The Portrait of Doreene Gray (2 page)

Suki and Michael leaned forward and studied the photo. There was a strong resemblance between the two women, but they looked more like mother and daughter than twins.

“She's probably had work done, but it's really good,” Suki said.

Michael rolled his eyes. “Of course she's had work done. Do you think she owns an actual magic picture?”

“Michael…” Angus waved a hand around the office, gesturing to the framed covers of
Tripping
magazine that decorated the walls. “May I remind you of our audience? Our mission is to present the uncanny for the public's entertainment.” He picked up the e-mail and waved it. “We have a picture that changes over time, a woman who doesn't, and best of all, we have twins. Twins are always interesting.”

“That's true.” Suki gave a languid smile.

“What about the location?” Michael asked. “Do the sisters live in the same city? Is it a place people will want to go?”

“Absolutely.” Angus turned the laptop so he could type in a search string, then hit enter and turned it back to show them a harbor full of masted boats and a Victorian-era downtown. “Port Townsend, Washington. The land that time forgot. At least, it forgot for about seventy years.”

“Does that mean they don't have an airport?” Suki asked.

Angus shrugged. “I understand the drive from Seattle is beautiful.”

 

Three

Maureene Pinter lived in a frame cottage separated from the main house and her twin sister by a quarter acre of overgrown woods.

Inside, sunlight slanted through windows clouded by dirt and rain spots. Dust floated on the air, settling on the Scottish terrier that lay, belly-up, on the sofa. The dog snorted and twitched a paw in its sleep.

Maureene sat hunched on a stool in front of her easel, rolling a stick of charcoal between two fingers. Her short salt-and-pepper hair stuck out on one side of her head. The canvas in front of her sported two curved lines. They could have represented anything or nothing.

Someone knocked on the door. The terrier barked sleepily, then twisted to its feet and jumped to the floor. Its claws clicked on the scarred linoleum as it followed Maureene to the door.

She pulled aside a curtain covering the door's window, then swiveled the dead bolt and opened it before going back to her stool.

Maxwell Thorne stepped inside. A broker for Rothwell's auction house, he wore at least three thousand dollars' worth of clothes. The charcoal suit wasn't showy, but the material hung perfectly. His shoes were slightly interesting, his watch deceptively simple, and his tie a work of art.

He reached down and spoke to the dog while scratching its head. “Hilda, it's good to see you again. You, too, Maureene.”

Maureene didn't turn from her canvas. “What do you want, Max?”

Max strolled along the perimeter of the room, tilting his head to look at the titles in a dusty bookcase. “I'd like to take you out to lunch. What do you say?”

“I'd say I haven't showered and my hair looks like roadkill.”

A trio of carved elephants sat on one shelf. Maxwell touched the tusk of the smallest. “Put a hat on. Hats are expected of artists.”

Maureene rubbed a finger across one of the charcoal marks, softening it. “Who else would be coming to lunch?”

“No one, if that's what you want.”

“What do
you
want?”

“What do
I
want?” Max straightened. “I want your portrait of Doreene to sell for so much that the rest of your existing paintings bring in seven figures apiece. I want your renewed fame to cause gallery owners to camp on your doorstep, begging you to paint more. I want museum curators to rend their clothes when they can't afford a Pinter for their
Great Portraitists of the Twenty-first Century
installations.” He smiled. “In short, I want you to come out to a nice lunch with two very gentle members of the press and talk about yourself and Doreene's portrait.”

Maureene shook her head slowly. “She can't sell that painting.”

Max put his hands in his pockets and came over. He glanced at the canvas, then at the back of Maureene's neck, where charcoal streaked her weathered skin. “Are we talking about legalities? Because Doreene has a letter from you, giving her the painting.”

Maureene looked up at him, her face bleak. “That portrait is a part of me. If she sells it, I don't know what will happen.”

