The Richard Burton Diaries (225 page)

Thursday 18th
13 days since writing – at least in this apology for a journal. Most importantly Vivvy and Vanessa [...] have arrived from J'burg. [...] Both Susan and I and grandparents and Valerie and Bob immensely relieved. [...] Now for the dreariness of divorce and who gets custody of the baby etc. That could go on and on. But [...] – I am delighted with the child. I have played with her for hours. And I'm trying to remember what my other babies were like at that age – Kate, Jessica and Maria. I cannot remember of course.

[...] Susan and Vivienne and Baby and I and a brilliant sunny autumnal day and full houses. What more could one euphorically want? And so to walk.

[...] As I entered the hotel I was greeted by a thunderous Welsh accent saying ‘Well look who's here by God Almighty. I heard you were about but didn't think I'd see you.’ I replied ‘Sen he has all my brether ta'en He will nocht let me live alane. Of force I man his nex’ prey be Timor mortis conturbat me.‘
⁷⁰
It was Ian Bannen, the very fine, highly eccentric Scots actor.
⁷¹
With him was his wife. So he has married at last after years of living with this one and that one. He must be 50 years old or so. I remember him first at Stratford-upon-Avon at the Memorial Theatre (now called ‘The Royal Shakespeare') and was intrigued by the fact that he had a very (to me then) expensive two-seater sports car despite the fact that he was a mere walk-on and understudy. Among other roles, he understudied that of the Scot in
Henry V
in which I played the King. One night the actor playing the Scot was off and this boy went on. To me it was sensational – Bannen showed immediate, perhaps instinctive, dynamic quality. Nobody else seemed to notice. It was therefore no surprise to me that later he became one of the world's finest actors. He is, at the moment, doing a personal appearance tour for
Tinker, Tailor, Soldier, Spy
.
⁷²
[...] I'm very fond of him. His wife is attractive and seemingly good and kind. He needs
that – I would guess. The last time I worked with him I played Winston Churchill and he played Hitler. I thought he was splendid but the American producers thought he'd gone too far. I didn't think so and said that it was almost impossible to go too far with A. Hitler. They made him tone it down which I still think a shame. The show was for the
Hallmark Hall of Fame
yet! As they say. Very frightened people the latter lot. The
NY Times
had asked me to write about playing WSC and had published the article which wasn't entirely complimentary about ‘the great man’ on the Sunday of the TV premiere of the film in the USA.
⁷³
I'm told that the
Hallmark Hall of Fame
people nearly had several heart attacks and seriously thought of cancelling the show.
⁷⁴
So frightened indeed, is everybody in American TV [...] that one derogatory article in the August
NY Times
sends them immediately into conniptions. When one realizes that though the
NY Times
is read by a couple of million people and the viewing figures for a show of that magnitude are 60 or 70 or 80 millions who could not possibly be affected by what I wrote in the
NY Times
on the very day of issue and show one begins to wonder afresh at the sickness of our Western Society. Further, though I was very good in the part and would have been a certainty for the abominable
Emmy
(for make-up) if nothing else, my article struck at their fearless hearts and I wasn't even nominated. What should such creatures as they do, crawling between heaven and earth.
⁷⁵
[...] Almost time to go to work. [...]

It's 11.55 and midnight is upon us again. In the car on the way home I saw what I thought with my bad eyesight, was the moon and muttered almost to myself: ‘Regard the moon. La Lune ne garde aucune rancune, She winks a feeble eye, she smiles into corners, she smoothes the hair of the grass. A washed out small pox cracks her face.’ Susan asked ‘What's that you're saying?’ I said that it was T. S. Eliot – a bit from ‘Rhapsody on a Windy Night’.
⁷⁶
When we were home, I said, I would try and remember the whole thing. I've tried (Susan is cooking supper) and can't get it all. Large lumps of it but not the whole thing. That means a walk to a book shop tomorrow. Unless midnight, ‘this midnight, tonight,’ shakes the memory as a madman shakes a dead geranium.‘
⁷⁷
I must confess that some of Eliot's metaphors are hard wrought and sometimes unlikely and not at all evocative. ‘Prufrock’ for instance with ‘when the evening is spread out against the sky, like a patient etherised upon
the table.‘
⁷⁸
Shocking then I suppose but a dead and very forced image now. [...]

