The Winter Ghosts (3 page)

His name dropped into the silent air. Then I felt my ribs tighten a notch, cracking like the tired winding mechanism on our old grandfather clock, and my arm fell back to my side in despair.

There was nobody there. There never would be.

I pushed my hands deep into the pockets of my overcoat as the bell in the
cloche-mur
struck four, the notes echoing away into nothing in the damp air. In those days, the truth was that though I feared to see him, I grieved when he did not come. And when he did, I felt a rush of joy, elation, and for a moment was able to believe he was still alive. That it had all been a stupid mistake.

Then I would remember and my haggard heart would fold in upon itself once more.

‘George,’ I whispered, knowing there would be no answer.

I slumped down on the ledge of the memorial. As I leaned against the stone for support, I was conscious of the names of the dead pressing against my back as if they were engraving themselves on my skin.

The familiar image of a photograph slipped into my mind. Once it had sat on the sideboard at home in a tortoiseshell frame. Now I carried it loose in the bottom of my suitcase. Taken in September 1914, it was fixed in the sepia tones of the past. Mother sat in the centre of the photograph, beautiful and remote in her high-necked blouse and brooch. Standing behind her, Father on one side and George on the other, proud in his uniform. The garter badge and Roussillon plume gleamed on his cap. Captain George Watson, Royal Sussex Regiment, 39th Division.

I am sitting a little apart from the tableau, an awkward adolescent of thirteen. My hair is lying not quite flat. At the moment the shutter clicked, something made me turn away from the camera and towards George. Over the years I have examined and re-examined the photograph, trying to read the expression in my eyes. Is it his reassurance I am seeking, his admiration? Or is it rather a child’s impotent anger at being made to collude in such a charade? I don’t know. However many times I stare at that dusty, captured moment and try to remember what was going through my mind, I can’t.

Two days later, George was sent to join the 13th Battalion in France. I do recall how proud Father was, how boastful Mother, and how full of dread was I. Crippling, overpowering dread. Even then, I knew that road would not lead to glory.

How long did I sit there on that cold winter seat in Tarascon, the chill seeping through the heavy fabric of my coat and tweeds? Time stretches and shrinks, does not stay fixed when we most need it to. I thought of my parents, distant and uninterested. Of George, of all those who had died, becoming less defined as the years went by. The simple truth was that I was burdened by my life and the fact of George’s death.

With hindsight, I see that all these emotions assaulted me simultaneously. Delusion and hope and longing, all tumbling one after the other like a falling line of dominoes. It was, after all, a path well-worn. A decade of mourning leaves its footprints on the heart.

Finally, I pulled myself together and moved on, grateful for the darkness. I stopped a while at the church and attempted to decipher the handwritten notice set outside on the wall, forcing myself to concentrate on the words. It appeared that the name - La Daurade - was derived from ‘
daurado
’ in the local language, which meant ‘golden one’ or ‘gilded one’, and referred to a statue of the Virgin that had once been housed within the church. I tried to ignite a spark of interest, if nothing else out of respect for my previous, short-lived employment in a firm of ecclesiastical architects. But in truth, I felt nothing. And my thoughts insisted on spiralling back to the dead sleeping in the cold earth. Shattered bones and mud and blood. The headstones and the graves, the wild and untended places between.

I shook my head. I didn’t want to be haunted by images of George’s final hours, of barbed wire, limbs tangled and trapped and torn. I did not want to hear the crump of the guns or the screams of men and horses brought down in a hail of bullets or a cloud of gas or the sudden wrenching away of the ground beneath their feet.

The trouble was that I knew both too much and too little. After ten years of trying to find out what had happened to George in 1916, I had armed myself only with possibilities of what might have been. Rather than helping me to accept and to move on, that ugly, violent knowledge had been the undoing of me.

Again, I tried to think about other things. I looked up at the beauty of the church, the pleasing symmetry and gentle detail of stone, and I wished, as I had so often before, that these fragments of history had the power to move me as once they had. My fingers, stiff in my leather gloves, slipped to the Penguin score of Bach’s Brandenburg Concerto No. 3 in the pocket of my coat. An investment of two shillings and sixpence, this, too, an attempt to remind me of what I had once valued so highly. But music, like everything else, had lost its charm. I was no longer moved by Vaughan Williams’s soaring cadenzas or Elgar’s falling sevenths, any more than I was by the sight of white apple blossom in March, or the vivid yellow of broom in the hedgerows in April, or a haze of bluebells in a wood in May. Nothing touched me. Everything had ceased to matter on the day the telegram arrived: MISSING IN ACTION. PRESUMED DEAD.

I continued my solitary circuit, walking through the place des Consuls, careless of the cold that made my ears ache. There was the occasional rattle of a plate or a cup from behind shuttered windows, the intermittent burst of conversation or the crackle of a wireless. But mostly I was alone, with only the sound of my boots on the cobbled stones for company.

