The Tunnel Rats (26 page)

She left him at the gate and Wright watched her walk back to the building. Two children, a boy and a girl, both wearing white shirts and red ties, ran over to Sister Marie. They stood either side and she took a hand each and they walked together, a huge white mother hen and her clucking chicks. Wright felt an urge to see his son again, a longing so strong that it made him gasp.

G erry Hunter lay back on the sofa, the remote control in his right hand. Janie had gone upstairs to bed soon after they'd finished making love, taking with her the bottle of wine. It wasn't the first time that she'd taken the initiative so aggressively, but it had still caught him by surprise. He wondered if it had had I anything to do with the fact that he'd been so keen to work on �j the Eckhardt case. Janie demanded constant attention and Hunter felt that she was as jealous of his police work as she would be if he looked at another woman. It was almost as if she wanted to prove to herself that he loved her more than his job, and once she'd proved it she was happy to go to bed alone.

I Hunter watched the television and tried to push Janie out of I his mind. He wouldn't need much encouragement to follow her upstairs and slip under the quilt with her. Janie had one of the sexiest bodies he'd ever seen, taut and soft, the skin flawless, her breasts soft but firm and showing no signs of her having had a Jchild. And Hunter knew from experience that she was at her sexiest when she'd had a couple of drinks. Alcohol seemed to wipe away what few sexual inhibitions she had and it was all he could do to keep up with her. He sat up and forced himself to concentrate on the movie. He had all night to join her in bed.

He leaned forward with his elbows on his knees and his hands supporting his chin. Hunter wasn't a fan of war movies, in fact he didn't enjoy watching any films containing violence. He'd spent 184 STEPHEN LEATHER too much time clearing up the aftermath of violence to take any pleasure in watching it on the big screen, and he preferred comedies or historical dramas as entertainment.

His attention was caught by a scene early in the movie, at the start of Lieutenant Willard's journey down the river in search of Colonel Kurtz. He watched .Robert Duvall striding through a Vietnamese village in the aftermath of an American attack. He was wearing a black cavalry officer's hat and a silk scarf wrapped around his neck as he strutted arrogantly past a line of corpses. A soldier ran up and handed Duvall a pack of playing cards. Duvall ripped the pack open and began throwing a playing card on to each body. Martin Sheen, as Willard, had picked up one of the cards and was staring at it. 'Death card,' said Sheen. 'Lets Charlie know who did this.'

Hunter sat bolt upright, his eyes wide. He scrambled closer to the television so that his face was inches from the screen. There wasn't an ace of spades and he couldn't make out what brand the cards were, but Hunter knew that if Edmunds had watched the movie he'd have seen the connection with the Eckhardt case. Hunter retrieved the remote control from the sofa and replayed the scene. Had Edmunds seen the movie on the night he died? Hunter wondered. And if he had, what had happened to the video cassette?

Hunter stood up and paced around the sitting room, all thoughts of Janie forgotten.

When Nick Wright arrived back at his hotel, Somchai had gone and his replacement, an elderly man in a stained T-shirt, was asleep with his head in his arms. Wright collected his key from behind the counter, then went upstairs and showered. He lay down on his bed, swathed in two thin towels.

When he opened his eyes again it was dark outside. He stared at his wristwatch. It said four o'clock. He frowned. Four o'clock in the morning? Impossible. Then he remembered that he hadn't reset his watch to local time. Bangkok was six hours ahead of THE TUNNEL RATS 185 London, so it must be ten o'clock at night. He'd slept for the best part of eight hours.

He sat up and swung his legs off the bed. It was sweltering in the room and his mouth was dry. He went into the bathroom and drank from the tap, then splashed water over his face. He dried his face and looked at himself in the bathroom mirror. There was a small yellow sticker in the corner of the mirror warning guests not to drink the water from the tap. There was still a bad taste in his mouth and he took his washbag out of his suitcase and cleaned his teeth. His hair had dried in a mess, unkempt and spiky, and he dampened it and recombed it.

Wright's original plan had been to call on the police colonel, but that would have to wait until tomorrow. He changed into a fresh shirt and a pair of black Levis and left the hotel.

