened to either of your girls and you found yourself face-to-face with the person you held responsible for the child’s death.

“No, I don’t,” you tell him simply, and though it sounds like a confession, you do not bow your head. You meet him eye to eye. Father to father.

“But it’s not just all that potential that’s gone,” he says. He takes a deep breath and exhales through his nose. The steam rises like mist in the chill of the basement. “It’s that she has no one her age. She has—”

“Ethan, stop it,” says Sandra Durant, her tone at once determined and pleading. How is it, you wonder, that she hasn’t yet finished bleeding out? Her blouse and her skirt have become indistinguishable, one long, saturated tunic the color of those wines Peyton kept opening earlier that evening.

“I won’t,” Ethan insists. “I want my daughter to have friends again. I want her to have little girls to play with.”

“That’s cruel!”

“That’s fair! She deserves friends!” he snaps back. And that’s when you first understand what this pair has been fighting about. They have been arguing over your girls. Hallie and Garnet, the two of them asleep right now in their rooms on the third floor. Ethan holds you responsible for the death of his daughter. For killing Ashley and leaving her with no one to play with. You know you would feel precisely the same way.

“Would you like me to introduce my girls to Ashley?” you ask this father, this man just like you. “They seem to be a little older, but they’re good girls, Ethan. Very good girls. Very kind, both of them. They’d be good playmates—and role models.”

“Yes, I would like that,” he tells you. “Do what it takes.” His scowl lessens appreciably, but then Sandra slaps him hard, whatever fear she has of him subsumed by her apparent worry for your daughters, and you feel the spray from the lake on your own face. You bring your fingertips to your cheek and then gaze at the drops of water there that a moment ago were on Ethan Stearns’s cheek.

“Chip?” You turn toward the stairs when you hear Emily’s voice. She is calling down into the basement from the top of the steps, her concern for you permeating your name. When you turn back to Ethan and Sandra, the two of them are gone.

“I’m here, sweetheart,” you call up to Emily.

“What are you doing?”

“I was checking the pilot light on the furnace.” Yes, that’s it. What else would you have been doing? Then you walk in your bare feet across the moist dirt of the basement and up the steps to your wife, telling her that the pilot is fine and the furnace is fine and the basement is fine. Everything is fine.

Yes, it is. Everything is just fine. Even the pilot.

She deserves friends. Do what it takes
.

You kiss her on the cheek and meet her worried eyes. You smile. Then you flip off the light to the basement and grab a wad of paper towels for your feet. No sense in tracking mud between here and the bathtub.

Chapter Seven

T
he girl was another fifth-grader named Molly Francoeur, and Hallie had figured out right away—in her very first hours in the new classroom—that the child was not one of the school’s popular kids. She was big for her age, already five and a half feet tall, and she towered over the boys and the girls. As a result, she was gangly, awkward, and could be very shy in the classroom and at recess. She wore a tractor green John Deere sweatshirt most days and reminded Hallie of a Sesame Street character. Her father had run off years earlier, and her mother worked a shift behind the register at the gas station and convenience store by the entrance to the interstate. She had a sister in second grade and a brother in ninth grade, at the high school, a boy who had already gotten into trouble for drugs and “borrowing” a car that belonged to a teacher’s aide. But Molly was also much smarter than Hallie had expected when Mrs. Collier was introducing the twins to the class and she sat Hallie down at the table with Molly and two boys. Hallie had slowly gotten to know the girl, and she realized that the kid had been besieged by bad luck since the day she’d been born.

At first, Hallie had feared that she herself wouldn’t have a lot of clout in whatever pecking order existed here in northern New Hampshire: She was new, her father was the pilot who crashed the plane into the lake (even if it wasn’t his fault), and she was twins with a girl with the freakiest red hair on the planet. It was why she had invited Molly over to their house the first time: She’d figured that beggars really couldn’t be choosers. It was only when Hallie had been in the school a few days and realized that Mrs. Collier was strangely excited by the idea that she was a twin and that the grown-ups in this town actually liked the color of Garnet’s hair that she began to understand it wouldn’t be long before she had reestablished herself as one of the cooler kids in the class. And this mattered to Hallie.

By then, however, she had already become friends with Molly Francoeur and, happily, learned that she might have underestimated this other child. Now it was early Sunday afternoon, and Molly had just been dropped off at their house for another playdate. Hallie and Garnet had taken the girl out to the greenhouse this time. The snow that had fallen the other night had melted off the roof, and the early March sun was warming the structure, but they still kept on their snow jackets. The three fifth-graders were creating a tableau with Hallie and Garnet’s large American Girl dolls and furniture, not especially troubled by the reality that some of the dolls’ clothing and tables and beds were supposed to look like they were from eighteenth-century Tidewater Virginia while the other accessories were supposed to replicate the Northern Plains a hundred years later. Molly spoke with the laconic cadences that Hallie and Garnet had come to recognize from many (though not all) of the people they ran into at school, at the dance studio, or with their mom and dad at the supermarket or the hardware store.

