The Twelve (Book Two of The Passage Trilogy): A Novel (5 page)

Three flares later he reached the bottom; a heavy steel door with a push bar and a small square of reinforced glass led to the garage. The floor was littered with trash: pop cans, candy bar wrappers, tins of food.
A rumpled bedroll and a pile of musty clothing showed where someone had been sleeping—hiding, as he had.

Kittridge had scouted out the parking garage the day of his arrival. The Ferrari was parked near the southwest corner, a distance of approximately two hundred feet. He probably should have moved it closer to the door, but it had taken him three days to locate Warren’s keys—who kept his car keys in a bathroom drawer?—by which time he’d already barricaded himself inside the penthouse.

The fob had four buttons: two for the doors, one for the alarm, and one that, he hoped, was a remote starter. He pressed this one first.

From deep within the garage came a tart, single-noted bleep, followed by the throaty roar of the Ferrari’s engine. Another mistake: the Ferrari was parked nose to the wall. He should have thought of that. Not only would this slow his escape; if the car had been facing the opposite way, its headlights would have given him a better look at the garage’s interior. All he could make out through the stairwell door’s tiny window was a distant, glowing region where the car awaited, a cat purring in the dark. The rest of the garage was veiled in blackness. The infected liked to hang from things: ceiling struts, pipes, anything with a tactile surface. The tiniest fissure would suffice. When they came, they came from above.

The moment of decision was upon him. Toss more flares and see what happens? Move stealthily through the darkness, seeking cover? Throw open the door and run like hell?

Then, from high overhead, Kittridge heard the creak of an opening stairwell door. He held his breath and listened. There were two of them. He stepped back from the door and craned his neck upward. Ten stories above, a pair of red dots were dancing off the walls.

He shoved the door open and ran like hell.

He had made it halfway to the Ferrari when the first viral dropped behind him. There was no time to turn and fire; Kittridge kept on going. The pain in his knee felt like a wick of flame, an ice pick buried to the bone. From the periphery of his senses came a tingling awareness of beings awakening, the garage coming to life. He threw open the door of the Ferrari, tossed the AK and rucksack onto the passenger seat, got in, and slammed the door. The vehicle was so low-slung he felt like he was sitting on the ground. The dashboard, full of mysterious gauges and switches, glowed like a spacecraft’s. Something was missing. Where was the gearshift?

A
wang
of metal, and Kittridge’s vision filled with the sight of it. The viral had bounded onto the hood, folding its body into a reptilian crouch. For a frozen moment it regarded him coolly, a predator contemplating
its prey. It was naked except for a wristwatch, a gleaming Rolex thick as an ice cube.
Warren?
Kittridge thought, for the man had been wearing one like it the day Kittridge had walked him to the car.
Warren, old buddy, is that you? Because if it is, I wouldn’t mind a word of advice on how to get this thing in gear
.

He discovered, then, with the tips of his fingers, a pair of levers positioned on the undersides of the steering wheel. Paddle shifters. He should have thought of that, too. Up on the right, down on the left, like a motorcycle. Reverse would be a button somewhere on the dash.

The one with the R, genius. That one
.

He pushed the button and hit the gas. Too fast: with a squeal of smoking rubber, the Ferrari jolted backward and slammed into a concrete post. Kittridge was hurled back into his seat, then tossed forward again, his head smacking the heavy glass of the side window with an audible thud. His brain chimed like a tuning fork; particles of silver light danced in his eyes. There was something interesting about them, interesting and beautiful, but another voice inside him said that to contemplate this vision, even for a moment, was to die. The viral, having tumbled off the hood, was rising from the floor now. No doubt it would try to take him straight through the windshield.

Two red dots appeared on the viral’s chest.

