The Web and The Root (22 page)

George Gallatin was Mayor at that time, and he was standing there shoulder to shoulder and arm to arm with Hugh McPherson. Monk could see Hugh, taller by half a foot than anyone around him, his long, gaunt figure, the gaunt passion of his face, even the attitude of his outstretched bony arms, strangely, movingly Lincolnesque, his one good eye (for he was blind in the other) blazing in the cold glare of the corner lamp with a kind of cold, inspired, Scotch passion.

“Wait a minute! Stop! You men wait a minute!” he cried. His words cut out above the shouts and clamor of the mob like an electric spark. “You’ll gain nothing, you’ll help nothing if you do this thing.”

They tried to drown him out with an angry and derisive roar. He shot his big fist up into the air and shouted at them, blazed at them with that cold single eye, until they had to hear. “Listen to me!” he cried. “This is no time for mob law. This is no case for lynch law. This is a time for law and order. Wait till the sheriff swears you in. Wait until Mark Joyner comes. Wait——”

He got no further. “Wait, hell!” cried someone. “We’ve waited long enough! We’re going to get that nigger!”

The mob took up the cry. The whole crowd was writhing angrily now, like a tormented snake. Suddenly there was a flurry in the crowd, a scattering. Somebody yelled a warning at Hugh McPherson. He ducked quickly, just in time. A brick whizzed past him, smashing the plate-glass window into fragments.

And instantly a bloody roar went up. The crowd surged forward, kicked the fragments of jagged glass away. In a moment the whole mob was storming into the dark store. Mark Joyner got there just too late. He said later that he heard the smash of broken glass just as he turned the corner to the Square from College Street. He arrived in time to take out his keys and open the front doors, but as he grimly remarked, with a convulsive movement of his lips, it was like closing the barn doors after the horse had been stolen.

The mob was in and they looted him. They helped themselves to every rifle they could find. They smashed open cartridge boxes and filled their pockets with the loose cartridges. Within ten minutes they had looted the store of every rifle, every cartridge in the stock. The whole place looked as if a hurricane had hit it. The mob was streaming out into the street, was already gathering around the dogs a hundred feet or so away, who were picking up the scent at that point, the place where Dick had halted last before he had turned and headed south, downhill along South Main Street, towards the river.

The hounds were scampering about, tugging at the leash, moaning softly with their noses pointed to the snow, their long ears flattened down. But in that light and in that snow it almost seemed no hounds were needed to follow Dick. Straight down the center of the sheeted car tracks, the negro’s footsteps led away. By the light of the corner lamps one could follow them until they vanished downhill in the darkness.

But now, although the snow had stopped, the wind was swirling through the street and making drifts and eddies in the snow. The footprints were fading rapidly. Soon they would be gone.

The dogs were given their head. They went straining on, softly, sniffing at the snow; behind them the dark masses of the mob closed
in and followed. The three boys stood there watching while they went. They saw them go on down the street and vanish. But from below, over the snow-numbed stillness of the air, the vast, low mutter of the mob came back to them.

Men were clustered now in groups. Mark Joyner stood before his shattered window, ruefully surveying the ruin. Other men were gathered around the big telephone pole at the corner, measuring, estimating its width and thickness, pointing out two bullet holes that had been drilled cleanly through.

And swiftly, like a flash, running from group to group, like a powder train of fire, the full detail of that bloody chronicle of night was pieced together.

T
HIS WAS WHAT
had happened.

Somewhere between nine and ten o’clock that night, Dick Prosser had gone to Pansy Harris’ shack in Niggertown. Some said he had been drinking when he went there. At any rate, the police had later found the remnants of a gallon jug of raw corn whiskey in the room.

What had happened in the shack from that time on was never clearly known. The woman evidently had protested, had tried to keep him out, but eventually, as she had done before, succumbed. He went in. They were alone. What happened then, what passed between them, was never known. And, besides, no one was greatly interested. It was a crazy nigger with a nigger wench. She was “another nigger’s woman” probably she had “gone with” Dick. This was the general assumption, but no one cared. Adultery among negroes was assumed.

