Tumbleweed (11 page)

"I am taking you to a hotel close to my office, in Punda, on the other side of the harbor. You can have a bath and rest a little, and have a meal perhaps, and I'll meet you later this evening or tomorrow morning, if you like."

The commissaris closed the door behind the fat smiling black man who had taken his suitcase up and brought a tray with a large glass of orange juice and a pot of coffee. He had the world to himself now, until the next morning, when he would see Silva at the police station. There was no need to do anything about the case tonight. He was planning to stay several days anyway, on this mysterious island which would have to be the culmination of all his imaginary travels through books. He was, he thought—as he looked out of the window at the lamplit quay where, through the passing cars, he could see the silhouettes of schooners moored in an orderly row—very far from his ordinary routine. He had, wondering whether the thought was too far-fetched, died and he was born again. This island, this naked rock as Silva had said, this rock surrounded by a tropical sea could in no way be compared to the moist fertile bog covered and protected by low gray clouds which had frustrated, but also sheltered, his mind for more than sixty years. He felt, as he drank his orange juice, close to the origin of all that had mystified his wish to know, close to the terrible secret. He smiled, and rubbed his legs, which still didn't hurt. Terrible, no doubt. The secret of life, which he had never solved, and probably never would solve, would have to be terrible. But he didn't feel frightened.

The hum of the powerful air conditioner controlling the room's temperature began to irritate him and he switched it off and opened the windows. There weren't as many cars on the quay now, and he could hear die voices of the men on the schooners. High voices, speaking Spanish. The voices were quarreling. "La vaina! No joda, hombre! Santa Purfsima!" Swear words no doubt, but he liked the sound. The last two words, shouted by a high-pitched breaking voice, would mean "pure saint." A man, befuddled by rum and die fatigue mat comes from a day spent on a tough sea, calling the mother. The mother of all of us, the commissaris agreed, my mother as well, mother of the swamp, mother of the rock. Holy mother, who cares for the sailor and for me, an old weasel sworn to catch the murdering rabbit. For the murderer would be caught, there was no doubt in his mind. Marie van Buren, the fashionable whore in Amsterdam, the dead woman whose death was to be revenged. Order had been disturbed, order would be restored. We cannot allow a man to throw a knife into the living back of a fellow-citizen. He sighed, and stirred his coffee, mechanically patting his pocket to find his tin of cigars. Did he really care? Perhaps he did, perhaps part of his mind cared.

The voices petered out and he heard the sound of little waves which died against the timber of the schooners. The sea lapping gently, eating the island's foundation. At home the sea was lapping at the dikes, waiting patiently for the day that it could flood the swamp and squeeze the life out of its inhabitants, creating new living space for its own denizens, for the sharks, and the turtles, and the dolphins and the myriads of little creatures who would become the new citizens of Amsterdam, covering its streets and buildings and bridges with their shells and waving leaves and creepers and flitting in and out through broken windows.

He closed the windows again, switched on the air conditioner, and ran his bath. A little later he was comfortably soaking, sucking contentedly on his cigar. And when the bath ceremony was over and he had stubbed out the cigar he slipped between the sheets and switched off the light and sighed, and before the sigh had come to its end he had sunk away into nothing, dropping through a hole in his consciousness, and stopped existing.

He seemed to wake up in the same moment, but it was eight hours later and he shaved and dressed and walked down the stairs in a new shantung suit which his wife had bought with him and which was meant for their next holiday in France, a holiday which they had postponed many times because of his faltering health.

He breakfasted by himself, a huge meal consisting of fried eggs and tomatoes and sausages and bacon, and looked at his watch. He had several hours to himself before Silva would be expecting him in the police station. In the hotel's courtyard the fat happy room-waiter was playing with a small dog, talking to the animal in Papiamiento. The walls of the courtyard were covered with creeping plants, carrying a heavy load of many-colored flowers, of which he recognized the bougainvillaea contrasting its subtle violet petals with the loud yellows and reds and sparkling blues of its mates. He crossed the quay and saw the schooners and stopped to look at their loads of vegetables, attractively displayed under awnings of striped sailcloth. An Indian shouted at him, recommending the quality of his cabbages.

"No, thank you," the commissaris said in English. "I live in the hotel you see. Where do you come from?"

The Indian pointed at the sea. "Colombia."

"I see," the commissaris said, and nodded at the man who returned his smile. "You have a beautiful boat."

"Wait," the Indian said suddenly, and ran into the cabin of his boat. He came back with a pack of cigarettes which he gave to the commissaris.

"Cigarettes from my country. Very good. Black tobacco with sugar. You like."

The commissaris took the packet and turned it around in his hands. It showed the crudely drawn head of a red Indian and he read the brand name "Pielroja."

