The Solitary House (72 page)

In this, too, there is perhaps more Dandyism at Chesney Wold than the brilliant and distinguished circle will find good for itself in the long run. For it is, even with the stillest and politest circles, as with the circle the necromancer draws around him—very strange appearances may be seen in active motion outside. With this difference; that, being realities and not phantoms, there is the greater danger of their breaking in.

Chesney Wold is quite full, anyhow; so full, that a burning sense of injury arises in the breasts of ill-lodged ladies’-maids, and is not to be extinguished. Only one room is empty. It is a turret chamber of the third order of merit, plainly but comfortably furnished and having an old-fashioned business air. It is Mr. Tulkinghorn’s room, and is never bestowed on anybody else, for he may come at any time. He is not come yet. It is his quiet habit to walk across the park from the village, in fine weather; to drop into this room, as if he had never been out of it since he was last seen there; to request a servant to inform Sir Leicester that he is arrived, in case he should be wanted; and to appear ten minutes before dinner, in the shadow of the library-door. He sleeps in his turret, with a complaining flag-staff over his head; and has some leads outside, on which, any fine morning when he is down here, his black figure may be seen walking before breakfast like a larger species of rook.

Every day before dinner, my Lady looks for him in the dusk
of the library, but he is not there. Every day at dinner, my Lady glances down the table for the vacant place, that would be waiting to receive him if he had just arrived; but there is no vacant place. Every night, my Lady casually asks her maid:

“Is Mr. Tulkinghorn come?”

Every night the answer is, “No, my Lady, not yet.”

One night, while having her hair undressed, my Lady loses herself in deep thought after this reply, until she sees her own brooding face, in the opposite glass, and a pair of black eyes curiously observing her.

“Be so good as to attend,” says my Lady then, addressing the reflection of Hortense, “to your business. You can contemplate your beauty at another time.”

“Pardon! It was your Ladyship’s beauty.”

“That,” says my Lady, “you needn’t contemplate at all.”

At length, one afternoon a little before sunset, when the bright groups of figures, which have for the last hour or two enlivened the Ghost’s Walk, are all dispersed, and only Sir Leicester and my Lady remain upon the terrace, Mr. Tulkinghorn appears. He comes towards them at his usual methodical pace, which is never quickened, never slackened. He wears his usual expressionless mask—if it be a mask—and carries family secrets in every limb of his body, and every crease of his dress. Whether his whole soul is devoted to the great, or whether he yields them nothing beyond the service he sells, is his personal secret. He keeps it, as he keeps the secrets of his clients; he is his own client in that matter, and will never betray himself.

“How do you do, Mr. Tulkinghorn?” says Sir Leicester, giving him his hand.

Mr. Tulkinghorn is quite well. Sir Leicester is quite well. My Lady is quite well. All highly satisfactory. The lawyer, with his hands behind him, walks, at Sir Leicester’s side, along the terrace. My Lady walks upon the other side.

“We expected you before,” says Sir Leicester. A gracious observation. As much as to say, “Mr. Tulkinghorn, we remember your existence when you are not here to remind us of it by your presence. We bestow a fragment of our minds upon you, sir, you see!”

Mr. Tulkinghorn, comprehending it, inclines his head, and says he is much obliged.

“I should have come down sooner,” he explains, “but that I have been much engaged with those matters in the several suits between yourself and Boythorn.”

“A man of a very ill-regulated mind,” observes Sir Leicester, with severity. “An extremely dangerous person in any community. A man of a very low character of mind.”

“He is obstinate,” says Mr. Tulkinghorn.

“It is natural to such a man to be so,” says Sir Leicester, looking most profoundly obstinate himself. “I am not at all surprised to hear it.”

“The only question is,” pursues the lawyer, “whether you will give up anything.”

“No, sir,” replies Sir Leicester. “Nothing.
I
give up?”

“I don’t mean anything of importance. That, of course, I know you would not abandon. I mean any minor point.”

