The Other Woman’s House (44 page)

Simon was closest to the door – two footsteps away. He could have walked in and seen it for himself, whatever it was, instead of standing outside listening to Barbara describe it obliquely, but that would have felt inappropriate; he ought to wait for her permission.

‘Have you ever had your heart run over by a large truck?' She pressed both her hands to her chest. ‘That's what happened to me when I opened that door for the first time in eleven years. I couldn't understand it at all – what was I looking at?
Now
it makes sense, now that I've got to know Kit a bit better, in his absence.'

Eleven years.
Number eleven again
. In spite of the heat, a cold shiver snaked down Simon's back. Barbara must have seen the question in his eyes, because she said, ‘Nigel and I were banned when Kit was eighteen. He came home from his first term at university and that was the first thing he said. It wasn't just us, because we were his parents – everyone was
banned. No one set foot in his room after that – he made sure of it. He didn't bring friends round often, but when he did, they stayed in the lounge. Even Connie, when the two of them used to come and visit, he never took her upstairs. They'd sit in the lounge, or the den. Kit had his own flat by the time they met – I don't think Connie knew he still had a room here, one that was more important to him than any of the ones he actually lived in. You wouldn't think of it, would you? Most people, when they move out, they move out altogether.'

Unless they had something they wanted or needed to hide, thought Simon. Most people couldn't get away with saying to their girlfriends who lived with them, ‘This room's mine – you're not allowed anywhere near it.' Come to think of it, most people couldn't get away with saying that to their parents either. ‘In eleven years, you weren't tempted to go in and have a look?'

‘I probably would have been, but Kit had a lock fitted.' Barbara nodded at the door. ‘That's a new one, with no lock, to symbolise the new admissions policy: my ex-son's room is open to the public, twenty-four seven. I'll show it to anyone who wants to see it,' she said defiantly, then giggled. ‘If Kit doesn't like it, let him come back and complain.'

‘You had the old door removed, the one with the lock?' Simon asked.

‘Nigel kicked it down,' Barbara told him proudly. ‘After the “big bust-up”.' She mimed inverted commas. ‘It was the only way we could get in. Nigel said, “At least it's clean”, which was a bit of an understatement – it was cleaner than I could ever get a room to be, that's for sure. Kit bought his own hoover, dusters, polish, the works. He used to come round once a fortnight and spend a couple of hours in there, maintaining
it – you could hear the hoover buzzing away. I don't think Connie knew what he was doing – she spent so much of her free time round at her mum and dad's, Kit could come here at weekends and she'd know nothing about it. Nigel and I used to feel sorry for her in her ignorance, shut out of something that was so important to him – as if we were the lucky ones, privy to his secrets, because we knew about his room even if we didn't know what was in it.'

Barbara shook her head as pride gave way to frustration. ‘We were idiots, letting an eighteen-year-old child lock us out of a room in our own house. If I had my time again, I wouldn't let Kit
close
a door against me, let alone lock it. I'd watch him like a hawk, every second of every day.' She pointed her finger at Simon as if to fix him in place. ‘I'd sit by the side of his bed all night and stare at him while he slept. I'd stand next to the shower while he washed, even stand over him while he was on the toilet. I'd allow him no privacy whatsoever. He'd be horrified if he heard me saying this, and I don't care. Privacy's the soil that nourishes all sprouting evils, if you ask me.'

‘Can we have a look at the room?' Simon asked, finding her repellent. If he'd met her before what she called the ‘big bust-up', he would probably have felt quite differently about her. She'd have been a different person then. Simon would never have admitted it to anyone, but he often felt disgusted by people to whom exceptionally bad things had happened; his fault, not theirs. He figured it was something to do with a desire to distance himself from the tragedy, whatever it was. If anything, it made him try harder to help them, to compensate.

‘Go ahead,' said Barbara. ‘I'll follow you in a minute. I don't want to get in the way of your first impression.'

Simon turned the handle. As the door swung open, the smell
of furniture polish was unmistakeable. Kit Bowskill might not have set foot in his private sanctuary since 2003, but someone had been maintaining it to his high standard since then. Barbara. It was the sort of thing only a mother would bother doing.

