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Authors: Morgan Llywelyn

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I
’m awfully sorry I got Roger into this, and awfully thankful Marcella isn’t here. With every passing hour I grow more certain that we’re all going to die. Yet Roger seems almost casual about it. The boy who
complained
about everything isn’t complaining about
anything
. In a few short hours his face has changed into that of a man.

I wonder what my own face looks like.

The tunnelling was successful enough, but when the Volunteers broke through into Hanlon’s they
discovered
British artillery just outside in Parnell Street, and
there are machine gun nests everywhere.

We are trapped.

The widow offers to prepare breakfast for us, but no one – even Roger – feels like eating. James Connolly is conscious again but all he wants is water. He cannot get enough.

Mr Pearse spends a lot of his time looking out an upstairs window. The curtains hide him from the street, but they do not hide the street from him. Suddenly he gives a soft cry and buries his face in his hands.

When he looks up again, he says, in the saddest voice, ‘I just saw them shoot down three civilians. A man, a woman, and a young girl were running up Moore Street carrying a white flag.

‘And the British shot them.’

He sounds as if his heart is breaking.

Perhaps it is.

After several minutes he has a low-voiced
conversation
with the other leaders. There seems to be some sort of an argument, but Mr Pearse is adamant and at last they agree.

Mr Pearse announces, ‘It has been decided. As Commander-in-Chief, I am going to surrender myself and submit to whatever punishment British justice demands – on the condition that the rest of you are granted amnesty and no more citizens are hurt.’

‘No!’ I cry out.

He merely shakes his head. ‘Yes. They will destroy our city and everyone in it, and it must stop.’

‘But they’ll shoot you on sight,’ someone else says.

Again Mr Pearse shakes his head. ‘We must trust our opponents to act honourably, as we would if the
situation
were reversed.’ He turns to one of the nurses who has come with us, Elisabeth Farrell. ‘Miss Farrell, will you be so kind as to take my offer to the commander of the British forces? We will provide you with a white flag and…’

I do not hear the rest. In my head I am listening to earlier words. Hope for the best and dare the worst.

It is over. The surrender has been accepted, but the British insist it must be unconditional, or hostilities will resume within the hour. General Maxwell promises to show no mercy. I don’t believe much the British say, but I believe that.

An automobile has taken Padraic Pearse to British headquarters to make the final arrangements. Then he will write out orders for the Volunteers to surrender. Unflinching and resolute, he went out holding his head high with pride. Not pride in himself, but pride in all the men and women who have stood with him.

James Connolly, fighting back his pain, is writing out a surrender order for the Citizen Army because they
would not obey anyone else.

When all is concluded we march out of Moore Street and surrender our arms, including the pistol I never got to fire. I wish now that I had.

The Volunteers are marched away to spend the night on the grounds of the Rotunda. Tomorrow they will march on to prison to await their fate. The Fianna boys will not be sent to prison, though.

We are too young. Or so the British say.

But I know I shall never be young again. And for the rest of my life, part of me will still be in the General Post Office with Padraic Pearse and James Connolly and the bravest men ever born in Ireland.

 

W
ithin a few short days, the seven signatories of the Proclamation were dead. Pearse and Clarke and MacDonagh, Plunkett and MacDermott and Connolly and Ceannt. And gentle Willie Pearse, who did not even sign the Proclamation. His only crime was loving his brother and wanting to be with him.

The British lined them up, a few each day, against a high stone wall in Kilmainham Jail. Then a rifle party shot them down.

Mr Pearse, Mr MacDonagh, and Mr Clarke were shot at dawn on the third of May. I don't dare let myself imagine that hurried, secret execution. The sun rose red with blood.

One of the witnesses to the executions said that all the men died well, but Thomas MacDonagh died like a prince. He would have liked that, I think. But oh, Mr Pearse!
Ardmháistir
! What did we lose when they shot you?

The following morning the cruel rifles cut down Willie Pearse and Joe Plunkett, who had been married to his sweetheart only the night before in the prison chapel.

The executions continued in spite of the fact that news of them was leaking out. Protests began
mounting
both in England and abroad. But no mercy was shown. Padraic Pearse had been named the first
president
of the newly-declared Irish Republic. By shooting him the British had assassinated a head of state. That didn't seem to bother them.

When America declared her independence they would have executed George Washington if they could have got their hands on him.

Relentlessly, the rest of the signatories and several captured military leaders, such as my friend Con
Colbert
, were killed. Seán MacDermott and James
Connolly
were the last to die.

Mr MacDermott defied them to the end; they say he made a brilliant speech at his court martial. Mr
Connolly
was shot while tied to a chair because he was too
severely wounded to stand.

The Dublin newspapers condemned the leaders of the Rising as madmen. That's understandable, the
British
control those newspapers. Many Dubliners were furious about the Rising because it interrupted business and so many buildings had been destroyed. The wives of Irish men who were serving in the British army called the leaders of the Rising traitors. That's
understandable
too; those women were collecting their
husband's
army pay every week.

But after a few days, Dubliners began to
acknowledge
that it was British artillery which had destroyed their city, and not the rebels.

Those who actually had known Mr Pearse and Mr Connolly and the others began reminding people that the leaders of the Rising had been poets and teachers and trade unionists. They were without exception decent, high-principled men. Extraordinary men who had been willing to give their lives so that Ireland could be free.

Public opinion began to turn around.

Mrs Pearse closed St Enda's. Two black mourning wreaths were hung on the front gates. We boys had to ride out the storm at home. In my case, that meant Aunt Nell's house in Kildare because I refused to go back to my father. I shall never go back to him. I
declare my independence, too.

