Authors: Chris Jordan
worried about staining their underarms with flop sweat.
Fern’s dad bursting into tears when he saw her, and not of
happiness. Her mom dragging him off for a lecture about
pregnancy being a gift from God. Fern snorting and rolling
her eyes, telling me to ignore her ridiculous parents and make
her look beautiful please. Which she did, and yes I helped it
happen because the gown really was amazing, and we brides-
maids really did look like perfectly matching, skinny little
planets orbiting a wonderfully round sun goddess.
Once upon a time I used to stare at this photo—it remains
a precious keepsake, living in my purse—and imagine myself
not as the bridesmaid, but as the bride. I could see myself in
Fern’s place, in a smaller gown, of course. And not as beau-
tiful as Fern, that goes without saying. But for the life of me
I could never picture the groom.
Total blank. An empty space.
Less than a year after the photograph was taken, eight
months to be exact, I was pregnant with Kelly. Secretly,
deniably pregnant. No wedding for me, not then, not ever.
And my father didn’t burst into tears. He said the kind of
things that can’t be taken back and walked out the door. He’s
gone now, forever gone, as is my mother. Kelly, if she’s alive,
is the same age as me when I got pregnant with her. Can the
world be so cruel as to let a precious child survive cancer,
only to have her die because she’s in the wrong place at the
wrong time with the wrong guy?
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The answer, of course, is yes, the world can be that cruel.
Check the newspapers if you disagree. Except that in my
daughter’s case Shane thinks there may still be a chance. He’s
taking risks, pulling out all the stops.
Which doesn’t mean it isn’t already too late.
Unless it isn’t too late.
Unless it is.
All of which is swirling around in my throbbing head
when the phone rings. Not my cell, the hotel phone. Takes
me a minute to find it, focusing through the blur.
“Any news?” Fern wants to know. She sounds almost jovial.
“I can’t believe it,” I say, rubbing a tissue at my leaky nose.
“I was just looking at your picture.”
“This is your psychic hotline,” says Fern, into character
instantly. “I predict you’ll tell me what’s happening.”
So I recount the meeting with Special Agent Healy, checking
into the outrageous Europa, spying on Manning’s penthouse
from the balcony, following the Hummer to the casino complex.
Me in my ridiculous disguise. Then the strange and terrible
scene of Edwin Manning breaking down, begging.
“It’s like he knows his son is already gone,” I tell her,
clutching the phone to my ear like a lifeline. “Like he knows
he’s dead.”
“Janey, stop it!” Fern commands. “You’re obsessing. I
don’t know this jerk from a crack in the sidewalk, but if he’s
begging for help, then he thinks the boy is alive. Dead he’d
be arranging a funeral or seeking revenge, but not begging.
Begging is good.”
“Begging is good? You really think?”
“Trust me. What’s Mr. Incredible doing now?”
“Um, checking out a lead, a possible suspect. I’m sup -
posed to be lining up a lawyer, in case he gets arrested.”
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“Shane?”
“Yeah. He may have to break a few laws.”
Fern squeals with pleasure. “I love it! Send lawyers, guns
and money. Plus he’s worried about you. He wants you in a
safe place while he does the dangerous stuff.”
“Or out of the way so I don’t mess things up. I’m useless,
Fern. I keep bursting into tears.”
“Panic attacks?”
I think about it. “Um, not since I got here. Not a full-blown
attack, no.”
“No? That’s interesting, don’t you think?”
“Not very. I wish you were here, Fern.You’re the strong one.”
Her big laugh is unforced, genuine. “Me? Are you serious?
Maybe I could beat you arm-wrestling, but you’re strong where
it counts, Janey poo. Doing what you did when Kelly was sick?
In and out of the hospital for years? Always, always being
strong for her, not letting her see how scared you were? Earning
a living with your talent, making a business? Then dealing
with your poor mother? Don’t you know what I tell everyone?
