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Authors: Iain Banks

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The wasp factory: a novel (6 page)

BOOK: The wasp factory: a novel
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Two years after I killed Blyth I murdered my young brother Paul, for quite different and more fundamental reasons than I'd disposed of Blyth, and then a year after that I did for my young cousin Esmerelda, more or less on a whim.

That's my score to date. Three. I haven't killed anybody for years, and don't intend to ever again.

It was just a stage I was going through.

3: In the Bunker

My GREATEST ENEMIES are Women and the Sea. These things I hate. Women because they are weak and stupid and live in the shadow of men and are nothing compared to them, and the Sea because it has always frustrated me, destroying what I have built, washing away what I have left, wiping clean the marks I have made. And I'm not all that sure the Wind is blameless, either.

The Sea is a sort of mythological enemy, and I make what you might call sacrifices to it in my soul, fearing it a little, respecting it as you're supposed to, but in many ways treating it as an equal. It does things to the world, and so do I; we should both be feared. Women... well, women are a bit too close for comfort as far as I'm concerned. I don't even like having them on the island, not even Mrs Clamp, who comes every week on a Saturday to clean the house and deliver our supplies. She's ancient, and sexless the way the very old and the very young are, but she's still _been_ a woman, and I resent that, for my own good reason.

I woke the next morning, wondering if my father had come back or not. Without bothering to dress, I went to his room. I was going to try the door, but I could hear him snoring before I touched the handle, so I turned and went to the bathroom.

In the bathroom, after a piss, I went through my daily washing ritual. First I had my shower. The shower is the only time in any twenty-four-hour period I take my underpants right off. I put the old pair in the dirty-linen bag in the airing cupboard. I showered carefully, starting at my hair and ending between my toes and under my toenails. Sometimes, when I have to make precious substances such as toenail cheese or belly-button fluff, I have to go without a shower or bath for days and days; I hate doing this because I soon feel dirty and itchy, and the only bright thing about such abstinence is how good it feels to have a shower at the end of it.

After my shower, and a brisk rub-down with first a face-cloth and then a towel, I trimmed my nails. Then I brushed my teeth thoroughly with my electric toothbrush. Next the shave. I always use shaving foam and the latest razors (twin-blade swivel-heads are state-of-the-art at the moment), removing the downy brown growth of the previous day and night with dexterity and precision. As with all my ablutions, the shave follows a definite and predetermined pattern; I take the same number of strokes of the same length in the same sequence each morning. As always, I felt a rising tingle of excitement as I contemplated the meticulously shorn surfaces of my face.

I blew and picked my nose clean, washed my hands, cleaned the razor, nail-clipper, shower and basin, rinsed out the flannel and combed my hair. Happily I didn't have any spots, so there was nothing else required but a final handwash and a clean pair of underpants. I placed all my washing materials, towels, razor and so forth exactly where they should be, wiped a little steam off the mirror on my bathroom cabinet, and returned to my room.

There I put on my socks; green for that day. Then a khaki shirt with pockets. In the winter I'd have a vest underneath and a green army jumper over the shirt, but not in the summer. My green cord trousers came next, followed by my fawn Kickers boots, labels removed as from everything I wear because I refuse to be a walking advertisement for anybody. My combat jacket, knife, bags, catapult and other equipment I took down to the kitchen with me.

It was still early, and the rain I'd heard forecast the previous night was looking about ready to drop. I had my modest breakfast, and I was ready.

I went out into the fresh damp morning, walking quickly to keep warm and get round the island before any rain started. The hills beyond the town were hidden by cloud, and the sea was rough as the wind freshened. The grass was heavy with dew; drops of mist bowed the unopened flowers and clung to my Sacrifice Poles, too, like clear blood on the shrivelled heads and tiny, desiccated bodies.

A couple of jets screamed over the island at one point, two Jaguars wing to wing about one hundred metres up and going fast, crossing the whole island in an eye-blink and racing out to sea. I glared at them, then went on my way. Once they made me jump, another couple of them, a couple of years ago. They came in illegally low after bombing practice on the range just down the firth, blasting over the island so suddenly that I jumped while in the delicate manoeuvre of teasing a wasp into a jar from the old tree stump near the ruined sheep-pen at the north end of the island. The wasp stung me.

