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Authors: Paul Bowles

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AT LAST
it sounded as though everyone were dancing. Her curiosity having risen to a high pitch, she was about to rise and return to the terrace, when a figure appeared at the other end of the veranda. She needed no one to tell her it was Roberto. He was walking soundlessly toward her; he seemed to hesitate as he came up to her, then he squatted down by her chair and looked up at her. She had been right: he smelled of rum.

“Good evening, señorita.”

She felt impelled to remain silent. Nevertheless, she said, “Good evening.” She put her hand into her pocket, saying to herself that she must do this correctly and quickly.

As he crouched there with his face shining in the moonlight, she bent forward and passed her hand over his smooth hair. Keeping her fingers on the back of his neck, she leaned still further forward and kissed his lips. The rum was very strong. He did not move. She began to whisper in his ear, very low: “Roberto, I love you. I have a present for you. Forty
colones.
Here.”

He turned his head swiftly and said out loud, “Where?”

She put the bills into his hand, still holding his head, and whispered again: “Sh! Not a word to anyone. I must go now. I’ll give you more tomorrow night.” She let go of him.

He rose and went out the gate. She went straight upstairs to bed, and as she went to sleep the music was still going on.

MUCH LATER
she awoke and lit her lamp. It was half past four. Day would soon break. Feeling full of an unaccustomed energy, Chalía
dressed, extinguished the lamp and went outdoors, shutting the gate quickly behind her. In the paddock the horses stirred. She walked by it and started along the road to the village. It was a very silent hour: the night insects had ceased their noises and the birds had not yet begun their early-morning twitter. The moon was low in the sky, so that it remained behind the trees most of the time. Ahead of her Venus flared like a minor moon. She walked quickly, with only a twinge of pain now and then in her hip.

Something dark lying in the road ahead of her made her stop walking. It did not move. She watched it closely, stepping cautiously toward it, ready to run the other way. As her eyes grew accustomed to its form, she saw that it was a man lying absolutely still. And as she drew near, she knew it was Roberto. She touched his arm with her foot. He did not respond. She leaned over and put her hand on his chest. He was breathing deeply, and the smell of liquor was almost overpowering. She straightened and kicked him lightly in the head. There was a tiny groan from far within. This also, she said to herself, would have to be done quickly. She felt wonderfully light and powerful as she slowly maneuvered his body with her feet to the right-hand side of the road. There was a small cliff there, about twenty feet high. When she got him to the edge, she waited a while, looking at his features in the moonlight. His mouth was open a little, and the white teeth peeked out from behind the lips. She smoothed his forehead a few times and with a gentle push rolled him over the edge. He fell very heavily, making a strange animal sound as he hit.

She walked back to the ranch at top speed. It was getting light when she arrived. She went into the kitchen and ordered her breakfast, saying: “I’m up early.” The entire day she spent around the house, reading and talking to Lucha. She thought Don Federico looked preoccupied when he set out on his morning tour of inspection, after closing the commissary. She thought he still did when he returned; she told him so at lunch.

“It’s nothing,” he said. “I can’t seem to balance my books.”

“And you’ve always been such a good mathematician,” said Chalía.

DURING THE AFTERNOON
some cowboys brought Roberto in. She heard the commotion in the kitchen and the servants’ cries of
“Ay, Dios!”
She went out to watch. He was conscious, lying on the floor with all the other Indians staring at him.

“What’s the matter?” she said.

One of the cowboys laughed. “Nothing of importance. He had too much—” the cowboy made a gesture of drinking from a bottle, “and fell off the road. Nothing but bruises, I think.”

AFTER DINNER
Don Federico asked Chalía and Lucha into his little private office. He looked drawn, and he spoke more slowly than usual. As Chalía entered she saw that Roberto was standing inside the door. He did not look at her. Lucha and Chalía sat down; Don Federico and Roberto remained standing.

“This is the first time anyone has done this to me,” said Don Federico, looking down at the rug, his hands locked behind him. “Roberto has stolen from me. The money is missing. Some of it is in his pocket still, more than his monthly wages. I know he has stolen it because he had no money yesterday and because,” he turned to Chalía, “because he can account for having it only by lying. He says you gave it to him. Did you give Roberto any money yesterday?”

Chalía looked puzzled. “No,” she said. “I thought of giving him a
colon
when he brought me back from the ride yesterday morning. But then I thought it would be better to wait until we were leaving to go back to the city. Was it much? He’s just a boy.”