With a birdlike quickness, the creature broke its gaze from Kittridge and launched toward the soldiers coming through the stairwell door. Kittridge swung the steering wheel and gripped the right paddle, engaging the transmission as he pressed the accelerator. A lurch and then a leap of speed: he was thrust back into his seat as he heard a blast of automatic weapon fire. Just when he thought he’d lose control of the car again he found the straightaway, the walls of the garage streaming past. The soldiers had bought him only a moment; a quick glimpse in the rearview and Kittridge beheld, in the glow of his taillights, what appeared to be the detonation of a human body, an explosive strewing of parts. The second soldier was nowhere visible, though if Kittridge had to bet, he’d say the man was surely dead already, torn to bloody hunks.

He didn’t look back again.

The ramp to the street was located two floors above, at the far end of the garage. As Kittridge downshifted into the first corner, engine roaring, tires shrieking, two more virals dropped from the ceiling, into his path. One fell under his wheels with a damp crunch, but the second leapt over the roof of the barreling Ferrari, striding it like a hurdler. Kittridge felt a stab of wonder, even of admiration. In school, he had learned that you couldn’t catch a fly with your hand because time was different to a
fly: in a fly’s brain, a second was an hour, and an hour was a year. That’s what the infected were like. Like beings outside of time.

They were everywhere now, emerging from all the hidden places. They flung themselves at the car like suicides, driven by the madness of their hunger. He tore through them, bodies flying, their monstrous, distorted faces colliding with the windshield before being hurled up and over, away. Two more turns and he’d be free, but one was clinging to the roof now. Kittridge braked around the corner, fishtailing on the slick cement, the force of his deceleration sending the viral rolling onto the hood. A woman: she appeared to be wearing, of all things, a wedding gown. Gouging her fingers into the gap at the base of the windshield, she drew herself onto all fours. Her mouth, a bear trap of blood-lined teeth, was open very wide; a tiny golden crucifix dangled at the base of her throat.
I’m sorry about your wedding
, Kittridge thought as he drew one of the pistols, steadied it over the steering wheel, and fired through the windshield.

He blasted around the final corner; ahead, a shaft of golden daylight showed the way. Kittridge hit the ramp doing seventy miles an hour, still accelerating. The exit was sealed by a metal grate, but this fact seemed meager, no obstacle at all. Kittridge took aim, plunged the pedal to the floor, and ducked.

A furious crash; for two full seconds, an eternity in miniature, the Ferrari went airborne. It rocketed into the sunshine, concussing the pavement with a bone-jarring bang, sparks flying from the undercarriage. Freedom at last, but now he had another problem: there was nothing to stop him. He was going to careen into the lobby of the bank across the street. As Kittridge bounced across the median, he stamped the brake and swerved to the left, bracing for the impact. But there was no need; with a screech of smoking rubber, the tires bit and held, and the next thing Kittridge knew he was flying down the avenue, into the spring morning.

He had to admit it. What had Warren’s exact words been?
You should feel the way she handles
.

It was true. Kittridge had never driven anything like it in his life.

5

For a time, a long time, which was no time at all, the man known as Lawrence Grey—former inmate of Beeville Men’s Correctional Facility and registered sex offender of the Texas Department of Public Safety; civilian employee of Project N
OAH
and the Division of Special Weapons; Grey the Source, the Unleasher of Night, Familiar of the One Called Zero—was nowhere at all. He was nothing and no place, a being annihilated, possessing neither memory nor history, his consciousness dispersed across a shoreless sea of no dimension. A wide, dark sea of voices, murmuring his name.
Grey, Grey
. They were there and not there, calling to him as he floated alone, one with the darkness, adrift in an ocean of forever; and all above, the stars.

But not just the stars. For now had come a light—a soft, golden light that swelled above his face. Blades of shadow moved across it, gyring like a pinwheel, and with this light a sound: aortal, heartlike, a
thrum-thrum-thrum
that pulsed to the rhythm of its turning. Grey watched it, this wonderful, gyring light; and the thought crept into his consciousness that what he beheld was God. The light was God in his heaven above, moving over the waters, brushing the face of the world like the hem of a curtain, touching and blessing his creation. The knowledge blossomed inside Grey in a burst of sweetness. Such joy! Such understanding and forgiveness! The light was God and God was love; Grey had only to enter it, to go into the light, to feel that love forever. And a voice said:

It’s time, Grey
.

