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Authors: Isabel Allende

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“Don't cry. I don't hurt anymore. I'm fine,” Azucena said when dawn came.

“I'm not crying for you,” Rolf Carlé smiled. “I'm crying for myself. I hurt all over.”

*  *  *

The third day in the valley of the cataclysm began with a pale light filtering through storm clouds. The President of the Republic visited the area in his tailored safari jacket to confirm that this was the worst catastrophe of the century; the country was in mourning; sister nations had offered aid; he had ordered a state of siege; the Armed Forces would be merciless, anyone caught stealing or committing other offenses would be shot on sight. He added that it was impossible to remove all the corpses or count the thousands who had disappeared; the entire valley would be declared holy ground, and bishops would come to celebrate a solemn mass for the souls of the victims. He went to the Army field tents to offer relief in the form of vague promises to crowds of the rescued, then to the improvised hospital to offer a word of encouragement to doctors and nurses worn down from so many hours of tribulations. Then he asked to be taken to see Azucena, the little girl the whole world had seen. He waved to her with a limp statesman's hand, and microphones recorded his emotional voice and paternal tone as he told her that her courage had served as an example to the nation. Rolf Carlé interrupted to ask for a pump, and the President assured him that he personally would attend to the matter. I caught a glimpse of Rolf for a few seconds kneeling beside the mudpit. On the evening news broadcast, he was still in the same position, and I, glued to the screen like a fortuneteller to her crystal ball, could tell that something fundamental had changed in him. I knew somehow that during the night his defenses had crumbled and he had given in to grief; finally he was vulnerable. The girl had touched a part of him that he himself had no access to, a part he had never shared with me. Rolf had wanted to console her, but it was Azucena who had given him consolation.

I recognized the precise moment at which Rolf gave up the fight and surrendered to the torture of watching the girl die. I was with them, three days and two nights, spying on them from the other side of life. I was there when she told him that in all her thirteen years no boy had ever loved her and that it was a pity to leave this world without knowing love. Rolf assured her that he loved her more than he could ever love anyone, more than he loved his mother, more than his sister, more than all the women who had slept in his arms, more than he loved me, his life companion, who would have given anything to be trapped in that well in her place, who would have exchanged her life for Azucena's, and I watched as he leaned down to kiss her poor forehead, consumed by a sweet, sad emotion he could not name. I felt how in that instant both were saved from despair, how they were freed from the clay, how they rose above the vultures and helicopters, how together they flew above the vast swamp of corruption and laments. How, finally, they were able to accept death. Rolf Carlé prayed in silence that she would die quickly, because such pain cannot be borne.

By then I had obtained a pump and was in touch with a general who had agreed to ship it the next morning on a military cargo plane. But on the night of that third day, beneath the unblinking focus of quartz lamps and the lens of a hundred cameras, Azucena gave up, her eyes locked with those of the friend who had sustained her to the end. Rolf Carlé removed the life buoy, closed her eyelids, held her to his chest for a few moments, and then let her go. She sank slowly, a flower in the mud.

*  *  *

You are back with me, but you are not the same man. I often accompany you to the station and we watch the videos of Azucena again; you study them intently, looking for something you could have done to save her, something you did not think of in time. Or maybe you study them to see yourself as if in a mirror, naked. Your cameras lie forgotten in a closet; you do not write or sing; you sit long hours before the window, staring at the mountains. Beside you, I wait for you to complete the voyage into yourself, for the old wounds to heal. I know that when you return from your nightmares, we shall again walk hand in hand, as before.

And at this moment in her story, Scheherazade saw the first light of dawn, and discreetly fell silent.

Turn the page for an excerpt from

The Japanese Lover

THE POLISH GIRL

T
o satisfy Irina and Seth's curiosity, Alma began by telling them, with the lucidity that preserves crucial moments for us, of the first time she saw Ichimei Fukuda. She met him in the splendid garden at the Sea Cliff mansion in the spring of 1939. In those days she was a girl with less appetite than a canary, who went around silent by day and tearful by night, hiding in the depths of the three-mirrored wardrobe in the bedroom her aunt and uncle had prepared for her. The room was a symphony in blue: the drapes were blue, and so too the curtains around the four-poster bed, the Flemish carpet, the birds on the wallpaper, and the Renoir reproductions in their gilt frames; blue also were the sky and the sea she could view from her window whenever the fog lifted. Alma Mendel was weeping for everything she had lost forever, even though her aunt and uncle insisted so vehemently that the separation from her parents and brother was only temporary that they would have convinced any girl less intuitive than her. The very last image she had of her parents was that of a man of mature years, bearded and stern looking, dressed entirely in black with a heavy overcoat and hat, standing next to a much younger woman, who was sobbing disconsolately. They were on the quay at the port of Danzig, waving good-bye to her with white handkerchiefs. They grew smaller and smaller, more and more indistinct, as the boat set out on its journey toward London with a mournful blast from its foghorn and she, clutching the railing, found it impossible to return their farewell wave. Shivering in her travel clothes, lost among the crowd of passengers gathered at the stern to watch their native land disappear in the distance, Alma tried to maintain the composure her parents had instilled in her from birth. As the ship moved off, she could sense their despair, and this reinforced her premonition that she would never see them again. With a gesture that was rare in him, her father had put his arm around her mother's shoulders, as if to prevent her from throwing herself into the water. She meanwhile was holding down her hat with one hand to prevent the wind from blowing it off as she frantically waved the handkerchief with her other.

