The Stupidest Angel (21 page)

A tree waving in the wind nearby snapped with the report of a cannon, and the angel came out of his fantasy. He needed to get this miracle done and be gone. Through the rain he could see that people were starting to arrive at the little church, fighting their way through the wind and the rain, the lights in the windows flickering even as the party was starting. There was no going back, the angel thought. He would just have to wing it (which, considering he was an angel, he really should have been better at).

He raised his arms to his sides and his black coat streamed out behind him on the wind, revealing the tips of his wings folded underneath. In his best pronouncement voice, he called out the spell.

"Let he who lies here dead arise!" He sort of did a hand motion to cover pretty much the general area. "Let he who does not live, live again. Arise from your grave this Christmas and live!" Raziel looked at the half-eaten Snickers he was holding and realized that maybe he should be more specific about what was supposed to happen. "Come forth from the grave! Celebrate! Feast!"

Nothing. Nothing whatsoever happened.

There,
said the angel to himself. He popped the last of the Snickers bar into his mouth and wiped his hands on his coat. The rain had subsided for a bit and he could see a ways into the woods. Nothing was happening.

"I mean it!" he said in his big scary angel voice.

Not a damn thing. Wet pine needles, some wind, trees whipping back and forth, rain. No miracle.

"Behold!" said the angel. "For I am really not kidding."

A great gust of wind came up at that second and another nearby pine snapped and fell, missing the angel by only a few feet.

"There. It's just going to take a little time."

He walked out of the woods and down Worchester Street into town.

"Wow, I'm famished all of a sudden,"
said Marty in the Morning, all dead, all the time.

"I know,"
said Bess Leander, poisoned yet perky.
"I feel really strange. Hungry, and something else. I've never felt this before."

"Oh, my dear,"
said Esther, the schoolteacher,
"I can suddenly think of nothing but brains."

"How 'bout you, kid?"
asked Marty in the Morning.
"You thinking about brains?"

"Yeah,"
said Jimmy Antalvo.
"I could eat."

JUST THIS CHRISTMAS PHOTO ALBUM

Sometimes, if you look closely at family snapshots, you can see in the faces of the children, portents of the adults they will become. In the adults, you can sometimes see the face behind the face. Not always, but sometimes . . .

In this shot we see a well-to-do California family posed in front of their lakeshore estate in Elsinore, California. (It's an eight-by-ten color glossy, embossed with the trademark of a professional photographer's studio.)

They are all tanned and healthy-looking. Tucker Case is perhaps ten years old, dressed in a little sport coat with a yachting ensign on the breast pocket and little tasseled loafers. He is standing in front of his mother, who has the same blond hair and bright blue eyes, the same smile that looks not as if she is presenting her dental work, but as if she is just seconds from bursting out laughing. Three generations of Cases—brothers, sisters, uncles, aunts, and cousins—look perfectly coiffed, pressed, washed, and shined. All are smiling, except for one little girl down front, who has an expression of abject horror on her face.

A closer look reveals the back of her red Christmas dress is tossed up to one side, and snaking in from the side, from under his little blue sport coat, is the hand of young Tuck, who has just stolen an incestuous squeeze of his cousin Janey's eleven-year-old bottom.

What is telling about this picture is not the surreptitious booty grope, but the motive, because here Tucker Case is at an age where he is much more interested in blowing stuff up than he is in sex, yet he is precociously cognizant of just how much his advances will freak his cousin out. This is his raison d'etre. It should be noted that Janey Case-Robbins will go on to distinguish herself as a successful litigator and advocate for women's rights, while Tucker Case will go on to be a serially heartbroken horn dog with a fruit bat.

The shot is taken in someone's backyard on a sunny day. There are children all around and it's obvious that a big party is going on.

She's six, wearing a fluffy pink dress and patent-leather shoes. She couldn't be any cuter, with her long black hair tied up into ponytails with red ribbons and flying out behind her like silk comet tails as she pursues the pinata. She's blindfolded, and her mouth is wide open, letting forth a burst of that high, little-girl laugh that sounds like joy itself, because she's just made solid contact with the stick and she's sure that she has released candy, and toys, and noisemakers for all the children. What she has, in fact, done, has solidly smacked her uncle Octavio in the
cojones.

Uncle Octavio is caught in a magic moment of transition, his face changing from joy to surprise to pain, all at once. Lena is still adorable and sweet and unsullied by the disaster she has wrought.
Feliz Navidad!

