The Time Traveler's Almanac (39 page)

But the immediate thing was the sign painted on the office wall, the same sign he had read earlier today on first entering. Somehow, the sign had changed:

TYME SEFARI INC.

SEFARIS TU ANY YEER EN THE PAST.

YU NAIM THE ANIMALL.

WEE TAEK YU THAIR.

YU SHOOT ITT.

Eckels felt himself fall into a chair. He fumbled crazily at the thick slime on his boots. He held up a clod of dirt, trembling. “No, it can’t be. Not a little thing like that. No!”

Embedded in the mud, glistening green and gold and black, was a butterfly, very beautiful and very dead.

“Not a little thing like
that!
Not a butterfly!” cried Eckels.

It fell to the floor, an exquisite thing, a small thing that could upset balances and knock down a line of small dominoes and then big dominoes and then gigantic dominoes, all down the years across Time. Eckels’ mind whirled. It
couldn’t
change things. Killing one butterfly couldn’t be that important! Could it?

His face was cold. His mouth trembled, asking: “Who – who won the presidential election yesterday?”

The man behind the desk laughed. “You joking? You know very well. Deutscher, of course! Who else? Not that fool weakling Keith. We got an iron man now, a man with guts!” The official stopped. “What’s wrong?”

Eckels moaned. He dropped to his knees. He scrabbled at the golden butterfly with shaking fingers. “Can’t we,” he pleaded to the world, to himself, to the officials, to the Machine, “can’t we take it back, can’t we make it alive again? Can’t we start over? Can’t we—”

He did not move. Eyes shut, he waited, shivering. He heard Travis breathe loud in the room; he heard Travis shift his rifle, click the safety catch, and raise the weapon.

There was a sound of thunder.

VINTAGE SEASON

Henry Kuttner & C.L. Moore

Henry Kuttner was an American science fiction and fantasy writer. He collaborated on many stories with his wife, C.L. Moore, who he met through “Lovecraft’s Circle.” He was considered one of the most important writers in genre in the 1940s. Although he wrote many novels, he is best known for his short fiction. Catherine L. Moore was an American science fiction and fantasy writer, most often known as C.L. Moore. She was one of the first women to write in either genre, and paved the way for many other female speculative fiction writers. Her earliest stories appeared in
Weird Tales.
Many of her stories were collaborations with her husband, Henry Kuttner, although this particular story is often credited to her alone. It was first published in
Astounding Science Fiction
in 1946 under the pseudonym Lawrence O’Donnell. “Vintage Season” inspired Robert Silverberg’s time travel story “In Another Country,” taking place at the same time yet told from a different point of view. In later years she wrote for television, most notably for
Maverick
and
77 Sunset Strip.

Three people came up the walk to the old mansion just at dawn on a perfect May morning. Oliver Wilson in his pajamas watched them from an upper window through a haze of conflicting emotions, resentment predominant. He didn’t want them there.

They were foreigners. He knew only that much about them. They had the curious name of Sancisco, and their first names, scrawled in loops on the lease, appeared to be Omerie, Kleph and Klia, though it was impossible as he looked down upon them now to sort them out by signature. He hadn’t even been sure whether they would be men or women, and he had expected something a little less cosmopolitan.

Oliver’s heart sank a little as he watched them follow the taxi driver up the walk. He had hoped for less self-assurance in his unwelcome tenants, because he meant to force them out of the house if he could. It didn’t look very promising from here.

The man went first. He was tall and dark, and he wore his clothes and carried his body with that peculiar arrogant assurance that comes from perfect confidence in every phase of one’s being. The two women were laughing as they followed him. Their voices were light and sweet, and their faces were beautiful, each in its own exotic way, but the first thing Oliver thought of when he looked at them was, Expensive!

It was not only that patina of perfection that seemed to dwell in every line of their incredibly flawless garments. There are degrees of wealth beyond which wealth itself ceases to have significance. Oliver had seen before, on rare occasions, something like this assurance that the earth turning beneath their well-shod feet turned only to their whim.