"How much?"

"No. Present. For you."

The commissaris pocketed the cigarettes, shook the Indian's hand, and walked away slowly. Santa Purfsima, the commissaris was thinking, holy mother. Two of your children have met. He crossed the bridge connecting the two parts of Willemstad and, to his right, saw the harbor where white cruise ships and the refineries' tankers and dirty tramp steamers were moored, as safely as on an inland lake. At the other side he looked at shop windows. It was early, not yet nine o'clock, but the Jewish store owners had opened up already and were waiting for their customers, sweating behind the counters with moist armpits or hovering in the street, close to their doors. He studied a display of canned foods. Everything seemed to come from the United States.

"Morning," the merchant said. "What can I do for you today? I have some nice strawberries, in their own juice, and cans of Dutch cream. Your wife will be pleased if you take them home."

"My wife is in Holland," the commissaris said. "I am only here for a few days."

"Holland," the merchant said, "in Holland you can have fresh strawberries. I suggested the wrong thing. What size does your wife wear? I have some batik dresses from Singapore."

The commissaris bought a batik dress. It was expensive and the merchant took ten percent off although the commissaris hadn't said anything.

"Where are you from?" he asked the merchant.

"From Poland. I arrived during the war."

"Before the war," the commissaris said. "You mean before the war."

"No," the merchant said, "during the war. In 1941. I came on a ship which had to sail around for a very long time because nobody wanted us. We were all Jews.
took us in the end. We had no more fuel and no more money and there was nowhere left to go."

The commissaris shook his head. "You are happy here?"

The merchant took his time parceling up the dress. "Yes. I am happy. I am alive. I earn a living."

"And you?" the merchant asked. "What do you do?"

"I work for the government," the commissaris said.

"Good," the merchant said. "It's always good to work for the government. And Holland has a good government, I hear. That's doubly good. You are lucky."

"Yes," the commissaris said, and put the parcel under his arm. "Thank you. Have a good day."

"Shalom," the merchant said.

"Shalom means 'peace,' doesn't it?" the commissaris asked.

"Peace," the merchant said, "peace on your way."

"Holy Mother," the commissaris said to himself, "don't overdo it. If I meet any more of your children today I will cry."

He passed a church and went in. A black priest was doing something at the altar. A sugary statue of Maria dominated the small ornate space, her plaster-of-Paris dress, pink and light blue and purple, set off a silly inane face.

That's the way we see you, Holy Mother," the commissaris said, and left the church but he had spent a full five minutes in contemplation and the priest had turned around and seen the old man in the shantung suit with the brown paper parcel under his arm staring at the statue and had crossed himself because he had recognized a faith which he, himself, had often felt and he was a good priest although he had been drunk the night before and lost part of his small wage in a poker game.

A fat woman accosted the commissaris in the street.

"Numbers?" she asked, waving a little book at him.

"No, thank you, madam," the commissaris said.

"You don't play the numbers?" the woman asked. "Macamba, you will have no luck. The numbers are good today, you will win money and you can go to Campo and find yourself a beautiful woman like me."

"Campo?" the commissaris asked

The woman laughed a loud belly laugh. "You don't know Campo Alegre, the camp of the putas,
's heaven? How long have you been here?"

"I arrived yesterday."

"You still have time," the fat woman said.

He gave her two guilders and they thought of a number together and she scribbled it in her book with a pencil stub. He lifted his hat and she squeezed his forearm. The fat woman's hand was strong and he was rubbing his arm. "They all do it," he thought. "I'll be black and blue soon."

He wandered back, slowly, holding on to his brown parcel and stopping for coffee and orange juice. He smoked a cigar sitting on a cane chair on the sidewalk, rubbing his legs which didn't hurt, wondering what his wife would say if he told her that they would go and live here, and eventually he found himself back at the hotel where he stripped and took a shower and dressed again.

"Morning," Silva said, touching his forearm with gentle fingers and patting him softly on the shoulder. "Did you sleep well? This is the first time you have been in the tropics I believe."

"Yes," the commissaris said. "I slept very well. I even went for a walk this morning."

"It must be very interesting to see the island for the first time. What did you do?"

The commissaris described some of his adventures and Silva listened, smiling and urging him on.

"You did very well," Silva said, "and the Indian gave you a pack of cigarettes. Amazing. They only come here to cheat us with their vegetables, asking outrageous prices because we can't buy them anywhere else anyway and then they sail home again, laughing at us. But one of them gave you a present. Let me see the pack, please."

The commissaris gave him the cigarettes and Silva held them on the palm of his hand.

"Pielroja," he said, "excellent cigarettes. I have often told the merchants to stock them but they prefer the American brands which all taste the same."

