The Rainbow (46 page)

"I am so fond of him, I am so fond of him."

He came. But why did he come? She looked at him for a sign. He gave no sign. He did not even kiss her. He behaved as if he were an affable, usual acquaintance. This was superficial, but what did it hide? She waited for him, she wanted him to make some sign.

So the whole of the day they wavered and avoided contact, until evening. Then, laughing, saying he would be back in six months' time and would tell them all about it, he shook hands with her mother and took his leave.

Ursula accompanied him into the lane. The night was windy, the yew trees seethed and hissed and vibrated. The wind seemed to rush about among the chimneys and the church-tower. It was dark.

The wind blew Ursula's face, and her clothes cleaved to her limbs. But it was a surging, turgid wind, instinct with compressed vigour of life. And she seemed to have lost Skrebensky. Out there in the strong, urgent night she could not find him.

"Where are you?" she asked.

"Here," came his bodiless voice.

And groping, she touched him. A fire like lightning drenched them.

"Anton?" she said.

"What?" he answered.

She held him with her hands in the darkness, she felt his body again with hers.

"Don't leave me-come back to me," she said.

"Yes," he said, holding her in his arms.

But the male in him was scotched by the knowledge that she was not under his spell nor his influence. He wanted to go away from her. He rested in the knowledge that to-morrow he was going away, his life was really elsewhere. His life was elsewhere-his life was elsewhere-the centre of his life was not what she would have. She was different-there was a breach between them. They were hostile worlds.

"You will come back to me?" she reiterated.

"Yes," he said. And he meant it. But as one keeps an appointment, not as a man returning to his fulfilment.

So she kissed him, and went indoors, lost. He walked down to the Marsh abstracted. The contact with her hurt him, and threatened him. He shrank, he had to be free of her spirit. For she would stand before him, like the angel before Balaam, and drive him back with a sword from the way he was going, into a wilderness.

The next day she went to the station to see him go. She looked at him, she turned to him, but he was always so strange and null-so null. He was so collected. She thought it was that which made him null. Strangely nothing he was.

Ursula stood near him with a mute, pale face which he would rather not see. There seemed some shame at the very root of life, cold, dead shame for her.

The three made a noticeable group on the station; the girl in her fur cap and tippet and her olive green costume, pale, tense with youth, isolated, unyielding; the soldierly young man in a crush hat and a heavy overcoat, his face rather pale and reserved above his purple scarf, his whole figure neutral; then the elder man, a fashionable bowler hat pressed low over his dark brows, his face warm-coloured and calm, his whole figure curiously suggestive of full-blooded indifference; he was the eternal audience, the chorus, the spectator at the drama; in his own life he would have no drama.

The train was rushing up. Ursula's heart heaved, but the ice was frozen too strong upon it.

"Good-bye," she said, lifting her hand, her face laughing with her peculiar, blind, almost dazzling laugh. She wondered what he was doing, when he stooped and kissed her. He should be shaking hands and going.

"Good-bye," she said again.

He picked up his little bag and turned his back on her. There was a hurry along the train. Ah, here was his carriage. He took his seat. Tom Brangwen shut the door, and the two men shook hands as the whistle went.

"Good-bye-and good luck," said Brangwen.

"Thank you-good-bye."

The train moved off. Skrebensky stood at the carriage window, waving, but not really looking to the two figures, the girl and the warm-coloured, almost effeminately-dressed man Ursula waved her handkerchief. The train gathered speed, it grew smaller and smaller. Still it ran in a straight line. The speck of white vanished. The rear of the train was small in the distance. Still she stood on the platform, feeling a great emptiness about her. In spite of herself her mouth was quivering: she did not want to cry: her heart was dead cold.

Her Uncle Tom had gone to an automatic machine, and was getting matches.

"Would you like some sweets?" he said, turning round.

Her face was covered with tears, she made curious, downward grimaces with her mouth, to get control. Yet her heart was not crying-it was cold and earthy.