They had just decided that the three dolls would be sisters—three beds and three dressers in a row, the dolls in their beds for the night—when Molly folded her fingers under her arms to warm them and said, “Maybe they should be triplets.”

“And maybe they’re orphans,” Garnet said, and Hallie had to restrain herself from rolling her eyes. Garnet loved building games around orphans. Over the years, she had made Beanie Babies, Barbies, and trolls into orphans. It didn’t surprise Hallie that now she wanted to make their American Girl dolls orphans, too. Usually Garnet’s orphan scenario was straight out of
Annie
or
A Little Princess
. There was an evil lady running an orphanage, and out of the blue a loving and spectacularly wealthy guardian angel would exact revenge on the orphanage director and whisk the Beanie Babies, Barbies, or trolls off to a life of luxury and unimaginable happiness. Sometimes the angel would be a prince, and sometimes there would be two angels—the orphans’ parents come to rescue them.

“Okay,” agreed Molly, and Hallie decided there was no reason for the dolls not to be orphans. The game would be a little predictable, but it was Sunday afternoon, she was tired from going to Mom’s boss’s house last night, and she didn’t have a better idea. “And maybe they’re cursed,” Molly added.

Hallie thought about this: It was definitely a new wrinkle. She and Garnet had never put a curse on their American Girl dolls. The closest they had come to using a curse as a device in any of their games had been a brief phase so long ago that Hallie had only the dimmest recollection. It had something to do with a couple of their “ball gown” Barbies and the two Disney princesses who wind up out like a light: Snow White and Sleeping Beauty. “What’s the curse?” she asked Molly.

The child’s lips were chapped from months of cold weather, and she curled them together while she formulated a response. Garnet looked back and forth between Molly and her, waiting. Hallie had the sense that her sister didn’t want to deviate too far from the orphan game. Finally Molly unpuckered her lips and said, “They’ve been poisoned.”

“With an apple?” Garnet asked.

“No, that’s too boring,” Molly said, and Hallie agreed. The girl pulled her hands out from under her arms and with one of her hands pointed at the greenhouse walls around them. “Maybe something poisonous was grown in here. What’s a good poisonous plant?”

“Poison ivy,” Garnet suggested, but she crinkled her nose immediately after she spoke, and Hallie could tell it was because Garnet understood that this wasn’t at all what they were looking for. She was just brainstorming. They didn’t need a poison that made your skin itch; they needed a poison that might kill you.

“It needs to be much worse than that,” said Hallie.

“It does,” Molly agreed. “What would those freaky women around here have used? Maybe the lady who lived here before you brought weird poison plants back from Australia or South America. A lot of the women do that.”

The twins turned to each other simultaneously, and Hallie could see the surprise she was feeling mirrored in her sister’s eyes. What in the world would the lady who once lived here have known about poison? From the way their parents talked about the woman, it sounded like she practically never left Bethel. Why would Molly think she knew anything at all? Instead of answering Molly, Hallie asked, “What are you talking about?”

“You know, the woman who lived here. She was a witch. They all are. If there’s a greenhouse, there’s a witch. That’s how you can tell. And this one? Very scary. My mom says her son killed himself.”

“She was a witch?” Hallie said.

“I mean she wasn’t a real witch. They’re not like that. They don’t think they can fly through the air on broomsticks or something. They don’t run around in those pointy Halloween hats. But they are, like, into witchcraft. Witch stuff. My mom said they make potions out of plants that usually only grow in jungles and deserts. They’re all known around here for growing stuff.”

“Yeah, like herbs,” Garnet said.

“Much more,” said Molly.

“Look, I’m sure they grow vegetables and herbs and I guess some flowers,” Hallie told her. “You know, tomatoes. Parsley. Daffodils. Not …” And she stopped speaking because she had no idea what sorts of things a witch grew.

“It’s not like the woman was a real witch,” Molly said again. “It’s not like any of them are.”

“They’re herbalists,” Garnet told the girl, speaking the word very slowly because she had heard her parents using it one night after dinner, and she had never before said it aloud. It was, she decided, a mouthful.

“What’s that?” Molly asked.

Garnet shrugged because she wasn’t completely certain. “I guess it’s a person who uses herbs for stuff. But for more than cooking, because everyone uses herbs in cooking. Right?”

“What else did your mom say about the woman who used to live here?” Hallie asked.

Molly went to one of the dolls and adjusted the quilt.
She’s stalling
, Hallie thought,
because she doesn’t know what to say. She wishes she hadn’t brought any of this up
.

Finally Molly answered, “She said she was kind of weird. She and some of her friends. They scared people. There were all kinds of rumors about them, and it was like they were hippies, but older. At least most of them were. Not all. But all of them were women.”

Hallie thought of the pictures she had seen of hippies: the kaleidoscopic-colored T-shirts, the long hair. The ripped bell-bottom pants. The beads and the peace signs. The marijuana. “Do you mean she grew marijuana?” she asked Molly. “Marijuana’s an herb, right?”

