The Sound of Things Falling (3 page)

‘And what’s your wife’s name?’ I asked.

‘Elena,’ he said.

‘Elena de Laverde,’ I said, trying out the name and attributing that little possessive preposition that almost all people of his generation were still using in Colombia.

‘No,’ Ricardo Laverde corrected me. ‘Elena Fritts. We never wanted her to take my surname. A modern woman, you know.’

‘That’s modern?’

‘Well, at that time it was modern. Not changing your name. And since she was American people forgave her.’ Then, with a rapid or recovered light-heartedness, ‘So, are we having a drink?’

Our afternoon dwindled away in drink after drink of cheap white rum that left an aftertaste of surgical spirit in the back of the throat. By about five, billiards had stopped mattering to us, so we left the cues on the table, put the three balls in the cardboard rectangle of their box and sat down in the wooden chairs, like spectators or escorts or tired players, each of us with his tall glass of rum in hand, swirling it around every once in a while so the fresh ice would mix in, smearing them more and more, our fingers dirty with sweat and chalk dust. From there we overlooked the bar, the entrance to the washrooms and the corner where the television was mounted, and we could even comment on the play on a couple of tables. At one of them four players we’d never seen before, with silk gloves and their own cues, bet more on one game than the two of us spent in a month. It was there, sitting side by side, that Ricardo Laverde told me he never looked anyone in the eye. It was also there that something began to trouble me about Ricardo Laverde: a deep discrepancy between his diction and his manners, which were never less than elegant, and his dishevelled appearance, his precarious finances, his very presence in these places where people look for a bit of stability when their lives, for whatever reason, are unstable.

‘How strange, Ricardo,’ I said. ‘I’ve never asked you what you do.’

‘It’s true, never,’ said Laverde. ‘And I’ve never asked you either. But that’s because I imagine you’re a professor, like everybody else around here. There’re too many universities downtown. Are you a professor, Yammara?’

‘Yes,’ I said. ‘I teach Law.’

‘Oh great,’ said Laverde with a sideways smile. ‘More lawyers is just what this country needs.’

It seemed like he was going to say something else. He didn’t say anything.

‘But you haven’t answered me,’ I then insisted. ‘What do you do?’

There was a silence. What must have passed through his head in those two seconds: now, with time, I can understand. What calculations, what denials, what reticence.

‘I’m a pilot,’ said Laverde in a voice I’d never heard. ‘I was a pilot, I should say. What I am is a retired pilot.’

‘What kind of pilot?’

‘A pilot of things that need piloting.’

‘Well, yeah, but what things? Passenger planes? Surveillance helicopters? The thing about this is I . . .’

‘Look, Yammara,’ he cut me off in a deliberate, firm tone of voice, ‘I don’t tell my life story to just anyone. Do me a favour and don’t confuse billiards with friendship.’

He might have offended me, but he didn’t: in his words, behind the sudden and rather gratuitous aggressiveness, there was a plea. After the rude reply came those gestures of repentance and reconciliation, a child seeking attention in desperate ways, and I forgave the rudeness the way one forgives a child. Every once in a while Don José, the manager of the place, came over: a heavy-set, bald man in a butcher’s apron, who topped up our glasses with rum and with ice and then went back to his aluminium stool beside the bar, to tackle
El Espacio
’s crossword puzzle. I was thinking of his wife, Elena Fritts de Laverde. One day of some year, Ricardo left her life and went to jail. But what had he done to deserve it? And hadn’t his wife visited him in all those years? And how did a pilot end up spending his days in a downtown billiard club and his money on bets? Maybe that was the first time the idea, though intuitive and rudimentary in form, passed through my head, the same idea that would later reiterate itself, embodied in different words or sometimes without any need for words:
This man has not always been this man. This man used to be another man
.