I followed the winding steps through the old quarter and climbed up to the foot of the Tour du Castella, the thin tower I’d noticed when I drove into Tarascon. From this vantage point, I could see the timeless peaks of the Pyrenees surrounding the town like a ring of stone. On the horizon was the summit of the Roc de Sédour, the snow on its peak a ghostly white against the black sky. To the south, the river gorge of the Vicdessos.

In the
quartier
Saint-Roch, the lights from the Chateau Piquemal sparkled like the illuminations on the pier at Bognor Regis. The avenue de Sabart was lined with allotments and
cabanes
for the market gardeners, jostling for position with the houses that had sprung up like weeds in the
quartier
de la Gare. And in the mouth of the southern tip of the valley, the new factory buildings sat long and flat and squat, modern gatekeepers to the older rhythms of the mountains, reminding me of the greenhouses in the walled garden at my childhood home.

Clouds of white smoke belched from the chimneys, shot through with eerie blue or green or yellow tints from the metals they consumed. Aluminium, cobalt, copper. And in the air the smell of burning, the scent of industry. Of time marching on.

It was not possible to get inside the Tour du Castella. A small door was nailed shut, and halfway up was a blind window with a black grille across it. The weeds grew wild around the base. The grey stone was covered with moss and lichen.

Its position was vertiginous enough, though. The ground surrounding it dropped sharply away. There was no barrier or handrail, nothing to stop the intrepid traveller who had climbed this far from slipping or stepping out.

As I looked down, I felt suddenly dizzy, from the cold, the narrowness of the ledge around the foot of the tower. The vast sense of space and dusk. For an instant, I thought of how easy it would be to finish things now. To close my eyes and step out into the gentle sky. Feel nothing but air as I fell down, down into the foaming waters of the Ariège below. I thought of the revolver in my portmanteau, hidden beneath my Fair Isle slipover, a match to George’s old service Webley that I’d not been able to bring myself to use.

I had acquired the weapon in a rare moment of purpose six years ago, just before the mental collapse that had seen me confined for some months to a sanatorium. Hurrying down a Dickensian alley in the East End of London that was black with soot, the air rank with resignation, I’d made my way to an address slipped to me by one of George’s fellow officers. Simpson was a ruin of a man, drinking himself to death to escape the shame of being the only one to have made it back. So he understood, better than most, the importance of a quick and easy solution to things should the burden of living become too much. I bought that particular revolver knowing George had owned one, and, for a while, the possession of it had given me courage. But I’d funked it. I had never fired the gun. Never even loaded it.

At that instant, standing at the foot of the tower on the top of the precipitous hill in Tarascon, I felt a rush of blood to the head at the thought that perhaps the moment finally had come. Elation at the possibility of decisive action. Of joining George. But only for an instant. Then, as at every other time, the impulse slunk away with its tail between its legs. I stepped back from the ledge. Felt the safety of the stone at my back, my hands flat against the brick.

A few minutes passed until my head stopped spinning. Then I turned and descended the wide, shallow steps that led down from the mound to the streets below. Was it courage or cowardice that stopped me? Still I cannot say. Even now, I find it hard to tell those impostors one from the other.

Later, after a modest dinner in the restaurant opposite the hotel, unwilling to be alone with my thoughts, I sought out a bar in the Faubourg Sainte-Quitterie where men were prepared to accept without question a stranger into their company.

Their rough voices spoke with pride of the future of Tarascon. And as I raised a glass to the prosperity of the town, I did understand this need to move forward, to forget. How, with drums and penny whistles, the world marched on. Such swaggering industry boasted to travellers and citizens alike that there was a future there for the taking, not just tawdry memories. That the ruined landscapes of Flanders should be allowed to fade from memory. Honour the dead, yes. Remember, yes, but fare forward. Look to tomorrow. Jazz and girls with bobbed hair and those chic, false new buildings in Piccadilly. Pretend that it had all been worth it.

As the evening staggered on in a haze of red wine and strong tobacco, I have a recollection that I tried to tell my drinking companions how, in ten years, I had not learned to forget. How electric signs and teeming carriageways could not drown out the voices of those who had been lost. How the beloved dead were always there, glimpsed out of the corner of the eye. At one’s side.

But my schoolboy French meant they were spared my philosophising and besides, for all its rituals, grief is a solitary business. So the evening ended with the shaking of hands, the slap on the back. Companionship, certainly, but precious little communication.

When finally I found my bed, I was restless and wakeful. The tolling of the single bell marked the passing hours of the night. Not until the pale dawn crept through the wooden slats of the shutters did I, at last, fall into a deep and heavy sleep.

I tell you about that evening in such detail, Saurat, not because I cared so very much about this particular town. It could have been any one of a hundred places in that corner of southern France. But it is important to recount every ordinary minute so you understand that nothing about that night in Tarascon could be seen as the harbinger of what was to come. I staggered between remembrance and maudlin self-pity, which was how it was in those days. On other nights, things had been worse, and they had been better. I occupied an emotional no-man’s-land, neither moving forward, nor moving back.

But although I did not yet know it, the watcher in the hills had me in her sights. She was already there. Waiting, for me.