Twilight Eyes (34 page)

By midnight the mammoth Ferris, seen through my Twilight Eyes, was not only without lights but was like a great silent engine that produced and flung off a deeper darkness of its own. That was much the same cold and disquieting image I had had of it the first night I had come onto the Sombra Brothers lot, last week, in another town, though that strange impression was stronger now and even more deeply disturbing.

The midway began winding down shortly before one o'clock, and contrary to my usual diligence and industry, I was among the first to shutter. I had closed the high-striker and bundled up the day's receipts when I saw Marco passing by on the concourse. I called him over, persuaded him to take the cash to Rya in her trailer, along with the message that I had some important business to do and would be late.

As strings and banks and panels of lights winked out from one end of the midway to the other, as flaps were pulled over tent entrances and snugged down, as the carnies drifted away singly and in small groups, I ambled as nonchalantly as possible toward the center of the grounds and, when unobserved, dropped down and slid into the shadows beneath a truck. I lay there for ten minutes, where the sun had not been able to thrust its drying fingers during the last two days, and the dampness worked its way through my clothes, exacerbating the chill that had settled into me earlier, when I had begun to notice the changes in the Ferris wheel.

The last lights were extinguished.

The last generators were switched off, died with a chug, a rattle.

The last voices faded, were gone.

I waited another minute or two, then eased out from beneath the truck, stood, listened, breathed, listened.

After the cacophony of the carnival in motion, the silence of the carnival at rest was preternatural. Nothing. Not a tick. Not a scrape. Not a rustle.

Carefully following a discreet route that led through those places where the night was further darkened by piles of shadows, I crept to the Tilt-a-Whirl, paused by the ramp that led up to the ride, and again listened intently. Once more I heard nothing.

I stepped cautiously over the chain at the bottom of the ramp and went up to the platform in a crouch, so as not to present an obvious silhouette. The ramp was made of two-by-fours, solidly constructed, and I was wearing sneakers, so I made barely a sound as I ascended. But once I reached the platform, stealth was not as easily achieved; there, hour after hour, day after day, the vibrations of the ride's steel wheels passed through the rails and into the surrounding wood, with the result that creaks and squeaks nested like termites in every joint of the structure. The Tilt-a-Whirl platform sloped up toward the back, and on my way to the top of it, I remained close to the outside railing, where the floorboard joints were the tightest and protested the least. Nonetheless, my progress was accompanied by several sharp little sounds that were startlingly loud in the uncanny quiet of the deserted midway. I told myself that the goblins, if they heard at all, would interpret these indiscretions as the settling noises of inanimate objects, yet I winced and froze each time the wood cried out beneath my feet.

In a few minutes I passed all the Tilt-a-Whirl cages, which resembled giant snails slumbering in the darkness, and came to the top of the platform, approximately ten feet above the ground, where I crouched against the railing and looked out across the night-cloaked carnival. I had chosen that observation post because I could see the base of the Ferris wheel, plus more of the midway than from any point on the ground, and also because I was practically invisible there.

The night had taken a few bites out of the moon since last week. It was not as helpful as it had been when I had pursued the goblin to the Dodgem Car pavilion. On the other hand, the moon-shadows granted me the same comforting concealment that gave a sense of security to the goblins; as much was gained as lost.

And I had one advantage that was invaluable. I knew that they were here, but they were almost certainly unaware of my presence and could not know that I was stalking them.

Forty tedious minutes passed before I heard one of the intruders leave its hiding place. Luck was with me, for the sound—a grating of metal on metal and a soft squeal of unoiled hinges—came from directly in front of me, from behind the Tilt-a-Whirl, where trucks and unlit arc lamps and generators and other pieces of equipment were lined up along the middle of the midway, with rides on both sides. The protestation from the hinges was followed swiftly by movement that caught my eye. A slab of darkness, one of a set of double doors on the back of a truck, swung open through the deeper darkness around it, and a man came out of the cargo hold with elaborate caution, twenty feet from me. A man to anyone else, he was a goblin to me, and the flesh prickled at the back of my neck. In this poor light I could not see much of the demon within the human form, but I had no difficulty finding its glowing crimson eyes.