It was already dark when we left. I don’t know exactly how much we drank at the billiard club, but I know that the rum had gone to our heads, and the pavements of La Candelaria had become even narrower. They were barely passable: people were flowing out of the thousands of downtown offices on their way home, or into the department stores to buy Christmas presents, or coagulating at the corners, while waiting for a bus. The first thing Ricardo Laverde did on the way out was to bump into a woman in an orange suit (or a suit that looked orange there, under the yellow lights). ‘Watch where you’re going, idiot,’ the woman said, and then it seemed obvious to me that letting him find his own way home in that state would be irresponsible or even risky. I offered to walk with him and he accepted, or at least didn’t refuse in any perceptible way. In a matter of minutes we were passing in front of the big closed front door of La Bordadita Church, and then we began to leave the crowds behind, as if we’d entered another city, a city under curfew. Deepest Candelaria is a place out of time: in all of Bogotá, only on certain streets in this part of town is it possible to imagine what life was like a century ago. And it was during this walk that Laverde talked to me for the first time the way one talks to a friend. At first I thought he was trying to ingratiate himself with me after the gratuitous discourtesy (alcohol tends to provoke this kind of repentance, this kind of private guilt); then it seemed to me there was something more, an urgent task the motivations of which I couldn’t quite understand, a pressing duty. I humoured him, of course, the way one humours all the drunks in the world when they start to tell their drunken stories. ‘That woman is all I have,’ he said.

‘Elena?’ I said. ‘Your wife?’

‘She’s everything, all I have. Don’t ask me to give you details, Yammara, it’s not easy for anyone to talk about his mistakes. I’ve made some, like everyone has. I’ve fucked up, yeah. I really fucked up. You’re very young, Yammara, so young that maybe you’re still a virgin of these kinds of mistakes. I don’t mean fooling around on your girlfriend, not that, I don’t mean having fucked your best friend’s girlfriend, that’s kids’ stuff. I’m talking about real mistakes, Yammara, this is something you don’t know about yet. And a good thing too. Enjoy it, Yammara, enjoy it while you can: a person’s happy until they fuck it up somehow, then there’s no way to get back to what you used to be. Well, that’s what I’m going to find out in the next couple of days. Elena’s going to come and I’m going to try to get back what there used to be. Elena was the love of my life. And we separated, we didn’t want to separate, but we separated. Life separated us, life does that kind of thing. I fucked up. I fucked up and we were separated. But the important thing isn’t fucking it all up, Yammara, listen carefully, the important thing isn’t fucking up, but knowing how to fix the fuck-up. Even though time has passed, however many years, it’s never too late to fix what you’ve broken. And that’s what I’m going to do. Elena’s coming now and that’s what I’m going to do, no mistake can last for ever. All this was a long time ago, a long, long time ago. You hadn’t even been born yet, I don’t think. Let’s say
1970
, more or less. When were you born?’

‘In
1970
,’ I said. ‘Exactly.’

‘You sure?’

‘Sure.’

‘You weren’t born in ’
71
?’

‘No,’ I said. ‘In ’
70
.’

‘Well, anyway. Lots of things happened that year. In the following years too, of course, but mostly that year. That year our life changed. I let us be separated, but that’s not the important thing, Yammara, listen up, the important thing isn’t that, but what’s going to happen now. Elena’s coming now and that’s what I’m going to do, fix things. It can’t be that hard, can it? How many people do you know who’ve made up for going the wrong way halfway down the road? Lots, no? Well, that’s what I’m going to do. It can’t be that hard.’

Ricardo Laverde told me all that. We were alone by the time we got to his street, so alone that we’d obliviously started to walk down the middle of the road. A cart overflowing with old newspapers and pulled by a famished-looking mule passed us, and the man holding the reins (the knotted rope that served as reins) had to whistle loudly at us to get out of his way. I remember the smell of the animal’s shit, though I don’t remember it shitting at that precise moment, and I also remember the staring eyes of a child who was in the back, sitting on the wooden planks with his feet hanging down over the edge. And then I remember stretching out a hand to say goodbye to Laverde and being left with my hand in mid-air, more or less like that other hand covered in pigeons in the photo from Bolívar Plaza, because Laverde turned his back on me and, opening a big door with a key from another era, said to me, ‘Don’t tell me you’re going to go now. Come in and we’ll have a nightcap, young man, since we’re having such a good talk.’

‘I really have got to go, Ricardo.’

‘A person doesn’t have to do anything but die,’ he said, his tongue a little thick. ‘One drink, no more, I swear. Since you’ve already come as far as this godforsaken place.’

