The Solitary House (71 page)

The rattle and clatter continue through the greater part of three days, with more or less of bell-jingling and whip-cracking, and more or less plunging of Centaurs and bare-backed horses. Their courtly politeness to each other, at the Hotels where they tarry, is the theme of general admiration. Though my Lord
is
a little aged for my Lady, says Madame, the hostess of the Golden Ape, and though he might be her amiable father, one can see at a glance that they love each other. One observes my Lord with his white hair, standing, hat in hand, to help my Lady to and from the carriage. One observes my Lady, how recognisant of my Lord’s politeness, with an inclination of her gracious head, and the concession of her so-genteel fingers! It is ravishing!

The sea has no appreciation of great men, but knocks them about like the small fry. It is habitually hard upon Sir Leicester,
whose countenance it greenly mottles in the manner of sage-cheese, and in whose aristocratic system it effects a dismal revolution. It is the Radical of Nature to him. Nevertheless, his dignity gets over it after stopping to refit: and he goes on with my Lady for Chesney Wold, lying only one night in London on the way to Lincolnshire.

Through the same cold sunlight—colder as the day declines—and through the same sharp wind—sharper as the separate shadows of bare trees gloom together in the woods, and as the Ghost’s Walk, touched at the western corner by a pile of fire in the sky, resigns itself to coming night—they drive into the park. The Rooks, swinging in their lofty houses in the elm-tree avenue, seem to discuss the question of the occupancy of the carriage as it passes underneath; some agreeing that Sir Leicester and my Lady are come down; some arguing with malcontents who won’t admit it; now, all consenting to consider the question disposed of; now, all breaking out again in violent debate, incited by one obstinate and drowsy bird, who will persist in putting in a last contradictory croak. Leaving them to swing and caw, the travelling chariot rolls on to the house; where fires gleam warmly through some of the windows, though not through so many as to give an inhabited expression to the darkening mass of front. But the brilliant and distinguished circle will soon do that.

Mrs. Rouncewell is in attendance, and receives Sir Leicester’s customary shake of the hand with a profound curtsy.

“How do you do, Mrs. Rouncewell? I am glad to see you.”

“I hope I have the honour of welcoming you in good health, Sir Leicester?”

“In excellent health, Mrs. Rouncewell.”

“My Lady is looking charmingly well,” says Mrs. Rouncewell, with another curtsy.

My Lady signifies, with profuse expenditure of words, that she is as wearily well as she can hope to be.

But Rosa is in the distance, behind the housekeeper; and my Lady, who has not subdued the quickness of her observation, whatever else she may have conquered, asks:

“Who is that girl?”

“A young scholar of mine, my Lady. Rosa.”

“Come here, Rosa!” Lady Dedlock beckons her, with even an appearance of interest. “Why, do you know how pretty you are, child?” she says, touching her shoulder with her two forefingers.

Rosa, very much abashed, says, “No, if you please, my Lady!” and glances up, and glances down, and don’t know where to look, but looks all the prettier.

“How old are you?”

“Nineteen, my Lady.”

“Nineteen,” repeats my Lady thoughtfully. “Take care they don’t spoil you by flattery.”

“Yes, my Lady.”

My Lady taps her dimpled cheek with the same delicate gloved fingers, and goes on to the foot of the oak staircase, where Sir Leicester pauses for her as her knightly escort. A staring old Dedlock in a panel, as large as life and as dull, looks as if he didn’t know what to make of it—which was probably his general state of mind in the days of Queen Elizabeth.

That evening in the housekeeper’s room, Rosa can do nothing but murmur Lady Dedlock’s praises. She is so affable, so graceful, so beautiful, so elegant; has such a sweet voice and such a thrilling touch, that Rosa can feel it yet! Mrs. Rouncewell confirms all this, not without personal pride, reserving only the one point of affability. Mrs. Rouncewell is not quite sure as to that. Heaven forbid that she should say a syllable in dispraise of any member of that excellent family; above all, of my Lady, whom the whole world admires; but if my Lady would only be “a little more free,” not quite so cold and distant, Mrs. Rouncewell thinks she would be more affable.

“ ’Tis almost a pity,” Mrs. Rouncewell adds—only “almost” because it borders on impiety to suppose that anything could be better than it is, in such an express dispensation as the Dedlock affairs; “that my Lady has no family. If she had had a daughter now, a grown young lady, to interest her, I think she would have had the only kind of excellence she wants.”