At any rate, some time after ten o’clock that night—it must have been closer to eleven, because the train of the negro porter, Harris, was late and did not pull into the yards until 10:20—the woman’s husband appeared upon the scene. The fight did not start then. According to the woman, the real trouble did not come until an hour or more after his return.

The men drank together. Each was in an ugly temper. Dick was
steadily becoming more savagely inflamed. Shortly before midnight they got into a fight. Harris slashed at Dick with a razor. In a second they were locked together, rolling about and fighting like two madmen on the floor. Pansy Harris went screaming out of doors and across the street into a dingy little grocery store.

A riot call was telephoned at once to police headquarters at the City Hall. The news came in that a crazy nigger had broken loose on Valley Street in Niggertown, and to send help at once. Pansy Harris ran back across the street towards her little shack.

As she got there, her husband, with blood streaming from his face, staggered out across the little lean-to porch into the street, with his hands held up protectively behind his head in a gesture of instinctive terror. At the same moment, Dick Prosser appeared in the doorway of the shack, deliberately took aim with his rifle, and shot the fleeing negro squarely through the back of the head. Harris dropped forward on his face into the snow. He was dead before he hit the ground. A huge dark stain of blood-soaked snow widened out around him. Dick Prosser took one step, seized the terrified negress by the arm, hurled her into the shack, bolted the door, pulled down the shades, blew out the lamp, and waited.

A few minutes later, two policemen arrived from town. They were a young constable named Willis, who had but recently got on the force, and John Grady, a lieutenant. The policemen took one look at the bloody figure in the snow, questioned the frightened keeper of the grocery store, and then, after consulting briefly, produced their weapons and walked out into the street.

Young Willis stepped softly down onto the snow-covered porch of the shack, flattened himself against the wall between the window and the door, and waited. Grady went around to the side, produced his flashlight, flashed it against the house and through the window, which on this side was shadeless. At the same moment Grady said in a loud voice:

“Come out of there!”

Dick’s answer was to shoot him cleanly through the wrist. At the same moment Willis kicked the door in with a powerful thrust of his foot, and, without waiting, started in with pointed revolver. Dick shot him just above the eyes. The policeman fell forward on his face.

Grady came running out around the house, crossed the street, rushed into the grocery store, pulled the receiver of the old-fashioned telephone off the hook, rang frantically for headquarters, and yelled out across the wire that a crazy nigger had killed Sam Willis and a negro man, and to send help.

At this moment Dick, coatless and without a hat, holding his rifle crosswise in his hands, stepped out across the porch into the street, aimed swiftly through the dirty window of the dingy little store and shot John Grady as he stood there at the phone. Grady fell dead with a bullet that entered just below his left temple and went out on the other side.

Dick, now moving in a long, unhurried stride that covered the ground with catlike speed, turned up the snow-covered slope of Valley Street and began his march towards town. He moved right up the center of the street, shooting cleanly from left to right as he went. Halfway up the hill, the second-story window of a negro tenement flew open. An old negro man, the janitor of an office building in the Square, stuck out his ancient head of cotton wool. Dick swiveled and shot casually from his hip. The shot tore the top of the old negro’s head off.

By the time Dick reached the head of Valley Street, they knew he was coming. He moved steadily along, leaving his big tread cleanly in the middle of the sheeted street, shifting a little as he walked, swinging his gun crosswise before him. This was the negro Broadway of the town, the center of the night life of the negro settlement. But where those pool rooms, barber shops, drug stores, and fried-fish places had been loud with dusky life ten minutes before, they were now silent as
the ruins of Egypt. The word was flaming through the town that a crazy nigger was on the way. No one showed his head.

Dick moved on steadily, always in the middle of the street, reached the end of Valley Street and turned into South Main—turned right, uphill, in the middle of the car tracks, and started towards the Square. As he passed the lunchroom on the left he took a swift shot through the window at the counter man. The fellow ducked behind the counter. The bullet crashed into the wall above his head.

Meanwhile, the news that Dick was coming was crackling through the town. At the City Club on Sondley Street, three blocks away, a group of the town’s leading gamblers and sporting men was intent in a haze of smoke above a green baize table and some stacks of poker chips. The phone rang. The call was for Wilson Redmond, the police court magistrate.

