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Authors: Alan Hollinghurst

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BOOK: The Swimming-Pool Library
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Phil agreed to come with me to visit Ronald Staines, and since we were at my flat I dressed him myself. I forbade him underwear, and forced him into an old pair of fawn cotton trousers which, tight on me, were anatomically revealing on him. The central seam cut up deeply between his balls, and his little cock was espaliered across the top of his left thigh. A loose, boyish, blue Aertex shirt set this off beautifully, and as I followed him downstairs I was thrilled at my affront to his shyness, and could hardly wait for the strapping I would give him when we got back. All along the pavement in the beating sunshine I kept letting my hands knock him, my fingertips trail over him as they swung.

We crossed over Holland Park Avenue and were strolling north up Addison Avenue when there was the slap-slap of running sandalled feet behind us, and my little nephew Rupert was prancing along beside us.

‘Roops—this is a pleasure,’ I said. ‘Are you running off somewhere again? You don’t seem very well kitted out if you are.’ He
had on smartly pressed shorts with an elasticated waistband and a T-shirt advertising the previous year’s Proms.

‘No, I’m just going for a walk,’ he said. ‘It’s such a lovely day—one would hate to stay indoors!’

‘One would indeed,’ I agreed. ‘Roops, this is my friend Phil, who’s staying with me for a bit.’

‘Hello,’ he said breezily, and then gambolled along backwards in front of us, so as to get a good look at the two of us. I thought it must be like being filmed, walking towards an ever-receding camera, and I put on silly faces to make him laugh. When he decided he liked us he dropped into place between us, and we swung along hand-in-hand. He was as touching and confidential as ever, and I felt we must look like a young couple that by some dazzling agamogenesis had produced this golden-haired offspring.

I was keeping an eye out for the house numbers and we were already nearly there. ‘We’re going in here, darling,’ I said, and Phil looked up a shade apprehensively while Rupert, disappointed that our meeting was over so soon, took on a serious air, not quite understanding what was going on, and glancing from one to the other of us, as though some decision had to be taken.

‘Why don’t you come round for tea one day?’ I suggested. ‘If old Pollywog will let you.’

‘Yes, I will,’ he said. But something else was clearly worrying him and he tugged on my hand and led me off to several parked cars’ length away. He looked around carefully, and I knew what he was going to talk about. For a moment I thought he was going to tell me he had seen Arthur, and I felt that perhaps life would suddenly become quite different. ‘What ever happened to that boy?’ he asked.

‘Oh, he went away a bit ago,’ I said plausibly, as if it were a lie.

‘Did he manage to run away all right, then?’

‘Oh yes—he got clean away.’

‘Have you heard where he went to? Did he go abroad?’

‘Funnily enough, old chap, I don’t know quite where he is. It was all top secret, you know. I hope you didn’t tell anyone about it?’

‘No,’ he whispered, shocked that I could imagine that.

‘As a matter of fact,’ it struck me, ‘if you should see him I’d quite like to know. It would have to be really hush-hush, though. Keep your eyes skinned when you’re going for a walk or anything’ (here he rubbed his eyes quickly, carrying out my orders at once) ‘and if you do see him, and you’re really sure it’s him, why don’t you give me a ring?’

‘All right,’ he said. I was glad I had made a little game or experiment out of it, and began already to look anxiously forward to it.

We went back towards Phil, who had been left in the middle of the pavement. I grinned at his fidelity, his cleanness, the plump relief of his … copper’s helmet. Rupert shook hands with both of us and made off, looking about like anything. When he was out of view Phil and I walked up the short flagged path to the front door of Staines’s house; it was the left-hand portion of a spacious 1830s villa, with a woody privet hedge (the kind with rooms inside it large enough for a child to hide in) round the garden, and curtains at the downstairs windows drawn in a degenerate way suggestive of late rising and afternoon TV.

Staines came to the door and welcomed the two of us with the air of a man who has a good appetite. As I thought when I had met him before at Wicks’s, there was someone strangely passionate and slavish holed up inside his immaculate clothes—today an almost transparent suit of sour cream Indian silk.

‘I’m so glad Charles got
you
,’ he said.

‘Thank you,’ I replied. ‘Do you mean there have been others?’

‘Oh, there was a frightfully
old
young man with bad breath who ran a printing press. He was around a lot last year, looking at everything. Happily Charles got rid of him, for being too snobbish.’