“Might not that have made her still more proud, grandmother?” says Watt; who has been home and come back again, he is such a good grandson.

“More and most, my dear,” returns the housekeeper with dignity, “are words it’s not my place to use—nor so much as to hear—applied to any drawback on my Lady.”

“I beg your pardon, grandmother. But she
is
proud, is she not?”

“If she is, she has reason to be. The Dedlock family have always reason to be.”

“Well!” says Watt, “it’s to be hoped they line out of their Prayer-Books a certain passage for the common people about pride and vainglory. Forgive me, grandmother! Only a joke!”

“Sir Leicester and Lady Dedlock, my dear, are not fit subjects for joking.”

“Sir Leicester is no joke by any means,” says Watt; “and I humbly ask his pardon. I suppose, grandmother, that even with the family and their guests down here, there is no objection to my prolonging my stay at the Dedlock Arms for a day or two, as any other traveller might?”

“Surely, none in the world, child.”

“I am glad of that,” says Watt, “because I have an inexpressible desire to extend my knowledge of this beautiful neighbourhood.”

He happens to glance at Rosa, who looks down, and is very shy, indeed. But, according to the old superstition, it should be Rosa’s ears that burn, and not her fresh bright cheeks; for my Lady’s maid is holding forth about her at this moment, with surpassing energy.

My Lady’s maid is a Frenchwoman of two and thirty, from somewhere in the southern country about Avignon and Marseilles—a large-eyed brown woman with black hair; who would be handsome, but for a certain feline mouth, and general uncomfortable tightness of face, rendering the jaws too eager, and the skull too prominent. There is something indefinably keen and wan about her anatomy; and she has a watchful way of looking out of the corners of her eyes without turning her head, which could be pleasantly dispensed with—especially when she is in an ill humour and near knives. Through all the good taste of her dress and little adornments, these objections so express themselves, that she seems to go about like a
very neat She-Wolf imperfectly tamed. Besides being accomplished in all the knowledge appertaining to her post, she is almost an Englishwoman in her acquaintance with the language—consequently, she is in no want of words to shower upon Rosa for having attracted my Lady’s attention; and she pours them out with such grim ridicule as she sits at dinner, that her companion, the affectionate man, is rather relieved when she arrives at the spoon stage of that performance.

Ha, ha, ha! She, Hortense, been in my Lady’s service since five years, and always kept at the distance, and this doll, this puppet, caressed—absolutely caressed—by my Lady on the moment of her arriving at the house! Ha, ha, ha! “And do you know how pretty you are, child?”—“No, my Lady.”—You are right there! “And how old are you, child! And take care they do not spoil you by flattery, child!” O how droll! It is the
best
thing altogether.

In short, it is such an admirable thing, that Mademoiselle Hortense can’t forget it; but at meals for days afterwards, even among her countrywomen and others attached in like capacity to the troop of visitors, relapses into silent enjoyment of the joke—an enjoyment expressed, in her own convivial manner, by an additional tightness of face, thin elongation of compressed lips, and sidewise look: which intense appreciation of humour is frequently reflected in my Lady’s mirrors, when my Lady is not among them.

All the mirrors in the house are brought into action now: many of them after a long blank. They reflect handsome faces, simpering faces, youthful faces, faces of threescore-and-ten that will not submit to be old; the entire collection of faces that have come to pass a January week or two at Chesney Wold, and which the fashionable intelligence, a mighty hunter before the Lord, hunts with a keen scent, from their breaking cover at the Court of St. James’s, to their being run down to Death. The place in Lincolnshire is all alive. By day, guns and voices are heard ringing in the woods, horsemen and carriages enliven the park roads, servants and hangers-on pervade the Village and the Dedlock Arms. Seen by night, from distant openings in the trees, the row of windows in the long drawing-room, where my Lady’s picture
hangs over the great chimney-piece, is like a row of jewels set in a black frame. On Sunday, the chill little church is almost warmed by so much gallant company, and the general flavour of the Dedlock dust is quenched in delicate perfumes.

The brilliant and distinguished circle comprehends within it, no contracted amount of education, sense, courage, honour, beauty, and virtue. Yet there is something a little wrong about it, in despite of its immense advantages. What can it be?

