Authors: Stephen Hunter
Stronski shook his head in doubt.
“We’ll set it up,” Swagger said, “so that I meet you somewhere public close by the embassy. We have our debrief chat, that’s that, shake hands, and I walk into the embassy. They’ll cooler me for a day or so, but they’ll verify me through U.S. sources, the FBI will okay it, and I’m out of here. Does that work for you?”
“What makes you think I can do it? I am sniper, not professor. That Kathy, she was good, she would get it, but me? Suppose I can’t find it?”
“I’m sure you can.”
“What would it be?”
“There has to be a security sweep every few years. All services do that. I have to know to what degree the embassy in Mexico City, particularly the KGB suites, were penetrated in 1963. That was the game back then. Microphones all over the place, in the most amazing locations. Stalin’s eye, Lenin’s beard, the men’s room urinal. That place, the American place, all the places all over the world, they were radio stations broadcasting twenty-four hours a day, and not far away we had a little roomful of listeners writing it all down or monitoring the tape recorders. There were no secrets, at least not until cyber-cryptography came in, and that probably didn’t last too long either. I need confirmation that anything Oswald told the KGB goons wasn’t private. That is, it reached other parties.”
“I think I know who you’re talking about,” said Stronski.
“Yes. The red James Bond didn’t have to be red at all. He could have been a listener. And who was he listening for? He could have worked for the CIA.”
I
t cost ten thousand dollars, and that was after much haggling. Give it to Stronski, he drove a hard bargain and finally got his price. Swagger was driven in the back of a delivery truck to a Bank of America ATM in downtown Moscow—he was too tense to ponder the ironies—and took out the money after having arranged it via satellite phone call with his banker in Boise. The miracle of modern satellite communications: he, in the back of a bicycle shop in Moscow, calls a man in Boise who calls Atlanta so that a computer transaction is verified back in Moscow, and the next day, with the PIN, Swagger walks away with the cash, gets in the delivery van, and heads back to the bicycle shop.
Then it was wait, wait, wait, more days fled by, days of nothingness and boredom that did nothing to alleviate the crush of anxiety. Too bad he no longer smoked or drank—either crutch might have provided some mercy—but it was a thing of staring at the ceiling as the plaster crumbled away while time decayed slowly. He cultivated an interest in a soccer team, wondered when the NFL would get to Moscow, tried not to think of his daughters and his son and the fine lives they were building, missed his wife, mourned his dead (always), thought about certain flavors, colors, and smells, and more or less concentrated on existence. His only companion was the pistol, brilliantly engineered by the Instrument Design Bureau, flawlessly manufactured by oligarch Ixovich’s IxGroup. He stripped it, examined it, dry-fired it, drew it, grew proficient and familiar with it, learned it in all the ways a man can learn a gun without firing it, which happen to be considerable.
His nighttime visitor, Lee Harvey Oswald, stubbornly stayed away. No ideas, no insights, nothing. Swagger tried to nudge the work along by sitting at the desk of one hole where he stayed and writing LEE HARVEY OSWALD three or four times in the margin of a Russian magazine about health food. The pen wouldn’t work, the paper was too glossy, and nothing came of it.
Or maybe something did.
That night, as before, he swam from unconsciousness in the dark and felt the presence of the other man. Lee, you fucking little monkey, what are you up to now?
The chilly punk bastard was silent and smug, as always, and Swagger scoffed as if to play hard to get and sailed back into sleep, but then it started.
He saw the creep in his sniper’s nest, hair a mess, limbs a-tingle, full of hunger for glory and immortality, on his sleazy, tiny rifle.
What the fuck are you up to, you little bastard?
The first question that came to mind was: why did he wait until the limousine had turned the corner off Houston onto Elm and was obscured in the few trees in the area to take (and miss) his first shot? What a moron!
This one had stuck in Swagger’s craw since he’d stood in the sniper’s nest. It spilled over him again. What the fuck? What’s going on here? Any shooter looking at the situation would know that he was assured one clear, unhurried shot before any kind of reaction took place. He would not choose a shot through the cover of trees at a moving target. Rather, as Swagger had chewed on a million times or so, the best shot was when the limousine had slowed almost to a standstill as it was rotating around the left turn directly below Oswald. At that point, the president was at his closest to Lee Harvey, around seventy-five feet. His chest and head were plainly exposed. The angle was roughly seventy-five degrees, so the trajectory ran well over the windshield of the limousine and the windscreen that cut off the driver’s compartment from the passenger compartment. It was the literal
fish-in-a-barrel shot, and it was so close that difficulties with the scope alignment or even the three-hundred-meter battle zero of the iron sights wouldn’t move the bullet placement outside of the lethal zone. That had to be the shot Oswald planned to take.
That was in fact the shot he tried to take. Consider that when he arrived on the sixth floor that morning, he had his choice of windows. There were six. Why did he chose the left-hand corner? Because it gave him direct access to the turning automobile immediately beneath him. It was the right choice. If planning a shot farther down Elm Street, he surely would have chosen the right-hand window: it was the building’s width closer and, in terms of the curve in Elm Street, gave him less deflection to the target. It seemed that even Oswald, fired up on a wave of egomania and sense of destiny as he was, doubted his ability to make a deflection shot at close to three hundred feet, which was what his choice of the left-hand window ultimately committed him to doing. It was difficult to believe he could hit that shot if he didn’t think it was within his powers and had planned to avoid it.
Knock knock.
Hello, who’s there?
An insight.
Swagger realized the little creep in the nest had
tried
to take the closer, easier shot, and his failure to bring it off—consistent with his goof-up’s personality and his tendency to fall apart at big moments—was what determined the outcome of the next eight to ten seconds. Oswald prepped for that shot, put his scope squarely on the president’s chest, and at the moment of minimum movement and maximum proximity, pulled the trigger to discover that the rifle would not fire.