The first taxi driver that Wright stopped had no trouble reading the note that Sister Marie had given him. Wright flopped down in the back seat. The traffic was much lighter than it had been during the day, though the roads were still far from quiet. There were motorcycles everywhere, buzzing around the cars and trucks. Some were clearly being used as taxis, the riders wearing brightly coloured vests with numbers on; others were workhorses, piled high with cartons or bags.

The pavements were as busy as the roads. Small restaurants had been set up, with plastic chairs and folding metal tables, and old women ladied out noodles and roast duck and steaming vegetables. Lines of stalls sold T-shirts and cheap dresses and wristwatches, and vendors called out to the tourists who walked by. Small children ran around the stalls, laughing and playing, and skinny dogs with curly tails lay at the roadside, panting in the evening heat. At one of the makeshift restaurants two Thai businessmen in suits were eating noodle soup, their portable phones standing to attention on the table in front of them, while next to them two labourers in threadbare T-shirts and shorts argued over something they were reading in a Thai newspaper. It was like no other city Wright had ever seen, a jarring mixture of old and new, East and West.

They drove past a park where the trees had been bedecked with hundreds of tiny white lights. In the distance, Wright could hear 186 STEPHEN LEATHER a band playing, a tune he vaguely recognised but accompanied by Thai words.

'You want massage?' said the driver, his guttural voice lancing through Wright's thoughts.

'What?' replied Wright irritably.

'Massage,' repeated the driver, twisting around in his seat even though they were speeding down a main road. He handed a creased glossy brochure to Wright. 'Many pretty girls. We go now?'

Wright studied the brochure. It featured a massage parlour and the main photograph consisted of more than a hundred smiling Thai girls dressed in white togas, each with a numbered blue badge pinned to her left breast, presumably to aid in identification.

'Okay?' asked the driver, nodding vigorously. The taxi narrowly missed smashing into the back of a bus packed with strap-hanging passengers, but at the last second the driver looked back at the road and swerved across into the next lane. 'Okay?' he repeated.

'Not okay,' said Wright, giving him back the brochure. It seemed that every time he got into a taxi he was offered sex. He'd never complain about London cabbies and their banal chatter again.

'You not like Thai girls?' asked the driver as he powered through a red light.

A huge elephant stood on the pavement, a bare-chested man sitting astride its neck. A second man was selling small bunches of bananas to passers-by who took it in turns to feed the animal.

'I don't like paying for sex,' said Wright.

'Huh?'

'Sex. I don't want to pay for sex. Not give money for sex.' Wright realised that he was behaving like the typical Englishman abroad: if the natives don't speak English, talk loudly and slowly in the hope that they'll get it in the end. Surprisingly, it actually worked, and the driver began to laugh.

'Everybody pay,' he said. 'Nobody get free sex.' He slapped his leathery hands on the steering wheel and rocked backwards and forwards.

The driver was still chuckling when the taxi came to a halt outside a three-storey building which had been lined with wooden planks to make it look like a building from the Wild West. A group of young Thai men in leather jackets lounged around on THE TUNNEL RATS 187 motorcycles smoking cigarettes and drinking Thai whisky from a bottle. A lazy saxophone solo leaked out from the double doors which opened inwards saloon-style. To complete the Western motif there was a hitching post on either side of the doors, and a gold-embossed wooden sign across the middle of the building read 'Cowboy Nights'.

Wright paid the driver and climbed out of the car. The Thai motorcyclists stared at him but without hostility. The guy with the bottle raised it in salute and when Wright smiled they all smiled back.

He pushed open the doors half expecting to see men in cowboy hats and boots, but the people inside were conservatively dressed: Thai thirty-somethings in fashionable outfits, Westerners in suits, a group of teenage girls in short skirts and pullovers sipping Cokes through straws. The club was on two floors, with a wooden spiral staircase leading up to a second level from where balconies looked down on a dancefloor and a small raised stage where the band was performing.

Around the edge of the dancefloor a dozen large leather sofas were grouped around wooden coffee tables, and winged leather armchairs that would have been more at home in a London gentlemen's club filled the corners of the room. Framed oil paintings were hung around the walls, between brass light fittings with green shades. There were two bars, one on the far side of the dancefloor, where a group of Westerners sat on barstools holding bottles of beer and tapping their feet to the music, and a longer bar to the right where two waistcoated waiters juggled cocktail shakers. The nightclub was full, all the sofas and chairs occupied, and a sea of faces, mainly Thai, looked down from the balcony.

