"I'm sure that was unnecessary-to hit the girl across the face," said the mother coldly.
"A flip with the duster won't hurt her," he said.
"Nor will it do her any good."
For days, for weeks, Ursula's heart burned from this rebuff. She felt so cruelly vulnerable. Did he not know how vulnerable she was, how exposed and wincing? He, of all people, knew. And he wanted to do this to her. He wanted to hurt her right through her closest sensitiveness, he wanted to treat her with shame, to maim her with insult.
Her heart burnt in isolation, like a watchfire lighted. She did not forget, she did not forget, she never forgot. When she returned to her love for her father, the seed of mistrust and defiance burned unquenched, though covered up far from sight. She no longer belonged to him unquestioned. Slowly, slowly, the fire of mistrust and defiance burned in her, burned away her connection with him.
She ran a good deal alone, having a passion for all moving, active things. She loved the little brooks. Wherever she found a little running water, she was happy. It seemed to make her run and sing in spirit along with it. She could sit for hours by a brook or stream, on the roots of the alders, and watch the water hasten dancing over the stones, or among the twigs of a fallen branch. Sometimes, little fish vanished before they had become real, like hallucinations, sometimes wagtails ran by the water's brink, sometimes other little birds came to drink. She saw a kingfisher darting blue-and then she was very happy. The kingfisher was the key to the magic world: he was witness of the border of enchantment.
But she must move out of the intricately woven illusion of her life: the illusion of a father whose life was an Odyssey in an outer world; the illusion of her grandmother, of realities so shadowy and far-off that they became as mystic symbols:-peasant-girls with wreaths of blue flowers in their hair, the sledges and the depths of winter; the dark-bearded young grandfather, marriage and war and death; then the multitude of illusions concerning herself, how she was truly a princess of Poland, how in England she was under a spell, she was not really this Ursula Brangwen; then the mirage of her reading: out of the multicoloured illusion of this her life, she must move on, to the Grammar School in Nottingham.
She was shy, and she suffered. For one thing, she bit her nails, and had a cruel consciousness in her finger-tips, a shame, an exposure. Out of all proportion, this shame haunted her. She spent hours of torture, conjuring how she might keep her gloves on: if she might say her hands were scalded, if she might seem to forget to take off her gloves.
For she was going to inherit her own estate, when she went to the High School. There, each girl was a lady. There, she was going to walk among free souls, her co-mates and her equals, and all petty things would be put away. Ah, if only she did not bite her nails! If only she had not this blemish! She wanted so much to be perfect-without spot or blemish, living the high, noble life.
It was a grief to her that her father made such a poor introduction. He was brief as ever, like a boy saying his errand, and his clothes looked ill-fitting and casual. Whereas Ursula would have liked robes and a ceremonial of introduction to this, her new estate.
She made a new illusion of school. Miss Grey, the headmistress, had a certain silvery, school-mistressy beauty of character. The school itself had been a gentleman's house. Dark, sombre lawns separated it from the dark, select avenue. But its rooms were large and of good appearance, and from the back, one looked over lawns and shrubbery, over the trees and the grassy slope of the Arboretum, to the town which heaped the hollow with its roofs and cupolas and its shadows.
So Ursula seated herself upon the hill of learning, looking down on the smoke and confusion and the manufacturing, engrossed activity of the town. She was happy. Up here, in the Grammar School, she fancied the air was finer, beyond the factory smoke. She wanted to learn Latin and Greek and French and mathematics. She trembled like a postulant when she wrote the Greek alphabet for the first time.
She was upon another hill-slope, whose summit she had not scaled. There was always the marvellous eagerness in her heart, to climb and to see beyond. A Latin verb was virgin soil to her: she sniffed a new odour in it; it meant something, though she did not know what it meant. But she gathered it up: it was significant. When she knew that:
x2-y2 = (x + y)(x-y)
then she felt that she had grasped something, that she was liberated into an intoxicating air, rare and unconditioned. And she was very glad as she wrote her French exercise:
"J'AI DONNE LE PAIN A MON PETIT FRERE."