I went into town that day, bought an extra plastic model of a Jaguar, made the kit up that afternoon and ceremonially blew it to pieces on the roof of the Bunker with a small pipe-bomb. Two weeks later a Jaguar crashed into the sea off Nairn, though the pilot ejected in time. I'd like to think the Power was working then, but I suspect it was coincidence; high-performance jets crash so often it was no real surprise my symbolic and their real destruction came within a fortnight of each other.

I sat on the earth banking that looks out over the Muddy Creek and ate an apple. I leaned back on the young tree that as a sapling had been the Killer. It was grown now, and a good bit taller than me, but when I was young and we were the same size it had been my static catapult defending the southerly approaches to the island. Then, as now, it looked out over the broad creek and the gunmetal-coloured mud with the eaten-looking wreck of an old fishing boat sticking out of it.

After the Tale of Old Saul I put the catapult to another use, and it became the Killer; scourge of hamsters, mice and gerbils.

I remember that it could whack a fist-sized stone well over the creek and twenty metres or more into the undulating ground on the mainland, and once I got keyed into its natural rhythm I could send off a shot every two seconds. I could place them anywhere within a sixty-degree angle by varying the direction in which I pulled the sapling over and down. I didn't use a little animal every two seconds; they were expended at a few a week. For six months I was the best customer the Porteneil Pet Shop had, going in every Saturday to get a couple of beasts, and about every month buying a tube of badminton shuttlecocks from the toyshop as well. I doubt anybody ever put the two together, apart from me.

It was all for a purpose, of course; little that I do is not, one way or another. I was looking for Old Saul's skull.

I threw the core of the apple over the creek; it plopped into the mud on the far bank with a satisfying slurp. I decided it was time to look into the Bunker properly, and set off along the bank at a jog, swinging round the southernmost dune towards the old pillbox. I stopped to look at the shore. There didn't seem to be anything interesting there, but I remembered the lesson of the day before, when I had stopped to sniff the air and everything had seemed fine, then ten minutes later I was wrestling with a kamikaze rabbit, so I trotted down off the side of the dune and down to the line of debris thrown up by the sea.

There was one bottle. A very minor enemy, and empty. I went down to the water-line and threw the bottle out. It bobbed, head up, ten metres out. The tide hadn't covered the pebbles yet, so I took up a handful and lobbed them at the bottle. It was close enough to use the under-arm style, and the pebbles I'd selected were all of roughly the same size, so my fire was very accurate: four shots within splashing distance and a fifth which smashed the neck off the bottle. A small victory really, because the decisive defeat of the bottles had come about long ago, shortly after I learned to throw, when I first realised the sea was an enemy. It still tried me out now and again, though, and I was in no mood to allow even the slightest encroachment on my territory.

The bottle sunk, I returned to the dunes, went to the top of the one the Bunker lay half-buried in, and had a look round with my binoculars. The coast was clear, even if the weather wasn't. I went down to the Bunker.

I repaired the steel door years ago, loosening the rusted hinges and straightening the guides for the bolt. I took out the key to the padlock and opened the door. Inside there was the familiar waxy, burned smell. I closed the door and propped a piece of wood against it, then stood for a while, letting my eyes adjust to the gloom and my mind to the feel of the place.

After a while I could see dimly by the light filtering through the sacking hung over the two narrow slits which are the Bunker's only windows. I took off my shoulder bag and binoculars and hung them on nails hammered into the slightly crumbling concrete. I took up the tin with the matches in it and lit the candles; they burned yellowly and I knelt, clenching my fists and thinking. I'd found the candle-making kit in the cupboard under the stairs five or six years ago, and experimented with the colours and consistencies for months before hitting on the idea of using the wax as a wasp-prison. I looked up then and saw the head of a wasp poking up from the top of a candle on the altar. The newly lit candle, blood red and as thick as my wrist, contained the still flame and the tiny head within its caldera of wax like pieces of an alien game. As I watched, the flame, a centimetre behind the wasp's wax-gummed head, freed the antennae from the grease and they came upright for a while before they frazzled. The head started to smoke as the wax dribbled off it, then the fumes caught light, and the wasp body, a second flame within the crater, flickered and crackled as the fire incinerated the insect from its head down.