‘Don't fall over the hoover,' she warned. ‘Unlike all the other rooms in this house, Kit's actually has things in it.' She laughed. ‘I got rid of the bulk of what Nigel and I owned about six months after Kit gave us our marching orders. If we didn't have a son any more, there didn't seem much point in us having anything.'

The door stood half open. Simon pushed it all the way and walked in. The room was full without being cluttered: bed, two chairs, desk, wardrobe, chest of drawers, a bookcase against one wall with a Dyson vacuum cleaner next to it. Between the bookcase and the too-small window there was a line-up of cleaning products – for glass, for wood, for carpets – next to a grey plastic bucket from which six feather-dusters protruded, a mockery of a vase of flowers.

At first Simon thought the walls were papered, because every inch of wall space was covered, and the ceiling. He quickly saw that it couldn't be paper; there was no repeated pattern. No designer, not even the most radical, would create something this convoluted and bizarre.
Photographs
. Simon realised he was looking at hundreds of photographs, melded together in such a way that you couldn't see the joins. Maybe there were none; Simon couldn't see lines where one picture started and another finished. How had Kit done it? Had he taken all these photos and had them made into wallpaper, somehow?

They were all of roads and buildings, apart from the ones on the ceiling. Those were of the sky: plain pale blue, blue streaked with white cloud, grey flecked with sunset pinks and
reds; a deep blue with part of the moon in one corner, a curve of uneven glowing white.

Simon moved closer to the wall; he'd spotted a street he recognised. Yes, there was the Six Bells pub, the one near the Live and Let Live, where he'd met Ian Grint. ‘Is this…?' Turning in search of Barbara, he found himself looking at the books on the shelves instead. They were lined up in neat rows, their spines exactly level. From their titles, Simon saw that they had a subject in common.

‘Welcome to Cambridge in Bracknell,' said Barbara.

Histories of Cambridge, books about the origins of the university, the boat race, Cambridge's rivalry with Oxford; about famous people associated with the city, Cambridge and its artists, Cambridge and the writers it inspired, the pubs of Cambridge, the gardens of Cambridge, its architecture, its bridges, the gargoyles on the college buildings,
A Cambridge Childhood
, Cambridge college chapels, Cambridge and science, spies with a Cambridge connection.

Simon saw the words ‘Pink Floyd' – had he found a book that broke the pattern? No, it was
The Pink Floyd Fan's Illustrated Guide to Cambridge
.

At the far end of one shelf there was a pristine copy of the city's
A–Z
– an old one, if Kit hadn't been inside this room since 2003, but it looked brand new. On the shelf above it, Simon saw a row of Cambridge
Yellow Pages
and telephone directories.

He was aware, suddenly, of Barbara standing beside him. ‘We knew he was fond of the place,' she said. ‘We had no idea it was an all-consuming obsession.'

Simon was reading the road signs in the photographs: De Freville Avenue, Hills Road, Newton Road, Gough Way,
Glisson Road, Grantchester Meadows, Alpha Road, St Edward's Passage. No Pardoner Lane, or at least none that Simon had seen yet. He looked up at the pictures of the Cambridge sky. Thought about eighteen-year-old Kit Bowskill, unwilling to sleep under its Bracknell equivalent.

Connie had been wrong. She'd told Simon that Kit had been in love with someone while he was at university, someone he wouldn't tell her about, whose existence he flat-out denied. For obvious reasons, she'd suspected it was Selina Gane.

It wasn't. It was no one. The love Kit Bowskill had been intent on hiding from his wife – so strong that he either couldn't put it into words, or was unwilling to – was not for any individual inhabitant of Cambridge. It was for the city itself.

Barbara was doing her tour-guide bit, as promised. ‘This is the Fen Causeway – Nigel and I used to drive along it when we went to visit. King's College Chapel you probably spotted. The Wren Library at Trinity. Drummer Street Bus Station…'

Simon was aware of his breathing and not much else. Like Kit Bowskill seven years ago, he could think about only one thing.

‘Are you all right?' Barbara asked. ‘You look a bit worried.'