Don Federico said: “It was forty
colones.
But that’s the same as forty
centavos.
Stealing…”

Chalía interrupted him. “Rico!” she exclaimed. “Forty
colones!
That’s a great deal! Has he spent much of it? You could take it out of his wages little by little.” She knew her brother would say what he did say, a moment later.

“Never! He’ll leave tonight. And his brother with him.”

In the dim light Chalía could see the large purple bruise on Roberto’s forehead. He kept his head lowered and did not look up, even when she and Lucha rose and left the room at a sign from their brother. They went upstairs together and sat down on the veranda.

“What barbarous people they are!” said Lucha indignantly. “Poor Rico may learn some day how to treat them. But I’m afraid one of them will kill him first.”

Chalía rocked back and forth, fanning herself lazily. “With a few more lessons like this he may change,” she said. “What heat!”

They heard Don Federico’s voice below by the gate. Firmly it said,
“Adiós.”
There were muffled replies and the gate was closed. Don Federico joined his sisters on the veranda. He sat down sadly.

“I didn’t like to send them away on foot at night,” he said, shaking his head. “But that Roberto is a bad one. It was better to have him go once and for all, quickly. Juan is good, but I had to get rid of him too, of course.”

“Claro, claro,”
said Lucha absently. Suddenly she turned to her brother full of concern. “I hope you remembered to take away the money you said he still had in his pocket.”

“Yes, yes,” he assured her, but from the tone of his voice she knew he had let the boy keep it.

DON FEDERICO AND LUCHA
said good night and went to bed. Chalía sat up a while, looking vaguely at the wall with the spiders in it. Then she yawned and took the lamp into her room. Again the bed had been pushed back against the wall by the maid. Chalía shrugged her shoulders, got into the bed where it was, blew out the lamp, listened for a few minutes to the night sounds, and went peacefully to sleep, thinking of how surprisingly little time it had taken her to get used to life at Paso Rojo, and even, she had to admit now, to begin to enjoy it.

(1948)

You Are Not I

Y
OU ARE NOT I.
No one but me could possibly be. I know that, and I know where I have been and what I have done ever since yesterday when I walked out the gate during the train wreck. Everyone was so excited that no one noticed me. I became completely unimportant as soon as it was a question of cut people and smashed cars down there on the tracks. We girls all went running down the bank when we heard the noise, and we landed against the cyclone fence like a lot of monkeys. Mrs. Werth was chewing on her crucifix and crying her eyes out. I suppose it hurt her lips. Or maybe she thought one of her daughters was on the train down there. It was really a bad accident; anyone could see that. The spring rains had dissolved the earth that kept the ties firm, and so the rails had spread a little and the train had gone into the ditch. But how everyone could get so excited I still fail to understand.

I always hated the trains, hated to see them go by down there, hated to see them disappear way off up the valley toward the next town. It made me angry to think of all those people moving from one town to another, without any right to. Whoever said to them: “You may go and buy your ticket and make the trip this morning to Reading. You will go
past twenty-three stations, over forty bridges, through three tunnels, and still keep going, if you want to, even after you get to Reading”? No one. I know that. I know there is no chief who says things like that to people. But it makes it pleasanter for me when I imagine such a person does exist. Perhaps it would be only a tremendous voice speaking over a public-address system set up in all the main streets.

When I saw the train down there helpless on its side like an old worm knocked off a plant, I began to laugh. But I held on to the fence very hard when the people started to climb out the windows bleeding.

I was up in the courtyard, and there was the paper wrapper off a box of Cheese Tid Bits lying on the bench. Then I was at the main gate, and it was open. A black car was outside at the curb, and a man was sitting in front smoking. I thought of speaking to him and asking him if he knew who I was, but I decided not to. It was a sunny morning full of sweet air and birds, I followed the road around the hill, down to the tracks. Then I walked up the tracks feeling excited. The dining car looked strange lying on its side with the window glass all broken and some of the cloth shades drawn down. A robin kept whistling in a tree above. “Of course,” I said to myself. “This is just in man’s world. If something real should happen, they would stop singing.” I walked up and down along the cinder bed beside the track, looking at the people lying in the bushes. Men were beginning to carry them up toward the front end of the train where the road crosses the tracks. There was a woman in a white uniform, and I tried to keep from passing close to her.