Tuesday 23rd
We are playing 13 days consecutively. Last night after a sleepless (who knows why?) night I laboured mightily through the piece with sudden turns of my head making me dizzy, both shoulders taut with pain, and legs of lead. [...] Came home immediately, dined while watching with dulled eyes Roger Moore in a
Saint
episode.
⁷⁹
To bed and read and slept for ten solid hours. Consequent feeling of relief today almost amounting to joie de vivre.

I did the ‘Kup show‘
⁸⁰
and though the questions were more or less the same as everybody else's they were framed with much more warmth and charm than most. We went well over the scheduled
¹
/
₂
hour to 42 minutes so the other guests, I understand, had to make do with what remained of the hour.

Last Friday night we supped after the show with a Mr Bricause and wife, Kup and wife, Forrest Tucker and daughter, and several other people – all unknown to me.
⁸¹
‘Tuck’ boisterously drunk and loud. Nice man but can't hold the booze anymore. He shouted a lot and everybody except me was highly embarrassed. There but for the grace of Susan and God, thought I, goes I. Fortunately for the others he passed out early, in the middle, as ‘twere, of a sentence and his daughter – a nice girl and as big as he is, took him home. To me, but hopefully not to himself, Forrest Tucker, is a minor tragedy. Very big personality, very big voice, handsome, very big man (6’ 4–5", I would guess and heavy with it) and, as far as I know, never been out of work and, I would think, has made a lot of money in his time – for years he was in a TV series called
F TROOP
.
⁸²
And yet he has never made the big scene, the big time. Far lesser people with far less talent have done far more. Where did it all go wrong? If he is happy with his lot then he's happy and he's been lucky. If he thinks of the other possibilities then he must be very unhappy. The ‘other possibilities’ are the doubtful privilege of a very thin company of actors or actresses, stage or screen. Those who for some reason create excitement wherever they appear, where audiences metaphorically – and sometimes literally – sit on the edge of their seats waiting for the ticking bomb to explode into a fury of interpretive creativity. Still and all, he works continually and is well paid which is a privilege in itself. So many thousands and thousands in my profession wear out
legions of shoes, walking from agent to agent, from audition to audition for ever and ever. Poor sods.

Rex Harrison opens tonight – after a week of previews – in New Orleans in that jewel of a musical
My Fair Lady
. I'm told that his energy level and stamina are as electric as ever despite his advancing years (he's about 71, I think) and I pray for a repeat of his original smash hit in the same piece 25 odd years ago. Unlike most people so I understand I genuinely delight in the successes of my friends and do not exult in their failures. I think Rex is, of his genre, the greatest actor in the world – the highest of high comedians. No less a person than that delicious Noël Coward once said ‘Rex is the greatest light-comedian in the world’ – pause ‘after me.’ I would say they were at least even, with Rex having the edge. I shall be thinking of him all evening long. Both Susan and I have sent him telegrams separately and one to the entire company together. Rex's brand of acting and his off-stage personality are inextricably bound together. Most obviously, for instance Rex's normal private-life voice is the same as the voice on-stage – only projected a little more. I think mine is. So is George C. Scott's, so is Gielgud's, so was Coward's so is Jason Robards’, so is Fonda's, so is Richardson's but Olivier's is totally different, and Scofield's, and Guinness’.
⁸³
Alec and Paul tend to ‘boom’ on stage though cathedrically quiet off and Larry Olivier's develops a machine-gun metallic rattle with an occasional shout thrown in ‘to keep,’ as he said to me once ‘the bastards awake.’ I'm not quite sure whether Larry meant his fellow-actors or the audiences or both. But one has to be careful with Larry – he is a great dead-pan leg-puller and one is never quite sure whether he is probing very subtly for weak spots or majestically sending one up. Superb good value though all of them. O'Toole's voice too eccentrically accented in private is the same on the stage. I wonder what it means. Does it mean that Olivier, Guinness and Scofield are basically and essentially character actors while the rest of us mentioned above are simply extensions of ourselves. Well, the more I act and the more I think about it (which is not very often) the less I know of the heart of its mystery. Why one believes absolutely in one actor and knows he's blazingly honest and not in another equally dazzling player is beyond my competence to explain. I can only accept it and hope for the best.