When the creature had studied the night and had satisfied itself that it was unobserved and in no danger, it turned back to the open cargo hold. I hesitated for a moment, wondering if it was going to call forth others of its kind from inside the truck, but instead it began to push the door shut.

I stood, swung one leg over the railing, then the other, and was for an instant perched on the Tilt-a-Whirl's balustrade, where the beast below could not have missed me if it had suddenly turned around. But it did not turn, and although it closed the door and slid the latch bolt home as quietly as it could, it made enough noise to cover my cat-footed leap to the ground.

Without looking back toward the dense shadows where I crouched, it moved off toward the Ferris wheel, which stood two hundred yards farther up the midway.

I drew the knife from my boot and followed the demon.

It moved with the utmost caution.

So did I.

It made hardly a sound.

I made no sound at all.

I caught up with it alongside another truck. The beast became aware of me only when I leapt on it, threw one arm around its neck, pulled its head back hard, and opened its throat with my blade. As I felt its blood spurting, I released it and stepped out of the way, and it fell as suddenly and limply as a marionette whose control cords had been severed. On the ground it twitched for a few seconds, raising its hands to its gaping throat, where blood jetted black as oil in the lightless night. It could make no sound, for it could not draw breath through its ruined windpipe or command a single vibration in its gouged larynx. In any event, it lived less than half a minute, relinquishing life with a series of feeble flutters. The radiant red eyes fixed on me, and as I watched, the light ebbed from them.

Now he seemed like only a middle-aged man with bushy sideburns and a potbelly.

I pushed the corpse under the truck, to prevent one of the other beasts from stumbling upon it and being tipped off to the danger. Later I would have to return, decapitate it, and dig two widely separated graves for the remains. Now, however, I had other worries.

The odds had improved a little. Five-to-one instead of six-to-one. But the situation was not heartening.

I tried to kid myself that not all of the six I had seen on the concourse had stayed past closing time, but it was no good. I
knew
they were all nearby, as only I can know such things.

My heart raced, overloading veins and arteries with a surge of blood that made me feel exceptionally clearheaded, not dizzy or frantic at all but sensitized to every subtle nuance of the night, much the way that a hunting fox must feel as it tracks prey in the wild and, at the same time, remains on guard for those things that regard the fox, himself, as prey.

Under the half-devoured moon I prowled, a dripping knife in my hand, its blade glimmering like a magically coherent length of oily liquid.

Snowflake moths air-danced around chrome poles and flitted back and forth across other faces of highly polished metal, wherever there was a vague reflection of waning moonlight.

I stole from one bit of cover to another, listening, watching.

I ran softly in a crouch.

I edged around blind corners.

Crept.

Crawled.

Slid.

A mosquito tickled across my throat on spindly legs, flimsy wings beating hard, and I almost swatted it before I realized the sound might give me away. Instead I closed a hand slowly over it as it began to feed on me—and crushed it between palm and neck.

I thought I heard something over by the fun house, though it was most likely my sixth sense that sent me in that direction. The clown's huge face seemed to wink at me in the gloom, though not with any humor; it was, instead, the kind of wink that Death might favor you with when he came to collect your debt, a bleak wink simulated by the writhing of maggots in an empty eye socket.

A goblin, having boarded a fun-house gondola before closing time, and having cleverly disembarked from that gondola once inside the attraction, was now coming out of the enormous gaping mouth of the clown to keep a rendezvous with the other five intruders at the Ferris wheel. This one was costumed as an Elvis look-alike, with a ducktail haircut and a swagger, about twenty-five. I observed it from the cover of the ticket booth—and as it passed me, I struck.

This time I was not as quick or forceful as I had been before, and the beast managed to bring an arm up and deflect the blade as the cutting edge slashed toward its throat. The razored steel parted the flesh of its forearm and sliced along the back of its hand, the point coming to rest between the first knuckles of two fingers. The demon issued a thin, soft cry, barely audible, but choked that off when it realized that a scream might draw inquisitive carnies as well as other goblins.

Even as blood sprang from its arm, the demon tore itself loose of me. It swung toward me with a lurch and stumble, its luminous eyes bright with murderous intention.

