Twilight Eyes (7 page)

Goblin!
I thought.

I almost reached for the knife within my boot.

“You said something?” he asked.

When the wave of shock had passed through me, I saw that he was not a goblin, after all—or at least not a goblin like the others. He had a nightmare face, but there was nothing of pig or dog in it. No fleshy snout, no fangs, no flickering, serpentine tongue. He was human but a freak, his skull so malformed that it proved God had strange, macabre moments. In fact . . .

Imagine yourself a divine sculptor, working in the medium of flesh-blood-bone, with a bad hangover and a despicable sense of humor. Now start sculpting with a huge brutal jaw that does not recede as it approaches your creation's ears (the way the jawline does in normal faces) but terminates abruptly in ugly knotted lumps of bone reminiscent of the neck bolts featured in the movie version of the Frankenstein monster. Now, just above those unsightly lumps, give your hapless creation a pair of ears like wads of crumpled cabbage leaves. A mouth inspired by the scoop of a steam shovel. Throw in some big square teeth, too many of them, crowding one another and overlapping at several points, and all a permanent shade of yellow so gross that your creation will be ashamed to open his mouth in polite company. Sound like enough cruelty to vent any godly anger that you may have been feeling? Wrong. You are apparently in a truly cosmic rage, a deific
lather
sufficient to make the universe quake from one end to the other, for you also sculpt a forehead thick enough to act as armor plating, build it up until it overhangs the eyes and transforms the underlying sockets into caves. Now, in a fever of malignant creation, you carve a hole in that forehead, above the right eye but closer to the temple than the socket below, and plug in a third eye that is without iris or pupil, just an oval of undifferentiated burnt-orange tissue. That done, you add two final touches that are unquestionably the mark of malevolent genius: You pop a noble and perfectly made nose into the center of that grisly mug, to taunt your creation with ideas of what might have been; within the two lower sockets you imbed a pair of clear, brown, warm, intelligent, beautiful,
normal
eyes, exquisitely expressive, so that anyone who sees them must quickly look away or weep uncontrollably with pity for the sensitive soul trapped within this hulk. Are you still with me? You probably don't want to play God anymore. What gets into Him sometimes? Don't you wonder? If a creation like this can result merely from His moodiness or pique, just imagine what state of mind He must have been in when He was
seriously
upset, when He made Hell and cast the rebel angels into it.

This prank of God spoke again, and his voice was soft and kind: “I'm sorry. Did you say something? I was wool-gathering.”

“Um . . . uh . . . I said . . . lovely morning.”

“Yes. I guess it is. You're new, aren't you?”

“Uh . . . I'm Carl . . . Slim.”

“Carl Slim?”

“No . . . uh . . . Slim MacKenzie,” I said, head tilted back to stare up at him.

“Joel Tuck,” he said.

I could not adjust to the rich timbre and soft tone of his voice. From the look of him, I expected a broken-glass, shattered-rock voice full of cold hostility.

He offered a hand. I shook it. It was like anybody else's hand, though bigger.

“I own the ten-in-one,” he said.

“Ah,” I said, trying not to look at the blank orange eye but staring, anyway.

A ten-in-one was a sideshow, usually a freak show, with at least ten attractions—or freaks—under the same tent.

“Not just the owner,” Joel Tuck said. “I'm the star attraction too.”

“No doubt,” I said.

He burst out laughing, and I flushed with embarrassment, but he would not permit me to sputter through an apology. He shook his deformed head and put one massive hand on my shoulder and, grinning, assured me that no offense had been taken.

“In fact,” he said, surprisingly garrulous, “it's refreshing to meet a carny for the first time and have him
show
his shock. You know, most of the marks who pay to get in the ten-in-one, they point and gasp and talk about me right in front of my face. Very few of them have the wit or grace to leave the sideshow a better person, with gratitude for their own good fortune. A bunch of crass, small-minded . . . well, you know what marks are like. But carnies . . . sometimes, in their own way, they can be just as bad.”