We’d arrived in front of an old, colonial, one-storey house, not carefully preserved like a cultural or historical site, but sad and dilapidated, one of those properties that pass from generation to generation as the families get poorer, until the last one of the line sells it to pay off a debt or puts it to work as a boarding house or brothel. Laverde was standing on the threshold and holding the door open with his foot, in one of those precarious balances that only a good drunk can pull off. Behind him I could see a brick-floored corridor and then the smallest colonial patio I’d ever seen. In the centre of the patio, instead of the traditional fountain, there was a clothes line, and the whitewashed walls of the corridor had been decorated with calendars of naked women. I had been in similar houses before, so I could imagine what was beyond the dark corridor: I imagined rooms with green wooden doors that close with a padlock like a shed, and I imagined that in one of those
3
- by
2
-metre sheds, rented by the week, lived Ricardo Laverde. But it was late, I had to hand in my marks the next day (to meet the unbearable, bureaucratic demands of the university, which gave no respite), and walking through that neighbourhood, after a certain time of night, was too much like tempting fate. Laverde was drunk and he’d embarked on a series of confidences I hadn’t foreseen, and I realized at this moment that it was one thing to ask the guy what kind of planes he flew and something else entirely to go into his tiny room with him while he wept over his lost loves. Emotional intimacy has never been easy for me, much less with other men. Everything Laverde was going to tell me then, I thought, he could tell me the next day in the open air or in public places, without any vacuous camaraderie or tears on my shoulder, without any superficial masculine solidarity. The world’s not going to end tomorrow, I thought. Nor is Laverde going to forget his life story.

So I wasn’t too surprised to hear myself say, ‘No really, Ricardo. It’ll have to be another time.’

He remained quiet for an instant.

‘OK then,’ he said. If he was greatly disappointed, he didn’t show it. He just turned his back and, closing the door behind him, muttered, ‘Another time it’ll have to be.’

Of course if I’d known then what I know now, if I could have foreseen the way that Ricardo Laverde would mark my life, I wouldn’t have thought twice about it. Since then I’ve often wondered what would have happened if I’d accepted the invitation, what Laverde would have told me if I’d gone in for one last drink, which is never only just one, how that might have changed what came later.

But they’re all useless questions. There is no more disastrous mania, no more dangerous whim, than the speculation over roads not taken.

It was a long while before I saw him again. I stopped in at the billiard club a couple of times over the following days, but my routines didn’t coincide with his. Then, just when it occurred to me that I could go and visit him at his house, I found out that he’d gone away on a trip. I didn’t know where, or with whom; but one afternoon Laverde had paid his tab of drinks and games, had announced he was going on vacation and the next day had vanished like a gambler’s winning streak. So I also stopped frequenting the place, which, in the absence of Laverde, suddenly lost all interest. The university closed for the holidays, and the whole routine that spins around the department and exams was adjourned, and its spaces deserted (the voiceless halls, the offices without any hustle and bustle). It was during that interlude that Aura Rodríguez, a former student with whom I’d been going out more or less secretly, or at least cautiously, for a few months, told me she was pregnant.

Aura Rodríguez. Among her surnames were an Aljure and a Hadad, and that Lebanese blood showed in her deep eyes and in the bridge of her thick eyebrows and the narrowness of her forehead, a combination that might have given the impression of seriousness or even bad temper in someone less extroverted and affable. Her quick smile, eyes attentive to the point of impertinence, disarmed or neutralized features that, as beautiful as they might be (and yes, they were beautiful, they were very beautiful), could turn hard or even hostile with a slight knitting of her brow, with a certain way of parting her lips to breathe through her mouth at moments of greatest tension or anger. I liked Aura, at least in part, because her biography had so little in common with mine, beginning with the uprootedness of her childhood: Aura’s parents, both from the Caribbean coast, had arrived in Bogotá with her a babe in arms, but they never managed to feel at home in this city of sly, shrewd people, and as the years went by ended up accepting an opportunity to work in Santo Domingo and then another in Mexico and then another very brief one in Santiago de Chile, so Aura left Bogotá when she was still very young and her adolescence was a sort of itinerant circus and, at the same time, a permanently inconclusive symphony. Aura’s family returned to Bogotá at the beginning of
1994
, weeks after Pablo Escobar was killed; the difficult decade had just ended, and Aura would always be ignorant of what we who lived through it had seen and heard. Later, when the rootless young woman showed up at the university for her admissions interview, the dean of the faculty asked her the same question he asked all the applicants: why Law? Aura’s answer swerved back and forth, but eventually arrived at a reason less related to the future than to the recent past: ‘To be able to stay in a single place.’ Lawyers can only practise where they’ve studied, said Aura, and she no longer felt able to postpone that kind of stability. She didn’t say so at the time, but her parents had already begun to plan the next trip and Aura had decided she wouldn’t be part of it.