“Mr. Tulkinghorn,” returns Sir Leicester, “there can be no minor point between myself and Mr. Boythorn. If I go farther, and observe that I cannot readily conceive how
any
right of mine can be a minor point, I speak not so much in reference to myself as an individual, as in reference to the family position I have it in charge to maintain.”

Mr. Tulkinghorn inclines his head again. “I have now my instructions,” he says. “Mr. Boythorn will give us a good deal of trouble—”

“It is the character of such a mind, Mr. Tulkinghorn,” Sir Leicester interrupts him, “to give trouble. An exceedingly ill-conditioned, levelling person. A person who, fifty years ago, would probably have been tried at the Old Bailey for some demagogue proceeding, and severely punished—if not,” adds Sir Leicester, after a moment’s pause, “if not hanged, drawn and quartered.”

Sir Leicester appears to discharge his stately breast of a burden, in passing this capital sentence; as if it were the next satisfactory thing to having the sentence executed.

“But night is coming on,” says he, “and my Lady will take cold. My dear, let us go in.”

As they turn towards the hall-door, Lady Dedlock addresses Mr. Tulkinghorn for the first time.

“You sent me a message respecting the person whose writing I happened to inquire about. It was like you to remember the circumstance; I had quite forgotten it. Your message reminded me of it again. I can’t imagine what association I had with a hand like that; but I surely had some.”

“You had some?” Mr. Tulkinghorn repeats.

“O yes!” returns my Lady, carelessly. “I think I must have had some. And did you really take the trouble to find out the writer of that actual thing—what is it!—Affidavit?”

“Yes.”

“How very odd!”

They pass into a sombre breakfast-room on the ground floor, lighted in the day by two deep windows. It is now twilight. The fire glows brightly on the panelled wall, and palely on the window-glass, where, through the cold reflection of the blaze, the colder landscape shudders in the wind, and a grey mist creeps along: the only traveller besides the waste of clouds.

My Lady lounges in a great chair in the chimney-corner, and Sir Leicester takes another great chair opposite. The lawyer stands before the fire, with his hand out at arm’s length, shading his face. He looks across his arm at my Lady.

“Yes,” he says, “I inquired about the man, and found him. And, what is very strange, I found him—”

“Not to be any out-of-the-way person, I am afraid!” Lady Dedlock languidly anticipates.

“I found him dead.”

“O dear me!” remonstrates Sir Leicester. Not so much shocked by the fact, as by the fact of the fact being mentioned.

“I was directed to his lodging—a miserable, poverty-stricken place—and I found him dead.”

“You will excuse me, Mr. Tulkinghorn,” observes Sir Leicester. “I think the less said—”

“Pray, Sir Leicester, let me hear the story out” (it is my Lady speaking). “It is quite a story for twilight. How very shocking! Dead?”

Mr. Tulkinghorn re-asserts it by another inclination of his head. “Whether by his own hand—”

“Upon my honour!” cries Sir Leicester. “Really!”

“Do let me hear the story!” says my Lady.

“Whatever you desire, my dear. But, I must say—”

“No, you mustn’t say! Go on, Mr. Tulkinghorn.”

Sir Leicester’s gallantry concedes the point; though he still feels that to bring this sort of squalor among the upper classes is really—really—

“I was about to say,” resumes the lawyer, with undisturbed calmness, “that whether he had died by his own hand or not, it was beyond my power to tell you. I should amend that phrase, however, by saying that he had unquestionably died of his own act; though whether by his own deliberate intention, or by mischance, can never certainly be known. The Coroner’s jury found that he took the poison accidentally.”

“And what kind of man,” my Lady asks, “was this deplorable creature?”

“Very difficult to say,” returns the lawyer, shaking his head. “He had lived so wretchedly, and was so neglected, with his gipsy colour, and his wild black hair and beard, that I should have considered him the commonest of the common. The surgeon had a notion that he had once been something better, both in appearance and condition.”