Dandyism? There is no King George the Fourth now (more the pity!) to set the dandy fashion; there are no clear-starched jack-towel neckcloths, no short-waisted coats, no false calves, no stays. There are no caricatures, now, of effeminate Exquisites so arrayed, swooning in opera boxes with excess of delight, and being revived by other dainty creatures, poking long-necked scent-bottles at their noses. There is no beau whom it takes four men at once to shake into his buckskins, or who goes to see all the executions, or who is troubled with the self-reproach of having once consumed a pea. But is there Dandyism in the brilliant and distinguished circle notwithstanding, Dandyism of a more mischievous sort, that has got below the surface and is doing less harmless things than jack-towelling itself and stopping its own digestion, to which no rational person need particularly object?

Why, yes. It cannot be disguised. There
are
at Chesney Wold this January week, some ladies and gentlemen of the newest fashion, who have set up a Dandyism—in Religion, for instance. Who, in mere lackadaisical want of an emotion, have agreed upon a little dandy talk about the Vulgar wanting faith in things in general; meaning in the things that have been tried and found wanting, as though a low fellow should unaccountably lose faith in a bad shilling, after finding it out! Who would make the Vulgar very picturesque and faithful, by putting back the hands upon the Clock of Time, and cancelling a few hundred years of history.

There are also ladies and gentlemen of another fashion, not so new, but very elegant, who have agreed to put a smooth glaze on the world, and to keep down all its realities. For whom everything must be languid and pretty. Who have found out the perpetual stoppage. Who are to rejoice at nothing, and be sorry for
nothing. Who are not to be disturbed by ideas. On whom even the Fine Arts, attending in powder and walking backward like the Lord Chamberlain, must array themselves in the milliners’ and tailors’ patterns of past generations, and be particularly careful not to be in earnest, or to receive any impress from the moving age.

Then there is my Lord Boodle, of considerable reputation with his party, who has known what office is, and who tells Sir Leicester Dedlock with much gravity, after dinner, that he really does not see to what the present age is tending. A debate is not what a debate used to be; the House is not what the House used to be; even a Cabinet is not what it formerly was. He perceives with astonishment, that supposing the present Government to be overthrown, the limited choice of the Crown, in the formation of a new ministry, would lie between Lord Coodle and Sir Thomas Doodle—supposing it to be impossible for the Duke of Foodle to act with Goodle, which may be assumed to be the case in consequence of the breach arising out of that affair with Hoodle. Then, giving the Home Department and the Leadership of the House of Commons to Joodle, the Exchequer to Koodle, the Colonies to Loodle, and the Foreign Office to Moodle, what are you to do with Noodle? You can’t offer him the Presidency of the Council; that is reserved for Poodle. You can’t put him in the Woods and Forests; that is hardly good enough for Quoodle. What follows? That the country is shipwrecked, lost, and gone to pieces (as is made manifest to the patriotism of Sir Leicester Dedlock), because you can’t provide for Noodle!

On the other hand, the Right Honourable William Buffy, M.P., contends across the table with some one else, that the shipwreck of the country—about which there is no doubt; it is only the manner of it that is in question—is attributable to Cuffy. If you had done with Cuffy what you ought to have done when he first came into Parliament, and had prevented him from going over to Duffy, you would have got him into alliance with Fuffy, you would have had with you the weight attaching as a smart debater to Guffy, you would have brought to bear upon the elections the wealth of Huffy, you would have got in for three counties Juffy, Kuffy, and Luffy, and you would have
strengthened your administration by the official knowledge and the business habits of Muffy. All this, instead of being as you now are, dependent on the mere caprice of Puffy!

As to this point, and as to some minor topics, there are differences of opinion; but it is perfectly clear to the brilliant and distinguished circle, all round, that nobody is in question but Boodle and his retinue, and Buffy and
his
retinue. These are the great actors for whom the stage is reserved. A People there are, no doubt—a certain large number of supernumeraries, who are to be occasionally addressed, and relied upon for shouts and choruses, as on the theatrical stage; but Boodle and Buffy, their followers and families, their heirs, executors, administrators, and assigns, are the born first-actors, managers, and leaders, and no others can appear upon the scene for ever and ever.