Before it could regain its balance, I kicked it in the crotch. Trapped within the human form, it was hostage to the weaknesses of human physiology, and now it doubled over as pain exploded up from its crushed testicles. I kicked again, higher this time, and the beast lowered its head simultaneously, as if to oblige me, and my foot caught it under the chin. It sprawled backward on the sawdust-covered concourse, and I fell atop it, driving my knife deep into its throat, twisting the blade. I took three or four blows on my head and shoulders as it made a futile attempt to drive me off, but I succeeded in letting the life out of the creature like air from a punctured balloon.

Gasping but keeping in mind the need for silence, I pushed up from the dead goblin—and was struck from behind, across the base of the skull and the back of the neck. A many-petaled pain bloomed, but I held on to consciousness. I fell, rolled, and saw another demon scuttling toward me, a length of wood in its hands.

I discovered that I had been so stunned by the first blow that I had dropped my knife. I could see it, gleaming dully, ten feet away, but I could not reach it in time.

With its black lips drawn back in a wicked snarl beneath its human glaze, my third adversary was upon me in one blink of its conflagrant eyes, wielding that length of two-by-four as if it were an ax, chopping at my face as I had chopped at Denton Harkenfield. I crossed my arms over my head to save myself from a skull-fracturing blow, and the beast slammed the heavy club into my arms three times, striking hot bursts of pain from my bones the way a blacksmith's hammer rings sparks from an anvil. Then it changed tactics and struck at my unprotected ribs. I drew up my knees and made a ball of myself and tried to roll away, toward some object that I might be able to put between us, but the goblin followed with evil glee, raining blows on my legs, buttocks, back, sides, and arms. None of them landed with bone-breaking force because I kept moving away from the arcing wood, but I could not take this punishment much longer and still have the will and ability to stay on the move; I began to think that I was a dead man. In desperation I stopped trying to shield my head and grabbed for the club, but the demon, towering over me, glaring down at me, easily tore it out of my grasp, and I succeeded only in taking half a dozen splinters in my palms and fingers. The creature swept the bludgeon high above its head and brought it down with the fury of a berserker or a battle-frenzied samurai. Coming straight at me, the wood looked as big as a toppling tree, and I knew that this time it would knock either the sense or the life out of me—

—but instead the weapon suddenly slipped out of the goblin's hands, flew off to the right of me, thumped end over end through the sawdust. And with a hard, low grunt of shock and pain, my attacker dropped toward me, felled by what seemed to be pure sorcery. I had to scramble to avoid being pinned beneath the beast, and when I looked back at it in bewilderment, I saw how I'd been saved. Joel Tuck stood over the goblin, holding the same sledgehammer that he had been using Wednesday morning when I had found him pounding in tent pegs behind Shockville. Joel hammered once more, and the goblin's skull collapsed with a thud and a wet, sickening sound.

The entire battle had been waged in virtual silence. The loudest noise had been the thump of the wooden club striking one part of my anatomy or another, which could not have carried more than a hundred feet or so.

Still racked with pain and thinking slowly on that account, I watched numbly as Joel let go of his hammer, grabbed the dead goblin by the feet, and dragged the corpse off the concourse, concealing it in the niche formed by the fun-house pitchman's platform and the ticket booth. By the time he started wrestling the other body, the Elvis look-alike, into the same hiding place, I had managed to rise up on my knees and had begun to rub a little of the pain out of my arms and sides.

As I watched him drag the second body behind the ticket booth to pile it upon the other, I had a darkly giddy moment in which I imagined Joel beside an enormous stone hearth, rocking in a comfortable chair, reading a good book, sipping brandy—and occasionally getting up to move another corpse from a huge stack of them, shoving it into the fireplace where other dead men and women were already half consumed by flames. Except for the fact that bodies had taken the place of ordinary logs, it was a warmly domestic scene, and Joel was even whistling happily as he jabbed an iron poker at the heap of burning flesh. I felt a wild giggle building in me, and I knew that I dare not give voice to it, for then I might never be able to stop cackling. The realization that I was on the edge of hysteria shocked and frightened me. I shook my head and banished that bizarre fireside scene from my mind.