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Authors: Susan Hill

The Woman In Black

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SUSAN HILL
The Woman in
Black
This eBook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be
a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly.
Version 1.0
Epub 9781446485279
www.randomhouse.co.uk
Published by Vintage 2011
2 4 6 8 10 9 7 5 3 1
Copyright © Susan Hill 1983
Susan Hill has asserted her right under the Copyright, Designs and Patents Act 1988 to be identified as the author of this work
This book is sold subject
to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition, including this condition, being imposed on the subsequent purchaser
First published in Great Britain in 1983 by Hamish Hamilton
Vintage
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A CIP catalogue record for this book is available from the British Library
ISBN 9780099563044
For Pat and Charles Gardner
THE HISTORY OF VINTAGE

In 2011 Vintage celebrates its 21st birthday. Vintage was created in 1990 to publish paperback editions of the fiction and non-fiction books by the literary imprints, Jonathan Cape, The Bodley Head, Chatto & Windus and Harvill Secker. In 2007 the list expanded to include Vintage Classics. This means that the greatest works from the past are published alongside the best writers
of today. We publish 11 Booker Prize winners, 20 Nobel Prize Laureates, 11 Pulitzer Prize winners and one Orange Prize winner.

Love to read · Love Vintage.
THE VINTAGE 21ST BIRTHDAY RAINBOW
Oranges Are Not The Only Fruit
by Jeanette Winterson
Trainspotting
by Irvine Welsh
Memoirs of a Geisha
by Arthur Golden
The Handmaid’s Tale
by Margaret Atwood
The Time Traveler’s Wife
by Audrey Niffenegger
American Pastoral
by Philip Roth
The Gathering
by Anne Enright
Star of the Sea
by Joseph O’Connor
Atonement
by Ian McEwan
The Road Home
by Rose Tremain
Money
by Martin Amis
Arthur & George
by Julian Barnes
A Week in December
by Sebastian Faulks
The Curious Incident of the Dog in the Night-Time
by Mark Haddon
Captain Corelli’s Mandolin
by Louis de Bernières
Midnight’s Children
by Salman Rushdie
Suite Française
by Irène Némirovsky
Possession
by A. S. Byatt
Disgrace
by J.M. Coetzee
The Woman in Black
by Susan Hill
The Wind-Up Bird Chronicle
by Haruki
Murakami

Susan Hill’s
novels and short stories have won the Whitbread, Somerset Maugham and John Llewellyn Rhys Prizes, and many of them are set texts for GCSE and A levels.
The Woman in Black
was adapted for the stage and has been running in London for twenty-four years. Susan Hill lives in Gloucestershire with her husband, the Shakespeare scholar, Stanley Wells.

Susan Hill’s website is
www.susan-hill.com

C
HRISTMAS
E
VE

I
T WAS
nine-thirty on Christmas Eve. As I crossed the long entrance hall of Monk’s Piece on my way from the dining room, where we had just enjoyed the first of the happy, festive meals, towards the drawing room and the fire around which my family were now assembled, I paused and then, as I often do in the course of an evening, went to the front door, opened it and stepped outside.

I have always liked to take a breath of the evening, to smell the air, whether it is sweetly scented and balmy with the flowers of midsummer, pungent with the bonfires and leaf-mould of autumn, or crackling cold from frost and snow. I like to look about me at the sky above my head, whether there are moon and stars or utter blackness, and into the darkness ahead of me; I like to listen for the
cries of nocturnal
creatures and the moaning rise and fall of the wind, or the pattering of rain in the orchard trees, I enjoy the rush of air towards me up the hill from the flat pastures of the river valley.

Tonight, I smelled at once, and with a lightening heart, that there had been a change in the weather. All the previous week, we had had rain, chilling rain and a mist that lay low about
the house and over the countryside. From the windows, the view stretched no farther than a yard or two down the garden. It was wretched weather, never seeming to come fully light, and raw, too. There had been no pleasure in walking, the visibility was too poor for any shooting and the dogs were permanently morose and muddy. Inside the house, the lamps were lit throughout the day and the walls of
larder, outhouse and cellar oozed damp and smelled sour, the fires sputtered and smoked, burning dismally low.

My spirits have for many years now been excessively affected by the ways of the weather, and I confess that, had it not been for the air of cheerfulness and bustle that prevailed in the rest of the house, I should have been quite cast down in gloom and lethargy, unable to enjoy the flavour
of life as I should like and irritated by my own susceptibility. But Esmé is merely stung by inclement weather into a spirited defiance, and so the preparations for our Christmas holiday had
this year been more than usually extensive and vigorous.