In all these things there was the sound of a bugle to her heart, exhilarating, summoning her to perfect places. She never forgot her brown "Longman's First French Grammar", nor her "Via Latina" with its red edges, nor her little grey Algebra book. There was always a magic in them.
At learning she was quick, intelligent, instinctive, but she was not "thorough". If a thing did not come to her instinctively, she could not learn it. And then, her mad rage of loathing for all lessons, her bitter contempt of all teachers and schoolmistresses, her recoil to a fierce, animal arrogance made her detestable.
She was a free, unabateable animal, she declared in her revolts: there was no law for her, nor any rule. She existed for herself alone. Then ensued a long struggle with everybody, in which she broke down at last, when she had run the full length of her resistance, and sobbed her heart out, desolate; and afterwards, in a chastened, washed-out, bodiless state, she received the understanding that would not come before, and went her way sadder and wiser.
Ursula and Gudrun went to school together. Gudrun was a shy, quiet, wild creature, a thin slip of a thing hanging back from notice or twisting past to disappear into her own world again. She seemed to avoid all contact, instinctively, and pursued her own intent way, pursuing half-formed fancies that had no relation to anyone else.
She was not clever at all. She thought Ursula clever enough for two. Ursula understood, so why should she, Gudrun, bother herself? The younger girl lived her religious, responsible life in her sister, by proxy. For herself, she was indifferent and intent as a wild animal, and as irresponsible.
When she found herself at the bottom of the class, she laughed, lazily, and was content, saying she was safe now. She did not mind her father's chagrin nor her mother's tinge of mortification.
"What do I pay for you to go to Nottingham for?" her father asked, exasperated.
"Well, Dad, you know you needn't pay for me," she replied, nonchalant. "I'm ready to stop at home."
She was happy at home, Ursula was not. Slim and unwilling abroad, Gudrun was easy in her own house as a wild thing in its lair. Whereas Ursula, attentive and keen abroad, at home was reluctant, uneasy, unwilling to be herself, or unable.
Nevertheless Sunday remained the maximum day of the week for both. Ursula turned passionately to it, to the sense of eternal security it gave. She suffered anguish of fears during the week-days, for she felt strong powers that would not recognise her. There was upon her always a fear and a dislike of authority. She felt she could always do as she wanted if she managed to avoid a battle with Authority and the authorised Powers. But if she gave herself away, she would be lost, destroyed. There was always the menace against her.
This strange sense of cruelty and ugliness always imminent, ready to seize hold upon her this feeling of the grudging power of the mob lying in wait for her, who was the exception, formed one of the deepest influences of her life. Wherever she was, at school, among friends, in the street, in the train, she instinctively abated herself, made herself smaller, feigned to be less than she was, for fear that her undiscovered self should be seen, pounced upon, attacked by brutish resentment of the commonplace, the average Self.
She was fairly safe at school, now. She knew how to take her place there, and how much of herself to reserve. But she was free only on Sundays. When she was but a girl of fourteen, she began to feel a resentment growing against her in her own home. She knew she was the disturbing influence there. But as yet, on Sundays, she was free, really free, free to be herself, without fear or misgiving.
Even at its stormiest, Sunday was a blessed day. Ursula woke to it with a feeling of immense relief. She wondered why her heart was so light. Then she remembered it was Sunday. A gladness seemed to burst out around her, a feeling of great freedom. The whole world was for twenty-four hours revoked, put back. Only the Sunday world existed.
She loved the very confusion of the household. It was lucky if the children slept till seven o'clock. Usually, soon after six, a chirp was heard, a voice, an excited chirrup began, announcing the creation of a new day, there was a thudding of quick little feet, and the children were up and about, scampering in their shirts, with pink legs and glistening, flossy hair all clean from the Saturday's night bathing, their souls excited by their bodies' cleanliness.
As the house began to teem with rushing, half-naked clean children, one of the parents rose, either the mother, easy and slatternly, with her thick, dark hair loosely coiled and slipping over one ear, or the father, warm and comfortable, with ruffled black hair and shirt unbuttoned at the neck.