"What kind would you like-any?" persisted her uncle.

"I should love some peppermint drops," she said, in a strange, normal voice, from her distorted face. But in a few moments she had gained control of herself, and was still, detached.

"Let us go into the town," he said, and he rushed her into a train, moving to the town station. They went to a cafe to drink coffee, she sat looking at people in the street, and a great wound was in her breast, a cold imperturbability in her soul.

This cold imperturbability of spirit continued in her now. It was as if some disillusion had frozen upon her, a hard disbelief. Part of her had gone cold, apathetic. She was too young, too baffled to understand, or even to know that she suffered much. And she was too deeply hurt to submit.

She had her blind agonies, when she wanted him, she wanted him. But from the moment of his departure, he had become a visionary thing of her own. All her roused torment and passion and yearning she turned to him.

She kept a diary, in which she wrote impulsive thoughts. Seeing the moon in the sky, her own heart surcharged, she went and wrote:

"If I were the moon, I know where I would fall down."

It meant so much to her, that sentence-she put into it all the anguish of her youth and her young passion and yearning. She called to him from her heart wherever she went, her limbs vibrated with anguish towards him wherever she was, the radiating force of her soul seemed to travel to him, endlessly, endlessly, and in her soul's own creation, find him.

But who was he, and where did he exist? In her own desire only.

She received a post-card from him, and she put it in her bosom. It did not mean much to her, really. The second day, she lost it, and never even remembered she had had it, till some days afterwards.

The long weeks went by. There came the constant bad news of the war. And she felt as if all, outside there in the world, were a hurt, a hurt against her. And something in her soul remained cold, apathetic, unchanging.

Her life was always only partial at this time, never did she live completely. There was the cold, unliving part of her. Yet she was madly sensitive. She could not bear herself. When a dirty, red-eyed old woman came begging of her in the street, she started away as from an unclean thing. And then, when the old woman shouted acrid insults after her, she winced, her limbs palpitated with insane torment, she could not bear herself. Whenever she thought of the red-eyed old woman, a sort of madness ran in inflammation over her flesh and her brain, she almost wanted to kill herself.

And in this state, her sexual life flamed into a kind of disease within her. She was so overwrought and sensitive, that the mere touch of coarse wool seemed to tear her nerves.

Chapter 12

Shame

Ursula had only two more terms at school. She was studying for her matriculation examination. It was dreary work, for she had very little intelligence when she was disjointed from happiness. Stubbornness and a consciousness of impending fate kept her half-heartedly pinned to it. She knew that soon she would want to become a self-responsible person, and her dread was that she would be prevented. An all-containing will in her for complete independence, complete social independence, complete independence from any personal authority, kept her dullishly at her studies. For she knew that she had always her price of ransom--her femaleness. She was always a woman, and what she could not get because she was a human being, fellow to the rest of mankind, she would get because she was a female, other than the man. In her femaleness she felt a secret riches, a reserve, she had always the price of freedom.

However, she was sufficiently reserved about this last resource. The other things should be tried first. There was the mysterious man's world to be adventured upon, the world of daily work and duty, and existence as a working member of the community. Against this she had a subtle grudge. She wanted to make her conquest also of this man's world.

So she ground away at her work, never giving it up. Some things she liked. Her subjects were English, Latin, French, mathematics and history. Once she knew how to read French and Latin, the syntax bored her. Most tedious was the close study of English literature. Why should one remember the things one read? Something in mathematics, their cold absoluteness, fascinated her, but the actual practice was tedious. Some people in history puzzled her and made her ponder, but the political parts angered her, and she hated ministers. Only in odd streaks did she get a poignant sense of acquisition and enrichment and enlarging from her studies; one afternoon, reading As You Like It; once when, with her blood, she heard a passage of Latin, and she knew how the blood beat in a Roman's body; so that ever after she felt she knew the Romans by contact. She enjoyed the vagaries of English Grammar, because it gave her pleasure to detect the live movements of words and sentences; and mathematics, the very sight of the letters in Algebra, had a real lure for her.

