The Twelve (Book Two of The Passage Trilogy): A Novel (50 page)

“That’s some trick,” said Lucius. “You’ll have to teach me sometime.”

On the far side of the tunnel, a pair of saddled horses waited. Lucius gave Amy a leg up, then climbed aboard the second horse, taking the reins loosely in his hand.

“One thing I need to ask,” he said. “Why me?”

Amy thought a moment. “Each of us has one, Lucius.”

“And Carter? Who does he have?”

An inscrutable look came into her eyes, as if her thoughts were carrying her far away. “He is different from the rest. He carries his familiar inside him.”

“The woman in the water.”

Amy smiled. “You’ve done your homework, Lucius.”

“Things have a way of coming.”

“Yes, they do. He loved her more than life but could not save her. She is the heart of him.”

“And the dopeys?”

“They are his Many, his viral line. They kill only because they must. It goes hard with them. As he thinks, they think. As he dreams, they dream. They dream of her.”

The horses were tamping the dust. It was just past midnight, a moonless sky the only witness to their departure.

“As I of you,” said Lucius Greer. “As I of you.”

They rode into the darkness.

35

Brothers, brothers
.

And away, into the night. Julio Martínez, Tenth of Twelve, his legions discarded, cast to the wind. Julio Martínez, answering the call of Zero.

It is time. The moment of rebuilding has come. You will remake the world again; you will become the true masters of the earth, commanders not only of death but of life. You are the seasons. You are the turning earth. You are the circle within the circle within the circle. You are time itself, my brothers in blood
.

In life Martínez had been an attorney, a man of law. He had stood before judges, defended the accused before juries of their peers. Death row cases were his specialty, his professional forté. He had acquired a particular brand of fame. The calls had come from everywhere: Would the great Julio Martínez, Esq., come to the aid of such-and-such? Could he be persuaded to swoop into action? The rock star who had bashed his girlfriend’s brains out with a lamp. The state senator with the dead whore’s blood on his hands. The suburban mother who had drowned her
newborn triplets in the tub. Martínez took them all. They were insane or they were not; they pled or they didn’t; they went to the needle, or the tiny cell, or scot-free. The outcome was irrelevant to Julio Martínez, Esq.; it was the drama he loved. To know one was going to die and yet struggle against its inevitability—that was the fascination. Once, as a boy, in the field behind his house, he had come upon a rabbit in a trap, the kind with a spring and teeth. Its iron jaws had clamped onto the animal’s hind legs, flaying flesh to bone. The creature’s small, dark eyes, like beads of oil, were full of death’s wisdom. Life ebbed from it in a series of spasmodic scuffles. The boy Martínez could have watched for hours, and did just that; and when the rabbit failed to perish by nightfall, he carried it to the barn and returned to the house and ate his supper and went to bed in his room of toys and trophies, waiting for morning, when he could watch the rabbit die some more.

It had taken three days. Three glorious days.

Thus, his life and its dark investigations. Martínez had his reasons. He had his rationale. He had his particular method—the rag of spirits, the loyal cord and infinitely pliable duct tape, the dank, unseen compartments of dispatch. He chose low women, those lacking learning or culture, not because he despised them or secretly wanted them but because they were easy to ensnare. They were no match for his beautiful suits and movie-star hair and silken courtroom tongue. They were bodies without name or history or personality, and when the moment of transport approached, they offered no distraction. The timing was all, the orchestrated, simultaneous release. The old choir of sex and death singing.

A certain amount of practice had been required. There had been misfires. There had been, he was forced to admit, a certain amount of accidental comedy. The first one had died well but too soon, the second had kicked up such a ruckus that the whole thing had dissolved into farce, the third had wept so pitiably that he could hardly pay attention. But then: Louise. Louise, with her corny waitress uniform and sensible waitress shoes and unsexily supportive waitress hose. How beautifully she’d left her life! With what exquisite rapture in the taking! She was like a door opening into the great unknowable beyond, a portal into the infinite blackness of unbeing. He had been eradicated, pulverized; the winds of eternity had blown through him, beating him clean. It was everything he’d imagined and then some.

After that, frankly, he couldn’t get enough of it.