Had he put the safety on his loaded weapon and, in the heat of the moment, forgotten to remove it? The safety on a Mannlicher-Carcano is a devilishly small thing, poorly designed and not for battle usage. It’s a button located under the bolt plunger at the rear of the receiver. To manipulate it, you’ve got to break your hold, look at the fucking thing, and carefully guide it out of one condition and into the
other. The idiot whom the other boys called Ozzie Rabbit snapped dry, panicked, went through the process, then went back into the shooting position, aware that he was already behind the action curve. His first shot may have been premature, as he was hunting for a target through the trees and stacking the trigger for the final pull, and the M-C trigger, unlike most of the age, is surprisingly light.
The rifle fires. He knows it’s a clear miss and now the clock is ticking on his effort and his old friend failure is nipping at his heels again. He rushes through cocking the weapon, reacquires the position, and is amazed to see the car emerge from the trees into plain view with almost no reaction from occupants, security, or crowd. He throws the crosshairs onto the president—this is his most likely shot to hit the brain, as the president is much less than two hundred feet away; the angle is beneficial to Oswald, producing little lateral movement and only slight diminishment, probably not even noticeable through the cheap glass of the inferior optical device; and he’s on much firmer ground regarding the trigger pull, knowing exactly how much slack to take out to get the trigger to stack up at the point of firing and when to exert that last ounce of pressure to fire.
And he misses again.
Of course, that’s the famous magic bullet, and not only does he not miss, he puts a bullet through two men. It’s not God’s point of view that matters, however, but Oswald’s point of view. The president does not react spastically to the bullet strike; rather, he makes a little jerk, which, being lost in the blur of the recoiling scope, Oswald may not see. By the time he gets the rifle cocked and is back to the target, he sees—nothing. That is, the president doesn’t collapse, tip, tilt, implode, pitch forward, splay his arms. Instead, he begins a slow, subtle forward lean, and his hands go toward his throat, but not with any wounded-animal instinct or speed. Oswald cannot see any indication of a hit and must think, You idiot! Another fuckup! And he must think, What the hell is wrong with this scope? I was right on, and I missed. Is it all fucked up? Where do I hold to make the shot?
Given that psychological reality, Swagger found it mind-blowing that Oswald recovered enough to reacquire the target after running the rough action a second time, and though the target was smaller, his psychological condition possibly more scattered, his doubts about his system more intense, his fear of failure even more concentrated, he managed the perfect brain shot.
What the fuck? How did this schmuck go from two strikes to a home run? How did he recover so fast and pull it off? You can look for years at his record for any hint of such a moment and be bewildered. There is nothing but utter failure; random mediocrity is his best accomplishment.
Swagger sat back, astounded that he was sweating and that he’d been transported to a faraway place and time. Now he was back in a sordid room smelling of piss and puke, sleeping on a dirty mattress, man on the run all the way.
Yet the dreamscape of Lee Harvey Oswald killing a president would not abandon his head. In another second, it took over his brain and Swagger was back among the boxes, smelling the burnt powder, standing next to the little prick who brought such shame on all of us who call ourselves shooters. The question, eternal and lingering: what the fuck?
Was it simple sniper’s luck that he hit that last shot? It could have been. The wild shot can hit as accidentally as it misses. The bullet doesn’t know where it’s going, what’s on the other end. It just goes where the physics tell it to go, and that can be into a brain or a curb, whatever.
Swagger understood that this idea sucked: nobody wants the key moment of the late twentieth century turning on nothing more than a nobody loser’s one stroke of luck. But maybe that was what happened.
Luck or whatever, Oswald has just shot the president in the head. Freeze the moment, which is the most interesting moment in the entire event. He has just seen his bullet detonate the president’s head into a geyser of brain matter and blood. Even if he lost specifics of the
image in the recoil, when he comes back on target out of the recoil stroke, he sees chaos, panic, and hysteria in the back of the car. And what does he do?
He cocks the rifle again.
Excuse me, but what the fuck?
Why?
Does he mean to shoot again? Is it pure reflex? It wasn’t learned in the Marine Corps, where his M-1 automatically reloaded itself. What is his motive? Most good hunters have trained themselves to cock again for a fast follow-up, but by no means is this ass-clown an experienced hunter, and there’s no indication that he’s hunted in five years. Or does he need a motive at the time? Maybe it can’t be explained; it just is, it happened because it happened, and to look for motive is to see him as rational when he was an irrational man at an irrational moment.
Still, it seemed to Swagger, aware of the sniper’s instincts after the kill, in that situation, his task done, Oswald now knows that his chances at escape can be measured in mere seconds. It seems far more likely that instead of cocking the rifle, he abandons it, exits the nest, and beelines toward the only stairway, which is over ninety feet away diagonally across the empty space of the sixth floor.
He doesn’t do this.
Instead,
he carries the rifle with him, loaded and unlocked, across the floor those ninety-odd feet.
Suppose he meets a colleague? Suppose someone sees him from a building across the street, the Dal-Tex Building or the Dallas County Records building, both of which have floors and windows that look directly onto his area? At that point he is acting more like a marine on combat patrol, fearing ambush, than he is a fleeing assassin.
He reaches the stairway directly in the floor at the other corner of the building, and realizing he can’t reenter the world with rifle in hand, he shoves it between two boxes there at the stairs, where it will be found, fully loaded, shell in chamber, an hour or so later.
Why does he cock the rifle after killing the president? Why does he carry it with him as he proceeds across the floor?
These issues seemed to bother nobody. They bothered Swagger.