Within weeks of the Rising, Ireland was a different place. A surprising number of people began saying they had been close personal friends of the leaders. And it was strange how many claimed to have fought in the GPO during Easter Week, 1916. If only a quarter of them had really been there, we would have defeated the enemy on the first day.

Now freedom –
saoirse
, in Irish – is on everyone's lips. The air sparkles with it. Men and women have a new spring in their step; they don't walk with their heads down any more. We're not willing to go back to being second class citizens in our native land. If we have to, we'll go to war to finish what was started on Easter Monday.

When Mr Pearse and Mr Connolly were murdered something bigger than them was born.

No men ever undertook a more desperate gamble. The odds against them were terrible, but they believed that the effort was more important than the outcome. It's up to us to prove their sacrifice was worth it. I mean to do my best.

The volleys of rifle fire at Kilmainham have slain our heroes but not their dream. They have given Ireland back her soul.

T
he boys and girls named in this novel are
fictional
, but are based on real young people who actually participated in the events described. The events themselves are part of Irish history. That includes the exploits of the smaller St Enda's boys who recklessly ignored Pearse's orders and sneaked into Dublin to take part in the Rising. Fortunately they all survived.

The adults in this book, with the exception of John Joe's family, Roger's family and Mr Preston in the Metropole Hotel, are part of Irish history too. The names of Pearse and Connolly and Markievicz and the others became famous throughout Ireland.

Following the Rising, British soldiers occupied the Hermitage. They searched the house from top to bottom for weapons; they even dug up the gardens, but found nothing.

Although the heartbroken Pearse family was in
mourning, in the autumn of 1916 Mrs Pearse re-opened St Enda's as a tribute to her sons. Thomas MacDonagh's brother Joseph served as Headmaster for a time. He was succeeded by Francis Burke, a former student. But without Padraic Pearse the school never regained its original excellence. His unique vision had been the heart and soul of St Enda's, which finally closed its doors for good in 1935.

After Ireland fought and won its War of
Independence
in 1921, both Mrs Pearse and her daughter
Margaret
served as senators in the Seanad. Upon their deaths St Enda's was bequeathed to the people of Ireland.

The writings of P. H. Pearse are still studied and admired by progressive educationalists around the world, though some of them are unaware of his
connection
with Ireland's struggle for freedom.

If you would like to know more about Padraic Pearse and the school he founded, I suggest you read:

Scéal Scoil Éanna, The Story of an Educational Adventure,
published by the National Parks and
Monument
Service

The Man Called Pearse,
by Desmond Ryan,
published
by Maunsel and Co. Ltd.

Pádraic Pearse
, by Hedley McCay, published by Mercier Press

‘St Enda's and Its Founder', from
The Complete Works
of P. H. Pearse,
published by Phoenix Publishing Company

A Significant Irish Educationalist,
Séamas Ó Buachalla, editor, published by Mercier Press.

Best of all, visit Scoil Éanna itself, now the Pearse Museum in Rathfarnham, County Dublin. The
Hermitage
has changed very little since the Pearse brothers left it for the last time on Easter Monday, 1916.

Spend a little time sitting behind the desk in Padraic Pearse's office, or in the study hall with the stage on which his students produced the plays he wrote. Upstairs are the dormitories where boys like John Joe and Roger slept. If you listen carefully you may catch the echo of boyish voices.

Wander through the well-tended grounds and the woods beyond and try to imagine what a paradise this was for Irish boys who had never known such a school before. Experience the sense of peace, and of hope, that still linger at Scoil Éanna.

Growing up in Texas, Morgan had two obsessions – horses and Ireland, the land of her grandparents. Before becoming a writer she worked with horses and was shortlisted for the USA Olympic dressage team in 1975, missing the final selection by just half of a percentage point. Then she took up writing. Her second novel,
Lion of Ireland
, dealt with the life of Ireland’s greatest hero, Brian Boru. This book turned out to be a bestseller and was sold around the world in twenty-seven different countries.

Since then, Morgan has never looked back. She now lives in Ireland and her
historical
fiction titles continue to sell all over the globe. They include
Bard,
Grania, On Raven’s Wing
(titled
Red
Branch
in the USA) and
Druids
.

Morgan has won numerous prestigious awards, including: Best Novel of the Year (USA, National League of Penwomen); Best Novel for Young Readers (American Library Association): National Historical Society Award (USA).

 

Her first two books for young readers,
Brian Boru
and
Strongbow
, won Bisto Book of the Year Awards in 1991 and 1992. Her other books include
Pirate Queen
, the story of Granuaile, and
Star Dancer
.

This eBook edition first published 2012 by The O’Brien Press Ltd,
12 Terenure Road East, Rathgar, Dublin 6, Ireland
Tel: +353 1 4923333; Fax: +353 1 4922777
E-mail: [email protected]
Website: www.obrien.ie
First published 2006

eBook ISBN: 978

1

84717

387–4

Text © copyright Morgan Llywelyn 2006
Copyright for typesetting, design and editing
© The O’Brien Press Ltd

UNAUTHORISED COPYING IS ILLEGAL
All rights reserved. No part of this publication may be reproduced or utilised in any form or my any means, including electronic, digital, mechanical, visual or audio, or mounted on any network servers, without permission in writing from the publisher.
Carrying out any unauthorised act in relation to a copyright work may result in both a civil claim for damages and criminal prosecution. For permission to copy any part of this publication contact The O’Brien Press Ltd at [email protected].

British Library Cataloguing-in-Publication Data
Llywelyn, Morgan
The young rebels
1.Ireland - History - Easter Rising, 1916 - Juvenile fiction
2.Children’s stories
I.Title
823.9’14[J]

The O’Brien Press receives assistance from

Cover photographs: Courtesy of Kilmainham Gaol

BOOK: The Young Rebels
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ads

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