Read The Rules of Attraction Online
Authors: Bret Easton Ellis
Like all rich hippies (for this hippie was extremely
wealthy; her father owned VISA or something) she spent a lot of time following The Dead around. She’d simply split school for a week with other rich hippies and they’d follow them around New England, stoned out of their minds, reserving rooms and suites at Holiday Inns and Howard Johnsons and Ramada Inns, making sure to always have enough Blue Dragon or MDA or MDMA or Ecstasy. She’d come back from these excursions ecstatic, claiming that she was indeed one of Jerry’s long lost children; that her mother had made some sort of mistake before she married the VISA guy, that she truly was one of “Jerry’s kids.” I guess she was one of Jerry’s kids, though I wasn’t sure which kind.
There were problems.
The hippie kept telling me I was too stiff, too uptight. And because of this the hippie and I broke up before the end of term. (I don’t know if that’s the real reason, but looking back it seems weird that we even bothered since the sex was so good.) It came to an end one night when I told her, “I think this is not working.” She was. stoned. I left her at the party after we made out in her room upstairs at Dewey House. I went home with her best friend. She never knew or realized it.
The hippie was always tripping, which bothered me too. The hippie was always trying to get me to trip with her. I remembered the one time I did trip with her I saw the devil: it was my mother. I was also sort of amazed that she even liked me in the first place. I would ask her if she’d ever read much Hemingway. (I don’t know why I asked her about him since I never had read that much.) She would tell me about Allen Ginsberg and Gertrude Stein and Joan Baez. I asked her if she had read
Howl
(which I had only heard about through some crazy class called Poetry and the Fifties, which I failed) and she said, “No. Sounds harsh.”
The last time I saw the hippie I was reading an article on the postmodern condition (this was when I was a Lit major, before I became a Ceramics major, before I became a Social
Science major) for some class I failed in some stupid magazine called
The New Left,
and she was sitting on the floor of the smoking section, stoned, looking at the pictures in the novelization of the movie
Hair
with some other girl. She looked up at me and giggled then slowly waved. “Beautiful,” she said, turning a page, smiling.
“Yeah. Beautiful,” I said.
“I can dig it,” the hippie told me after I read some of her haiku and told her I didn’t get it. The hippie told me to read
The Tale of Genji
(all of her friends had read it) but “You have to read it stoned,” she warned. The hippie also had been to Europe. France was “cool” and India was “groovy” but Italy wasn’t cool. I didn’t ask why Italy wasn’t, but I was intrigued why India was “groovy.”
“The people are beautiful,” she said.
“Physically?” I asked.
“Yeah.”
“Spiritually?” I asked.
“Uh-huh.”
“How spiritually?”
“They were groovy.”
I started liking the word “groovy” and the word “wow.” Wow. Spoken low, with no exclamation, eyes half-closed, fucking, how the hippie said it.
The hippie cried when Reagan won (the only other time I’d seen her cry was when the school dropped the yoga classes and replaced them with aerobics), even though I had explained patiently, carefully, what the outcome of the election was going to be, weeks in advance. We were on my bed and we were listening to a Bob Dylan record I had bought in town a week earlier, and she just said, sadly, “Fuck me,” and I fucked the hippie.
One day I asked the hippie why she liked me since I was so different from her. She was eating pita bread and bean sprouts and writing on a napkin with a purple pen, a request for the comment board in the dining hall: More Tofu Please. She said, “Because you’re beautiful.”
I got fed up with the hippie and pointed to a fat girl
across the room who had written something nasty about me on the laundry room wall; who had come up to me at a Friday night party and said, “You’d be gorgeous if you were five inches taller.”
“Is
she
beautiful?” I asked.
She looked up, bean sprout stuck on lower lip, squinted and said, “Yeah.”
“That bitch over there?” I asked, pointing, appalled.
“Oh her. I thought you meant that sister over there,” she said.
I looked around. “Sister? What sister? No,
her,
” exasperated, I pointed at the girl; mean-looking, fat, black sunglasses, a bitch.
“Her?” the hippie asked.
“Yeah. Her.”
“She’s beautiful too,” she said, drawing a daisy next to the message on the napkin.
“What about him?” I pointed to a guy who it was rumored had actually caused his girlfriend to kill herself and everyone
knew.
There was no way in hell the hippie could think that
he,
this fucking monster, was beautiful.
