Vernon God Little (26 page)

‘You got a hotel?'

‘Twin room, so you better behave – serial killer you.'

I become heavier for her to pull. ‘Wait up – I found somewhere to stay you won't believe – on a beach, with jungle . . .'

‘Eew! With, like,
spiders
and
bugs
?
Eew!
'

‘You never saw
Against All Odds
?'

‘I already paid for the room, Vern, like,
God
.'

Whatever. As we walk, I remember I have to keep enough trouble around me to not give a shit how I act with her. You can only really be yourself when you have nothing left to lose, see? That's a learning I made. It may sound dumb, but it ain't easy when your dreams roll up. Take note, you can feel jerksville lurking in back. And as we know, just by thinking it, you suffer it worse. The learning: potential assholeness when a dream comes true is relative to the amount of time you spent working up the dream. A=DT
²
. It means I could even fucken puke.

She's wearing white shorts, I can't tell yet if there's a visible panty-line because they're kind of crinkled. Maybe one of the crinkles has formed over the topography of her panty-line. She also has a peach-colored T-shirt with a little Scorpio logo on it, and a stiff kind of jacket that she wears over the top. Her long brown limbs are perfectly attached to her body. I kind of frown at the jacket, though. She sees me and smiles.

‘The plane was like a refrigerator.'

It's almost dark when we reach her hotel, one of the bigger ones. She pulls me into the lobby, where all these folk start looking at us. My shoulders hunch. Everything suddenly looks alien, like some kind of store display, with me the only one moving. Except I ain't even moving, not at all. I just become silent.

Taylor collects her key, then her voice goes into overdrive, or underdrive, more like it. ‘C'mon upstairs – you'll like it –
c'mon
.'

I look at her perfect nose and skin and hair. She smiles a crooked little smile, a horn smile, and takes my hand. Actually, she takes my fingers first, just the ends of them, and caresses them all the way up to my palm. I get electric fucken shocks to my boy. We climb into an elevator car and ride up to her room. Nice room
she has, with a view over the whole bay. Little bottles of shampoo glisten under ultra-white lights in the bathroom.

‘Welcome home,' she says. She pulls some tequila miniatures out of the mini-bar, while I just stand here like a spare prick, then she curls up on the bed closest to the window. Somewhere in the composition of the air-conditioning is a licked-skin smell that brings a plague of fruity tangs to mind, damp edges of elastic crusted by sand and sea; salt lips pouting musk and vinegar. I scatter them, and move to the bed. Her sunny-smelling hair makes it seem like a regular day on vacation; fluffy, normal and free – I guess like your sixteenth birthday should feel. But my ole lady will be home, thinking it's my birthday, and trying to shut things out of her mind. She probably bought my cake while I was still there, just to start looking forward to it. I picture a lonely cake on the table, with my mom sobbing over it. ‘Lord, you'll make it
soggy
!' Pam would say. Even the truth of things, like that she'd probably be at the
Barn
with Pam, even that makes me sad. Taylor must pick up some of this backwash, because she throws a tequila at me.

‘Snap out of it.'

I fumble the catch. ‘Tay – you're here to see I ain't committing any murders. You're a witness – right?'

‘Whoa, back up. I don't want to even, like – you know? I'm just here for whatever.'

‘But if a court, I mean if . . .'

‘You ain't
quitting
, are ya, killer? She pats the bedclothes by her thigh. Come to Tay-Tay, you bad boy.'

Taylor raises her bottle, and we slug our tequilas down. I lie back on the bed like I'm wearing guns. She crawls half off the bed to grab some beers, and as she does it, her ass strains into the air. Panty-line. Bikinis. I'm fucken slain. In my dreams we're always alone, stuck tight together, somewhere secluded and safe, but never anywhere fancy like furnished rooms. Always just in a gap in some bushes, or in a field, where she absorbs me like an ameba, all kiss-smell, and thighs, and lips blow-drying the sweat on my
skin. Part of the dream includes a kind of yearning to be in a room, all locked up with her, but I never am. Until now.

After four drinks, I'm laid back on one elbow feeling like it's my birthday. Drinks are wonderful that way. Taylor kicks off her leather sandals, one of them flies behind the TV. She runs a finger around the lip of her bottle, and studies me through vixen eyes.

‘Vernon, tell me all those things you did.' Her voice is like a little girl's.

What did I say about trouble? She rolls closer until there's an inch of breath between us, alcohol haze with a far-away hint of cheese. We don't touch at all, but hang suspended, sucking chemical data like trembling dogs. Then comes a shock from the tip of her nose, wire touching wire. We melt into each other's mouths, my hand finds the round of her ass, surfs it, a finger charts an edge of panty – doesn't pick, or lift – just teases and glides, moving higher, feeling the climate change around her rudest rebellion, all for Vern.

‘Violent, nasty boy,' she says. ‘Tell me you killed for Tayla.'

Her whisper becomes a thread in the lace, fibrous and baking with desperate heat. She squirms out of her shorts, kicking them onto the floor by the mini-bar. Panties – The Final Frontier. I lower my face as the creases on her mound disappear, taut glory unfurling, pressing into my touch, forcing my hand flat to squeeze nectar through the silk, lagoons that trickle over the elastic and run down her thigh.

