Tiny Beautiful Things (30 page)

Dear Constantly Hitting Refresh,

We aren’t supposed to get over our exes by tracking their every move on Facebook and Twitter, sweetie. Facebook and Twitter are heartbreak torture machines. Back in Sugar’s youth the goddamn telephone was torture enough. Here’s how it went:

Would it ring? It would not ring.

Should you call? You should not call.

But you always called. You couldn’t help but call because your heart was crushed and you thought maybe if you talked it out
one more time
the person who crushed your heart would change his/her mind and uncrush it.

So you’d sit for a while with the phone in your hand and it would feel like the phone was literally on fire with your pain
and longing, and finally you’d dial and it would ring and ring, until at last the answering machine picked up and there would be his/her voice—so cheerful! so flip! so excruciatingly out of reach!—and the beep would beep and you’d start speaking into the silence, sounding remotely like the cool, strong, reasonably detached person you used to be before the beloved owner of the answering machine crushed your heart, but within about four seconds your voice would go all high and shaky and desperate and you’d stammer something out about how you just wanted to call to say hi because you missed him/her so much and because, after all, you were still friends and because, well, you just
wanted to talk
even though there was really nothing more to say and you’d finally shut up and hang up and a millisecond later you’d burst into gasping sobs.

Then you’d sob and sob and sob so hard you couldn’t stand up until finally you’d go quiet and your head would weigh seven hundred pounds and you’d lift it from your hands and rise to walk into the bathroom to look at yourself solemnly in the mirror and you’d know for sure that you were dead. Living but dead. And all because this person didn’t love you anymore, or even if he/she loved you he/she didn’t want you and what kind of life was that? It was no life. There would be no life anymore. There would only be one unbearable minute after another and during each of those minutes this person you wanted would not want you and so you would begin to cry again and you’d watch yourself cry pathetically in the mirror until you couldn’t cry anymore, so you’d stop.

You’d wash your face and brush your hair and apply lip balm even though you now looked like a tropical blowfish and you’d float out to your car in the jeans that were suddenly two
sizes too big because your heart was so positively crushed that you hadn’t eaten in a week. (No worries—those same jeans will soon be two sizes too small, once you hit the binge phase of your broken heart.) You’d get in your car and begin to drive and as you drove you’d think
I have no idea where I’m even going!

But of course you’d know. You always knew. You’d drive past his/her house
just to see
.

And there he/she would be, visible through the front window; lit by the lamp you once switched off and on with a casual and familiar ease. You’d see him/her for only a fleeting moment, but that image would sear itself into your brain. He/she would be laughing a little, obviously in conversation with someone maddeningly out of view. And you’d want to stop, to investigate, to watch, but you couldn’t stop because what if he/she looked out and saw you?

So you’d drive home and sit in the dark near the phone.

You would not hit refresh. You would not read that the man/woman who crushed your heart is now “friends” with anyone who has an incredibly hot-sounding name (Monique/Jack). You would not view photographs of your ex standing disturbingly and drunkenly close to strange, good-looking men/women at parties or read veiled references to anything that might possibly be a blow job. There would be no exposure to declarations about what sort of fun was recently had or about to be had or agitating lamentations about the single life. There would be no LOLs or TMIs or ROTFLMFAOs or sassily winking symbols composed of a period and a semicolon from people named Jack or Monique.

There would be nothing. There would be only you in the
dark near the phone that won’t ever ring and the dawning realization that you have to move on.

In order to get over your ex, you have to move on, Constantly Hitting Refresh. And at least temporarily unfriending and unfollowing him/her will help you do so. Being friends with someone who once broke your heart is fine and dandy, but it’s almost always a good idea to take a breather between this and that. I strongly encourage you to resist the temptation to devour your ex’s every musing, darling. Shutting off that cyber feedbag will feel like hell those first few days, but I’m certain you’ll soon realize how much better you can breathe when you’re not constantly breathing in the fumes of your ex’s life without you.

Yours,
Sugar

Dear Sugar
,

I’m jealous. I’m jealous of people who succeed at what I do (write literary fiction). I’m jealous of them even if I love them or like them or respect them. Even when I pretend to be happy when my writer friends get good news, the truth is I feel like I swallowed a spoonful of battery acid. For days afterwards I go around feeling queasy and sad, thinking
, Why not me?

So why not, Sugar? I’m thirty-one. I’ve written a novel that I’m currently revising while searching for an agent (which is turning out to be more difficult than I imagined). I received a first-rate education, holding a BA from a prestigious college and an MFA from another prestigious college. Several people in my social and literary orbit have gotten the sort of six-figure book deals that I dream of getting. A couple of these people are jerks, so I don’t feel guilty for resenting their good fortune, but a few of them are good people whom I like and respect and, worst of all, one is a woman I count among my very best friends
.

It makes me sick that I don’t feel happy for them, especially when it comes to my close friend, but there it is. When I think of their successes, it only reminds me of what I don’t have. I want what they have, but it’s more than that: them having what I want pains me. When other writer friends are met with failure
(rejections from agents or publishing houses, for example), I admit I feel a tiny lift inside. The feeling is more relief than glee—you know that old saying about misery enjoying company? I don’t truly wish others bad. But neither do I honestly wish them well
.

