The Twelve (Book Two of The Passage Trilogy): A Novel (69 page)

She did; she wept. In the orphanage she had tasted life. With Caleb, and the sisters, and Peter, and all the others. She had become a part of something, a family. She had made a home in the world. Now it would be gone.

“They’ll kill us both.”

“I reckon they’ll try. I known it from the start.” He leaned over the table and took her hand. “Ain’t right, I know it, but this here is ours to carry. Our one chance. Ain’t never come another.”

There was no way to refuse; fate had found her. The light was fading, the leaves were blowing down. In the pool, the woman’s body continued on its slow passage, floating and turning in the eternal current.

“Tell me what to do.”

49

The first real snow of winter arrived, as it always seemed to, in the middle of the night. Sara was sleeping on the sofa when she was roused by a tapping sound. For some stretch of time this sound mingled in her mind with a dream she was having, in which she was pregnant and trying to tell Hollis about it. The scene of this dream was a perplexing jumble of overlapping locations (the porch of the house in First Colony where she had grown up; the biodiesel plant, among the roar of the grinders; a ruined theater, wholly imagined, with tattered purple curtains suspended over a stage), and though other characters drifted at the periphery (Jackie, Michael, Karen Molyneau and her daughters), its sense was one of isolation: she and Hollis were alone, and the baby, tapping away inside her—Sara understood this to be a form of code—was asking to be born. Each time she tried to explain this to Hollis, the words came out as different words entirely—not “I’m pregnant” but “It’s raining,” not “I’m having a baby” but “Today is Tuesday”—causing Hollis to look at her first with confusion, then amusement, and finally outright laughter. “It’s not funny,” Sara said. Tears of frustration filled her eyes as Hollis laughed in his warm, big-throated way. “It’s not funny, it’s not funny, it’s not funny …” and on and on, and in this state the dream dissolved, and then she was awake.

She lay still a moment. The tapping was coming from the window. She pushed the blanket aside and crossed the room, and drew the drapes aside. The grounds of the Dome were kept lit at night, an island of luminescence in a sea of darkness, and through the beams of these lights an icy snow was pouring down, tossed on gusting winds. It seemed more ice than snow, but as she lingered, something changed. The particles slowed and fattened, becoming snowflakes. They descended upon every surface, building a mantle of white. In the other two rooms of the apartment Lila slept, and Sara’s daughter, snug in her little bed. How Sara longed to go to her, to lift her child into her arms and carry her back to the couch and hold her as she slept. To touch her hair, her skin, to feel the warm brush of her breath. But this thought was an empty dream, nothing she dared allow herself to imagine was actually possible. Aching with longing, Sara watched the falling snow, welcoming its slow erasure of the world, though down in the flatland, she knew, it meant something else. Frozen
fingers, frozen toes, bodies racked with cold. The months of dark and misery.
Well
, Sara thought with a shiver.
The winter. So it begins. At least I’ll be inside
.

But when she awoke in the morning, something changed again.

“Dani, look! Snow!”

A glittering light blasted into the room. The little girl, dressed in her nightshirt, had perched on a chair to draw back the drapes and was pressing her nose to the frosted window. Sara rose quickly from the couch and yanked them shut.

“But I want to see!”

From the inner room: “Dani! Where are you? I need you!”

“Just a minute!” Sara looked into the girl’s pleading eyes. “I’m sorry, sweetheart. You know the rule.”

“But she can stay in bed!”

“Dani!”

Sara heaved a sigh. Lila’s mornings were difficult, beset by focusless anxiety and nameless dread. The effect was magnified with each day that passed since her last feeding. Under the blood’s restorative spell, she became cheerful and affectionate to both of them, even a little giddy, though her interest in Kate felt more abstract than personal; she seemed not to comprehend fully the child’s age, often speaking to her as if she were an infant. On these good days, Lila appeared fully persuaded that she was living in some place called Cherry Creek, married to a man named David—though she also spoke of someone named Brad, the two seeming interchangeable—and that Sara was a housekeeper sent by “the service,” whatever that was. But as the effect of the blood waned, over a period of four or five days, she became abrupt and panicky, as if this elaborate fantasy was increasingly difficult to maintain.

“Let me get her in the bath. Then I’ll see if I can take you outside to play. Do we have a deal?”

The little girl nodded vigorously.

“Now get dressed.”

Sara found Lila sitting up in bed, clutching the folds of her thin nightgown over her chest. If Sara had to guess her age, she would have said the woman looked about fifty; tomorrow it would be more, the lines of her face deepening, her muscles sagging, her hair graying and growing thin. Sometimes the change was so precipitous Sara could actually watch it happening. Then Guilder would bring the blood, Sara would be banished from the room with Kate, and by the time they returned, Lila would be a lush-haired, smooth-skinned twenty-five-year-old once more, the cycle starting over.

“Why didn’t you answer me? I was worried.”

“I’m sorry, I overslept.”

“Where’s Eva?”

Sara explained that the girl was getting dressed and excused herself to prepare Lila’s bath. Like the woman’s dressing table, the bath was a place of totemic importance. In its deep, lion-clawed cocoon, the woman could soak for hours. Sara opened the tap and laid out Lila’s soaps and oils and little jars of cream with two fat, freshly laundered towels. Lila liked to bathe by candlelight; Sara took a box of wooden matches from the vanity and lit the candelabra. By the time Lila appeared in the doorway, the air was opaque with steam. Sara, in her heavy attendant’s robe, had begun to sweat. Lila closed the door and turned away to remove her dressing gown. Her upper body was thin, though not as thin as it would become, its mass redistributing downward over the days, into her hips and thighs. She turned to face Sara again and regarded the tub with a look of caution.