“Him? He’s beautiful.”
“Him? Beautiful? He killed his fucking girlfriend. Ran her over,” I said.
“No way,” the hippie grinned.
“Yes! It’s true. Ran her straight over with a car,” I said, excited.
She just shook her lovely, empty head. “Oh man.”
“Can’t you make distinctions?” I asked her. “I mean, our sex is great, but how can everything, everyone be beautiful? Don’t you understand that that means no one is beautiful?”
“Listen, man,” the hippie said. “What are you getting at?”
She looked at me, not grinning. The hippie could be sharp. What
was
I getting at?
I didn’t know. All I know was that the sex was terrific.
And that the hippie was cute. She loved sweet pickles. She liked the name Willie. She even liked
Apocalypse Now.
She was not a vegetarian. These were all on the plus side. But, once I introduced her to my friends, at the time, and they were all stuck-up asshole Lit majors and they made fun of her and she understood what was going on and her eyes, usually blue, too blue, vacant, were sad. And I protected her. I took her away from them. (“Spell Pynchon,” they asked her, cracking up.) And she introduced me to her friends. And we ended up sitting on some Japanese pillows in her room and we all smoked some pot and this little hippie girl with a wreath on her head, looked at me as I held her and said, “The world blows my mind.” And you know what?
I fucked her anyway.
PAUL
He liked me. He would sing “Can’t Take My Eyes Off of You” by Frankie Valli. It was on the jukebox at The Carousel in North Camden and he would ask me to play it a lot. The townies would watch us suspiciously, Sean shooting pool, drinking beer, me shuffling over to the jukebox, slipping quarters in it, punching F17, the first strains coming on, shuffling back to where Sean sat, now by the bar, motorcycle helmets propped up by our drinks, and he’d lip-synch it. He even found the single and put it on a tape he made for me when I was in bed with a hangover. It was in a bag he brought over that included orange juice,
beer and French fries and a Quarter Pounder from McDonald’s, still warm.
When he didn’t want to go to class and when he didn’t want me to go either and he found it too boring to simply not go and sit around, I’d follow him to the infirmary and once there he would have fake attacks; fairly well-planned and -acted fits and imaginary seizures. He would then receive medicine and the two of us would leave (I’d complain that my migraines were acting up), excused from classes for the day, and we’d go into town to an arcade called The Dream Machine and play this totally anal retentive video game he loved to play called Bentley Bear or Crystal Bear or something like that. Afterwards we’d walk through town together. I’d look around for a double bed and he’d look for cough syrup with codeine in it so he could get high (this was after he smoked all the pot; what a hick, I know, I know). He’d find the cough syrup and actually get stoned on it (“I
am
hallucinating,” he’d announce) and we’d drive back to campus on his bike as it got dark in the late afternoon. By then, classes had already ended. And back in his room, which was usually a mess (at least his side), I’d sit around and play tapes and watch him stumble around and spin, high. He was always so animated around me, but so reserved and serious in front of other people. In bed, too, he’d alternate between being melodramatically loud and then a parody of the strong silent type: either grunting softly or emitting a weird quiet laughter, then it was suddenly loud rhythmic “yeah’s” or yelling muffled obscenities, on top of me, me on top of him, both of us hungover, the stale smell of beer and cigarettes everywhere, the empty cups with the quarters stuck on the bottom of them scattered around the floor and the always-present odor of pot, hanging thick in mid-air, reminded me of Mitchell strangely enough, but he was already fading away, and it was hard to remember what he even looked like.
Sean liked to say “Rock’n’roll” a lot. For example I would say, “Well, that was a pretty good movie” and he’d say “Rock’n’roll.” Or I’d ask, “What do you think of Fassbinder’s
early work?” and he would reply “Rock’n’roll.” He also liked the term, “Deal with it.” For example, I’d say, “But I want you to,” and he’d say, “Deal with it.” Or, “But why do you have to get stoned before we do it?” and he’d say, “Deal with it,” without even looking at me. He also liked his coffee really faggy—tons of cream, lots of sugar. I’d have to drag him to the movies they showed that term and he’d have to get stoned first. He liked
Taxi Driver, Blade Runner, The Harder They Come,
and
Apocalypse Now.
I liked
Rebel Without a Cause, Close Encounters of the Third Kind
and
The Seventh Seal.
