Authors: Tess Sharpe
don’t think so. Not again.
“When you run out of bullshit excuses and admit you’ve got a
T E S S S H A R P E
25
problem, then we can talk. The sooner you admit it, babe, the sooner
we’ll get to the root of this. You might as well start talking—you’re not
going anywhere until I’m sure you’re not a danger to yourself.”
“I’m
fi ne
.” I wipe the sweat off my forehead, swallowing against
the constant nausea that’s taken over since yesterday. God, withdrawl
sucks.
Macy gets up and shoves a trash can in my hand. “If you’re going
to throw up, use this.”
Her face soft ens, a ripple in that bad-cop façade she wears so well.
She reaches over, grasping my free hand in hers and holds on tight
enough that I can’t tug away. “I won’t give up on you, Sophie. No mat-
ter what you do, no matter what you say, I’m here. I won’t lose you. Not
to this. I will get you clean. Even if you end up hating me for it.”
“Great,” I say bitterly. “Lucky me.”
5
NOW (JUNE)
Harper’s Bluff is nestled in Northern California’s side of
the Siskiyou mountain range, a tiny town carved out of the
wilderness, sheltered by the piney mountains, surrounded
by thick oak woodland for miles around, with a lake that
stretches out into what you trick yourself into thinking is
infi nity. We’ve got a population just tipping twenty thou-
sand, more churches than grocery stores, American fl ags
fl ying from most of the houses, and REAL MEN LOVE JESUS
bumper stickers on every other truck on the road. It’s not
idyllic, but it’s comfortable.
I thought I was ready to come back, but the second we
pass the WELCOME TO HARPER’S BLUFF sign, I wish I could tell
Macy to hit the brakes. Beg her to take me back to Oregon
with her.
How can I be here without Mina?
I bite my tongue. I have to do this
for
her. It’s the only
thing I can do. I stare out the window as we pass by my
high school. I wonder if they decorated Mina’s locker, if it’d
been festooned with fl owers and candles, notes tucked into
corners, never to be read. I wonder if her grave’s the same,
teddy bears and pictures of her, beaming up at a sky she’ll
T E S S S H A R P E
27
never see again. I hadn’t even gone to her funeral—couldn’t
bear to watch them put her in the ground.
As we’re turning onto my street, Macy gets a call. Maneu-
vering the car into the driveway, she tucks the phone under
her chin. “Where?” She listens for a second. “How long
ago?” She shuts the car off, eyeing me. “Okay, I can be there
in thirty.”
“Someone jump their bail?” I ask after she hangs up.
Macy’s a bounty hunter, though she prefers being called a
bail recovery agent.
“Sex offender in Corning.” She frowns at the empty
driveway. “I’d hoped your mom would be here by now.”
“It’s okay. I am capable of being alone in my own house.”
“No, you shouldn’t be by yourself right now.”
“Go catch the bad guy.” I lean over and kiss her on the
cheek. “I promise I’ll be fi ne. I’ll even call as soon as Mom
gets home, if it’ll make you feel better.”
Macy taps her fi ngers against the steering wheel. She’s
itching to get going, to chase down that guy and put him in
jail where he belongs.
I know that feeling, that drive for justice. All the women
in my family have it. Macy’s is wrapped up in the chase, in
hard and fast and brutal judgment, and Mom’s is wrapped
up in rules and laws and juries, the courtroom her chosen
battlefi eld.
Mine is wrapped up in Mina, magnifi ed by her, defi ned
by her, existing because of her.
“Seriously, Aunt Macy. I’m seventeen, I’m clean, and I
can spend some time by myself.”
28
F A R F R O M Y O U
She shoots me a calculating look. Then she reaches over
and fl ips open the glove compartment. “Take this,” she
says, pressing a container the size of a water bottle into my
hand. There’s a white pulley at the top of it and a label with
big red letters that say BEAR REPELLANT.
“You’re giving me bear spray? Seriously?”
“It’s got way better range and packs more of a punch
than that pepper spray keychain stuff they sell at the drug-
store in the cute pink holders, and it’s even better than a
Taser,” Macy says. “Too many things can go wrong there—
clothes can get in the way, the prongs don’t fully eject, some
big guys don’t go down from the current. Spray them in the
face with this? They’ll go down.” She takes the canister out
of my hands and points to the pulley. “Press the button at
the top, move it right to unlock the mechanism. Aim and
pull the trigger. Don’t ever drop the can—you may need
to use it again. Spray and then
run
. Even if your attacker’s
incapacitated, if he’s got a gun or a knife or any weapon,
even blind, he can do some damage. Spray, run, and don’t
let go of your only weapon. You got that?”
“You’re actually encouraging me to use this?”
“If someone’s coming at you? Absolutely,” Macy says,
and her voice is so serious, it sends prickles down my back.
“Whoever killed Mina is still out there. You are the only
living witness. And I’m pretty sure you’re about to stir up
some serious shit, so
be careful
.”
“You’re not going to stop me?” Until I say it out loud, I
realize that I’ve been waiting for her to.