We went through into a drawing room with heavy theatrical curtains held back by tasselled cords, and floor-length windows open onto a terrace; a lawn and a huge weeping beech were visible beyond. A zealous sense of good taste pervaded the room: unread classics in the bookcase showed the uniform gilding of their spines, and the flowers could have graced a wedding of minor royalty. On a Sheraton side-table lay a vast, tooled portfolio;
a crowd of framed photographs surmounted a mahogany writing-desk and gave the impression of a glamorous and sentimental past. Phil, trained to accommodate the whims of guests, seemed uncomfortable to be a guest himself. He hung back awkwardly, unable to get his hands in his pockets.

‘And what do you do?’ Staines asked him.

‘I’m a waiter.’

‘Ooh.’ There was a peculiar silence. ‘Well, I’m sure you won’t have to wait very long,’ he said encouragingly, appraising Phil’s physique with an artful glance. ‘Are you a friend of Charles’s too?’

‘Oh, no—I’m just a friend of Will’s.’ It became clear to me that Staines did not know why he had come, but was, as I had expected, glad that he had.

‘Quite so! Well, please, make yourself absolutely at home. I’m afraid there isn’t a pool—but you may like to sunbathe outside with Bobby’—he gestured tritely towards the garden—‘or whatever!’

‘I think Ronald and I will have things to talk about, darling,’ I said. ‘But do sit in on it if you want.’ I felt a shiver of possessiveness and cruelty, as if I were some vile businessman addressing his wife. We all went to the windows and stepped out. To the side there was a gathering of expensive garden furniture, chairs with curved wicker arms and flowered cushions, a long, unfolding sun-bed, and a glass-topped table with a jug of Pimm’s and a matching set of Deco beakers: there was something ideal about it, as if it were in a catalogue. Beyond, at the edge of the terrace, stood tubs of alpine plants—dwarf conifers, lichen-yellow, and wiry tufts of heather leading their perfectly senseless existence. ‘We can all have a drink,’ said Staines. Then round the corner from the garden Bobby appeared.

Bobby was—what?—thirty-five? He had been deeply indulged, had eaten too much, drunk too much, and his face and body were the record of it. I could see at once what sort of a child he had been: the loose mouth, the cheap, unblinking, china-blue eyes, the lock of glossy blond hair that he pushed back as he ambled towards us—all were features of a school tart, as it might be Mountjoy, aged by a decade and a half (and where was Mountjoy now?). His clothes made the idea inevitable: a crumpled white
shirt, plimsolls, and baggy white flannels held up round the waist with what I recognised (from James having one the same) as an Old Gregorians tie. When we were introduced he said ‘Hullo’ in a plummy, straight manner and extended a hot damp hand with plump, double-jointed fingers and long chalky nails. I thought confusedly of theories of the humours, and could not imagine intimacy with a man with such hands. ‘So you’re going to do old Charles,’ he said, and chuckled as though Charles were a delinquent like himself. ‘Well, good luck is all I can say.’

He had pitched into the subject with charmless suddenness, but I was obliged to ask him more. ‘The old boy’s not all there, you know. I shouldn’t wonder if there was some mental thing. The mother was quite barmy, of course. Whole lot of them were
pretty odd.

‘The previous Lord Nantwich, Charles’s father, was a gifted poet,’ Staines reassured me formally, dispensing the Pimm’s in little dribbles and sploshes as the fruity garnish fell in. ‘He wrote plays in verse for his servants to perform. My grandmother used to know him—which is how I came to meet Charles, you see. He dandled me I think would be the word—longer ago than even I can remember.’

‘Where did the family come from?’

‘Oh, they still lived in Shropshire. They had a house in town, but they never came down. I don’t think the old man appeared in the House of Lords once. They were madly out of touch with the modern world—no telephones or anything—and I suppose that’s why they became a bit queer. Charles was
devoted
to his mother; they wrote to each other every single day. And there was Franky, of course. Has Charles told you about him?’

‘Charles has told me almost nothing.’ (Should I be writing this down? The ‘Nantwich’ notebook still had nothing in it, except for some scribbles on the back page where I had tried to get a biro to work.)