“Dani, I’m not really feeling myself today. Could you help me in?”

Sara took Lila by the hand as she stepped gingerly over the railing and lowered herself into the steaming water. Once she was immersed, the woman’s expression softened, tension departing her face. Sinking down to her chin, she took a long, happy breath, moving her hands like paddles to shift the water to and fro across her body. She leaned back to wet her hair, then shimmied up, bracing her back against the side of the tub. Freed of gravity, the woman’s breasts floated over her chest in a pantomime of restored youth.

“I do love the bath,” she murmured.

Sara took her place on the stool beside the tub. “Hair first?”

“Mmmmmm.” Lila’s eyes were closed. “Please.”

Sara began. As with everything, there was a certain way Lila liked it done. First the crown of her head, Sara’s hands vigorously massaging, then moving downward to smooth the long strands of hair between her fingers. The soap, then a rinse, then the same order of events repeated with the scented oil. Sometimes she had Sara do this more than once.

“It snowed last night,” Sara ventured.

“Hmmmm.” Lila’s face was relaxed, her eyes still closed. “Well, that’s Denver for you. If you don’t like the weather, just wait a minute, it will change. That’s something my father always said.”

Lila’s father’s sayings, duly noted as such, were a prominent feature of their conversations. Sara used a pitcher dipped in bathwater to pour the soap away from Lila’s forehead and began to work in the oil.

“So I suppose everything will be closed,” Lila continued. “I really
wanted to get to the market. We’re practically out of everything.” Never mind that, as far as Sara was aware, Lila never set foot from the apartment. “You know what I’d like, Dani? A long, lovely lunch. Someplace special. With good linens and china and flowers on the table.”

Sara had learned to go along. “That sounds nice.”

Lila gave a protracted sigh of memory, sinking deeper into the bath. “I can’t tell you how long it’s been since I had a long, lovely lunch.”

A few minutes passed, Sara working the oil into the woman’s scalp. “I think Eva would enjoy some time outside.” It felt like a monstrous lie to say this name, but sometimes it was unavoidable.

“Yes, I suppose she would,” Lila said noncommittally.

“I was wondering, are there any other children she can play with?”

“Other children?”

“Yes, someone her own age. I thought it would be good for her to have some friends.”

Lila frowned uncomfortably. Sara wondered if she’d pressed too far. “Well,” she said, with a tone of concession, “there’s that neighbor girl, little what’s-her-name. With the dark hair. But I hardly ever see her. Most of the families around here keep to themselves. Bunch of sticks-in-the-mud, if you ask me.” Then: “But you’re a good friend to her, aren’t you, Dani?”

A friend. What stinging irony. “I try to be.”

“No, it’s more than that.” Lila smiled drowsily. “There’s something different about you, I can tell. I think it’s wonderful for Eva, having a friend like you.”

“So I can take her outside,” Sara said.

“In a minute.” Lila closed her eyes again. “I was hoping you could read to me. I do so love to be read to in the bath.”

By the time they escaped, it was nearly noon. Sara bundled Eva in a coat and mittens and rubber galoshes and a woolen cap, pulling it down over the little girl’s ears. For herself she had only the robe, and nothing for her feet but her ratty sneakers and wool socks, but she hardly cared. Cold feet, so what? They took the stairs to the courtyard and emerged into a world so remade it felt like an entirely new place. The air had a sharp, fresh smell, and the sun was rebounding off the snow with eye-searing intensity. After so many days in the enforced gloom of the apartment, Sara had to pause at the threshold to give her vision a moment to adjust. But Kate had no such difficulty. With a snap of energy she released Sara’s hand and bolted from the doorway, propelling herself across the
courtyard. By the time Sara had slogged toward her—she might have erred about the sneakers; they were going to be a problem—the child was scooping handfuls of downy snow into her mouth.

“It tastes … cold.” Her face beamed with happiness. “Try some.”

Sara did as instructed. “Yum,” she said.

She showed the girl how to build a snowman. Her mind was full of sweet nostalgia; it was as if she were a Little again, playing in the courtyard of the Sanctuary. But this was different; Sara was the mother now. Time had turned its inexorable circle. How wonderful to feel her daughter’s infectious happiness, to experience the sense of wonder that passed between them. For the time being, all pain was banished from Sara’s mind. They could have been anywhere. The two of them.

Sara thought of Amy, too, the first time in years she had done this. Amy, who had never been a little girl, or so it seemed, but somehow always was; Amy, the Girl from Nowhere, in whose person time was not a circle but a thing stopped and held, a century cupped in the hand. Sara felt a sudden, unexpected sadness for her. She had always wondered why Amy had destroyed the vials of virus that night at the Farmstead, casting them into the flames. Sara had hated them, not just what they represented but the very fact of their existence, but she had also known what they were: a hope of salvation, the one weapon powerful enough to use against the Twelve. (
The Twelve
, she thought; how long had it been since that name had crossed her mind as well?) Sara had never known quite what to think of Amy’s decision; now she had her answer. Amy had known that the life those vials had denied her was the only true human reality. In Sara’s daughter, this triumphantly alive little person that Sara’s body had made, lay the answer to the greatest mystery of all—the mystery of death, and what came after. How obvious it was. Death was nothing, because there was no death. By the simple fact of Kate’s existence, Sara was joined to something eternal. To have a child was to receive the gift of true immortality—not time stopped, as it had stopped in Amy, but time continuing and everlasting.