Three months earlier, Alma had been with them on this same quay to wave good-bye to her brother, Samuel, who was ten years older than her. Her mother shed many tears before accepting her husband's decision to send him to England as a precaution just in case the rumors of war became real. He would be safe there from being recruited into the army or being tempted to volunteer. The Mendel family could never have imagined that two years later Samuel would be in the Royal Air Force fighting against Germany. When she saw her brother embark with the swagger of someone off on his first adventure, Alma had a foretaste of the threat hanging over her family. Her brother had been like a beacon to her: shedding light on her darkest moments and driving off her fears with his triumphant laugh, his friendly teasing, and the songs he sang at the piano. For his part, Samuel had been delighted with Alma from the moment he held her as a newborn baby, a pink bundle smelling of talcum powder and mewling like a kitten. This passion for his sister had done nothing but grow over the following seven years, until they were forced apart. When she learned that Samuel was leaving, Alma had her first ever tantrum. It began with crying and screaming, followed by her writhing in agony on the floor, and only ended when her mother and governess plunged her ruthlessly into a tub of icy water. Samuel's departure left her both sad and on edge, as she suspected it was the prologue to even more drastic changes. Alma had heard her parents talk about Lillian, one of her mother's sisters who lived in the United States and was married to Isaac Belasco—someone important, as they never failed to add whenever they mentioned his name. Before this, she had been unaware of the existence of this distant aunt and the important man, and so she was very surprised when her parents obliged her to write them postcards in her best handwriting. She also saw it as an ill omen that her governess suddenly incorporated the orange-colored blotch of California into her history and geography lessons. Her parents waited until after the end-of-year celebrations before announcing that she too would be going to study abroad for a while. Unlike her brother, however, she would remain within the family, and go to live in San Francisco with her aunt Lillian, her uncle Isaac, and her three cousins.

The entire journey from Danzig to London, and then to Southampton, where they boarded a transatlantic liner to San Francisco, took seventeen days. The Mendels had given Miss Honeycomb, her English governess, the responsibility of delivering Alma safe and sound to the Belasco home. Miss Honeycomb was a spinster with a pretentious accent, prim manners, and a snooty expression. She treated those she regarded as her social inferiors with disdain, while displaying a cloying servility toward her superiors, and yet in the eighteen months she had worked for the Mendels she had won their trust. No one liked her, least of all Alma, but the girl's opinion counted for nothing in the choice of the governesses and tutors who educated her at home in her early years. To sweeten Miss Honeycomb, her employers had promised her a substantial bonus in San Francisco, once Alma was safely installed with her relatives. The two of them traveled in one of the best cabins on the ship; initially they were seasick, and then bored. The Englishwoman did not fit in with the first-class passengers and would rather have thrown herself overboard than mingle with people of her own social class. As a result, she spent more than a fortnight without speaking to anyone apart from her young ward. Although there were other children on board, Alma wasn't interested in any of the planned children's activities and made no friends. She was in a sulk with her governess and sobbed in secret because this was the first time she had been away from her mother. She spent the voyage reading fairy tales and writing melodramatic letters she handed directly to the captain for him to post in some port or other, because she was scared that if she gave them to Miss Honeycomb they would end up being fed to the fishes. The only memorable moments of the slow crossing were the passage through the Panama Canal and a fancy-dress party when someone costumed as an Apache Indian pushed her governess, dressed up in a sheet to represent a Grecian vestal virgin, into the swimming pool.

The Belasco uncle, aunt, and cousins were all waiting for Alma on the dock at San Francisco, which was teeming with such a dense throng of Asian stevedores that Miss Honeycomb feared they had docked at Shanghai by mistake. Aunt Lillian, dressed in a gray Persian lamb coat and Turkish turban, clasped her niece in a suffocating embrace, while Isaac Belasco and the chauffeur tried to gather up the travelers' fourteen trunks and bundles. The two female cousins, Martha and Sarah, greeted the new arrival with a cold peck on the cheek, then forgot she existed—not out of malice, but because they were of an age to be looking for boyfriends, and this blinded them to the rest of the world. Despite the Belasco family's wealth and prestige, it wasn't going to be easy for them to land these much-sought-after husbands, as the two girls had inherited their father's nose and their mother's ample outline, but little of the former's intelligence or the latter's kindliness. Her cousin Nathaniel, the only male, born six years after his sister Sarah, was edging into puberty with the gawkiness of a heron. He was pale, skinny, lanky, ill at ease in a body that seemed to have too many elbows and knees, but with the sad, thoughtful eyes of a big dog. He kept his eyes fixed firmly on the ground when he held out his hand and muttered the welcome his parents had insisted on. Alma clung so steadfastly to his hand like a life vest that his efforts to free himself proved fruitless.

So began Alma's stay in the grand house at Sea Cliff, where she was to spend seventy largely uninterrupted years. She almost completely exhausted her stock of tears in her first months there in 1939, and from then on wept only rarely. She learned to bear her troubles alone and with dignity, convinced no one was interested in other people's problems, and that pain borne in silence eventually evaporated. She had assimilated her father's philosophy: he was a man of rigid and unshakable principles, proud of having done everything for himself and owing nothing to anyone, which was not exactly true. The simple recipe for success that Mendel had instilled in his children from the cradle on consisted in never complaining, never asking for anything, striving to be the best in everything you do, and never trusting anyone. Alma had to carry this heavy weight on her back for several decades, until love helped her shed some of it. Her stoic attitude contributed to the air of mystery surrounding her, long before she had any secrets to keep.

BOOK: The Stories of Eva Luna
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