I lit the candle inside the skull of Old Saul. That orb of bone, holed and yellowing, was what killed all those little creatures who met their death in the mud on the far side of the creek. I watched the smoky flame waver inside the place where the dog's brains used to be and I closed my eyes. I saw the Rabbit Grounds again, and the flaming bodies as they jumped and sped. I saw again the one that escaped the Grounds and died just before it made it to the stream. I saw the Black Destroyer, and remembered its demise. I thought of Eric, and wondered what the Factory's warning was about.

I saw myself, Frank L. Cauldhame, and I saw myself as I might have been: a tall slim man, strong and determined and making his way in the world, assured and purposeful. I opened my eyes and gulped, breathing deeply. A fetid light blazed from Old Saul's sockets. The candles on either side of the altar flickered with the skull-flame in a draught.

I looked round the Bunker. The severed heads of gulls, rabbits, crows, mice, owls, moles and small lizards looked down on me. They hung drying on short loops of black thread suspended from lengths of string stretched across the walls from corner to corner, and dim shadows turned slowly on the walls behind them. Around the foot of the walls, on plinths of wood or stone, or on bottles and cans the sea had surrendered, my collection of skulls watched me. The yellow brain-bones of horses, dogs, birds, fish and horned sheep faced in towards Old Saul, some with beaks and jaws open, some shut, the teeth exposed like drawn claws. To the right of the brick, wood and concrete altar where the candles and the skull sat were my small phials of precious fluids; to the left rose a tall set of clear plastic drawers designed to hold screws, washers, nails and hooks. Each drawer, not much larger than a small matchbox, held the body of a wasp which had been through the Factory.

I reached over for a large tin on my right, prised the tight lid off with my knife and used a small teaspoon inside to place some of the white mixture from the tin on to a round metal plate in front of the old dog's skull. Then I took the oldest of the wasp cadavers from its little tray and tipped it on to the white pile of granules. I replaced the sealed tin and the plastic drawer and lit the tiny pyre with a match.

The mixture of sugar and weedkiller sizzled and glared; the intense light seared through me and clouds of smoke rolled up and around my head as I held my breath and my eyes watered. In a second the blaze was over, the mixture and the wasp a single black lump of scarred and blistered debris cooling from a bright yellow heat. I closed my eyes to inspect the patterns, but only the burning after-image remained, fading like the glow on the metal plate. It danced about briefly on my retinas, then disappeared. I had hoped for Eric's face, or some further clue about what was going to happen, but I got nothing.

I leaned forward, blew out the wasp candles, right then left, then blew through one eye and extinguished the candle inside the dog skull. Still glare-blind, I felt my way to the door through the dark and the smoke. I went out, letting the smoke and fumes free into the damp air; coils of blue and grey curled off my hair and clothes as I stood there, breathing deeply. I closed my eyes for a bit, then went back into the Bunker to tidy up.

I closed the door and locked it. I went back to the house for lunch and found my father chopping driftwood in the back garden.

'Good day,' he said, wiping his brow. It was humid if not particularly warm, and he was stripped to the vest.

'Hello,' I said.

'Were you all right yesterday?'

'I was.'

'I didn't get back till late.'

'I was asleep.'

'I thought you might be. You'll be wanting some lunch.'

'I'll make it today, if you want.'

'No, that's all right. You can chop the wood if you have a mind to. I'll make lunch for us.' He put the axe down and wiped his hands on his trousers, eyeing me. 'Was everything quiet yesterday?'

'Oh, yes,' I nodded, standing there.

'Nothing happened?'

'Nothing special,' I assured him, putting down my gear and taking my jacket off. I took up the axe. 'Very quiet, in fact.'

'Good,' he said, apparently convinced, and went into the house. I started swinging the axe at the lumps of driftwood.

After lunch I went into town, taking Gravel my bike and some money. I told my father I'd be back before dinner. It started to rain when I was halfway to Porteneil, so I stopped to put on my ka-gool. The going was heavy but I got there without mishap. The town was grey and empty in the dull afternoon light; cars swished through on the road going north, some with their headlights on, making everything else seem even dimmer. I went to the gun and tackle shop first, to see old Mackenzie and take another of his American hunting-catapults off him, and some air-gun pellets, too.

BOOK: The wasp factory: a novel
4.92Mb size Format: txt, pdf, ePub
ads

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