I nodded, as if I knew what he was talking about. I had managed to look away from his third eye, but now I couldn't seem to take my eyes off his steam-shovel mouth. It clapped open and shut, and his knotted jaws creaked and bulged, and I thought of Disneyland. The year before my father died, he took us down to California, to Disneyland, which was new then, but even in those days they had what they called the audio-animatronic robots, with lifelike faces and movements, convincing in every detail except for their mouths, which clapped open and shut with none of the intricate and subtle movements of real mouths. Joel Tuck seemed like a macabre audio-animatronic robot that the Disneyland guys had built as a joke, intending to put a good scare into Uncle Walt.

God pity me for having been so insensitive, but I expected that grotesque man to be equally grotesque in thought and word.

Instead he said, “Carnies are all so painfully aware of their tradition of tolerance and brotherhood. Sometimes their diplomacy is irritating. But
you
! Ah, now, you have struck just the right note. Not morbidly curious or smugly superior or full of effusive declarations of false pity like the marks. Not unstintingly diplomatic, not given to studied indifference like most carnies. Understandably shocked, not ashamed of your instinctive reactions, a boy who knows his manners but still has a wholesome curiosity and a welcome frankness—that's you, Slim MacKenzie, and I'm pleased to make your acquaintance.”

“Likewise.”

His generosity in analyzing my reactions and motivations made me blush even brighter, but he pretended not to notice. He said, “Well, I must be going. There's an eleven o'clock show call, and I've got to get the ten-in-one ready to open. Besides, when there are marks on the midway, I don't go outside the tent with my face uncovered. Wouldn't be right if someone who didn't
want
to see this mug got exposed to it. Besides, I don't believe in giving the bastards a free show!”

“See you later, then,” I said, my gaze drifting back to his third eye, which blinked once, almost as if winking at me.

He took two steps, his size fourteen shoes raising small clouds of white dust from the August-parched earth. Then he turned to me again, hesitated, and at last said, “What do you want from the carnival, Slim MacKenzie?”

“What . . . you mean . . . from
this
carnival in particular?”

“From the life in general.”

“Well . . . a place to sleep.”

His jaws bunched and shifted. “You'll get that.”

“Three square meals a day.”

“That too.”

“Pocket money.”

“You'll do better than that. You're young, bright, quick. I can see all that. You'll do well. What else?”

“You mean . . . what else do I want?”

“Yes. What else?”

I sighed. “Anonymity.”

“Ah.” His expression might have been a conspiratorial smile or a grimace; it was not always easy to tell what that twisted face meant to convey. His mouth was open slightly, his teeth like the stained and weathered pickets of an ancient fence, as he contemplated me and what I'd said, as if he might inquire further or offer advice, but he was too good a carny to pry. He merely said “Ah” again.

“Sanctuary,” I said, almost wishing he
would
pry, suddenly struck by the crazy urge to take him into my confidence and tell him about the goblins, Uncle Denton. For months, since the first time I had killed a goblin, I had required unfaltering strength of purpose and character in order to survive, and in that time and through all my travels I had not encountered anyone who seemed to have been tempered by a fire as hot as that which had tempered me. Now, in Joel Tuck, I sensed that I had found a man whose suffering, anguish, and loneliness had been far greater than mine, endured far longer; he was a man who had accepted the unacceptable with uncommon strength and grace. Here was someone who might understand what it was like to live always in a nightmare, without a moment's respite. In spite of his monstrous face, there was something fatherly about him, and I had the extraordinary urge to lean on him and let the tears flow at last, at long last, and tell him about the demonic creatures that stalked the earth unseen. But self-control was my most precious possession, and suspicion was the asset that had proven most valuable for survival, and I could not easily put aside either attitude. I merely repeated: “Sanctuary.”

“Sanctuary,” he said. “I believe you'll find that too. I surely hope you do because . . . I think you need it, Slim MacKenzie. I think you need it desperately.”