She felt so much and so confusedly at this time, that her face got a queer, wondering, half-scared look, as if she were not sure what might seize upon her at any moment out of the unknown.

Odd little bits of information stirred unfathomable passion in her. When she knew that in the tiny brown buds of autumn were folded, minute and complete, the finished flowers of the summer nine months hence, tiny, folded up, and left there waiting, a flash of triumph and love went over her.

"I could never die while there was a tree," she said passionately, sententiously, standing before a great ash in worship.

It was the people who, somehow, walked as an upright menace to her. Her life at this time was unformed, palpitating, essentially shrinking from all touch. She gave something to other people, but she was never herself, since she had no self. She was not afraid nor ashamed before trees, and birds, and the sky. But she shrank violently from people, ashamed she was not as they were, fixed, emphatic, but a wavering, undefined sensibility only, without form or being.

Gudrun was at this time a great comfort and shield to her. The younger girl was a lithe, farouche animal, who mistrusted all approach, and would have none of the petty secrecies and jealousies of schoolgirl intimacy. She would have no truck with the tame cats, nice or not, because she believed that they were all only untamed cats with a nasty, untrustworthy habit of tameness.

This was a great stand-back for Ursula, who suffered agonies when she thought a person disliked her, no matter how much she despised that other person. How could anyone dislike her, Ursula Brangwen? The question terrified her and was unanswerable. She sought refuge in Gudrun's natural, proud indifference.

It had been discovered that Gudrun had a talent for drawing. This solved the problem of the girl's indifference to all study. It was said of her, "She can draw marvellously."

Suddenly Ursula found a queer awareness existed between herself and her class-mistress, Miss Inger. The latter was a rather beautiful woman of twenty-eight, a fearless-seeming, clean type of modern girl whose very independence betrays her sorrow. She was clever, and expert in what she did, accurate, quick, commanding.

To Ursula she had always given pleasure, because of her clear, decided, yet graceful appearance. She carried her head high, a little thrown back, and Ursula thought there was a look of nobility in the way she twisted her smooth brown hair upon her head. She always wore clean, attractive, well-fitting blouses, and a well-made skirt. Everything about her was so well-ordered, betraying a fine, clear spirit, that it was a pleasure to sit in her class.

Her voice was just as ringing and clear, and with unwavering, finely-touched modulation. Her eyes were blue, clear, proud, she gave one altogether the sense of a fine-mettled, scrupulously groomed person, and of an unyielding mind. Yet there was an infinite poignancy about her, a great pathos in her lonely, proudly closed mouth.

It was after Skrebensky had gone that there sprang up between the mistress and the girl that strange awareness, then the unspoken intimacy that sometimes connects two people who may never even make each other's acquaintance. Before, they had always been good friends, in the undistinguished way of the class-room, with the professional relationship of mistress and scholar always present. Now, however, another thing came to pass. When they were in the room together, they were aware of each other, almost to the exclusion of everything else. Winifred Inger felt a hot delight in the lessons when Ursula was present, Ursula felt her whole life begin when Miss Inger came into the room. Then, with the beloved, subtly-intimate teacher present, the girl sat as within the rays of some enrichening sun, whose intoxicating heat poured straight into her veins.

The state of bliss, when Miss Inger was present, was supreme in the girl, but always eager, eager. As she went home, Ursula dreamed of the schoolmistress, made infinite dreams of things she could give her, of how she might make the elder woman adore her.

Miss Inger was a Bachelor of Arts, who had studied at Newnham. She was a clergyman's daughter, of good family. But what Ursula adored so much was her fine, upright, athletic bearing, and her indomitably proud nature. She was proud and free as a man, yet exquisite as a woman.

The girl's heart burned in her breast as she set off for school in the morning. So eager was her breast, so glad her feet, to travel towards the beloved. Ah, Miss Inger, how straight and fine was her back, how strong her loins, how calm and free her limbs!