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Authors: Susan Hill

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BOOK: The Shadows in the Street
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The words meant nothing. They were gobbets of sound hanging on the air between the two of them. Miles. Hurley. Has. Asked. To. See. You.

‘Because he’s a remand prisoner until the trial, he doesn’t need to send a visiting order. You simply telephone the prison and book a time.’

‘Why?’ Stephen touched his scalded tongue to the roof of his mouth.

‘He – has things to say to you. I imagine that he feels he needs to say.’

‘There is – nothing. Nothing to be said. How could there be?’

‘I understand. Of course I understand.’ James Penman stirred his coffee. Waited.

Miles. Hurley. Has. Asked. To. See. You.

‘Might it – perhaps if he spoke to you it could help towards some sort of …’

‘Understanding? Forgiveness? Sympathy? What? Towards what?’ He heard his own voice, strident in the quiet room.

‘I know.’ Penman’s voice was calm. Not strident. Stephen felt embarrassed. ‘There is absolutely no reason why you should agree to this request. He has asked to see you. You are at liberty to send back a simple refusal. No. You don’t have to give reasons. Just “no”. Or you can go. Your call.’

‘Why does he want to see me? Does he say?’

‘No. I asked. Do you want me to call back, see if I can find out a bit more?’

Stephen got up and went to the window. The sun was still pale through a film of cloud. The brick of the high garden wall was rose-red.

He thought of Ruth, complaining about the garden at the Deanery. ‘I don’t want to have to do the garden thing, I’m not a garden woman. It’s huge. Can’t we let it off or something?’ But the Deanery was weeks off being ready for anyone, even now. He need never worry. She need never worry. Whoever came would move straight in there. Would they want a large garden? Who would they be?

He turned round and – before he had allowed himself time to let the subject worm its way back into his mind and burrow there, so that he had to consider it – he said, ‘Yes. I’ll go. Tell me where I have to go. Tell me what I will have to do.’

He was grateful to Penman for taking in what he said at once and without querying it, without asking him if he was sure.

He was not sure.

‘The best thing will be for me to get the Brief to telephone you, run you through the procedure. It’s quite straightforward. You need photo identity – passport is fine. And be prepared to be searched.’

He stood up.

Searched?

Stephen, standing briefly at the door, watched Penman cross the Close on his stork-like legs, shoulders bent.

Would they expect him to be trying to take in drugs? Money? A weapon?

He did not think about it again. It was the only way he could continue to function, to see people, pack books, eat, sleep. He turned a switch off. It surprised him how easy it was to do so.

James Penman offered to drive him to the prison, seventy miles across the county, but he preferred to go alone and by train and taxi, not trusting himself at the wheel. He knew that he could think of other things on the way there, keep the switch off. But on the return journey?

He had imagined that he would wear a tie but, when he dressed, he reached for his clerical collar.

‘Chaplain, then?’ the taxi driver said. ‘Some tough nuts for you to crack in there, I tell you. Only a lot of them get God inside. Kiddy-fiddlers do it, I tell you, then come out with haloes, all forgiven, job in the church youth club, off they go again. You know that, do you?’

If he had allowed himself to imagine it, to think of it at all, he would have known what the prison would look like.

‘Supposed to be knocking this lot down, getting a nice comfy new one only there’s no money. Still, I daresay you know all about that.’

There was a side door. They checked his name off. Perfectly pleasant. The search didn’t take long. He had to empty his pockets.

Keys. The sound of footsteps. More keys. He had visited a parishioner in Wandsworth years ago. Nothing had changed apart from the security electronics.

The only way was not to think. Follow behind.

He had expected to join a queue of other visitors in line. There was no one.

‘This is a one to one, Reverend, you know that I expect, Brief will have explained. Special Perm. But there’ll be an officer in the room. It’s twenty minutes.’

Stephen felt panic like nausea coming into his throat. The switch went down and he knew where he was and why. Realisation flooded in.

It was the usual sort of room. If he had allowed himself to think ahead he would have been able to picture it.

‘If you’d like to take a seat, Reverend.’

The table was bare. Room bare. Walls bare apart from
No Smoking
and a fire assembly points map. The warder who had brought him went away. Sounds from somewhere, voices, footsteps on metal stairs.

Stephen felt suddenly calm. He had not prayed but his prayer was anticipated. Answered.

Footsteps.

Stephen simply sat, staring down at his own hand on the table top because – having glanced at him once, as he was brought in – he could not look at Miles again. It was worse than he could possibly have imagined. His feelings were so confused, so turbulent, so violent that he had to press his feet against the floor to stop himself from … he did not know.

But then the chair opposite to him was pulled out and he was sitting down, quite close, because it was not a big table. Stephen could feel his warmth, smell an institutional soap, see his wrist below the prison uniform sweat shirt.

The warder stood back against the wall. But watching, watching. Ready. The silence was terrible.

‘Thank …’ Miles’s voice went husky. He coughed. Cleared his throat. ‘Thank you for coming Stephen,’ he said.

Stephen could say nothing. Could not look up.

Silence.

Miles cleared his throat again. ‘I could have written this, but that … but I needed to see you. Tell you.’

You needed, Stephen thought. Is this right? I have come here because of what you need?

Stephen looked up and straight into Miles Hurley’s face.