Then the girls upstairs heard the continual:
"Now then, Billy, what are you up to?" in the father's strong, vibrating voice: or the mother's dignified:
"I have said, Cassie, I will not have it."
It was amazing how the father's voice could ring out like a gong, without his being in the least moved, and how the mother could speak like a queen holding an audience, though her blouse was sticking out all round and her hair was not fastened up and the children were yelling a pandemonium.
Gradually breakfast was produced, and the elder girls came down into the babel, whilst half-naked children flitted round like the wrong ends of cherubs, as Gudrun said, watching the bare little legs and the chubby tails appearing and disappearing.
Gradually the young ones were captured, and nightdresses finally removed, ready for the clean Sunday shirt. But before the Sunday shirt was slipped over the fleecy head, away darted the naked body, to wallow in the sheepskin which formed the parlour rug, whilst the mother walked after, protesting sharply, holding the shirt like a noose, and the father's bronze voice rang out, and the naked child wallowing on its back in the deep sheepskin announced gleefully:
"I'm bading in the sea, mother."
"Why should I walk after you with your shirt?" said the mother. "Get up now."
"I'm bading in the sea, mother," repeated the wallowing, naked figure.
"We say bathing, not bading," said the mother, with her strange, indifferent dignity. "I am waiting here with your shirt."
At length shirts were on, and stockings were paired, and little trousers buttoned and little petticoats tied behind. The besetting cowardice of the family was its shirking of the garter question.
"Where are your garters, Cassie?"
"I don't know."
"Well, look for them."
But not one of the elder Brangwens would really face the situation. After Cassie had grovelled under all the furniture and blacked up all her Sunday cleanliness, to the infinite grief of everybody, the garter was forgotten in the new washing of the young face and hands.
Later, Ursula would be indignant to see Miss Cassie marching into church from Sunday school with her stocking sluthered down to her ankle, and a grubby knee showing.
"It's disgraceful!" cried Ursula at dinner. "People will think we're pigs, and the children are never washed."
"Never mind what people think," said the mother superbly. "I see that the child is bathed properly, and if I satisfy myself I satisfy everybody. She can't keep her stocking up and no garter, and it isn't the child's fault she was let to go without one."
The garter trouble continued in varying degrees, but till each child wore long skirts or long trousers, it was not removed.
On this day of decorum, the Brangwen family went to church by the high-road, making a detour outside all the garden-hedge, rather than climb the wall into the churchyard. There was no law of this, from the parents. The children themselves were the wardens of the Sabbath decency, very jealous and instant with each other.
It came to be, gradually, that after church on Sundays the house was really something of a sanctuary, with peace breathing like a strange bird alighted in the rooms. Indoors, only reading and tale-telling and quiet pursuits, such as drawing, were allowed. Out of doors, all playing was to be carried on unobtrusively. If there were noise, yelling or shouting, then some fierce spirit woke up in the father and the elder children, so that the younger were subdued, afraid of being excommunicated.
The children themselves preserved the Sabbath. If Ursula in her vanity sang:
"Il Ètait un' bergËre Et ron-ron-ron petit patapon,"
Theresa was sure to cry:
"That's not a Sunday song, our Ursula."
"You don't know," replied Ursula, superior. Nevertheless, she wavered. And her song faded down before she came to the end.
Because, though she did not know it, her Sunday was very precious to her. She found herself in a strange, undefined place, where her spirit could wander in dreams, unassailed.
The white-robed spirit of Christ passed between olive trees. It was a vision, not a reality. And she herself partook of the visionary being. There was the voice in the night calling, "Samuel, Samuel!" And still the voice called in the night. But not this night, nor last night, but in the unfathomed night of Sunday, of the Sabbath silence.
There was Sin, the serpent, in whom was also wisdom. There was Judas with the money and the kiss.
But there was no actual Sin. If Ursula slapped Theresa across the face, even on a Sunday, that was not Sin, the everlasting. It was misbehaviour. If Billy played truant from Sunday school, he was bad, he was wicked, but he was not a Sinner.