18 Pardoner Lane
.

Kit Bowskill, who hated to fail, had found his perfect house in his perfect city. His parents wouldn't give him the money he needed, so he hadn't been able to buy it, but someone had bought it. Someone had succeeded where Kit had failed.

Someone who, at the time, must have felt lucky.

‘Do you have a job?' DS Alison Laskey asks me, determinedly calm in the face of my agitation. She's a slim, middle-aged woman with short, no-nonsense brown hair. She reminds me of a politician's wife from about twenty years ago – dutiful and muted.

‘I have two jobs,' I tell her. ‘My husband and I have our own company, and I also work for my parents.' We're in the same interview room that Kit and I were in on Tuesday, with the chicken-wire grid covering the window. ‘Look, what does this have to do with Ian Grint? All I want is—'

‘Imagine if you were on holiday – sunning yourself on a beach, say – and someone turned up at one of your workplaces asking for your mobile number. Would you want your mum and dad, or the people at your company, to hand over your number, so that the person could interrupt your holiday?'

‘I'm not
asking
for Ian Grint's mobile number.'

‘You were when you first arrived,' says DS Laskey.

‘I understand why you can't give it to me. All I'm asking now is that
you
ring DC Grint and ask him to ring me. Or…meet me somewhere, so that I can talk to him. I need to talk to him. He can ring me at my hotel. I can be back there in—'

‘Connie, stop. Whether he's interrupted by you or by me, it's still an interruption, isn't it?' DS Laskey smiles. ‘And it's his day off. And there's no reason to disturb him. All police
work is done on a team basis. You can talk to me about whatever's bothering you. I'm familiar with your…situation already, so I know the background. I've read the statement you gave us.'

‘Was it you who decided there was no murder at 11 Bentley Grove? Was it your decision to just leave it, forget all about it?'

Laskey's mouth twitches. ‘What was it that you wanted to tell Ian?' she asks.

‘There
was
a murder,' I tell her. ‘Come with me and I'll show you.'

‘You'll
show
me?' Her eyebrows shoot up. ‘What will you show me, Connie? A dead woman lying in a pool of blood?'

‘Yes.' What choice do I have but to brazen it out? Even if the dead woman isn't there any more, the blood must be. Traces of it, at least. ‘Will you come with me?' I ask.

‘I'll be glad to,' says Laskey, ‘but first I'd like you to tell me where we'll be going, and why.'

‘What's the point? You think I'm delusional – you're not going to believe anything I say. Come with me and see for yourself, and then I'll tell you – when you'll have no choice but to take me seriously.' I push back my chair, stand up. The keys I took from the mug on Selina Gane's shelf hang heavy in my pocket.

‘Sit down,' Laskey says. I hear the slump of weariness in her voice. ‘It's Ian Grint's day off today, not mine. I have work to do, in this building.' She gestures around the room, as if I might be in some doubt as to what she means by ‘this building'. ‘I can't abandon ship unless I'm convinced there's a need. Like it or not, if you want me to accompany you somewhere, you'll have to give me a full explanation now.'

And then you'll decide I'm even crazier than you already think I am
.

I fall back into my chair. I might as well get on with it, if I have no choice. I turn my head so that I can't see her, and start talking, imagining I'm addressing a more sympathetic listener: Sam, or Simon Waterhouse. I thought about contacting them instead of Grint, but what could they do? They're miles away, in Spilling.

I tell Laskey everything. She must be wondering why my delivery is so slow and jerky. I can't help it – the most important thing is to test every sentence before it leaves my mouth, check it for errors. My reasoning needs to convince her, or she won't help me. A voice in my head, one I'm trying to ignore, whispers that it won't work, however hard I try, and I'll hate myself afterwards for this demeaning attempt to impress her.

When I finish, she looks at me for a long time without saying anything.

‘Will you come with me?' I say.

She seems to be trying to make up her mind about something. ‘I'll tell you what I'll do. I'm going to have someone bring you a cup of tea and a sandwich, so that you can have a bit of a break, and then I'm going to come back and—'

‘I don't need a break,' I snap.