The Web and The Root (17 page)

Albert’s face was smashed to currant jelly on the street, and Monk could see it scrape for fifty yards along the pavement like a bloody rag before the car was stopped; and when he got there they were getting Albert out from beneath the car. He could smell the sultry odors of the car, the smell of worn rubber, oil and gasoline, and heavy leathers, and the smell of blood; and everywhere people were rushing from their houses shouting, and men were going down beneath the car to get Albert out, and Bass was standing there with a face the color of green blubber, and cold sweat standing on his forehead, and his pants staining where he’d messed himself, and Albert was nothing but a bloody rag.

Mr. Ernest Pennock, who lived next door to Uncle Mark, got Albert out and lifted him in his arms. Ernest Pennock was a big, red-faced man with a hearty voice, the uncle of Monk’s friend, Sam Pennock. Ernest Pennock was in shirt-sleeves and wore arm bands of ruffled blue, and Albert’s blood got all over Ernest Pennock’s shirt as he held Albert in his arms. Albert’s back was broken and his legs were broken and the raw splinters of the bones were sticking through his torn stockings, and all the time he kept screaming:

“O mama save me O mama, mama save me O mama save me!”

And Monk was sick to his guts because Albert had shouted at him and been happy just a minute ago, and something immense and merciless that no one understood had fallen from the sky upon him and broken his back and no one could save him now.

The car had run over Johnny but had not dragged him, and he had no blood upon him, only two blue sunken marks upon his forehead. And Mr. Joe Black, who lived two doors below the Joyners at the
corner, and was the foreman of the street-car men and stood up in the Public Square all day and gave orders to the motormen every fifteen minutes when the cars came in, and married one of the daughters of Mr. McPherson, the Scotchman who lived across the street above the Joyners, had picked Johnny up and was holding him and talking gently to him, and saying in a cheerful voice, half to Johnny, half to himself and the other people:

“This boy’s not hurt, yes, sir, he just got bruised a bit, he’s going to be a brave man and be all right again before you know it.”

Johnny moaned a little, but not loudly, and there was no blood on him, and no one noticed Johnny, but Johnny died then while Joe Black talked to him.

And then Mrs. Andrews came tearing around the corner, wearing an apron and screaming like a demented hag, and she clawed her way through the crowd of people about Albert, and snatched him out of Ernest Pennock’s arms, and kissed him till her face was covered with his blood, and kept screaming:

“Is he dead? Is he dead? Why don’t you tell me if he’s dead?”

Then suddenly she stopped screaming when they told her that it was not Albert but Johnny who was dead—grew calm, silent, almost tranquil, because Albert was her own child, and Johnny was an adopted child; and although she had always been good to Johnny, all the people in the neighborhood said later:

“You see, don’t you? It only goes to show you! You saw how quick she shut up when she heard it wasn’t her own flesh and blood.”

But Albert died anyway two hours later at the hospital.

Finally—and somehow this was the worst of all—Mr. Andrews came tottering towards the people as they gathered around Albert. He was an insurance salesman, a little scrap of a man who was wasting away with some horrible joint disease. He was so feeble that he could not walk save by tottering along on a cane, and his great staring eyes and sunken face and large head, that seemed too heavy for the scrawny neck and body that supported it, went waggling, goggling, jerking
about from side to side with every step he took, and his legs made sudden and convulsive movements as if they were going to fly away beneath him as he walked. Yet this ruin of a man had gotten nine children, and was getting new ones all the time. Monk had talked about this with the other boys in lowered voices, and with a feeling of horror and curiosity, for he wondered if his physical collapse had not come somehow from all the children he had got, if some criminal excess in nature had not sapped and gutted him and made his limbs fly out below him with these movements of convulsive disintegration; and he felt a terrible fascination and revulsion of the spirit because of the seminal mystery of nature that could draw forth life in swarming hordes from the withered loins of a walking dead man such as this.

