The Skeptical Romancer (29 page)

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Authors: W. Somerset Maugham

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Catching sharks. Towards evening you attach the lights of a large fish to a hook and then tie the line to a tree. Not long elapses before you hear a great splashing, and going down to the beach you find that a shark is caught. You drag him in and when you get him on the beach he struggles and beats about. The native takes his large knife, a descendant of the cutlass brought by the first discoverers of the islands, and strikes at the head to get to the brain. It is an ugly, malicious-looking beast with hideous jaws. When it is dead the hook is cut out. Then the Chinaman cuts off the fins to dry them in the sun and a kanaka hacks out the jaw with its terrible teeth. The dead fish is cast back into the sea.

The natives often tie the line to one of their legs before they go to sleep and are awakened by the tugging.

Fish. Their variety is indescribable. Bright yellow fish, fish black and yellow, fish black and white, fish striped, fish curiously patterned. One day the natives went fishing and when they raised their net I saw their catch in all its brilliance. I had a sudden thrill, for it reminded me of the casting of a net in one of the stories in the Arabian Nights and among that astonishing confusion of colour and strange shapes I half expected to find a bottle sealed with the seal of Suleyman, the prison of a powerful djin.

The colour of the sea. It is deep blue in the open sea, wine-coloured under the setting sun; but in the lagoon of an infinite variety, ranging from pale turquoise to the brightest, clearest green; and there the setting sun will turn it for a short moment to liquid gold. Then there is the colour of the coral, brown, white, pink, red, purple; and the shapes it takes are marvellous; it is like a magic garden, and the hurrying fish are like butterflies. It strangely lacks reality; it has the fantastic air of the product of some extravagant imagination. Among the coral are pools with a floor of white sand, and here the water is dazzling clear.

Varo. In the Pacific they call it the sea-centipede. It is like a small lobster, but pale cream in colour. Two of them live in each hole. The female is larger and stronger than the male and somewhat more brightly coloured. They are found only in very fine sand and to catch them we went over the lagoon, about a mile, I should think, to one of the islands of which the group of Tetiaroa is composed. The natives had prepared a singular instrument. It consisted of the strong fibre from the central stem of the coconut leaf, about two feet long, and pliable; to this was tied a circle of hooks, turned upwards, so that it had a sort of umbrella effect; and about this was tied a piece of fish as bait. We walked along looking into the shallow water of the beach for the small round holes which marked the varo’s dwelling, and then let down the hooks. The native said an incantation, asking the varo to come up out of his hole, then flipped the water with his fingers; mostly nothing happened, but sometimes the fibre was pulled down and then we knew a varo had seized the bait and was entangled in the hooks. Very cautiously he was hauled up, and it was quite exciting to see the little beast emerge on the surface clinging to
the fibre. He was released and put into a basket which the headman rapidly made from a coconut leaf. However it was not quick work and in three hours we only caught eight.

Evening on the Lagoon. At sunset the sea turns to a bright purple; the sky is cloudless and the sun, burning red, sinks into the sea, rapidly, but not so rapidly as writers lead one to believe, and Venus shines. When evening comes, clear and silent, an ardent, frenzied life seems to break out. Countless shelled animals begin to crawl about at the edge of the water, and in the water every living thing seems to be in action. Fish leap, there are mysterious splashings, and a sudden swift turmoil as a shark frightens everything within sight of its cruel stealthiness. Small fry leap by hundreds into the air and sometimes a large coloured fish gleams above the surface with a momentary glitter. But the most impressive thing is that feeling of urgent, remorseless life. In the quiet of the lovely evening there is something mysterious about it and vaguely alarming.

The night is wonderfully silent. The stars shine with a fierce brilliancy, the Southern Cross and Canopus; there is not a breath of wind, but a wonderful balminess in the air. The coconut trees, silhouetted against the sky, seem to be listening. Now and then a seabird gives a mournful cry.

RUSSIA

IN THIS YEAR
I was sent to Russia on a secret mission. That is how I came to make the following notes
.