Talking of O'Toole I only knew by chance that he had taken such a terrible hammering – a front-page hammering – from the British critics for his performance in
Macbeth
. I knew only because Onllwyn Brace came to supervise my narration in the documentary film about Welsh rugby football. ‘Your pal O'Toole,’ he said, ‘has been murdered by the English critics.’ ‘For what?’ asked I. ‘For
Macbeth
,’ said he. I phoned Peter that night as soon as the hours
were right and managed to catch him before he'd left the Old Vic. I said, ‘a couple of boys from the BBC were over today to record my voice and they told me you've had a bit of stick from the critics.’ ‘Yes.’ ‘How are the houses?’ I asked. ‘Packed.’ ‘Then remember this my boy,’ I said (he is 4 years younger), ‘you are the most original actor to come out of Britain since the war and fuck the critics.’ ‘Thank you.’ ‘Think of every four letter obscenity, six, eight ten and twelve letter expletives and ram it right up their envious arses in which,’ I said, paraphrasing Robert Atkins, ‘I'm sure there is ample room.‘
⁸⁴
‘Thank you.’ ‘Good night Peter. Don't give in and I love you.’ ‘I won't and it's mutual.’ ‘Good night again.’ ‘Good night Richard and thank you.’

That was the extent of our conversation but my fury at the critics took me through the night – another sleepless one – and I thought of all the things I should have said to Peter and didn't and thought I should write him a letter and didn't and prayed to God I hadn't sounded like a false sympathizer secretly rejoicing in his critical debacle. But no, I comforted myself, he knows I too have been through the fire and understand. And by God I have too. It's a phenomenon that is again inexplicable that a few of us – O'Toole, Sinatra, Brando, Elizabeth Taylor, Jane Fonda, Barbra Streisand et al. carry something sanguicolous and the parasite is called ‘press-envy’ – especially in our own countries. Why is it? Because we take risks and run against the conventional. It cannot be because we are, albeit patchily, successful and earn millions because one never hears of viciousness anent Robert Redford or Dustin Hoffman Paul Newman or De Niro or Jon Voight but one does about Al Pacino – my dear he has – an American Film Star yet – dared to play
Richard III
!
⁸⁵
And what's more – horror of horrors – he's going to have a go at
Othello
. Shakespeare's
Othello
, no less. I can hear the critics and gossip-mongers and the Sardi-Set already stirring up the vitriol.
⁸⁶
Mr Pacino is certainly not lacking in courage – he has my deepest admiration. [...]

Monday 29th
We shall be leaving at 1pm for the airport and so to Dallas. [...] Susan slipped while packing yesterday and gave herself a nasty bump on her middle spine. Both my shoulders have seized up again. [...] Vivienne very depressed yesterday and Susan had a weep – the shock of the fall didn't help. Vivvy said Susan was working too hard. I wonder if Vivvy realizes that she, Vivvy, has been the prime cause of Susan's high tension. Well now for three weeks alone with S. It's a curiosity that when Susan and I are apart from other people and only have each other we are perfectly happy. The intrusion of a third person, however affable and amiable begins to irritate
us after a mere two days or so. We'll have to be careful of this. It could destroy us. [...]

We had dinner (supper) on Saturday night with the Kupcinets. Susan – as I hoped – has taken to them very much. What a pity that the people one really likes are almost always geographically very distant. [...]

Received an odd telegram from Tim Hardy (I presume) saying that he'd given a long interview to Paul Ferris – a South Welsh writer who's determined to write a book about me. I've tried to discourage him by total silence. Tim assures me that Ferris is a distinguished writer. Well, I've read his (Ferris') biog of Dylan Thomas and found it petty and silly. Fitzgibbon's book is far warmer and generous.
⁸⁷

We closed at the Arie Crown here on Saturday night to the usual non-audience
during
the show, sluggish and dull, and slow, but an ecstatically thunderous ovation at the end as ever. [...] Now we shall see how Texans – Dallas Texans in particular – respond. We are already completely sold out in Dallas, but they couldn't possibly be any nicer and generous than Chicagoans everybody, policemen, people in the streets, pubs and restaurants etc. have been overwhelmingly kind and it has been very gratifying to break every conceivable record, house, city and world records for attendance. [...]