I took a step or two out from under the shadow of the house so that I could see around me in the moonlight. Monk’s Piece stands at the summit of land
that rises gently up for some four hundred feet from where the little River Nee traces its winding way in a north to south direction across this fertile, and sheltered, part of the country. Below us are pastures, interspersed with small clumps of mixed, broadleaf woodland. But at our backs for several square miles it is a quite different area of rough scrub and heathland, a patch of wildness in
the midst of well-farmed country. We are but two miles from a good-sized village, seven from the principal market town, yet there is an air of remoteness and isolation which makes us feel ourselves to be much further from civilization.

I first saw Monk’s Piece one afternoon in high summer, when out driving in the trap with Mr Bentley. Mr Bentley was formerly my employer, but I had lately risen
to become a full partner in the firm of lawyers to which I had been articled as a young man (and with whom, indeed, I remained for my entire working life). He was at this time nearing the age when he had begun to feel inclined to let slip the reins of responsibility, little by little, from his own hands into mine, though he continued to travel up to our chambers in London
at least once a week,
until he died in his eighty-second year. But he was becoming more and more of a country-dweller. He was no man for shooting and fishing but, instead, he had immersed himself in the roles of country magistrate and churchwarden, governor of this, that and the other county and parish board, body and committee. I had been both relieved and pleased when finally he took me into full partnership with himself,
after so many years, while at the same time believing the position to be no more than my due, for I had done my fair share of the donkey work and borne a good deal of the burden of responsibility for directing the fortunes of the firm with, I felt, inadequate reward – at least in terms of position.

So it came about that I was sitting beside Mr Bentley on a Sunday afternoon, enjoying the view
over the high hawthorn hedgerows across the green, drowsy countryside, as he let his pony take the road back, at a gentle pace, to his somewhat ugly and over-imposing manor house. It was rare for me to sit back and do nothing. In London I lived for my work, apart from some spare time spent in the study and collecting of watercolours. I was then thirty-five and I had been a widower for the past twelve
years. I had no taste at all for social life and, although in good general health, was prone to occasional nervous illnesses and conditions, as a result of the experiences I will come to
relate. Truth to tell, I was growing old well before my time, a sombre, pale-complexioned man with a strained expression – a dull dog.

I remarked to Mr Bentley on the calm and sweetness of the day, and after
a sideways glance in my direction he said, ‘You should think of getting yourself something in this direction – why not? Pretty little cottage – down there, perhaps?’ And he pointed with his whip to where a tiny hamlet was tucked snugly into a bend of the river below, white walls basking in the afternoon sunshine. ‘Bring yourself out of town some of these Friday afternoons, take to walking, fill yourself
up with fresh air and good eggs and cream.’

The idea had a charm, but only a distant one, seemingly unrelated to myself, and so I merely smiled and breathed in the warm scents of the grasses and the field flowers and watched the dust kicked up off the lane by the pony’s hooves and thought no more about it. Until, that is, we reached a stretch of road leading past a long, perfectly proportioned
stone house, set on a rise above a sweeping view down over the whole river valley and then for miles away to the violet-blue line of hills in the distance.

At that moment, I was seized by something I cannot precisely describe, an emotion, a desire – no, it was rather more, a knowledge, a simple
certainty
, which gripped me, and all so clear and striking that I cried
out involuntarily for Mr Bentley
to stop, and, almost before he had time to do so, climbed out of the pony trap into the lane and stood on a grassy knoll, gazing first up at the house, so handsome, so utterly right for the position it occupied, a modest house and yet sure of itself, and then looking across at the country beyond. I had no sense of having been here before, but an absolute conviction that I would come here again,
that the house was already mine, bound to me invisibly.

To one side of it, a stream ran between the banks towards the meadow beyond, whence it made its meandering way down to the river.

Mr Bentley was now looking at me curiously, from the trap. ‘A fine place,’ he called.

I nodded, but, quite unable to impart to him any of my extreme emotions, turned my back upon him and walked a few yards up
the slope from where I could see the entrance to the old, overgrown orchard that lay behind the house and petered out in long grass and tangled thicket at the far end. Beyond that, I glimpsed the perimeter of some rough-looking, open land. The feeling of conviction I have described was still upon me, and I remember that I was alarmed by it, for I had never been an imaginative or fanciful man and
certainly not one given to visions of the future. Indeed, since those earlier experiences I had deliberately
avoided all contemplation of any remotely nonmaterial matters, and clung to the prosaic, the visible and tangible.

Nevertheless, I was quite unable to escape the belief – nay, I must call it more, the certain knowledge – that this house was one day to be my own home, that sooner or later,
though I had no idea when, I would become the owner of it. When finally I accepted and admitted this to myself, I felt on that instant a profound sense of peace and contentment settle upon me such as I had not known for very many years, and it was with a light heart that I returned to the pony trap, where Mr Bentley was awaiting me more than a little curiously.

The overwhelming feeling I had
experienced at Monk’s Piece remained with me, albeit not in the forefront of my mind, when I left the country that afternoon to return to London. I had told Mr Bentley that if ever he were to hear that the house was for sale, I should be eager to know of it.