That my friend Jane Garner may look as sweet as a bowl of
Hershey’s Kisses, but you better watch out because she’s made
of diamonds and tungsten steel. She’s like that cute guy in
Ter-
minator 2,
knock her down, blow her up, she keeps on coming.”
“He was a bad guy,” I remind her.
“You can be a bad guy if you need to be. And a good guy
when you need to be. Whatever you need to be, Janey, that’s
what you’ll be, guaranteed. Diamonds and steel.”
“Now you’re making me cry.”
“Crying is natural. Go ahead, blow your nose. I was going
to fill you in on all the business calls. Problems with
fittings—somebody ate too many Fritos—a cancellation,
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some other stuff. But you know what? You don’t need to
know. Alex is helping Tracy take care of it. He’s really good.”
“Alex is good? I thought you hated Alex.”
“Hate? No, no. I hate things like cellulite, I never hated
Alex. And if I did I’ve changed my mind. He knows what he’s
doing, he’s good with customers, all these nervous women
love him, plus, and I never knew this, he can sew on a button.
What’s not to like?”
What can I say? I can’t say anything, I just cry some more.
Big strong me.
After Fern gets off, I follow her advice and take a long hot
shower. One of her main prescriptions for what ails you, the
other being “take a pill,” by which she means a sleeping pill.
Take a long hot shower or knock yourself out, or both. Sage
advice, in my opinion. Nothing more I’d like to do than take a
pill, sleep like the dead in my own bed. In the middle of the day,
just sleep. No dreams though. Dreams would be dangerous.
Conversation with a loving friend leaves me cried out, free
of the emotional roller coaster for now.You get to a point where
you’re so wrung, so whacked, that your mind can’t handle any
more anxiety. You become calm by default, because there’s
nothing else left. That’s where I’m at, all soaped up with the
shower pulsing, wondering idly how Edwin Manning is coping.
Does he have anybody to talk to besides his dopey guards?
Anybody to share with? Friends, relatives, associates, where
are they? Sure looks like he’s all alone out there, hanging off
the edge by his well-buffed fingernails. Being a financial master
of the universe isn’t doing him much good at the moment.
What does he know and why won’t he talk to us? Is Shane
the problem? The cop look of him? Hadn’t occurred to me, but
that might be it. Why not? From Manning’s point of view,
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Shane represents a force that, in the full pursuit of justice, may
threaten his son’s life rather than save it. And if that’s true, if
that’s what he he’s afraid of, maybe I can use that to our advan-
tage.
That’s right,
our
advantage. Me and Kelly. It’s like she’s
in my head, encouraging me. Go Mom, do it.
Edwin Manning is a widower, never remarried, a doting
father, maybe he’ll respond to me as a mother, a parent. It’s
worth a shot, I’m thinking. Ring his doorbell while Shane is
otherwise engaged, see what happens.
Go Mom.
I’m actually smiling as I get out of the shower and grab a
towel. Having decided to do it, to visit the lion in his own
den. Me playing the part of the little mouse, offering to pull
the splinter from the lion’s paw.
And that, of course, is when the phone rings.
“It’s me,” Shane says in a hushed voice. “Write this down.”
“I’m just out of the shower, hang on,” I stammer.
As I hurry for pen and paper, dripping all over everything,
I’m glad he can’t see me blushing. Ridiculous as it may be,
I’ve never been comfortable speaking to a man on the phone
while naked. Which, as Kelly would say, explains a lot.
“Okay,” I say, fumbling with the pen. “Go.”
“Ricky Lang,” he whispers. “Twelve twenty-three Bay
Vista Drive, Cable Grove. Got it?”
“Got it. Is this the guy?” I ask, a flush of pure excitement
replacing the blush of embarrassment. “Is this the guy who
took Kelly?”
“Too soon to say,” says Shane, still whispering. “This is
a lead based on a rumor based on hearsay. Right now all I
know for sure is that he’s a member of the tribe and he’s had
some sort of long-running conflict with the tribal council. Ap-
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parently Lang is a very common name among the Nakosha.