It puzzled him a little in this case, because he had the feeling as the three came up the walk that the beautiful clothing they wore so confidently was not clothing they were accustomed to. There was a curious air of condescension in the way they moved. Like women in costume. They minced a little on their delicate high heels, held out an arm to stare at the cut of a sleeve, twisted now and then inside their garments as if the clothing sat strangely on them, as if they were accustomed to something entirely different.

And there was an elegance about the way the garments fitted them which even to Oliver looked strikingly unusual. Only an actress on the screen, who can stop time and the film to adjust every disarrayed fold so that she looks perpetually perfect, might appear thus elegantly clad. But let these women move as they liked, and each fold of their clothing followed perfectly with the movement and fell perfectly into place again. One might almost suspect the garments were not cut of ordinary cloth, or that they were cut according to some unknown, subtle scheme, with many artful hidden seams placed by a tailor incredibly skilled at his trade.

They seemed excited. They talked in high, clear, very sweet voices, looking up at the perfect blue and transparent sky in which dawn was still frankly pink. They looked at the trees on the lawn, the leaves translucently green with an under color of golden newness, the edges crimped from constriction in the recent bud.

Happily and with excitement in their voices they called to the man, and when he answered his own voice blended so perfectly in cadence with theirs that it sounded like three people singing together. Their voices, like their clothing, seemed to have an elegance far beyond the ordinary, to be under a control such as Oliver Wilson had never dreamed of before this morning.

The taxi driver brought up the luggage, which was of a beautiful pale stuff that did not look quite like leather, and had curves in it so subtle it seemed square until you saw how two or three pieces of it fitted together when carried, into a perfectly balanced block. It was scuffed, as if from much use. And though there was a great deal of it, the taxi man did not seem to find his burden heavy. Oliver saw him look down at it now and then and heft the weight incredulously.

One of the women had very black hair and skin like cream, and smoke-blue eyes heavy-lidded with the weight of her lashes. It was the other woman Oliver’s gaze followed as she came up the walk. Her hair was a clear, pale red, and her face had a softness that he thought would be like velvet to touch. She was tanned to a warm amber darker than her hair.

Just as they reached the porch steps the fair woman lifted her head and looked up. She gazed straight into Oliver’s eyes and he saw that hers were very blue, and just a little amused, as if she had known he was there all along. Also they were frankly admiring.

Feeling a bit dizzy, Oliver hurried back to his room to dress.

*   *   *

“We are here on a vacation,” the dark man said, accepting the keys. “We will not wish to be disturbed, as I made clear in our correspondence. You have engaged a cook and housemaid for us, I understand? We will expect you to move your own belongings out of the house, then, and—”

“Wait,” Oliver said uncomfortably. “Something’s come up. I—” He hesitated, not sure just how to present it. These were such increasingly odd people. Even their speech was odd. They spoke so distinctly, not slurring any of the words into contractions. English seemed as familiar to them as a native tongue, but they all spoke as trained singers sing, with perfect breath control and voice placement.

And there was a coldness in the man’s voice, as if some gulf lay between him and Oliver, so deep no feeling of human contact could bridge it.

“I wonder,” Oliver said, “if I could find you better living quarters somewhere else in town. There’s a place across the street that—”

The dark woman said, “Oh, no!” in a lightly horrified voice, and all three of them laughed. It was cool, distant laughter that did not include Oliver.

The dark man said, “We chose this house carefully, Mr. Wilson. We would not be interested in living anywhere else.”

Oliver said desperately, “I don’t see why. It isn’t even a modern house. I have two others in much better condition. Even across the street you’d have a fine view of the city. Here there isn’t anything. The other houses cut off the view, and—”

“We engaged rooms here, Mr. Wilson,” the man said with finality. “We expect to use them. Now will you make arrangements to leave as soon as possible?”

Oliver said, “No,” and looked stubborn. “That isn’t in the lease. You can live here until next month, since you paid for it, but you can’t put me out. I’m staying.”

The man opened his mouth to say something. He looked coldly at Oliver and closed it again. The feeling of aloofness was chill between them. There was a moment’s silence. Then the man said, “Very well. Be kind enough to stay out of our way.”

