The Warmth of Other Suns (87 page)

“He was dying on the inside,” his friend and patient Malissa Briley said.

IDA MAE GLADNEY IS EIGHTY-THREE YEARS OLD
when I first meet her. She is a churchgoing pensioner with time on her hands. She spends most of her days alone while everyone else is out working. She does word puzzles and crosswords, whole paperback books of them, to keep her mind sharp. She collects the funeral programs of the people she knew and loved in Mississippi and Chicago, who are, one by one, passing away, getting extras for other mourners the way young people collect business cards and email addresses. It is the currency of the old. In the meantime, she manages to keep up with the job pursuits and love lives of her grandchildren and great-grandchildren.

She has little interest in soap operas and doesn’t need to watch police
dramas on television. She has one right outside her window. Hers is a bow-front window, curved like a movie screen. She can monitor the street day or night from her box seat, which is actually a baby blue, plastic-covered easy chair by the front window, on the second floor of her three-flat. Things are happening that she never saw growing up in Mississippi, and she isn’t always certain of exactly what it is she is looking at. She is watching the street from her window the afternoon I meet her.

A man is selling drugs out of a trash can. She can see, plain as day, where he puts them and how he gets them out of the trash for the white customers in their SUVs with suburban license plates. Another hides his stash in his mouth. And when customers come up, he pulls a piece of his inventory from his tongue to sell to them. The police are on to it, too. “The police put flashlights down their mouth,” she says. “Sometimes the police make them stoop over.
”

A man is climbing out of an old Pontiac he sleeps in. He and the car have been outside her house for weeks. A teenage mother has just popped her son for something Ida Mae can’t make out because a car passes by just when the mother yells something at the boy. Usually it’s “M—f—” or “G—d—,” Ida Mae says, and it hurts her to see people do that to their children
.

The other night, she says, she was setting out the trash and saw a woman on her knees in the alley doing something to a man who was up against the garage. “I was looking for her head, and I never did see it,” Ida Mae says. She didn’t know exactly what the woman was doing but she knew they shouldn’t have been doing it and knew better than to say anything and thought it best to go back inside. “I just can’t get it out of my mind,” she says
.

When the police aren’t around, the people are out in the street like characters in a cable television drama and the drug dealers are up and down the block but mostly at the corner where there was once an ice cream parlor, back when she first moved here.

These are the lost grandchildren of the Migration who have grown hard in the big city and did not absorb the lessons of the past or the good to be found in the steadying rituals and folk wisdom of the South. Ida Mae and James and Eleanor can’t understand how they do the things they do, how they would rather trawl the streets than go to work every day and be able to hold their heads high.

Something about too many people packed together and nothing to guide them makes the children worse than they used to be, to her mind. At the moment, the city is in a crisis because two grade-schoolers, one of them only seven, have been accused of killing another child. Nobody knows for sure what happened and she certainly couldn’t say, but she
knows one thing for sure: “They curse like sailors, they throw rocks, they do everything they big enough to do. They ain’t got no home training, and they mama can’t do nothing ’cause she on drugs. That seven-year-old, they say he was the ringleader. He know more than he telling. But they shouldn’t put them in the penitentiary. They too young. They not gone ever forget it.”

She keeps going. “I know kids ’cause I been one,” she says. “I used to tease this girl that her mama was dead. I think about that a lot sometimes. She held that against me the rest of her life. She used to cry when I said it. I didn’t know what it was to lose a mother. I had lost my father. I thought everyone should die. I was nine or ten years old. I was bad. Now they double worse. What go in the wash come out in the rain.
Watch what I say, now
. You got to start working on those little ones early. I ain’t got much education, but I sho’ know folks. I ain’t scared of these kids but I stay out of their way.”

The craziness has Ida Mae hemmed in on all sides. When she leaves to go to church, if she goes to buy groceries, if she takes a walk to get some exercise, the drug dealers and lookout boys greet her as she leaves and welcome her when she gets back. When she hears sirens or gunshots, she runs to the window to see what has happened now. She is an eyewitness to a war playing out on the streets below her. Staying on top of everything is how she makes peace with the craziness she cannot escape.