His skin was pale, with a blue shadow round his jaw, dark streaks beneath his eyes. He had lost weight. His eyes were dull, apart from points of piercing brightness in the centres. His thinning hair was combed back from his forehead.

This is the man who killed my wife, Stephen thought calmly. These hands, in front of me on the table, gripped her round the throat. This is … this …

‘There is no forgiveness,’ Miles said. ‘I know that. I understand that. I don’t expect to be forgiven. But perhaps you don’t understand.’

Stephen realised that he had not spoken a single word since entering the room. He had thought that he had none to speak. But he had.

‘Understand? How can I understand?’

‘No. Of course. But … not the others. Not the – the women. Ruth. I need you to understand the Ruth part of it.’

The Ruth part.

Stephen wanted to walk out but he had no strength to move, his legs would not have held him.

Miles stared at his hands and did not speak again for some moments. The warder shifted his weight but did not take his eyes away from them. Noises. A door clanging. Footsteps. A burst of distant laughter echoing down a stairwell.

It was Stephen who broke the silence between them.

‘You killed her because she knew. She came outside and saw you and she knew, and so you killed her.’

‘Yes. No. No, that isn’t all. That …’

He looked up. The bright pinheads stared into Stephen’s own eyes. His thumbs were working to and fro against his forefingers.

‘I did it for you,’ Miles said. ‘Can’t you see? Don’t you understand?’

And then the room was filled with a mad babble of words.

‘You had to put up with her, that woman, you were so good, so caring, you were … All that madness, that abuse, that mania, those weeks of … all of that. She went missing, you went after her, you always brought her back, she pushed you into this, into that, and I knew you didn’t want it, I knew it was always against your judgement, we all knew it, but you, your kindness. Your loving of her. You were chained to that, she was tied to you and she would never have let you go, shackled, yes, that’s what I mean, shackled. Why did you marry her? I never understood it, no one did. She held you back, she embarrassed you, she was of no use to you at all but you went on and I saw that nothing would change. If you couldn’t make it change now you would never … it would have gone on. And I so respected you, so admired you, I so wanted you to do great things. You should have done great things, Stephen, and now you can. Understand that, please.
Now you can
. I don’t matter. I … what happens to me isn’t relevant. You see? It is you, now, only you. I did it because of that. Surely you see, surely you understand. The others were different, they were nothing. That was someone else, the man who … not this man. But Ruth. Yes. Yes, Ruth. I killed Ruth for you, so that …’

The moment Stephen was on his feet the warder was beside him.

Miles remained seated, silent now, but looking up at him, an urgency, a desperation in his eyes.

‘I want to leave,’ Stephen said. He was shaking. He faced the door and waited the few seconds it took for someone else to come. Did not look round or back. Within three minutes, he was standing in the street outside the prison gates.

That night, he lay awake and the images in front of his eyes clicked on and off, on and off, one after the other but always returning to the image of Miles Hurley, his eyes bright, bright, peering urgently across the table, and talking, talking. I did it for you. I did it for you. I did it for you.

He had no way of knowing if he would ever understand, ever forgive, though he was certain that he would never forget. He could not think or sift out the madness from the sanity, the delusions from the truth. He could not pray and yet he knew that simply lying there in the darkness was some sort of unvoiced petition. But for whom? Miles Hurley? Ruth? For himself?

He left Lafferton two days later, without seeing any of his former colleagues again.

It was early in the morning, bright, cloudless, but there had been rain in the night and, as he drove away, the soft grey stone of the Cathedral, the roofs of the houses, the cobblestones of the lane beyond the arch gleamed.

SUSAN HILL’s novels and short stories have won the Whitbread, Somerset Maugham and John Llewellyn Rhys awards and been shortlisted for the Booker Prize. She is the author of over forty books, including the four previous Serrailler crime novels,
The Various Haunts of Men
,
The Pure in Heart
,
The Risk of Darkness
and
The Vows of Silence
. Her most recent novel is
The Beacon
. The play adapted from her famous ghost story, “The Woman in Black,” has been running on the West End Stage since 1989.

Susan Hill was born in Scarborough and educated at King’s College London. She is married to the Shakespeare scholar Stanley Wells and they have two daughters. She lives in Gloucestershire, where she runs her own small publishing firm, Long Barn Books.

PUBLISHED BY ALFRED A. KNOPF CANADA

Copyright © 2010 Long Barn Books Limited

All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Published in 2010 by Alfred A. Knopf Canada, a division of Random House of Canada Limited, and simultaneously in the United Kingdom by Chatto & Windus, a division of Random House Inc., London. Distributed by Random House of Canada Limited, Toronto.

Knopf Canada and colophon are registered trademarks.

www.randomhouse.ca

Library and Archives Canada Cataloguing in Publication

Hill, Susan
The shadows in the street / Susan Hill.

“The Simon Serrailler crime series.”
eISBN: 978-0-307-39914-4

I. Title.

PR6058.I45S52 2010    823′.914    C2009-906612-2

v3.0

Table of Contents

Cover

Other Books By This Author

Title Page

Dedication

Acknowledgements

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-one

Chapter Twenty-two

Chapter Twenty-three

Chapter Twenty-four

BOOK: The Shadows in the Street
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