Doesn’t sound Indian to me, but there it is.”
“What should I do?”
“Right, sorry. Call Special Agent Healy for me. If you
can’t find his card, his number will be on my laptop in the
address book. Give him the name and address and tell him
Shane says he’s a person of interest. Can you do that?”
“Of course.”
“I’d do it myself but I’m kind of in a situation here.”
“Where are you?”
“At the address I just gave you.”
“At this guy’s house?” I ask, alarmed.
“In it, actually,” Shane whispers. “Gotta go.”
Leaving me with a dial tone, wet hair, and a few million
questions.
19. Mr. Goldilocks And The One Bear
It was not like breaking and entering, not in the classic sense.
Entering, obviously, because here he is, prowling the cool tile
floors of a lovely expanded bungalow in one of the most exclu-
sive waterfront enclaves in Miami. Four-bedroom Mediterra-
nean style, recently refurbished, on a one-acre enclosed lot
with water access, had to have set Mr. Lang back a few mil. Not
grand enough or new enough for the rock stars and celebrities
who gravitated to the area, but very tasty, and beautifully land-
scaped with palms, cactus, and a lush Bermuda grass lawn that
looked like it would need to suck up half of Biscayne Bay on a
hot day.
What Shane thinks of as pre-Scarface Miami, before
wannabe crime bosses and Internet zillionaires who’d seen
too many episodes of
Miami Vice
came to town demanding
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homes so gaudily, obviously expensive they resemble drive-
thru banks with big stucco hats.
Shane isn’t a fan of recent architectural trends, to say the
least. This joint he likes. Big enough so he has room to move,
cozy enough so it feels like a home, not a hotel lobby. True,
he has to duck under the ceiling fans, and he’s a slightly put
off to realize he and a potential suspect have similar taste in
dream houses, but still.
Getting inside had been a piece of cake. The place has the
usual security, and warning signs testifying to that effect, but
the gated driveway was left open. Shane had his driver—the
same baby-faced Haitian—drop him a few blocks away, and
he’d simply strolled up the driveway, expecting to find the
owner at home, given the open gate.
On the way to the front entrance he takes a peek through the
windows of the four-stall garage. Only one vehicle in resi-
dence, a spiffy little convertible Mini Cooper. Whereas there are
two, possibly three oil spots on the concrete. Interesting. Maybe
the suspect isn’t at home. The Mini Cooper strikes him as a wife
or girlfriend’s car, a fashion accessory, given the neighborhood.
He tries the buzzer, listens to the echo. No response. After
the buzzer fades, hushed silence pervades, nothing to indicate
that anyone is home.
Thinking maybe the three bears are out shopping or, who
knows, kidnapping, Shane decides to play Goldilocks. Casual
stroll around back, his Nikes easing into the lush grass as he
comes upon the cool sapphire swimming pool with a neatly
constructed tiki hut bar, and what looks like a recently erected
cabana. The backyard kingdom of the pool. Beyond that,
glimpsed through the rustling palm fronds, some sort of high-
speed craft on a boat hoist, blocking the wind-dappled waters
of the bay.
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Yup, a man could live here, no problem. Put up his big
tired feet and never leave. Spend a year or two staring at the
pool, grab a frosty at the tiki hut, then amble out to the
seawall, try fishing without a hook for the rest of his days.
Once upon a time Shane had something like this. The
suburban New York version, much more modest. Three-
bedroom ranch with pool. Nothing remarkable, but comfort-
able and welcoming because that earlier version of Randall
Shane was a nester. Loved to paint, putter and improve. Wife
and child, backyard barbecue, Volvo wagon equipped with
golden Lab, the whole bit. When that ended, a new Randall
Shane eventually emerged, one who lives in rented rooms,
hangs no pictures, and does as he damn well pleases.
Although lately the urge for domesticity has been sniffing at