Some years later, he did so. I contacted the agents that same day and hours later, without so much as returning to see it again, I had offered
for it, and my offer was accepted. A few months prior to this, I had met Esmé Ainley. Our affection for one another had been increasing steadily, but, cursed as I still was by my indecisive nature in all personal and emotional
matters, I had remained silent as to my intentions for the future. I had enough sense to take the news about Monk’s Piece as a good omen, however, and a week after I had
formally become the owner of the house, travelled into the country with Esmé and proposed marriage to her among the trees of the old orchard. This offer, too, was accepted and very shortly afterwards we were married and moved at once to Monk’s Piece. On that day, I truly believed that I had at last come out from under the long shadow cast by the events of the past and saw from his face and felt from
the warmth of his handclasp that Mr Bentley believed it too, and that a burden had been lifted from his own shoulders. He had always blamed himself, at least in part, for what had happened to me – it had, after all, been he who had sent me on that first journey up to Crythin Gifford, and Eel Marsh House, and to the funeral of Mrs Drablow.

But all of that could not have been further from my conscious
thought at least, as I stood taking in the night air at the door of my house, on that Christmas Eve. For some fourteen years now Monk’s Piece had been the happiest of homes – Esmé’s and mine, and that of her four children by her first marriage, to Captain Ainley. In the early days I had come here only at weekends and holidays but London life and business began to irk me from the day I bought
the place and I was glad indeed to retire permanently into the country at the earliest opportunity.

And, now, it was to this happy home that my family had once again repaired for Christmas. In a moment, I should open the front door and hear the sound of their voices from the drawing room – unless I was abruptly summoned by my wife, fussing about my catching a chill. Certainly, it was very cold
and clear at last. The sky was pricked over with stars and the full moon rimmed with a halo of frost. The dampness and fogs of the past week had stolen away like thieves into the night, the paths and the stone walls of the house gleamed palely and my breath smoked on the air.

Upstairs, in the attic bedrooms, Isobel’s three young sons – Esmé’s grandsons – slept, with stockings tied to their bedposts.
There would be no snow for them on the morrow, but Christmas Day would at least wear a bright and cheerful countenance.

There was something in the air that night, something, I suppose, remembered from my own childhood, together with an infection caught from the little boys, that excited me, old as I was. That my peace of mind was about to be disturbed, and memories awakened that I had thought
forever dead, I had, naturally, no idea. That I should ever again renew my close acquaintance, if only in the course of vivid recollections and
dreams, with mortal dread and terror of spirit, would have seemed at that moment impossible.

I took one last look at the frosty darkness, sighed contentedly, called to the dogs, and went in, anticipating nothing more than a pipe and a glass of good malt
whisky beside the crackling fire, in the happy company of my family. As I crossed the hall and entered the drawing room, I felt an uprush of well-being, of the kind I have experienced regularly during my life at Monk’s Piece, a sensation that leads on naturally to another, of heartfelt thankfulness. And indeed I did give thanks, at the sight of my family ensconced around the huge fire which Oliver
was at that moment building to a perilous height and a fierce blaze with the addition of a further great branch of applewood from an old tree we had felled in the orchard the previous autumn. Oliver is the eldest of Esmé’s sons, and bore then, as now, a close resemblance both to his sister Isobel (seated beside her husband, the bearded Aubrey Pearce) and to the brother next in age, Will. All three
of them have good, plain, open English faces, inclined to roundness and with hair and eyebrows and lashes of a light chestnut brown – the colour of their mother’s hair before it became threaded with grey.

At that time, Isobel was only twenty-four years old but already the mother of three young sons, and set fair to produce more. She had the plump, settled air
of a matron and an inclination to
mother and oversee her husband and brothers as well as her own children. She had been the most sensible, responsible of daughters, she was affectionate and charming, and she seemed to have found, in the calm and level-headed Aubrey Pearce, an ideal partner. Yet at times I caught Esmé looking at her wistfully, and she had more than once voiced, though gently and to me alone, a longing for Isobel to
be a little less staid, a little more spirited, even frivolous.

In all honestly, I could not have wished it so. I would not have wished for anything to ruffle the surface of that calm, untroubled sea.

Oliver Ainley, at that time nineteen, and his brother Will, only fourteen months younger, were similarly serious, sober young men at heart, but for the time being they still enjoyed all the exuberance
of young puppies, and indeed it seemed to me that Oliver showed rather too few signs of maturity for a young man in his first year at Cambridge and destined, if my advice prevailed with him, for a career at the Bar. Will lay on his stomach before the fire, his face aglow, chin propped upon his hands. Oliver sat nearby, and from time to time a scuffle of their long legs would break out, a kicking
and shoving, accompanied by a sudden guffawing, for all the world as if they were ten years old all over again.

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