But finally he had come around the corner, goggling, waggling, jerking onward with his huge, vacant, staring eyes, towards the bloody place where two of his children had been killed; and this, together with the strong congruent smells of rubber, leather, oil and gasoline, mixed with the heavy, glutinous sweetness of warm blood, and hanging there like a cloud in the cool, wet, earthy air of that grey-green day that just a moment before had impended with such a wordless and intolerable prescience of joy, and now was filled with horror, nausea, and desperate sickness of the soul—this finally was the memory that was to fix that corner, the hour, the day, the time, the words and faces of the people, with a feeling of the huge and nameless death that waits around the corner for all men, to break their backs and shatter instantly the blind and pitiful illusions of their hope,

H
ERE WAS THE
place, just up the hill a little way from this treacherous corner, right there in front of Shepperton’s house, where another accident occurred, as absurd and comic as the first was tragic and horrible.

One morning about seven o’clock, in the Spring of the year when all the fruit trees were in blossom, George was awakened instantly as he lay in his room, with a vision of cherry blossoms floating slowly to the
earth, and at the same time with the memory of a terrific collision—a savage grinding and splintering of glass, steel, and wood—still ringing in his ears. Already he could hear people shouting to one another in the street, and the sound of footsteps running. The screen door slammed in his uncle’s house next door, and the boy heard his Uncle Mark howl to someone in an excited tone:

“It’s down here on Locust Street! Merciful God, they’ll all be killed!”

And he was off, striding down the street.

But already George was out of bed, had his trousers on, and, without stopping for stockings, shoes, or shirt, he went running onto the porch, down the steps, and out into the street as hard as he could go. People were running along in the same direction, and he could see his uncle’s figure in the rapidly growing crowd gathered in front of Shepperton’s about a big telephone post which had been snapped off like a match stick near the base and hung half-suspended from the wires.

As he pounded up, the fragments of the car were strewn over the pavement for a distance of fifty yards—a wheel here, a rod there, a lamp, a leather seat at other places, and shattered glass everywhere. The battered and twisted wreckage of the car’s body rested solidly and squatly upon the street before the telephone post which it had snapped with its terrific impact, and in the middle of all this wreckage Lon Pilcher was solemnly sitting, with a stupid look upon his face and the rim of the steering wheel wrapped around his neck. A few feet away, across the sidewalk, and upon the high-banked lawn of the Shepperton house, Mr. Matthews, the fat, red-faced policeman, was sitting squarely on his solid bottom, legs thrust out before him, and with the same look of stupid and solemn surprise on his face that Lon Pilcher had.

Uncle Mark and some other men pulled Lon Pilcher from the wreckage of his car, took the steering wheel from around his neck, and assured themselves that by some miracle of chance he was not hurt. Lon, recovering quickly from the collision which had stunned
him, now began to peer owlishly about at the strewn remnants of his car, and finally, turning to Uncle Mark with a drunken leer, he said:

“D’ye think it’s damaged much, Mr. Joyner? D’ye think we can fix her up again, so she will run?” Here he belched heavily, covered his mouth with his hand, and said, “Excuse me,” and began to prowl drunkenly among the strewn fragments.

Meanwhile Mr. Matthews, recovering from his shock, now clambered down clumsily from the bank and pounded heavily towards Lon, shouting:

“I’ll arrest ye! I’ll arrest ye! I’ll take ye to the lockup and arrest ye, that’s what I’ll do!”—a threat which now seemed somewhat superfluous since he had arrested Lon some time before.

It now developed that Lon had been cruising about the town all night with some drunken chorus girls in his celebrated Cadillac, model 1910; that the policeman had arrested him at the head of the Locust Street hill, and had commanded Lon to drive him to the police station; and then, during that terrific dash downhill which had ended in the smash-up near the corner, had screamed frantically at his driver:

“Stop! Stop! Let me out! You’re under arrest! Damn you, I’ll arrest ye fer this, as sure as you’re born!”

And, according to witnesses, at the moment of collision the fat policeman had sailed gracefully through the shining morning air, described two somersaults, and landed solidly and squarely upon his bottom, with such force that he was stunned for several minutes, but still kept muttering all the time:

“Stop! Stop! Or I’ll arrest ye!”