‘Well some time I’ll recount that sad, sad tale. Suffice it to say, William, that
Franky
was Charles’s big brother, and would have come into the title in the normal course of events. He was a nymphomaniac, if a man can be. They used to say the farmworkers at Polesden sewed up their fly-buttons. He was always getting them in a corner and making them do things. And of
course in those days you
could
—I may be embroidering a little but I think I’m right in saying that virtually any, you know, working-class lads could be had for … not more than ten shillings. They needed the money, dear. It’s too amusing really, or was until one of Franky’s boys got nasty and
simply
smashed him to pieces. That was what finally turned their poor mother’s mind, I should think.’

‘And the uncle,’ Bobby prompted impatiently.

‘Oh, the
uncle
—yes, Charles had this heavenly uncle who everyone thought was a terrific lady’s man, and carried on very chivalrously and was seen a lot with the great beauties of the day and
all that.
But really, of course, he was nothing of the kind; and used to tool about with guards—on the train, I mean; well, the other sort, too, I dare say. So there was really a lot of
that sort of thing
going on there. Compared with the rest, Charles was quite the white sheep of the family.’

Bobby dropped onto the sun-bed. ‘They all liked a “bit of rough”,’ he said, with the same pompous dissimulation, as if he were a policeman reporting the language of an offender in court. ‘I must say, though, Charles’s “gentleman’s gentlemen” are the end. Who’s he got at the moment, some other old lag?’

‘I believe there is someone new,’ I said. ‘I haven’t met him yet. Lewis I met. He seems to have been rather unsatisfactory.’

Staines looked hesitant, even troubled. His account and Bobby’s would not be the same, I knew, and where Staines spoke with affection, Bobby refracted matters through a kind of slothful contempt. Now he said: ‘You know how he gets them, don’t you. Bloody motors out to Wormwood Scrubs or wherever and when he sees someone likely coming out, he picks them up and offers them a job. Ridiculous way of engaging a person.’

‘It’s not quite as simple as that,’ Staines said. ‘Charles has a lot of feeling for the underdog, the underchap as it were. He’s made great friends that way, and changed the whole course of people’s lives. Sometimes it just doesn’t work out. One doesn’t know quite what
goes on
, of course, but they tend to become very possessive and jealous, and then there’s usually trouble. Oh dear! Look, come inside, William, and let me show you some things.’

We were going in, and I dithered on the sill as to whether I
could leave my darling Phil with Bobby. Phil looked resigned—or perhaps actually didn’t mind: I had been surprised and shamed by his tolerance of people to whom I took an unhesitating dislike. But Staines seemed to sense the problem, and turned back. ‘Come along too,’ he called, extending his arm and dropping his wrist in a perfect Shuckburgh.

‘I’ll stick by the booze,’ said Bobby, gruffly.

If the drawing-room had the unnatural, aspiring look of a room about to be photographed, the room where the photography actually went on had a cultivated air of clutter, as if the clean and discrete camera should lay claim to the turmoil, the evident symptoms of art, of a painter’s studio. Empty drums of developing fluid accumulated around an ostentatiously full waste bin, a dramatic spot picked out the workbench where the only painterly act, the touching up of prints with a fine brush, took place. Otherwise it was a deserted theatre—of the acting or of the operating kind. The powerful lights, with their silvery reflecting umbrellas, were switched off, and as the curtains were closed I had a quick recall of school play rehearsals in vacated classrooms, gestures made with imaginary props, embarrassed boys swallowing syllables, the sense of a final achievement lugubriously remote. Nonetheless I looked around admiringly and just as I still naughtily mount the pulpit when I visit a church, clutched Phil to me histrionically in front of one of the heavy unrolled backdrops of eggshell cartridge-paper. The lens of the crouching camera eyed us enigmatically, daring us to move. Phil grinned, and only saw too late what I was playing at.

‘Actually, over here is where I would want to shoot you, William.’ Behind the sheet of paper, at the rear of the studio, was a setting of another kind, a painted canvas flat showing a balustrade, a curtain tumbling down above, and a hazy impression of parkland beyond. It was similar in kind to the scene in the mysterious early photograph of Charles with a woman—though such backdrops must have been common in photographers’ studios all over the world before the war. ‘I picked it up from a demolition site out at Whitechapel,’ said Staines, coming up behind me to look at it, and resting a ringed hand on my shoulder. ‘It’s not all I picked up there, either, if you must know.’ I smirked. ‘No, I’m going to use it for my kind of
Edwardian
pics. So touching. You
did say you’d do one of them didn’t you—you’ve got just the looks for it. Nothing naughty, nothing naughty
at all.

BOOK: The Swimming-Pool Library
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