I decided to go down a wide path that led through the blackberry bushes, and in a small clearing I found an old stove with a lot of dirty bandages and handkerchiefs in the rubbish around the base of it. Underneath everything was a pile of stones. I found several round ones and some others. The earth here was very soft and moist. When I got back to the train there seemed to be a lot more people running around. I walked close to the ones who were lying side by side on the cinders, and looked at their faces. One was a girl and her mouth was open. I dropped one of the stones in and went on. A fat man also had his mouth open. I put in a sharp stone that looked like a piece of coal. It occurred to me that I might not have enough stones for them all, and the cinders were too small. There was one old woman walking up and down wiping her hands on her skirt very quickly, over and over again. She had on a long black silk dress with a design of blue mouths stamped all over it. Perhaps they
were supposed to be leaves but they were formed like mouths. She looked crazy to me and I kept clear of her. Suddenly I noticed a hand with rings on the fingers sticking out from under a lot of bent pieces of metal. I tugged at the metal and saw a face. It was a woman and her mouth was closed. I tried to open it so I could get a stone in. A man grabbed me by the shoulder and pulled at me. He looked angry. “What are you doing?” he yelled. “Are you crazy?” I began to cry and said she was my sister. She did look a little like her, and I sobbed and kept saying: “She’s dead. She’s dead. “The man stopped looking so angry and pushed me along toward the head of the train, holding my arm tightly with one hand. I tried to jerk away from him. At the same time I decided not to say anything more except “She’s dead” once in a while. “That’s all right,” the man said. When we got to the front end of the train he made me sit down on the grass embankment alongside a lot of other people. Some of them were crying, so I stopped and watched them.

It seemed to me that life outside was like life inside. There was always somebody to stop people from doing what they wanted to do. I smiled when I thought that this was just the opposite of what I had felt when I was still inside. Perhaps what we want to do is wrong, but why should they always be the ones to decide? I began to consider this as I sat there pulling the little new blades of grass out of the ground. And I thought that for once
I
would decide what was right, and do it.

It was not very long before several ambulances drove up. They were for us, the row of people sitting on the bank, as well as for the ones lying around on stretchers and overcoats. I don’t know why, since the people weren’t in pain. Or perhaps they were. When a great many people are in pain together they aren’t so likely to make a noise about it, probably because no one listens. Of course I was in no pain at all. I could have told anyone that if I had been asked. But no one asked me. What they did ask me was my address, and I gave my sister’s address because it is only a half hour’s drive. Besides, I stayed with her for quite a while before I went away, but that was years ago, I think. We all drove off together, some lying down inside the ambulances, and the rest of us sitting on an uncomfortable bench in one that had no bed. The woman next to me must have been a foreigner; she was moaning like a baby, and there was not a drop of blood on her that I could see, anywhere. I looked her all over very carefully on the way, but she seemed to resent it, and turned her face the other way, still crying. When we got to the hospital we were all taken in
and examined. About me they just said: “Shock,” and asked me again where I lived. I gave them the same address as before, and soon they took me out again and put me into the front seat of a sort of station wagon, between the driver and another man, an attendant, I suppose. They both spoke to me about the weather, but I knew enough not to let myself be trapped that easily. I know how the simplest subject can suddenly twist around and choke you when you think you’re quite safe. “She’s dead,” I said once, when we were halfway between the two towns. “Maybe not, maybe not,” said the driver, as if he were talking to a child. I kept my head down most of the time, but I managed to count the gas stations as we went along.

When we arrived at my sister’s house the driver got out and rang the bell. I had forgotten that the street was so ugly. The houses were built one against the other, all alike, with only a narrow cement walk between. And each one was a few feet lower than the other, so that the long row of them looked like an enormous flight of stairs. The children were evidently allowed to run wild over all the front yards, and there was no grass anywhere in sight, only mud.

My sister came to the door. The driver and she spoke a few words, and then I saw her look very worried very suddenly. She came out to the car and leaned in. She had new glasses, thicker than the others. She did not seem to be looking at me. Instead she said to the driver: “Are you
sure
she’s all right?”

“Absolutely,” he answered. “I wouldn’t be telling you if she wasn’t. She’s just been examined all over up at the hospital. It’s just shock. A good rest will fix her up fine.” The attendant got out, to help me out and up the steps, although I could have gone perfectly well by myself. I saw my sister looking at me out of the corner of her eye the same as she used to. When I was on the porch I heard her whisper to the attendant: “She don’t look well yet to
me.
” He patted her arm and said: “She’ll be fine. Just don’t let her get excited.”

“That’s what they always said,” she complained, “but she just
does.

The attendant got into the car. “She ain’t hurt at
all,
lady.” He slammed the door.