It's Christmas morning, post-present-opening storm. Tissue paper and ribbon are strewn around the floor, and off to one side you can see a coffee table, and on it an ashtray the size of a hubcap overflowing with butts, and an empty bottle of Jim Beam. Front and center is six-year-old Molly Achevski (she would change her last name to Michon at nineteen on the advice of an agent "because it sounds fucking French, people love that"). Molly is wearing a red sequined ballerina outfit, red galoshes that hit her bare legs about midcalf, and a giant, cheeky grin with a hole in the middle where her front teeth used to be. She has one foot propped up on a large Tonka dump truck as if she has just conquered it in a grudge match, and her younger brother Mike, four, is trying to pry the truck out from under her. Tears are streaming down his cheeks. Molly's other brother, Tony, five, is looking up to his sister like she is the princess of all things good. She has already poured him a bowl of Lucky Charms this morning, as she does for both her brothers every morning.

In the background, we see a woman in a bathrobe lying on the couch, one hand hanging to the floor holding a cigarette that has burned itself out hours before. The silvery ash has left a streak on the carpet.

No one has any idea who took this picture.

This one was taken only a few years ago, when Dale was still married to Lena. It's the Caribou Lodge Christmas party, and Dale is, once again, dressed as Santa, sitting on a makeshift throne. He is surrounded by drunken revelers, all laughing, all holding the various joke gifts that Dale has passed out to them earlier that night. Dale is brandishing his own present, a fourteen-inch-long rubber penis, as big around as a soup can. He's waving it at Lena with a leer, and she, dressed in a black cocktail dress and a single string of pearls, looks quite horrified at what he's saying, which is: "We'll put this rascal to good use later tonight, huh, baby?"

The irony of it is that later that night, he will don one of his vintage German SS uniforms—everything but the jodhpurs, anyway—and what he asks Lena to do with his new present is exactly what she told him he could do with it at the party. She will never know if it was she who gave him the idea, but it will be a milestone in her move toward divorce proceedings.

At thirteen, Theo Crowe is already six feet four inches tall, and weighs a little over a hundred pounds. It is a classic scene of the three kings following the star. The seventh-grade music class is performing
Amahl and the Night Visitors.
Originally cast as one of the three kings, Theo is now dressed as a camel. His ears are the only parts of his body that are in proportion, and he looks very much like a camel fashioned out of wire by Salvador Dali. His chance to play Balthazar, the Ethiopian king, was lost when he announced that the Magi had arrived bearing gold,
Frankenstein,
and myrrh. Later, he, the two other camels, and a sheep will be suspended for smoking the myrrh. (They would have never been caught had the sheep not suggested that they play a quick game of "Kill the Man with the Baby Jesus" out behind the theater. Evidently the myrrh was "prime smokage.")

This one was taken just last year, at the lighthouse where Gabe has his cabin. You can see the lighthouse in the background, and windblown whitecaps out to sea. You can tell it's a windy day because the Santa hat that Gabe is wearing is streaming out to the side, and he's holding the reindeer antlers on Skinner's head. Crouched next to them, in a thousand-dollar St. John knit, red and cut in the style of a Napoleonic soldier, with brass buttons and gold braid on the shoulders, is Dr. Valerie Riordan. Her auburn hair is styled to curl behind her ears and accentuate her diamond hoop earrings. She's done up in Headline News Prompter Puppet makeup, as if her face has been completely sanded off, and then painted back on by a crack team of special-effects people—brighter, better, faster than a real human face. She's trying, really trying, to smile for the camera. She is holding her hair in one hand, and appears to be petting Skinner, but is, upon closer examination, holding him at bay. A racing stripe across the knee of her nylons betrays an earlier attempt by Skinner to share a holiday leg hump with the Food Guy's female.

Gabe is scruffy in khakis and hiking boots. There's a fine coating of sand on his pants and boots from where he was sitting astride elephant seals that morning, gluing satellite-tracking devices on their backs. He has a great, hopeful smile, and not a clue that anything might be wrong with this picture.

This picture was taken on the island of Guam, Roberto's birthplace. There are palm trees in the foreground. You can tell he's just a young fellow, because he has not yet acquired a pair of Ray-Bans, nor a master to bring him mangoes on demand. He's curled up in a Christmas wreath made from palm fronds and decorated with little papayas and red palm nuts. He is licking papaya pulp from his little doggy face. The children who found him in the wreath that Christmas morning are posed on either side of the door where the wreath hangs. They are both girls, and have the long curly brown hair of their Chamorro mother, the green eyes of their Irish-Catholic father, who is an American airman. Father is taking the picture. The girls are in bright, floral mission dresses with puffy sleeves.