Wilson listened for a moment, then hung the phone up casually. “Come on, Jim,” he said in casual tones to a crony, Jim McIntyre, “there’s a crazy nigger loose. He’s shooting up the town. Let’s go get him.” And with the same nonchalance he thrust his arms into the overcoat which the white-jacketed negro held for him, put on his tall silk hat, took up his cane, pulled out his gloves, and started to depart. Wilson, like his comrade, had been drinking.

As if they were going to a wedding party, the two men went out into the deserted, snow-white streets, turned at the corner by the post office, and started up the street towards the Square. As they reached the Square and turned into it they heard Dick’s shot into the lunchroom and the crash of glass.

“There he is, Jim!” said Wilson Redmond happily. “Now I’ll have some fun. Let’s go get him.” The two gentlemen moved rapidly across the Square and into South Main Street.

Dick kept coming on, steadily, at his tireless, easy stride, straight up the middle of the street. Wilson Redmond started down the street to get him. He lifted hisgold-headed cane and waved it at Dick Prosser.

“You’re under arrest!” Wilson Redmond said.

Dick shot again, and also from the hip, but something faltered this time by the fraction of an inch. They always thought it was Wilson Redmond’s tall silk hat that fooled him. The bullet drilled a hole right through the top of Judge Redmond’s tall silk hat, and it went flying away. Wilson Redmond faded into the doorway of a building and fervently wished that his too, too solid flesh would melt.

Jim McIntyre was not so lucky. He started for the doorway but Wilson got there first. Dick shot cleanly from the hip again and blew Jim’s side in with a fast shot. Poor Jim fell sprawling to the ground, to rise and walk again, it’s true, but ever thereafter with a cane. Meanwhile, on the other side of the Square, at police headquarters, the sergeant had sent John Chapman out to head Dick off. Mr. Chapman was perhaps the best-liked man on the force. He was a pleasant, florid-faced man of forty-five, with curling brown mustaches, congenial and good-humored, devoted to his family, courageous, but perhaps too kindly and too gentle for a good policeman.

John Chapman heard the shots and ran forward. He came up to the corner by Joyner’s hardware store just as Dick’s shot sent poor Jim McIntyre sprawling to the ground. Mr. Chapman took up his position there at the corner behind the telephone pole. From this vantage point he took out his revolver and shot directly at Dick Prosser as he came up the street.

By this time Dick was not over thirty yards away. He dropped quietly upon one knee and aimed. Mr. Chapman shot again and missed. Dick fired. The high-velocity bullet bored through the post a little to one side. It grazed the shoulder of John Chapman’s uniform and knocked a chip out of the monument sixty yards or more behind him in the center of the Square.

Mr. Chapman fired again and missed. And Dick, still coolly poised upon his knee, as calm and steady as if he were engaging in a rifle practice, fired again, drilled squarely through the center of the pole, and shot John Chapman through the heart. Mr. Chapman dropped dead.
Then Dick rose, pivoted like a soldier in his tracks, and started back down the street, right down the center of the car tracks, straight as a string, right out of town.

T
HIS WAS THE
story as they got it, pieced together like a train of fire among the excited groups of men that clustered there in trampled snow before the shattered glass of Joyner’s store.

And the rifle? Where did he get it? From whom had he purchased it? The answer to this, too, was not long in coming.

Mark Joyner denied instantly that the weapon had come from his store. At this moment there was a flurry in the crowd and Uncle Morris Teitlebaum, the pawnbroker, appeared, gesticulating volubly, clinging to a policeman. Bald-headed, squat, with the face of an old monkey, he protested shrilly, using his hands eloquently, and displaying craggy nuggins of gold teeth as he spoke.

“Vell,” he said, “vhat could I do? His moaney vas good!” he said plaintively, lifting his hands and looking around with an expression of finality. “He comes with his moaney, he pays it down like every-bodies—I should say no?” he cried, with such an accent of aggrieved innocence that, in spite of the occasion, a few people smiled.