Russia. I have been led to an interest in Russia for pretty well the same reasons as most of my contemporaries. The obvious one was Russian fiction. Tolstoi and Turgenev, but chiefly Dostoievsky, offered an emotion that was different from any offered by the novels of other countries. They made the greatest novels of Western Europe look artificial. Their novelty made me unfair to Thackeray, Dickens and Trollope, with their conventional morality; and even the great writers of France, Balzac, Stendhal and Flaubert, in comparison seemed formal and a little
frigid. The life they portrayed, these English and French novelists, was familiar; and I, like others of my generation, was tired of it. They described a society that was policed. Its thoughts had been thought too often. Its emotions, even when extravagant, were extravagant within ordered limits. It was fiction fit for a middle-class civilization, well-fed, well-clothed, well-housed, and its readers were resolute to bear in mind that all they read was make-believe.

The fantastic nineties stirred the intelligent from their apathy, making them restless and discontented, but gave them nothing satisfying. Old idols were shattered, but those set up in their place were papier mâché. The nineties talked a great deal about art and literature, but their works were like toy rabbits that hop about for a while when you have wound them up and then suddenly with a click stop dead.

Modern Poets. I should be content with less cleverness if only they had more feeling. They make little songs not from great sorrows but from the sober pleasures of a good education.

The Secret Agent. He was a man of scarcely middle height, but very broad and sturdy; he walked on noiseless feet with quick steps; he had a curious gait, somewhat like a gorilla’s, and his arms hung from his sides a little away from his body; he gave you the impression of an almost simian creature prepared at any moment to spring; and the feeling of enormous strength was disquieting. He had a large square head on a short thick neck. He was clean-shaven, with small shrewd eyes, and his face was strangely flattened as though it had been bashed in by a blow. He had a large, fleshy, flat nose and a big mouth, with small discoloured teeth. His thick pale hair was plastered down on his head. He never laughed, but he chuckled often, and then his eyes gleamed with a humour that was ferocious. He was decently dressed in American reach-me-downs, and at first sight you would have taken him for an immigrant of the middle class who had established himself comfortably in a small way of business in some thriving city of the Middle West. He spoke English fluently, but without correctness. It was impossible to be with him long without being impressed by his determination. His physical strength corresponded to his strength of character. He
was ruthless, wise, prudent, and absolutely indifferent to the means by which he reached his ends. There was in the end something terrifying about him. His fertile brain teemed with ideas, and they were subtle and bold. He took an artist’s delight in the tortuous ways of his service; when he told you a scheme he contemplated or a dodge that had succeeded his little blue eyes glistened and his face lit up with a satanic mirth. He had an heroic disregard for human life, and you felt that for the cause he would not have hesitated to sacrifice his friend or his son. None could doubt his courage, and with an equal mind he was capable of facing not only danger – that is not so difficult – but discomfort and boredom. He was a man of frugal habit and could go for an incredible time without food or sleep. Never sparing himself, he never thought of sparing others; his energy was amazing. Though ruthless, he was good-humoured, and he was capable of killing a fellow-creature without a trace of ill-feeling. He seemed to have but one passion in life, if you omit an extreme desire for good cigars, and that was patriotism. He had a great sense of discipline and obeyed as unquestioningly his leader as he exacted obedience from his subordinates.

The patriotism of the Russians is a singular thing; there is a great deal of conceit in it; they feel themselves different from other people and flatter themselves on their difference; they speak with self-satisfaction of the ignorance of their peasants; they vaunt their mysteriousness and complexity; they repeat that with one face they look to the west and with the other to the east; they are proud of their faults – like a boorish man who tells you he is as God made him – and will admit with complacency that they are besotted and ignorant, incoherent of purpose and vacillating in action; but in that complex feeling which is the patriotism one knows in other countries, they seem deficient. I have tried to analyse what this particular emotion in myself consists of. To me the very shape of England on the map is significant, and it brings to my mind pell-mell a hundred impressions, the white cliffs of Dover and the tawny sea, the pleasant winding roads of Kent and the Sussex downs, St. Paul’s and the Pool of London; scraps of poetry, the noble ode of Collins and Matthew Arnold’s
Scholar Gipsy
and Keats’
Nightingale
, stray lines of Shakespeare’s and the pages out of English history, Drake with his ships, and Henry
VIII and Queen Elizabeth; Tom Jones and Dr. Johnson; and all my friends and the posters at Victoria Station; then some vague feeling of majesty and power and continuity; and then, heaven knows why, the thought of a barque in full sail going down the Channel –
Whither, O splendid ship, thy white sails crowding
– while the setting sun hangs redly on the edge of the horizon. These feelings and a hundred others make up an emotion which makes sacrifice easy, it is an emotion compact of pride and longing and love, but it is humble rather than conceited, and it does not preclude a sense of humour. Perhaps Russia is too large for sentiments so intimate, its past too barren of chivalry and high romance, its character too indefinite, its literature too poor, for the imagination to embrace the country, its history and culture, in a single emotion. Russians will tell you that the peasant loves his village. His outlook goes no further. And when you read histories of Russia you are amazed to find how little the feeling of nationality has meant to one age after another. It is a startling incident when a wave of patriotism has arisen to drive out an invader. The general attitude has been one of indifference to his presence on the part of those not actually afflicted by it. It is not by chance that Holy Russia bore so long and so submissively the yoke of the Tartar. Now it causes no indignation that the Central Powers may seize portions of Russian soil: the possibility is dismissed with a shrug and the words: “Russia is large enough anyway.”