As for the highway patrolman, the universe was not without its ironies. It gave and took away. To wit: the Jag with a broken taillight, and
Martínez with the woman’s bagged body in the trunk; the cop’s slow saunter toward the car, his hand resting manfully on the butt of his pistol, and the downward glide of the driver’s window; the patrolman’s face pressed close, sneering with bored righteousness, his lips saying the customary words—
Sir, could I see …?
—and never finishing. In the harried aftermath, Martínez had managed to dispose of the body in the trunk, his nighttime practices thus to remain forever unknown, unconnected to his fate. But a dead policeman by the side of the highway, everything recorded by his dashboard video camera, well. In the end, the only thing to do, as the saying went, was for the great Julio Martínez, Esq., champion of the unchampionable, defender of the loathsomely defenseless, to pour himself a glass of thirty-year-old single-malt and toss it over his tongue while the windows of the house twirled with the lights of justice and come out with his hands dutifully up.

Which, given the way things had worked out, hadn’t turned out to be such an unlucky turn of events, actually.

Martínez couldn’t say he cared much for his fellows. With the exception of Carter, who struck him as purely pitiable—the man didn’t even seem to know what he was or what he’d done; Martínez hadn’t heard so much as a squeak from the man in years—they were nothing more than common criminals, their deeds random and banal. Vehicular homicide. Armed robbery gone bad. Barroom shenanigans with a body on the floor. A century marinating in their own psychological waste had done nothing to improve them. Martínez’s existence was not without its irritating aspects. The never quite being alone. The endless hunger always needing to be filled. The ceaseless talk-talk-talk inside his head, not just his brothers but Zero, too. And Ignacio: there was a piece of work. The man was a litany of self-pitying excuses.
I didn’t mean to do half those things. It’s just the way I was built
. After a hundred years listening to the man’s whining, Martínez wouldn’t miss him one bit.

There had been something attractively berserk about Babcock, though. You had to hand it to the man for metaphor. Carving out his mother’s larynx with a kitchen knife; in another life, he surely would have been a poet. Over the decades, Martínez had mentally sat in that foul kitchen about a million times, and it was true: the woman would
not
shut up. There was a kind of person in this world who needed you to paint a picture, and Babcock’s mother was that kind.

And then one day Babcock was simply gone, his signal silenced, like a television station suddenly off the air. The corner of Martínez’s mind where Babcock stood, endlessly gouging out the gristly nubbin of his mother’s voice box, was empty. All of them knew what had happened;
their collective, blood-borne existence ordained it. One of their brothers had fallen.

God bless and keep you, Giles Babcock. May you find in death the peace that eluded you in life, and what came after.

And so from Twelve, Eleven. A loss, a chink in the armor, but ultimately a matter of lesser concern in the vital period to come. It had been a good century, on the whole, for Julio Martínez. He recalled the early days with poignant fondness. The days of blood and mayhem and the great unleashing of his kind upon the earth. To kill was one thing, one glorious thing; to take was another. A banquet richer still in its satisfactions. From each one Martínez had taken a flavorful bite of soul, drawing them into the fold, expanding his dominion. His Many were not merely
part
of him, an
extension
of him; they
were
him. As he, Julio Martínez, was one of Twelve and the Zero also, concomitant and coextensive, united with one another and with the darkness in which they permanently dwelled.

Brothers, brothers, it is time. Brothers, brothers, the hour is at hand
.

For it was inevitable; they had built a race of pure rapaciousness. Their Many, created to protect them, had devoured the earth like locusts, leaving nothing in their wake. Feast had yielded to famine, summer’s bounty to winter’s scarcity; they would need a home, a zone of protection, of rest. To dream their dreams. To dream of Louise.

My brothers, your new home is waiting. They will bow before you; you will live as kings
.

Martínez liked the sound of that.

He discarded them without ceremony. His Many, millions-fold. He called them together from all the hidden places and said to them:
Die
. Dawn was reaching its red-fingered hand over the horizon. They pointed their faces blindly toward it. They showed no hesitation; all that he commanded, so did they. The sun was moving toward them like a blade of light over the earth.
Lie down, my sons and daughters; lie down in the sun and die
.

There followed a certain amount of screaming.

Night by night he made his way east, across the exhausted land. His instincts were acute. The world rippled with sensuousness, caressing him with its sounds and smells. The grass. The wind. The subtlest movements of trees. He lingered, tasting all. He had been away too long. He called to his fellows, their voices threading with darkness as they made their way from every corner to the place of their renewal.

—We are Morrison-Chávez-Baffes-Turrell-Winston-Sosa-Echols-Lambright-Martínez-Reinhardt-Carter. Eleven of Twelve, one brother lost.

And Zero replied in kind:

Oh, my brothers, my pain is as great as your own. But you will be Twelve again. For I have made another, one to watch and keep you in your place of rest
.

—Who? they asked, each as one and then together. —Who is the other you have made?

And Zero spoke from out of the darkness:

Our sister
.

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