Come to me
.

He felt himself rising, lifted up. He rose and as he rose the sky spread its wings, receiving him, carrying him into the light, which was almost too much to bear and then was: a brightness blinding and obliterating, like the sound of a scream that was his own.

Grey, ascending. Grey, reborn.

Open your eyes, Grey
.

He did; he opened his eyes. His vision crawled into focus. A dark form was whirling unpleasantly above his face.

It was a ceiling fan.

He blinked the grime away. A bitter taste, like wet ashes, painted the
walls of his mouth. The room where he lay possessed the unmistakable sense of a chain motel—the scratchy coverlet and cheap foam pillow, the cratered mattress below and popcorn ceiling above, the smell of recycled, overused air in his nostrils. His brain felt as empty as a leaky pail, his body a shapeless mass, vague as gelatin. Even to move his head seemed to require a feat of strength beyond his power. The room was lit with a sticky yellow daylight filtered through the drapes. Above his face, the fan spun and spun, rocking on its bracket, its worn-out bearings rhythmically creaking. The sight was as abrasive to his senses as smelling salts, and yet he could not look away. (And wasn’t there something about a thrumming sound, something in a dream? A brilliant light, lifting him up? But he no longer recalled.)

“Good, you’re awake.”

Sitting on the edge of the second bed, eyes downcast, was a man. A small, soft man, filling out his jumpsuit like a sausage in its casing. One of the civilian employees of Project N
OAH
, known as sweeps: men like Grey whose job it was to clean up the piss and shit and back up the drives and watch the sticks for hours and hours, slowly going loony; sex offenders to a one, despised and forgotten, men without histories anyone cared to remember, their bodies softened by hormones, their minds and spirits as neutered as a spayed dog.

“I thought the fan would do it. Tell you the truth, I can’t even look at the thing.”

Grey tried to respond but couldn’t. His tongue felt toasted, as if he’d smoked a billion cigarettes. His vision had gone all watery again; his goddamned head was splitting. It had been years since he’d drunk more than a couple of beers at a time—with the drugs, you were too sleepy and pretty much lost interest in everything—but Grey remembered what a hangover was. That’s how this felt. Like the worst hangover in the world.

“What’s the matter, Grey? Cat got your tongue?” The man chuckled at some private joke. “That’s funny, you know. Under the circumstances. I could go for a little cat tartare right now.” He turned toward Grey, his eyebrows arcing. “Don’t look so shocked. You’ll see what I mean. Takes a few days but then it kicks in, real hard.”

Grey remembered the man’s name: Ignacio. Though the Ignacio that Grey remembered was older, more worn-down, with a heavy, creased brow and pores you could park a car in and jowls that sagged like a bassett hound’s. This Ignacio was in the pink of health—literally
pink
, his cheeks rouged with color, skin baby smooth, eyes twinkling like zircs.
Even his hair looked younger. But there was no mistaking who it was, on account of the tat—prison ink, blurred and bluish, a hooded snake rising up his neck from the open collar of his jumpsuit.

“Where am I?”

“You’re a regular riot, you know that? We’re at the Red Roof.”

“The what?”

He made a little snort. “The fucking Red Roof, Grey. What did you think, they’d send us to the Ritz?”

They
? Grey thought. Who were
they
? And what did Ignacio mean by “send”? Send for what purpose? Which was the moment Grey noticed that Ignacio was clutching something in his hand. A pistol?

“Iggy? What are you doing with that thing?”

Ignacio lazily raised the gun, a long-barreled .45, frowning at it. “Not much, apparently.” He angled his head toward the door. “Those other guys were here for a while, too. But they’re all gone now.”