(“Oh shit, subtitles,” he moaned.) We both didn’t like
Everything You Always Wanted to Know About Sex.
Of course I started finding the notes someone was leaving in his box. Pathetic, girlish yearnings. Whoever it was, offering “herself” to “him.” And though I wasn’t sure if he was actually responding to this nitwit I still would take them out of his box and either throw them away or keep them and study them and then put them back. I would watch the girls who’d flirt with us in The Pub and I’d watch the ones who would sit next to him, asking for a light even though they had matches in their pockets. And, of course, there would be a lot of girls around since he was so good-looking. And though I hated them, I also realized that I had the power in this game since I was also good-looking and had some semblance of a personality, something Sean lacked utterly. I could make them laugh. I could lie and agree with their stupid observations about life, and they’d lose immediate interest in him. Sean would sit there, shallow as a travel agent’s secretary, that one strip of eyebrow furrowed and confused. But it was a hollow victory and I’d look at the girls and wonder who was leaving the notes. Didn’t that person realize we were fucking each other? Didn’t that mean anything to anyone anymore? Obviously not. I thought it was this one girl. I thought I saw her put something in his box. I knew who she was. I found out where her box was and when no one was looking put a couple of
cigarettes out in it. My warning. He never mentioned it. But then I realized that maybe it wasn’t a girl leaving the notes. Maybe it was Jerry.
LAUREN
Conroy, who I bump into at the American Cartoon Exhibit in Gallery 1, asks why I wasn’t at the tutorial last Saturday. No use arguing. “I was in New York,” I tell him. He doesn’t care. I’m with Franklin now. Judy doesn’t care. She’s seeing the Freshman, Steve. Steve doesn’t care. She fucked him the night she went to Williamstown. I don’t care. It’s all so boring. Conroy who doesn’t care tells me to tell the other person in class to come on Saturday. It’s some Senior guy. So after I leave a reminder in this guy’s box, Franklin and I go to The Pub and get a little drunk and Franklin tells me what the symbolism in
Cujo
means and then we go to my room. I have received no mail from Victor. The idea crosses my mind that Victor might just be dead. Conversation I overheard at lunch the other day.
Boy: I think we should stop this.
Girl: Stop what? This?
Boy: Maybe.
Girl: Stop it? Yeah.
Boy: Maybe. I don’t know.
Girl: Was it because of Europe?
Boy: No. I just don’t know why.
Girl: You should stop smoking.
Boy: Why don’t you stop … stop …
Girl: You’re right. It’s not working.
Boy: I don’t know. You’re really … You
are
pretty.
Girl: You
are
too.
Boy: The meek shall inherit the earth.
Girl: The meek don’t want it.
Boy: I like the new Eurythmics song.
Girl: It’s the drugs, isn’t it?
Boy: Do you want to go back to my room?
Girl: What Eurythmics song?
Boy: Was it because of who I slept with?
Girl: No. Yes. No.
Boy: The meek don’t want it? What?
I have not painted in over a week. I am going to change my major unless Victor calls.
PAUL
My mother called from Chicago and told me that her Cadillac had been stolen while it was in the parking lot of Neiman Marcus. She mentioned that she was flying to Boston on Friday, which was the next day, and would be
there for the weekend. She also mentioned that she wanted me to be there with her.
“Wait. That’s tomorrow. I have classes all day,” I lied.
“Darling, you can miss one class to meet your mother and the Jareds.”
“The Jareds are coming?”
“Didn’t I tell you? Mrs. Jared is coming and so is Richard. He’s taking the weekend off from Sarah Lawrence,” she said.
“Richard?” Hmmm, that ought to be interesting, I was thinking, but tomorrow was The Dressed To Get Screwed party and there was no way I was going to leave Sean here unguarded. “You have got to be kidding,” I told her. “Is this a joke?”
I was leaning against a wall in the phone booth of Welling. I had been in town all day, most of it spent in an arcade with Sean who was trying to get the high score on Joust and was failing miserably. We smoked pot and had three beers each at lunch and I was tired. There was a cartoon someone had drawn next to the phone: in a cage was a hot dog that had sad eyes and a mean, pursed mouth and spindly arms grabbing at the bars. The hot dog was asking “Where’s me muddah?” and beneath that someone had written: “A term for the wurst.”