Max frowned. “This is not something people in my profession usually say, but
it's just a painting.
” He smiled suddenly. “Are you playing the eccentric-artiste card? It's true that a little tasteful insanity can add to a painter's caché, but you shouldn't waste it on me. I'll have Elizabeth arrange a TV interview if you like.”

Maureene looked at the canvas again. “Go away, Max.”

“I'll come back in an hour, all right? Is that long enough for you to shower and dress? Then we'll have a nice lunch.”

Maureene stood and faced him. “I mean it. If you won't help me change Doreene's mind, then get out.”

Hilda, who had been busily nosing at the corner of an area rug, looked up and growled, her teeth bared.

Maxwell backed toward the door. “Maureene, tell me what's wrong. Do you need a change of scene? Maybe there's something I can do to help.”

“There is. Don't sell the painting.”

“If I don't, Doreene will just find someone else. It's going to happen, Maureene.”

Hilda gave a sharp bark.

“It can't,” Maureene said. “It just can't.”

 

Four

Seventy miles separated Port Townsend from the Seattle-Tacoma airport. The
Tripping
crew landed in early morning darkness and rented a minivan to accommodate the photography equipment. Suki drove to the Seattle Ferry Terminal, where they caught a ferry to Bainbridge Island.

Suki and Michael ate pastries in the ferry's café for their breakfast. A boy of about three stared at Suki, his gaze traveling from her studded leather bracelets to her face. She puckered her lips at him and he smiled delightedly.

Angus drank only tea. While his staff went out on deck, he sat inside and stared into his teacup, avoiding any view of the bobbing horizon.

Halfway through the trip, Michael came back in and took a moment to stand in front of Angus, swaying to the boat's movement.

“Sit down if you're going to stay,” Angus snapped.

Michael switched to swaying in counterpoint. “What's the matter, Angus? I thought most Scots had Viking blood.”

Angus swallowed thickly. “They learned you can only reproduce if you get off the boat and stay put.”

“That's ridiculous,” Suki said, joining them. “The motion adds to the experience.” She raised the camera that hung on a strap around her neck and snapped a picture of Angus's face.

He groaned and turned away.

Michael sat on the bench opposite Angus. “What's the plan? Get settled today and do the interview tomorrow?”

Angus put his cup on the table. “We're seeing Doreene Gray today, but it's not exactly an interview.”

Suki sat next to Michael. “What is it, exactly?”

“An invitation-only press conference,” Angus said, “and we don't have an invitation.”

“I wish you'd told me,” Suki said. “I didn't pack any clothes for crashing press conferences.”

“I'm sure you'll figure something out.”

Michael held up a hand. “Wait a minute. Did you even
ask
for an interview before deciding to just show up? How do you know she won't talk to us?”

“Because Doreene Gray comes from money, and she's trying to sell a painting to moneyed people.”

“Ah.” Michael nodded. “So she won't want the tone of the event compromised by our piddling magazine.”

“Piddling
paranormal
magazine,” Suki corrected. “I thought the painting's big selling point was that it was spooky.”

Angus gave a wry smile. “A mystery is only mysterious if you don't overpromote. Also, the sale is being handled by Rothwell's, and they'll err on the side of tasteful. Don't expect to see signs that say,
THIS WAY TO THE POSSESSED PAINTING!
”

Suki rested her camera on the table. “If this press conference is invitation-only, how did you find out about it?”

“I subscribe to a Web site that leaks that kind of information,” Angus said. “It's run by personal assistants and gophers. Poor things, they have to make a living somehow.”

Michael took off his glasses and rubbed the bridge of his nose. “You're telling me we flew all the way out here on the off chance that we can get into an event?”

Angus tapped a finger on the table. “A journalist makes his own opportunities. At the very worst, we'll have photos of the house and Port Townsend and there's a boat festival going on right now.
Tripping
is a travel magazine, too, don't forget.”

“What about the portrait itself?” Michael asked. “How are we going to do an article if we don't have a photo of that?”

Angus's eyes slid away. “I imagine there will be photos available online after the press conference.”