A young Thai waitress with her hair pinned up smiled at Wright and held up one finger. He nodded and she led him to an empty bar stool. Wright sat down and ordered a lager from one of the bartenders. A Heineken arrived and Wright followed the example of the Westerners and drank from the bottle.

He swivelled around so that he could watch the band perform. They were all Thais and Wright doubted that any of them was older than twenty-five. They were professional and played tightly, but they lacked emotion. It was as if they'd learned to play by 188 STEPHEN LEATHER listening to records, and though they could hit the right notes and keep the rhythm going, there was next to no improvisation. They didn't look at each other; each was concentrating intently on his own instrument, like session musicians who'd been brought together for a single gig.

Another waitress appeared in front of Wright, holding a menu. She waited with her hands clasped behind her back while Wright read through it. It was in English and contained a selection of Western and Thai food. Wright realised the last thing he'd eaten was the tray of food he'd been given on the plane, and he'd left most of that untouched. He didn't want to dive into the unknown and order Thai food so he plumped for a club sandwich. The waitress frowned when he told her what he wanted, so he pointed at the menu. She nodded enthusiastically. Wright smiled. He felt that he was starting to get the hang of Bangkok.

The group finished the song to scattered applause, as if the audience realised that they'd been short-changed artistically. Wright wondered why there were so many people in the club, because what he'd heard so far couldn't in any way be described as a crowd-puller. The lead guitarist said something in Thai and the musicians began packing away their instruments. Wright looked at his watch. It was only eleven o'clock so presumably there'd be more acts to follow. He drained his bottle and ordered another. The man on the bar stool to his left accidentally knocked Wright's arm and he apologised, his accent vaguely French.

'No sweat,' said Wright. He introduced himself and the two men shook hands.

'Alain Civel,' said the man. 'From Montreal. Are you on holiday?'

'Sort of,' said Wright.

'You like jazz?'

'Love it.'

Civel was drinking a bottle of the local beer, Singha, and he waved it at the stage. 'That was merde. Crap.'

'It wasn't great,' admitted Wright.

'Now the next group, they really are something. Not kids like that lot. You can't play jazz unless you've lived.'

'Unless you've suffered?'

'Life. Suffering. One and the same, Nick.' He pronounced it Neek.

'Can't argue with that,' said Wright, and the two men clinked bottles.

Wright's sandwich arrived. It was a massive triple-decker, filled with chicken, cheese and a fried egg, cut into four triangles, each of which was impaled on a miniature plastic sword, and served with a pile of French fries. Wright's stomach growled. He saw Civel looking covetously at the sandwich and Wright offered him a piece.

The two men chewed as a middle-aged Westerner and two Thais carried instrument cases on to the stage and opened them. The Westerner was in his late forties, the two Thais maybe a decade older. The bigger of the two Thais, a beefy man with a weightlifter's shoulders, was carrying a double bass, which he unpacked and began to tune. Two waiters put a dust cover over the drums that the previous band had used and pulled a cover off a second kit in the middle of the stage. It was considerably bigger than the first, a professional set-up that must have cost several thousand dollars. On the bass drum was the name of the band: The Jazz Club.

The Westerner had combed-back greying hair, a drinker's eyes, watery blue and flecked with red veins, and pale white skin as if he avoided going out in the sun. He opened his case and took out a saxophone.

'That's Doc Marshall,' said Civel. 'You've never heard anyone play a horn like Doc'

A young waiter handed Doc a bottle of Singha beer, and Doc drank it as he surveyed the crowd, nodding at familiar faces. The younger of the two Thai musicians, square jawed with an Elvis quiff and sideburns, opened a guitar case and took out a red and black guitar which he leaned against a stand at the side of the stage, then he went over to a pair of chest-high congas and stood behind them.

A Westerner in a wheelchair rolled across the dancefloor towards the stage. A big man with a round face, he had grown what hair he had left and tied it back in a ponytail. Behind him stood a hefty black man with a wide chest and powerful legs, and a stick-thin 190 STEPHEN LEATHER Latino who had also tied his glossy black locks into a ponytail. The two men lifted the crippled man and his wheelchair on to the stage and the Latino handed him the guitar.