“What did they call the wretched being?”

“They called him what he had called himself, but no one knew his name.”

“Not even any one who had attended on him?”

“No one had attended on him. He was found dead. In fact, I found him.”

“Without any clue to anything more?”

“Without any; there was,” says the lawyer meditatively, “an old portmanteau; but—No, there were no papers.”

During the utterance of every word of this short dialogue, Lady Dedlock and Mr. Tulkinghorn, without any other alteration in their customary deportment, have looked very steadily at one another—as was natural, perhaps, in the discussion of so unusual a subject. Sir Leicester has looked at the fire, with the
general expression of the Dedlock on the staircase. The story being told, he renews his stately protest, saying, that as it is quite clear that no association in my Lady’s mind can possibly be traceable to this poor wretch (unless he was a begging-letter writer); he trusts to hear no more about a subject so far removed from my Lady’s station.

“Certainly, a collection of horrors,” says my Lady, gathering up her mantles and furs; “but they interest one for the moment! Have the kindness, Mr. Tulkinghorn, to open the door for me.”

Mr. Tulkinghorn does so with deference, and holds it open while she passes out. She passes close to him, with her usual fatigued manner, and insolent grace. They meet again at dinner—again, next day—again, for many days in succession. Lady Dedlock is always the same exhausted deity, surrounded by worshippers, and terribly liable to be bored to death, even while presiding at her own shrine. Mr. Tulkinghorn is always the same speechless repository of noble confidence: so oddly out of place, and yet so perfectly at home. They appear to take as little note of one another, as any two people, enclosed within the same walls, could. But, whether each evermore watches and suspects the other, evermore mistrustful of some great reservation; whether each is evermore prepared at all points for the other, and never to be taken unawares; what each would give to know how much the other knows—all this is hidden, for the time, in their own hearts.

CHAPTER 13

ESTHER’S NARRATIVE

W
e held many consultations about what Richard was to be; first without Mr. Jarndyce, as he had requested, and afterwards with him; but it was a long time before we seemed to make progress. Richard said he was ready for anything. When
Mr. Jarndyce doubted whether he might not already be too old to enter the Navy, Richard said he had thought of that, and perhaps he was. When Mr. Jarndyce asked him what he thought of the Army, Richard said he had thought of that, too, and it wasn’t a bad idea. When Mr. Jarndyce advised him to try and decide within himself, whether his old preference for the sea was an ordinary boyish inclination, or a strong impulse, Richard answered, Well he really
had
tried very often, and he couldn’t make out.

“How much of this indecision of character,” Mr. Jarndyce said to me, “is chargeable on that incomprehensible heap of uncertainty and procrastination on which he has been thrown from his birth, I don’t pretend to say; but that Chancery, among its other sins, is responsible for some of it, I can plainly see. It has engendered or confirmed in him a habit of putting off—and trusting to this, that, and the other chance, without knowing what chance—and dismissing everything as unsettled, uncertain, and confused. The character of much older and steadier people may be even changed by the circumstances surrounding them. It would be too much to expect that a boy’s, in its formation, should be the subject of such influences, and escape them.”

I felt this to be true; though, if I may venture to mention what I thought besides, I thought it much to be regretted that Richard’s education had not counteracted those influences, or directed his character. He had been eight years in a public school, and had learnt, I understood, to make Latin Verses of several sorts, in the most admirable manner. But I never heard that it had been anybody’s business to find out what his natural bent was, or where his failings lay, or to adapt any kind of knowledge to
him. He
had been adapted to the Verses, and had learnt the art of making them to such perfection, that if he had remained at school until he was of age, I suppose he could only have gone on making them over and over again, unless he had enlarged his education by forgetting how to do it. Still, although I had no doubt that they were very beautiful, and very improving, and very sufficient for a great many purposes of life, and always remembered all through life, I did doubt whether Richard would not have profited by some one studying him a little instead of his studying them quite so much.