"Keep it. I only smoke cigars."

"No," Silva said, returning the pack, "you must take it home to show it to your friends. I sometimes go to Colombia and I buy them over there. But it's very kind of you all the same. Thank you."

"Now," Silva said, "you want to know about Maria van Buren, who was once called Maria de Sousa and who is now dead."

"Yes."

"I am glad you came," Silva said "it's hard to talk to somebody on the telephone, especially if you don't know who you are talking to. This island of ours is a maze and how can I explain a maze talking into a piece of plastic?"

"It's difficult," the commissaris agreed.

"But you are here now and I can see your face. So now it's easier."

"Please tell me about her," the commissaris said.

11

"Y
ES," CHIEF INSPECTOR SILVA SAID, "I WILL TELL YOU what I know. Some of it I have only found out very recently and some of it I have known for some time but even if you add it all up it may come to nothing."

The commissaris shivered, and Silva immediately showed concern.

"You haven't caught a chill, have you? It's this damned air conditioning. It's a comfort of course but a danger at the same time. This isn't our best season and the heat hits you like a hot towel when you step outside but here, in the offices, it's too cool. I'll turn the machine down a little."

"No, no," the commissaris said quickly, "I feel quite well, better, in fact, than I have felt in a long time. But I did, probably, shiver because of the change of temperature."

"All right. Maria de Sousa. But it's intricate, how can I begin to tell you about what goes on here, on the isla. Isla, we call it, a Spanish word. So many influences are acting and reacting together here that the climate, the mental climate, has a very strange character of itself. A peculiar character."

He paused and the commissaris waited.

"To begin with, everybody knows about everybody. I even know Maria personally, but if nobody had ever introduced us, if we had never gone to the same parties, or met on the beach, even then I would know her by name. And she would know about me. If you had mentioned my name in Amsterdam she could have told you a long story about me, possibly with a lot of truth in it although some of the details would have been grossly exaggerated. We
do
exaggerate here."

"Yes," the commissaris said.

"She comes from a good family. Her father is in business, legitimate business. He owns a wholesale company. He is also engaged in smuggling, but smuggling isn't illegal here, as long as no weapons are involved, or drugs. The Colombians bring us a lot of coffee, no duty is paid, and the bags are marked '
produce.' We grow no coffee here, of course. Nothing grows here except thorn trees and cactus and maybe some figs on the old plantations where the soil hasn't been tilled for many years. The
coffee is sold at very competitive prices but the merchants make a profit for they can undercut the official export trade from the South American continent, and the smugglers who bring us the coffee also make a profit for they pay no tax and the price we pay them is higher than their own governments will pay. But our merchants are very clever. They don't pay in money but in goods, in whisky and cigarettes which the smugglers take back when they return."

"A profit is made both ways," the commissaris says, "and no local laws are broken."

"Exactly. Some of the merchants grow very rich."

"Does old Mr. de Sousa have many children?"

Silva smiled. "He has three daughters by his wife."

"There are other children?"

"Yes," Silva said. "There are others. A rich merchant will have mistresses. Some of them will live in adobe huts in the cunucu and others will live in Miami, in expensive apartments."

"Please continue," the commissaris said. "I am sorry I interrupted."

"Mr. de Sousa's daughters are beautiful and it was easy for them to find husbands, husbands the old man would approve of. Maria was the last to marry and she married an engineer, a proper Dutchman who, for a year or so, tried to start a small factory here but he gave up in the end. He had labor problems, our people are not very efficient perhaps, and textiles can be imported here from any country in the world. The shareholders of the company he worked for told him to give up. Mr. de Sousa wasn't pleased with the failure but there was nothing he could do about it, and Maria and her husband went to Holland. Then she divorced him, and she didn't marry again. Some rumors filtered back to us. It seemed she lived an immoral life, but she was living it at a great distance and we weren't concerned. She used to come twice a year and her father would meet her at the airport and take her home. Her father
was
concerned. He would hardly speak to her. After a while he stopped meeting her at the airport. There was a fight, he called her 'puta,' whore, and she was no longer allowed to live in his house, but she still kept coming, living in the same hotel where you live now."

The commissaris shivered again and Sliva jumped from his chair. "Just a minute," he said, "I'll get you some very hot tea laced with rum and with a few drops of lemon juice." He was gone for a few minutes while the commissaris enjoyed the view of the harbor. A dirty-looking tramp flying the Venezuelan flag was moored practically underneath the window, separated from the police station by the quay only. An old man with a yellow beard and a torn cap stood on the bridge and looked up. When he saw the commissaris he shouted something and shook his fist, then he disappeared into the cabin and a thick cloud of sooty smoke bulged from the ship's ancient funnel, spreading out slowly and blocking the view from the office.