“Hurt!” exclaimed my sister, watching the car. It drove off and she stood following it with her eyes until it got to the top of the hill and turned. I was still looking down at the porch floor because I wasn’t sure
yet what was going to happen. I often feel that something is about to happen, and when I do, I stay perfectly still and let it go ahead. There’s no use wondering about it or trying to stop it. At this time I had no particular feeling that a special event was about to come out, but I did feel that I would be more likely to do the right thing if I waited and let my sister act first. She stood where she was, in her apron, breaking off the tips of the pussywillow stems that stuck out of the bush beside her. She still refused to look at me. Finally she grunted: “Might as well go on inside. It’s cold out here.” I opened the door and walked in.

Right away I saw she had had the whole thing rebuilt, only backward. There was always a hall and a living room, except that the hall used to be on the left-hand side of the living room and now it was on the right. That made me wonder why I had failed to notice that the front door was now at the right end of the porch. She had even switched the stairs and fireplace around into each other’s places. The furniture was the same, but each piece had been put into the position exactly opposite to the way it had been before. I decided to say nothing and let her do the explaining if she felt like it. It occurred to me that it must have cost her every cent she had in the bank, and still it looked exactly the same as it had when she began. I kept my mouth shut, but I could not help looking around with a good deal of curiosity to see if she had carried out the reversal in every detail.

I went into the living room. The three big chairs around the center table were still wrapped in old sheets, and the floor lamp by the pianola had the same torn cellophane cover on its shade. I began to laugh, everything looked so comical backward. I saw her grab the fringe of the portiere and look at me hard. I went on laughing.

The radio next door was playing an organ selection. Suddenly my sister said: “Sit down, Ethel. I’ve got something to do. I’ll be right back.” She went into the kitchen through the hall and I heard the back door open.

I knew already where she was going. She was afraid of me, and she wanted Mrs. Jelinek to come over. Sure enough, in a minute they both came in, and my sister walked right into the living room this time. She looked angry now, but she had nothing to say. Mrs. Jelinek is sloppy and fat. She shook hands with me and said: “Well, well, old-timer!” I decided not to talk to her either because I distrust her, so I turned around and
lifted the lid of the pianola. I tried to push down some keys, but the catch was on and they were all stiff and wouldn’t move. I closed the lid and went over to see out the window. A little girl was wheeling a doll carriage along the sidewalk down the hill; she kept looking back at the tracks the wheels made when they left a wet part of the pavement and went onto a dry patch. I was determined not to let Mrs. Jelinek gain any advantage over me, so I kept quiet. I sat down in the rocker by the window and began to hum.

Before long they started to talk to each other in low voices, but of course I heard everything they said. Mrs. Jelinek said: “I thought they was keeping her.” My sister said: “I don’t know. So did I. But the man kept telling me she was all right. Huh! She’s just the same.” “Why, sure,” said Mrs. Jelinek. They were quiet a minute.

“Well, I’m not going to put up with it!” said my sister, suddenly. “I’m going to tell Dr. Dunn what I think of him.”

“Call the Home,” urged Mrs. Jelinek.

“I certainly am,” my sister answered. “You stay here. I’ll see if Kate’s in.” She meant Mrs. Schultz, who lives on the other side and has a telephone. I did not even look up when she went out. I had made a big decision, and that was to stay right in the house and under no condition let myself be taken back there. I knew it would be difficult, but I had a plan I knew would work if I used all my will power. I have great will power.

The first important thing to do was to go on keeping quiet, not to speak a word that might break the spell I was starting to work. I knew I would have to concentrate deeply, but that is easy for me. I knew it was going to be a battle between my sister and me, but I was confident that my force of character and superior education had fitted me for just such a battle, and that I could win it. All I had to do was to keep insisting inside myself, and things would happen the way I willed it. I said this to myself as I rocked. Mrs. Jelinek stood in the hall doorway with her arms folded, mostly looking out the front door. By now life seemed much clearer and more purposeful than it had in a long, long time. This way I would have what I wanted. “No one can stop you,” I thought.

It was a quarter of an hour before my sister came back. When she walked in she had both Mrs. Schultz and Mrs. Schultz’s brother with her, and all three of them looked a little frightened. I knew exactly what had happened even before she told Mrs. Jelinek. She had called the Home
and complained to Dr. Dunn that I had been released, and he had been very much excited and told her to hold on to me by all means because I had not been discharged at all but had somehow
got out.
I was a little shocked to hear it put that way, but now that I thought of it, I had to admit to myself that that was just what I had done.

I got up when Mrs. Schultz’s brother came in, and glared at him hard.

“Take it easy, now, Miss Ethel,” he said, and his voice sounded nervous. I bowed low to him: at least he was polite.

“‘Lo, Steve,” said Mrs. Jelinek.

BOOK: The Stories of Paul Bowles
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