Macy’s quiet for a moment. She looks me up and down,
T E S S S H A R P E
29
her blue eyes assessing me like she might a perp. “Could
I?” she asks baldly.
My hand tightens around the canister. I shake my head.
“That’s what I thought.” Macy tries not to smile, but
I catch it before she slips back into seriousness. “Do you
remember what I told you the night we decided you were
ready to come back home?”
“You said I was capable of making my own decisions.”
“You’re not a kid anymore, Sophie. You’ve been through
too much. And though you’ve made some pretty bad
choices, you’ve made some decent ones, too. You got clean—
and you stayed clean. I believe that. I believe you. And it
would probably be the smart thing to tell you to move on,
that letting go of Mina is the right thing to do. But I see
it in you, babe, how it’s gonna eat you up if you don’t do
something. If you don’t try. Just—” Her phone rings again.
“Dammit,” she mutters.
I take advantage of her distraction. “I’ll be careful, I
promise. Go to Corning.” I unbuckle my seat belt and grab
my bag. “Kick the perv in the balls for me.”
Macy smiles. “That’s my girl.”
Our house hasn’t changed. I don’t know why I thought it’d
look different. Maybe because everything else is. But the
tasteful leather couches and the cherry wood table between
them are still in the living room, the coffee machine in the
kitchen half-full, my father’s empty mug sitting next to the
sink. Just like any other day.
I go upstairs to my room. My bed’s freshly made, and
30
F A R F R O M Y O U
I run my fi ngers over the red fl annel sheets. They’re crin-
kled at the edges, which means Mom put them on herself
instead of having the once-a-week housekeeper do it.
Thinking about her struggling with them in her heels
and pencil skirt, trying to make it nice for me, makes my
eyes sting. I clear my throat, blinking fast, and dump the
contents of my bag onto the bed before going to take a
shower.
I let the water stream over my head for a long time. I
need to wash the smell of rehab—lemon air freshener and
cheap polyester—off of me.
For three months, I’ve been stuck, stagnant and wait-
ing, behind white walls and therapy sessions while Mina’s
killer walks. It hits me all at once that I’m fi nally free and
I jam the faucets shut. I can’t bear to be inside for another
second. I get dressed, leave a note on the kitchen table, and
lock the door behind me. The canister of bear spray is safe
in my bag.
Macy was right—I’m about to stir up some serious shit. I
have no idea why anyone would kill Mina. Which means I
have to be prepared for anything. For anyone.
It’s getting late. But he’ll still be at the park.
The good thing about growing up in a small town is
that everyone knows everyone. And if you’ve got a routine,
you’re usually easy to fi nd.
I walk to the park and get there as the guys playing soc-
cer are fi nishing up their casual game, shirts versus skins.
The sun’s sinking, that dusky time where dark and light
are balanced almost artifi cially, like an old movie, saturated
T E S S S H A R P E
31
with hazy color. I watch from across the street and wait
until a massive, shaggy-haired blond guy in a dingy white
soccer jersey and baggy shorts breaks away from the group,
heading toward the bathroom, the door swinging shut
behind him.
It’s perfect: isolated, with nowhere for him to run. So I
seize the moment.
I want to slam into the bathroom, scare the shit out of
him, grind his cheek against the dirty tile with my foot
until he admits the truth.
Instead, I slip in quietly and lock the door behind me
once I’m sure it’s just him in here.
The toilet fl ushes, and my stomach leaps, part anger,
part fear.
He doesn’t see me at fi rst, but halfway to the sink he
catches sight of me in the mirror.
“Shit.” He spins around.
“Hi, Kyle.”
“I thought you were in rehab.”
“They let me out.” I step forward, and when he moves
away, a sweet feeling rushes through me. Kyle’s huge,
thick-necked and solid—more suited for football than soc-
cer—and I like that he’s a little scared of me, even if he’s just
afraid that the junkie will do something crazy.
I take another step. This time he manages not to retreat.
But he wants to. I can see the fear in that frat-boy-to-be
face.
Fear means guilt.
I pull the bear spray from my purse, unlocking it and
32
F A R F R O M Y O U
raising it to his eye level as I step forward. “You remem-
ber that time Adam’s brother accidentally got him in the
face with bear spray? We were, what, freshmen? Maybe it
was even eighth grade. . . . Anyway, it’s one of his favorite
drinking stories. Matt To quote Adam: ‘That shit stings like
a fucker.’”
I tap my fi nger on the trigger. Kyle tenses.
“When I was in rehab, I had a lot of time to think,” I
say. “That’s pretty much all you get to do: think about your
mistakes and your problems and how to solve them. But in
all that time, I never came up with the right answers to my
questions.
“Maybe you can help me, Kyle. Why don’t we start with
why you lied to the police about the night Mina died?”
6
FOUR MONTHS AGO (SEVENTEEN YEARS OLD)
The day aft er Mina is murdered, my dad drives me home from the
hospital. We’re silent the whole way. I want to rest my forehead against
the window to let the solidity ground me. But when I lean my temple
against the glass, it presses against the arc of stitches. I wince and pull