"Here is your tea," Silva said.

"Somebody was shaking his fist at me," the commissaris said, "an old man with a yellow beard."

Silva laughed and looked out of the window.

"The old bastard has done it again. He probably thought it was I at the window. I caught him once, he was making a nuisance of himself in an expensive bar, and we arrested him. He broke a bottle on a sergeant's skull so he got locked up for a while. Ever since he tries to moor in that convenient spot over there so that he can smoke us out but we have air conditioning and he doesn't worry us. He is a nice old chap when he isn't drunk."

"You don't mind this soot?"

"No," Silva said. "I keep him happy. Sometimes I run out to his ship and shake
my
fist at
him."

The commissaris sipped his tea and tittered.

"Did you like that story?" Silva asked.

"Yes. Very much."

"Good. So Maria kept coming back to the island in spite of the fact that she was no longer welcome in the house of her parents. I could understand her father's attitude. The women who leave the island become free and they are a bad example, we think, to the women who stay. Here a woman is either very respectable or a whore. The mother is venerated and the father does as he pleases. Maria had opened herself to criticism when she divorced her husband. And she didn't remarry which made it worse. She was a beautiful woman, and educated, so why wouldn't she remarry?"

"Yes," the commissaris said.

"I thought she had a lover here but it seems she hadn't. I made investigations at the hotel and she never shared her room when she was here. They wouldn't have allowed it, I imagine. It isn't that sort of a hotel; important guests stay there, like yourself."

"Thank you," the commissaris said.

Silva grinned. "Did you like your tea?"

"Very much."

"Another?"

"Please."

When Silva was away the commissaris looked out of die window again and saw the captain with die flamboyant beard pacing on his bridge. He waved. The captain ran into bis cabin and the commissaris expected another cloud of soot but the captain returned with a pair of binoculars. The two large glass eyes stared and the commissaris waited. The captain put his binoculars down and unsteadily moved bis hand, which, when Silva had returned and had joined the commissaris at the window, immediately became a fist again.

"Let's leave him for a while," Silva said. "He may have a heart attack or delirium. Last year he ran into the station downstairs shouting that all the crabs of the island were after him, turning their eyes on stalks and snapping at his legs with their wicked shears."

"Poor fellow," the commissaris said, and sat down.

"Oh, he is all right. He is quite old and he has had a good life on the Carribbean. He won't admit he is old, that's why he dyes his beard. I like him, I'll be sorry when he goes. Maria used to know him too. I have seen them talking together. He has probably offered her a free trip but I don't think she has ever put a foot on his boat. His crew are a bunch of madmen."

"So Maria didn't have a lover," the commissaris said.

"Not here. When I knew you were coming out I alerted my detectives and they must have alerted their contacts on the island. The information I was given tallies. Two reasons brought Maria back to the island. Plain homesickness and her contact with Shon Wancho."

"Ah," the commissaris said.

"Not what you think. Shon Wancho is old, seventy years old maybe, and he is a black man. Maria isn't altogether white herself, most people aren't over here. I am not white either."

"You?" the commissaris asked.

"I look white, I know, but my hair is a bit kinky. My sister is much darker than I am. It all depends on the laws of Mendel and the way the chromosomes go. Maria is darker than her sisters. Shon Wancho is pitch black. He is an important man, a local character who is feared and respected. That's why he isn't called Wancho but
Shon
Wancho, a title of respect, like Don in Spanish."

"He is a sorcerer," the commissaris said.

Silva brought his hand down on the desk with some force. "You know?"

The commissaris didn't answer but brought out an object packed in tissue paper. He carefully unfolded the paper and put the contents on Silva's desk. "Do you know what these are?"

Silva put on a pair of spectacles. He studied the mandrake roots. "No, I have never seen them before. They are roots, I can see that, and they look evil. Amazing, isn't it, they look like thin men, human beings. That little twig is very much like a penis and the legs are perfectly formed and they have heads and arms. And those hairy bodies, there is even hair on the heads and those dark spots are eyes."

He crossed himself.

"Yes," the commissaris said. "They scare me too. We found them in Maria van Buren's houseboat. We found plants as well, herbs, witch-weeds. She grew them in pots on her windowsills. The roots are of the mandrake plant, they were said to be powerful."

"So you suspected her of sorcery?"

"It isn't a crime," the commissaris said, "so we couldn't suspect her of it. Black magic is still practiced and we have run into it before. Dolls with pins in them, people collecting other people's nail clippings and hairs. It may be more popular over here but perhaps it will become fashionable in Europe again. The hippies are fascinated by it and the drug cult, it seems, is related to black magic."