H
ERE WAS THE
house, across the street from Shepperton’s and just above Nebraska Crane’s house, where Captain Suggs lived. He was a cripple, with both legs amputated far above the knee. The rest of him was a gigantic hulk, with enormous shoulders, powerful, thick hands, and a look of brutal power and determination about his great, thick neck and his broad, clean-shaven, cruel-lipped mouth. He got about
on crutches when he had his wooden stumps on him; at other times he crawled about on the stump ends of his amputated legs, which were protected by worn leather pads. He had had one leg shot off at Cold Harbor, and the other was mangled and had to be amputated. In spite of his mutilation and his huge bulk, he could move with amazing speed when he wanted to. When he was angered, he could use his crutch as a club and could floor anyone within a radius of six feet. His wife, a little, frail woman, was thoroughly submissive.

His son, “Fielder” Suggs, was a little past thirty and on his way to fortune. At one time in his career he had been a professional baseball player. Later, with money enough for one month’s rent, Fielder leased a vacant store and installed there the first moving picture projection camera the town had known. Now he owned the Princess and the Gaiety on the Square, and his career was a miracle of sudden wealth.

H
ERE WAS THE
place upon the street before McPherson’s house where the horse slipped and fell on the icy pavement one cold night in January, and broke its leg. There were dark faces of men around the house, and presently George heard two shots, and his Uncle Mark came back with a sad look on his face, shaking his head regretfully and muttering, “What a pity! What a pity!”—and then began to denounce the city government bitterly for making the pavements so slippery and the hill so steep. And light and warmth went from the boy’s life, and the terror of the dark was all about him.

H
ERE WAS THE
alleyway that ran past his uncle’s house on the lower side and was bordered by a lane of lonely pines, and there was the huge, clay-caked stump of a tree where the boys would go Christmas morning and on the Fourth of July to explode their firecrackers on the stump. Rufus Higginson, who was Harry’s older brother, came there one Fourth of July with a toy cannon and a large yellow paper bag filled with loose powder, and he threw a match away into the powder bag, and even as he bent to get more powder it exploded in his face.
He rushed screaming like a madman down the alley, his face black as a negro’s and his eyes blinded, and he rushed through his house from room to room, and no one could quiet him or get him to stop running because the pain was so intense. The doctor came and picked the powder out, and for weeks he bathed his face in oil; and his face turned into one solid scab, which then peeled off and left no scar at all, when everyone said he “would be scarred for life.”

O
N UP THE
hill past his uncle’s new, brick house, and beside it, and to the rear, the little frame house which his grandfather had built more than forty years before and where George now lived with his Aunt Maw; on up the hill past Pennock’s house and Higginson’s old house; on up past Mr. McPherson’s house across the street, which always looked new and clean and tidy, and bright with new paint; on up to the top of the hill where Locust Street came into Charles, and on the left hand, was the huge, old, gabled house of brown, with its great porches, parlors, halls of quartered oak, and carriage entrances, and the enormous, lordly oaks in front of it. Some wealthy people from South Carolina lived there. They had a negro driver and a carriage that came up the driveway for them every day, and they never spoke to the other people on the street because they were too fine for them and moved in higher circles.

Across Charles Street, on the corner, was a brick house in which a woman lived with her aged mother. The woman was a good soul, with fluffy, sandy-reddish hair, a hooked nose, a red face, and teeth that stuck out. Everyone called her “Pretty Polly” because she looked like a parrot and had a parrot’s throaty voice. She played the piano for the moving picture shows at the Gaiety Theatre, and every night when she stopped playing the people in the audience would cry out:

“Music, Polly, music! Please, Polly, music, Polly! Pretty Polly, please!”

She never seemed to mind at all, and would play again.

“Pretty Polly” had a beau named James Mears, better known as
“Duke” Mears, because he was always smartly dressed in correct riding costume, or at least what he believed to be the correct riding costume of the English aristocracy. He wore a derby hat, a stock, a fawn-colored weskit with the last and lowest button nonchalantly left unbuttoned, a close-fitting checked riding coat, riding trousers and magnificent, shining riding boots and spurs, and he carried a riding crop. He always wore this costume. He wore it when he got up in the morning, he wore it when he walked across the Square, he wore it when he went down the main street of the town, he wore it when he got into a street car, he wore it when he went to Miller and Cashman’s livery stable.