The child shrugged her shoulders, which looked even broader and more substantial in her snow jacket. “I don’t know. But I don’t think that’s what my mom meant.”

“Then what did she mean?” Hallie demanded, and she knew there was a bullying quality to her voice that teachers would never approve of, but she couldn’t stop herself and she really didn’t care.

“Well, my mom said that the lady who used to live here and her friends all had these little garden plots or greenhouses where they grew the stuff for their potions. It was all very hush-hush. A lot of people didn’t like them, but I guess a lot of others did.”

“What kinds of potions did they make?” Garnet asked.

“I don’t know.”

“Did they make poisons?”

“I said, I don’t know! But here’s the scariest part. She had twins.”

Hallie knew this on some vague level, but because her parents had only mentioned one and he lived in St. Johnsbury, she’d never really thought about it. There was so much other information to try to understand. But now the idea that there had been twins long ago in this house grew more real.

“They were boys,” Molly continued. “And one killed himself. At least that’s what everyone says. But my mom thinks he was murdered by the women. The police never arrested the lady, and she ended up shutting down her greenhouse
—this
greenhouse. But my mom says the women killed him.”

“How old was he? Our age?” Hallie asked.

“A little older. He was, like, twelve or thirteen,” she said, and suddenly this big girl bowed her head and her body seemed to collapse into itself, the child almost shrinking before the twins’ very eyes. She was, Hallie realized, on the verge of tears. “I wasn’t supposed to tell you any of this stuff. My mom made me promise.”

“But you did,” Garnet said.

“It all just came out,” she murmured. “Maybe it’s not true. I don’t know. But you can’t tell anyone I told you.” Then: “I want to go home. I should go home. Can I call my mom?” The last of her sentence was smothered by a few pathetic sniffles, and she ran her bare hand across her mouth and under her nose. Garnet reached out to pat the girl’s arm, but Molly jerked away and wouldn’t look at them. Garnet had the sense that the child was scared—really and truly terrified, despite the reality that it was the middle of a Sunday afternoon and the sun was high overhead.

“Molly, please stay,” Hallie said, though she was still profoundly disturbed by the idea that twins had lived in this house before Garnet and her and one of them had either killed himself or been killed. But she also realized that one of her and Garnet’s very first playdates here was about to end in disaster. That wouldn’t bode well as she and her sister tried to make new friends. And, the fact was, they were stuck here in Bethel; they had to make the best of it. So she took a deep breath and then did what she could to salvage the afternoon. She pulled the American Girl doll from eighteenth-century Virginia from its bed and held it under its arms like an offering. She presented the doll to Molly and said, raising her eyebrows theatrically and trying to add an aura of evil to her sentence—as if she were the scariest witch on the scariest Halloween—“Now, how shall we poison the child?”

A
nise handled a pestle with the grace of a gourmet chef wielding a chopping knife. This afternoon she was grinding hypnobium, using her black marble mortar because her wooden ones were far too absorbent for a plant this toxic, pounding and swirling the seeds against the sides of the bowl. It sounded almost as if she were dicing an onion on a cutting board or chopping basil for bruschetta. Clary Hardin was sipping green tea and leaning against the counter in Anise’s kitchen, telling her about her dinner last night with John, the Messners, and the Lintons. She was pausing now in her story only because her friend was so intent on her work. Finally Anise looked up at Clary and exhaled deeply. “Tell me more about what you think of the girls,” she said.

“I told you, I think they’re delightful. John does, too.”

“This morning Sage described them as rather philistine. She found their uninterest in plants off-putting.”

Clary shook her head at Sage’s description. “They’re ten. She forgets what it’s like to be ten.”

“She said they want to use Tansy’s greenhouse as a playhouse.”

“For now. But I’m sure they’ll grow into it.”

“And Emily?” Carefully she tapped most of the powder from the mortar into a wide-mouth glass canning jar, holding the jar over the sink in the event some spilled over the side. She reserved a teaspoon, which she dropped into a porcelain mixing bowl already filled with flour and margarine and the very last of her maple syrup. She was baking cookies.

“Emily is far more scarred than she lets on,” Clary answered. “Of course, she is nowhere near the wreck that her husband is. Now
he
is seriously damaged goods.”

“As he should be. But not the girls?”

Clary thought about this. “Oh, they are. I think they’ll do. Really. But Hallie is far more readable than Garnet. I know children are resilient—”

“Children are resilient,” Anise said, simultaneously agreeing with her friend and cutting her off. “But often their wounds simply remain invisible until, all at once, whatever is festering there becomes agonizingly apparent.”

“Nevertheless, neither seems quite as traumatized as I would have expected. They’re going to have dinner with Reseda tonight, and I will be very interested in her take.”

Anise pressed the lid atop the glass and then screwed the large ring around the top, sealing the jar shut. “Reseda’s talents are overrated.”