But my work throws me in close contact with the Czechs, and here I see a patriotism that fills me with amazement. It is a passion so single and so devouring that it leaves room for no others. I feel that awe rather than admiration is due to these men who have sacrificed everything for the cause, and not in twos and threes, fanatics among an apathetic herd, but in tens of thousands; they have given everything they had, their peace, their home, their fortune, their lives, to gain independence for their country. They are organized like a department store, disciplined like a Prussian regiment. Most of the patriots I have come across among my own countrymen, alas! too often have been eager to serve their country, but determined it should not be without profit to themselves (who will ever tell of the hunting for jobs, the intrigues, the exertion of influence, the personal jealousies, that have distracted the nation when its very existence was in peril?), but the
Czechs are completely disinterested. They think as little of payment as does a mother of reward for the care of her child. With alacrity they accept drudgery when others are given the opportunity of adventure, mean offices when others are awarded posts of responsibility. Like all men of political mind, they have parties and programmes, but they submit them all to the common good. Is it not a marvellous thing that in the great Czech organization which has been formed in Russia, all, from the rich banker to the artisan, have given a tenth part of their income to the cause throughout the war? Even the prisoners of war – and heaven knows how precious to these were their few poor kopecks – found they could spare enough to amount to some thousands of roubles.

THE NEVSKY PROSPEKT

NEVSKY PROSPEKT
. Bond Street has the narrow tortuousness of the medieval city, and it reminds one always of the town to which great ladies came for the season; it was in Bond Street that the last Duchess of Cleveland boxed her footman’s ears. The rue de la Paix has the flamboyance of the Second Empire; it is wide, handsome, coldly stately and gay withal, as though the shadows of Cora Pearl and Hortense Schneider still smiled brightly at the gathered gems. Fifth Avenue is gay too, but with a different gaiety, of high spirits, and it is splendid with the rich, unimaginative splendour of youth in its buoyancy. Though each has its character and could belong only to the city in which it is, these great streets have in common a civilized opulence; they represent fitly a society which is established and confident. But none of them has more character than the Nevsky. It is dingy and sordid and dilapidated. It is very wide and very straight. The houses on either side are low, drab, with tarnished paint, and their architecture is commonplace. There is something haphazard about the street, even though we know that it was built according to plan, and it has an unfinished air; it reminds you of some street in a town of the Western States of America which has been built in the hurry of a boom, and, prosperity having departed from it, has run to seed. The shop windows are crowded with vulgar wares. They look like bankrupt stock from the suburbs of Vienna
or Berlin. The dense crowd flows ceaselessly to and fro. Perhaps it is the crowd that gives the Nevsky its character. It does not, as in those other streets, consist chiefly of one class of the population but of all; and the loiterer may there observe a great variety of his fellow-creatures, soldiers, sailors and students, workmen and bourgeoisie, peasants; they talk incessantly; in eager throngs they surround the men who sell the latest edition of a paper. It looks a good-natured crowd, easygoing and patient; I shouldn’t imagine that they had the quick temper of the crowd in Paris which may so easily grow ugly and violent, and I can’t believe that they would ever behave like the crowd of the French Revolution. They give the impression of peaceable folk who want to be amused and excited, but who look upon the events of life chiefly as pleasant topics of conversation. Outside butchers’ and grocers’ these days are the long food lines, women with kerchiefs over their heads, boys and girls, grey-bearded men and pale youths, waiting hour after hour, waiting patiently.

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