“Oh, no,” Suki said. “I draw the line at taking someone else's work.”

Angus smiled at her. “I would never ask you to do such a thing, but don't photographers ever share work? You might be able to chat someone up and come to an arrangement.”

Suki considered that. “Do I get a drinks allowance?”

“Naturally.”

“Then I'll see what I can do.”

Angus folded his hands on the table. “If all else fails, Suki can get a photo of Doreene Gray as she leaves to do her shopping, and we'll use that to make our own version of the painting. We'll put a wee label underneath—
ARTIST'S
RENDERING.
”

Michael laughed. “That's pretty funny, actually.”

 

Five

Once off the ferry, Suki stopped at a filling station, where she got rid of her black eyeliner and studded bracelets and exchanged her torn jeans for polka-dot leggings. Only close examination revealed the dots to be tiny skulls. Her torn T-shirt was hidden beneath a worn leather jacket.

They arrived in Port Townsend. Suki followed the automated voice of her smartphone's navigation system and parked the minivan at the end of a long line of cars in front of Doreene Gray's home.

A fine mist spotted the windshield. In the backseat, Michael leaned close to the car window and bent his head so he could see the building's top story. “Another Victorian mansion. What is it with Victorian mansions and weirdness?”

Angus unbuckled his seat belt. “The style is actually Carpenter Gothic—note the pointed arches over the windows. But it was built in 1889, which is still the Victorian era. As for the weirdness, I have a theory that the Victorians were so repressed, they couldn't work out their issues during one lifetime, so their spirits tend to stay on.”

Michael frowned. “Or maybe the upkeep on a place like this drives people crazy.”

Suki turned in her seat and pointed at the pile of equipment in the back. “Michael, hand me that black bag with the red zipper pull.” She looked at Angus. “This isn't another ghost story, is it? I'd hate to run two ghost features in a row.”

“This painting business could be anything,” Angus said. “We'll leave it as open-ended as possible. It should generate a lot of reader mail.”

Michael looked at Angus. “Don't you have any angle in mind? Deal with the Devil, maybe?”

“I was toying with the idea of vampiric object,” Angus said. “The painting gives youth but takes the soul.”

“Isn't that the same thing as deal with the Devil?”

“No, because my theory uses the word ‘vampiric,' and anything with vampires in it sells.”

“How about a sidebar on possible causes, with vampiric object at the top?”

Angus nodded. “Good idea.”

Suki hung a camera around her neck and put the bag's strap over one shoulder. “Don't you think Ms. Gray will object if
Tripping
says she's sold her soul to the Devil?”

Angus shook his head. “We'll talk about the subject hypothetically, in terms of other situations.”

Michael nodded. “Involving people who are now dead.”

“And who don't have rich relations still living.” Angus pulled on a brown tweed sport coat and glanced at his watch. “The press conference started at ten-thirty. It's ten-forty now, and I'm hoping no one is manning the door. If all goes well, we can wander in and take up positions at the back of the room. Ready? Let's go.”

They got out of the car and trotted up the drive, Suki with the camera tucked under her leather jacket, Michael holding one hand above his glasses to keep the mist off.

“If anyone asks,
Tripping
is an international travel magazine,” Angus said.

“Since when?” Michael asked.

“Since we ran that sidebar on giant beavers and picked up a couple of Canadian subscribers.” Angus pushed open the front door to the house.

They stepped into an opulent foyer. Suki walked to the foot of a huge spiral staircase and looked up. “Dude,” she said, raising her camera.

The others joined her and looked at the distant ceiling, where painted cupids cavorted with nude women clad in wisps of fabric.

“I'm thinking these particular Victorians weren't that repressed,” Michael said.

Angus raised an eyebrow. “Well, it was pretty late in the period. I suppose they were ready to bust out.”

At the sound of a door closing, they turned.

A twentysomething woman wearing a gray suit and heels walked toward them, carrying a clipboard. “Can I help you? I'm Elizabeth Canter, Ms. Gray's publicist.”