It was a little odd that he didn’t inquire into Oliver’s motives. Oliver was not yet sure enough of the man to explain. He couldn’t very well say, “Since the lease was signed, I’ve been offered three times what the house is worth if I’ll sell it before the end of May.” He couldn’t say, “I want the money, and I’m going to use my own nuisance-value to annoy you until you’re willing to move out.” After all, there seemed no reason why they shouldn’t. After seeing them, there seemed doubly no reason, for it was clear they must be accustomed to surroundings infinitely better than this timeworn old house.

It was very strange, the value this house had so suddenly acquired. There was no reason at all why two groups of semi-anonymous people should be so eager to possess it for the month of May.

In silence Oliver showed his tenants upstairs to the three big bedrooms across the front of the house. He was intensely conscious of the red-haired woman and the way she watched him with a sort of obviously covert interest, quite warmly, and with a curious undertone to her interest that he could not quite place. It was familiar, but elusive. He thought how pleasant it would be to talk to her alone, if only to try to capture that elusive attitude and put a name to it.

Afterward he went down to the telephone and called his fiancée.

Sue’s voice squeaked a little with excitement over the wire.

“Oliver, so early? Why, it’s hardly six yet. Did you tell them what I said? Are they going to go?”

“Can’t tell yet. I doubt it. After all, Sue, I did take their money, you know.”

“Oliver, they’ve got to go! You’ve got to do something!”

“I’m trying, Sue. But I don’t like it.”

“Well, there isn’t any reason why they shouldn’t stay somewhere else. And we’re going to need that money. You’ll just have to think of something, Oliver.”

Oliver met his own worried eyes in the mirror above the telephone and scowled at himself. His straw-colored hair was tangled and there was a shining stubble on his pleasant, tanned face. He was sorry the red-haired woman had first seen him in his untidy condition. Then his conscience smote him at the sound of Sue’s determined voice and he said: “I’ll try, darling. I’ll try. But I did take their money.”

They had, in fact, paid a great deal of money, considerably more than the rooms were worth even in that year of high prices and high wages. The country was just moving into one of those fabulous eras which are later referred to as the Gay Forties or the Golden Sixties – a pleasant period of national euphoria. It was a stimulating time to be alive – while it lasted.

“All right,” Oliver said resignedly. “I’ll do my best.”

*   *   *

But he was conscious, as the next few days went by, that he was not doing his best. There were several reasons for that. From the beginning the idea of making himself a nuisance to his tenants had been Sue’s, not Oliver’s. And if Oliver had been a little less determined the whole project would never have got under way. Reason was on Sue’s side, but—

For one thing, the tenants were so fascinating. All they said and did had a queer sort of inversion to it, as if a mirror had been held up to ordinary living and in the reflection showed strange variations from the norm. Their minds worked on a different basic premise, Oliver thought, from his own. They seemed to derive covert amusement from the most unamusing things; they patronized, they were aloof with a quality of cold detachment which did not prevent them from laughing inexplicably far too often for Oliver’s comfort.

He saw them occasionally, on their way to and from their rooms. They were polite and distant, not, he suspected, from anger at his presence but from sheer indifference.

Most of the day they spent out of the house. The perfect May weather held unbroken and they seemed to give themselves up wholeheartedly to admiration of it, entirely confident that the warm, pale-gold sunshine and the scented air would not be interrupted by rain or cold. They were so sure of it that Oliver felt uneasy.

They took only one meal a day in the house, a late dinner. And their reactions to the meal were unpredictable. Laughter greeted some of the dishes, and a sort of delicate disgust others. No one would touch the salad, for instance. And the fish seemed to cause a wave of queer embarrassment around the table.

They dressed elaborately for each dinner. The man – his name was Omerie – looked extremely handsome in his dinner clothes, but he seemed a little sulky and Oliver twice heard the women laughing because he had to wear black. Oliver entertained a sudden vision, for no reason, of the man in garments as bright and as subtly cut as the women’s, and it seemed somehow very right for him. He wore even the dark clothing with a certain flamboyance, as if cloth-of-gold would be more normal for him.