She would never dream of going outside at night by herself. But it is not because she is afraid of the gangbangers and the drug dealers. She speaks to them and prays for them, and in turn they look out for her. They call her “Grandma” and tell her not to come out on certain days.

“You better stay in the house,” they tell her. “Because we don’t know what time we gon’ start shootin’.”

On a July afternoon, she is telling her story about the ride up north and making her way in Chicago in those early days. We are in the middle of a conversation when something crashes outside the window. It rattles me, and I look toward the window to see what it might be. Ida Mae does not flinch. She has learned the difference between danger and mischief, between a gunshot and a rock through a window. Whatever it was, it’s as if it didn’t happen.

“Did you hear that?” I ask her. “Sounds like some glass broke.”

“Honey, they does that. They throw bottles at each other.”

“You didn’t even look up.”

“I hear too much of it,” she says. “I’d be lookin’ all day.” She lets out a big laugh.

Every day, there is something or other. On an otherwise quiet afternoon, we look out the window and see two police officers leading a black man in a white windbreaker and baseball cap, hands cuffed, down the sidewalk in front of the apartment building next door.

“That’s the janitor,” she tells me. “He works there. Wonder what did he do?”

He lopes along, head up, scanning the street like a politician on a tour of his district. He looks both ways before stepping off the curb to cross the street to the patrol car. He nods his respects to the teenage girls walking past.

Ida Mae doesn’t know what he has done, but figures she’ll find out in due course.

“People talk,” she says. “You don’t have to ask.”

She has an idea of what it was. There was a raid in the building a few weeks before. The police took seventeen or eighteen people out in handcuffs.

“Did it at night,” she says. “They carried them all out tied together. I got tired of counting. You know that still ain’t stop them? They still up in there. I don’t know what’ll stop ’em. I guess the Lord knows.”

She watches and makes note of what’s going on around her. Every month, there’s a neighborhood crime watch meeting, and she is sure to attend. Trouble is, she believes some of the police are not much better than the criminals. “The detectives are the ones doing the dirt,” she says. Somehow, some of the dealers are onto the police or get forewarning of their arrival. “They have a phone,” she says. “They know when the police coming.”

Still, she manages to stay out of everybody’s way. She may be stuck in her own home, but she has too much faith or stubbornness to let fear take over.

“I ain’t gone live nowhere scared,” she says. “I ain’t calling the police. Long as they don’t bother me. If I know what’s going on, they do, too.”

And she refuses to put bars on the windows. “My husband say, he never be behind no bars,” she says. “And neither am I.”

IT REQUIRES
descending down a narrow set of stairs into an airless vestibule in the basement of a three-story brownstone to get to where the owner lives. He has taken the dankest, darkest space for himself and given over the rest of the building, the rooms with light and space, to whatever tenants he has.

George Starling never cared about creature comforts and finery but about getting a square deal, which he on occasion achieved, and the right to exercise the free will he was not permitted in the South. His life is scattered in boxes all over his room, file folders stuffed with pictures of him and Inez as teenagers in Florida, mimeographed copies of his lawyerly letters to the railroad or union leaders about this or that provision or instance of inequity, and the funeral programs of loved ones who have passed away.

He is seventy-eight now, a grandfather and great-grandfather, a deacon in the church. He sits upright and stoic. He enunciates each syllable in this early conversation and speaks in the deliberate and formal manner of the professor he once wanted to be. But the longer he talks, the more comfortable he gets and the more he sounds like the southerner he is inside.

He feels it his responsibility to share what he knows and takes it upon himself to explain whatever he says in the greatest detail. He talks for forty-five patient and exacting minutes about what it takes to pick string beans and describes the difference between the walking buds, the junior buds, the uncle buds, and seedling trees he used to pick back in Florida.

A car pulls up. It’s his pastor, Reverend Henry Harrison, dropping by to see Deacon Starling. The pastor, hearing the topic of the South and the Migration, begins telling the story of how his father escaped from a labor camp in South Carolina by swimming through a swamp, and, eventually, in 1930, finding his way to New York.