That comment was so out of character with the rest of our brief conversation that it jolted me.

We stared at each other for a moment.

This time I looked not at the blind, orange orb in his forehead but at his other eyes. In them I thought I saw compassion.

Psychically I sensed in him a reaching-out, a warmth. However, I also perceived a secretiveness that was not apparent in his manner, a discomfiting indication that he was more than he seemed to be—that he was, in some vague way, perhaps even dangerous.

A shudder of dread passed through me, but I didn't know if I should be afraid of him or of something that would happen to him.

The moment broke like a fragile thread—abruptly but with no great drama.

“See you around,” he said.

“Yeah,” I said, my mouth so dry and my throat so constricted that I couldn't have said more.

He turned and walked away.

I watched him until he was out of sight—the same way that the mechanic, Red Morton, had watched me when I walked away from the Whip.

Again I thought of leaving the carnival and finding a place where the omens and portents were less disturbing. But I was down to my last few pennies, and I was tired of being on the road alone, and I needed to belong somewhere—and I was enough of a seer to know that you can't walk away from destiny no matter how ardently you might wish to do so.

Besides, the Sombra Brothers Carnival was obviously a good and companionable place for a freak to settle down. Joel Tuck and me. Freaks.

The carnival headquarters was lodged in three brightly painted trailers—each white with a brilliant rainbow design sweeping across it. They were arranged in an incomplete square, the front side missing. A portable picket fence surrounded the enclosure. Mr. Timothy “Jelly” Jordan had an office in the long trailer on the left, which also housed the accountant and the woman who dispensed rolls of tickets every morning.

I waited for half an hour in the plain, linoleum-floored room where the bald accountant, Mr. Dooley, was poring through piles of papers. As he worked, he nibbled steadily from a dish of radishes and pepperoncinis and black olives, and his spicy breath permeated the room, though none of the people who came in seemed bothered by it—or even
aware
of it.

I half expected one of the visitors to rush in with word that a carny was missing or even that one had been found dead in the vicinity of the Dodgem Car pavilion, and then they would all look at me because I was an outsider, the newcomer, a likely suspect, and they would see guilt in my face, and . . . But no alarm was raised.

At last I was told that Mr. Jordan was ready to see me, and when I entered his office at the back of the trailer, I saw at once why he had been given his nickname. He was a good two or three inches shy of six feet, six or seven inches shorter than Joel Tuck, but he weighed about as much as Tuck, at least two hundred and seventy pounds. He had a face like a pudding, a round nose that might have been a pale plum, and a chin as shapeless as a dumpling.

When I walked through his door, a toy car was running in circles on the top of his desk. It was a little convertible with four tiny clowns sitting in it, and as it moved, the clowns took turns popping up and then sitting down again.

Winding up another toy, he said, “Look at this one. Just got it yesterday. It's absolutely great. Absolutely.”

He put it down, and I saw that it was a metal dog with jointed legs that propelled it across the desk in a series of slow somersaults. He watched it, eyes shining with delight.

Glancing around the room, I saw toys everywhere. One wall was fitted with bookshelves that held no books, just a colorful collection of miniature windup cars, trucks, figurines, and a tiny windmill that probably boasted moving blades. In one corner two marionettes hung from a peg to prevent the control strings from tangling, and in another corner a ventriloquist's dummy was perched attentively on a stool.

I looked back at the desk in time to see the dog complete one last, even slower somersault. Then, with the power provided by the final unwinding length of spring, it sat up on its haunches and raised its forepaws, as if begging for approval of its stunts.

Jelly Jordan looked at me, grinning broadly. “Ain't that just absolutely the absolute?”

I liked him immediately.

“Terrific,” I said.

“So you want to join up with Sombra Brothers, do you?” he asked, leaning back in his chair as soon as I had settled in another.

“Yes, sir.”

“I don't suppose you're a concessionaire with your own shop, looking to pay a privilege for a spot on the midway.”