I know this makes me a shallow, awful person. I know I should be grateful that I have a decent job that allows me time to write, good friends, wonderful parents who are supportive of me both emotionally and financially (they paid my tuition for the above-mentioned colleges and have helped me in countless other ways), and a generally great life. But I find it impossible to focus on these things when I hear the news that another friend or acquaintance or former grad school peer has sold a book for X amount of dollars
.

How do I deal with this, Sugar? Is jealousy simply part of a writer’s life? Are my feelings what everyone is feeling, even when they pretend otherwise? Is it possible to purge these negative feelings and feel other, positive things when I hear someone else’s fabulous news? Talk to me about jealousy, please. I don’t want it to rule my life, or at least if it’s going to rule my life I want to be reassured that it’s ruling everyone else’s life (secretly) too
.

Signed,
Awful Jealous Person

Dear Awful Jealous Person,

We are all savages inside. We all want to be the chosen, the beloved, the esteemed. There isn’t a person reading this who hasn’t at one point or another had that
why not me?
voice pop into the interior mix when something good has happened to someone else. But that doesn’t mean you should allow it to rule your life. It means you have work to do.

Before we get into it, I want to talk about what we’re talking about. We are not talking about books. We’re talking about book deals. You know they are not the same thing, right? One is the art you create by writing like a motherfucker for a long time. The other is the thing the marketplace decides to do with your creation. A writer gets a book deal when he or she has written a book that (a) an editor loves, and (b) a publisher believes readers will purchase. The number of copies a publisher believes people will purchase varies widely. It could be ten million or seven hundred and twelve. This number has pretty much nothing to do with the quality of the book, but rather is dictated by literary style, subject matter, and genre. This number has everything to do with the amount of your book deal, which is also related to the resources available to the publishing house that wants to publish your book. The big presses can give authors six-figure advances for books they believe will sell in significant numbers. The small ones cannot. Again, this has no relationship whatsoever to the quality of the books they publish.

I feel compelled to note these facts at the outset because my gut sense of your letter is that you’ve conflated the book with the book deal. They are two separate things. The one you are in charge of is the book. The one that happens based on forces that are mostly outside of your control is the book deal. You could write the world’s most devastatingly gorgeous book of poems and nobody would give you $200,000 to publish it. You could write the world’s most devastatingly gorgeous novel and maybe get that. Or not.

My point is, the first thing you need to do is get over yourself, Awful Jealous Person. If you are a writer, it’s the writing that matters and no amount of battery acid in your stomach over
who got what for what book they wrote is going to help you in your cause. Your cause is to write a great book and then to write another great book and to keep writing them for as long as you can. That is your only cause. It is not to get a six-figure book deal. I’m talking about the difference between art and money; creation and commerce. It’s a beautiful and important thing to be paid to make art. Publishers who deliver our books to readers are a vital part of what we do. But what we do—you and I—is write books. Which may garner six-figure book deals for the reasons I outlined above. Or not.

You know what I do when I feel jealous? I tell myself to not feel jealous. I shut down the
why not me
? voice and replace it with one that says
don’t be silly
instead. It really is that easy. You actually do stop being an awful jealous person by stopping being an awful jealous person. When you feel terrible because someone has gotten something you want, you force yourself to remember how very much you have been given. You remember that there is plenty for all of us. You remember that someone else’s success has absolutely no bearing on your own. You remember that a wonderful thing has happened to one of your literary peers and maybe, if you keep working and if you get lucky, something wonderful may also someday happen to you.

And if you can’t muster that, you just stop. You truly do. You do not let yourself think about it. There isn’t a thing to eat down there in the rabbit hole of your bitterness except your own desperate heart. If you let it, your jealousy will devour you. Your letter is evidence that it has already begun to do so. It has depleted your happiness, distracted you from your real work, and turned you into a crappy friend.

You know that woman you mentioned who recently got the book deal—the one you describe as among your best friends?
She knows you’re not truly happy for her. She knows it even if she’s convinced herself that she doesn’t know it; even if she’s tried to explain away whatever weird vibe you emitted when you pretended to be happy for her about her good news. She knows because you can’t fake love and generosity of spirit. It’s either there or it isn’t. The fact that when someone you profess to care deeply about shared with you something excellent that happened to her you had to fake your joy sucks way more than the fact that you haven’t yet gotten the five- or six-figure book deal you’re so convinced you deserve. And if you want to have a real, true, deep, authentic, satisfying, kickass, righteous life, I advise you to get that shit straightened out first.

I know it’s not easy being an artist. I know the gulf between creation and commerce is so tremendously wide that it’s sometimes impossible not to feel annihilated by it. A lot of artists give up because it’s just too damn hard to go on making art in a culture that by and large does not support its artists. But the people who don’t give up are the people who find a way to believe in abundance rather than scarcity. They’ve taken into their hearts the idea that there is enough for all of us, that success will manifest itself in different ways for different sorts of artists, that keeping the faith is more important than cashing the check, that being genuinely happy for someone else who got something you hope to get makes you genuinely happier too.

Most of those people did not come to this perspective naturally. And so, Awful Jealous Person, there is hope for you. You, too, can be a person who didn’t give up. Most of the people who didn’t give up realized that in order to thrive they had to dismantle the ugly jealous god in their heads so they could instead serve something greater: their own work. For some of
them, it meant simply shutting out the
why not me
voice and moving on. For others, it meant going deeper and exploring why exactly it pained them so much that someone else got good news.