‘Death-bug –
God
, murder –
uuugh
,
God
...'

She tries to close back her legs, wriggles hard, but she's lost, I'm on fire, committed even more now she's shy of her musky damp. I pull aside her weeping panty to face a delta writhing with meats, glistening with sweat carrying spicy coded silts from her ass; olives, cinnamon dust and chili blood. She gives up, beaten, without a secret left in the animal world. Her knees bend up and she takes in my tongue, my finger, and my face, she cries and bucks, horny ridges, ruffles, and grits suck me up, suck me home to the stinking wet truth behind panties, money, justice, and slime, burning trails through my brain like acid through butter. Pink Fucken Speed.

‘Ugh,
fuck!
Tell me what you did to those people, tell me you
loved
it.'

I don't make a sound.

‘
Tell me! Tell me you killed!
'

She starts to tighten her legs, draw away, and I whisper until she relaxes, and pulls me back to her vee. I've heard about these kinds of girls.

‘
Did you, Vern, did you do all that for me – for us . . .?
'

I feel a fatal oscillation on the head of my man, press him into the bedclothes, rub the stitching across his veins. ‘Yeah,' I moan. ‘I did it for you.' I keep whispering, but a new reality seeps into me, heavy like the beginnings of an infection. Suddenly her pout turns to rubber, her breeze to raw shrimp and metal-butter. Something ain't right. She scoots to the edge of the bed. Her cleft sneers through the silk of her panties as she bends over one last time. I know I've had the last of Taylor Figueroa. My world dissolves under my belly with a jet like stung snakes squirted out through their own eye-holes. Then quiet. Just a slow ocean moving slowly, and spit-curry after-poon drying cold on my face. Taylor pulls up her shorts, ties her sandals, flicks her hair in the mirror.

‘Okay!' she says into the breast of her jacket.

The door opens and four men walk in. I shield my eyes from the glaring camera lights. ‘Vernon Gregory Little?' asks one. Like – duh.

I could handle everybody in the lobby staring at me, if only one of them was Taylor. She doesn't stare, or even look. She crouches next to a smiling technician, and listens to an earpiece connected to wires in her jacket.

Then she giggles into a microphone. ‘It's so
exciting
. You really think I can anchor the show? Like,
God
, Lalito . . .'

I'm led away from her crouching ass, an ass barely dry with my spit and my dreams. Her careless laugh follows me from the lobby. People around the hotel entrance fall silent when I come through in hand and leg cuffs. You can actually hear indoor palms
arustling in the air-conditioning, that's how quiet things get. Quiet and icy-cold, I don't have to tell you. A plane is waiting at the airport. Right away you know some money got invested in the story. Like, it'd be hard to tell some anchorman it was all just a big mistake. Anchormen across the land would drop mountainous loads if you tried to tell them that. I struggle to work up some cream pie. But I can't, can I fuck. Instead I choke on aviation perfume, and the ‘Goodbye' sound of jets whining, like when Nana used to go up north. Across the way, you can see stressed passengers shuffling to immigration without a thought in their heads except the shine on their mall-brand luggage. Me, I'm tied in a metal tube with two marshals who choose conversations according to how well they contrast with the fucken shit I'm in. Talk about their car, a steak dinner, a ball game. One of them farts.

I just sit and watch a flashbulb on the tip of the wing light up the dark outside. After a couple of hours of flashes, which is a lot, we descend through puffy tumors that hang over Houston Intercontinental airport. When the plane turns to land you get a view of eight thousand patrol cars on the ground, lights flashing off recently wet concrete, and probably sirens and game-show buzzers running as well. All for little Vernon, Vernon Little. After landing, the plane turns toward some bleachers set up around an empty section by the airport perimeter. We slow and park sideways to the stands, and I'm drenched through the window by flashlight from crowds of media. You physically feel the jackrabbit pulse that says, ‘
There he is!
' It's Tuesday, exactly three weeks since hell's tumble-dryer went to work on our lives. Although it's four in the morning, you just know every household in the land is tuned in. ‘
There he fucken is!
'

The marshals handle me down the steps of the plane, and parade me in front of the bleachers. Behind the bleachers is a fence, and behind the fence you can sense hordes of angry people, the type that show up wherever angry people are needed. I'm lifted into the back of a white truck, where some men in lab
coats and helmets are waiting. They harness me into a chair, and we get escorted into town by half the world's police cars. All the world's helicopters ride overhead, beaming lights down like a Hollywood premiere, the fucken Slime Oscars, boy. One learning I can give you from here: patrol cars don't smash up everywhere. Not at all. Nor do you get any simple ideas about how to distract the cops while you make a break for it, and leave them smashing into each other, and driving off bridges and shit. What's more, as soon as you're in a patrol car, you're immediately visited by the certainty that it won't happen. They drive fucken straight, take note.

Everybody has their fucken fun tonight, showing some future impartial jury how innocent I must be. Then I get banged back up to hell. Not back home, but down here, in Harris County, where all the big stuff happens.

I close my eyes in the cell, and do a re-cut of my life. In my cut of the thing, I ain't even in shit at all. Instead, I'm the kid out there who hears about somebody
else's
trouble, maybe some
other
kid took his dad's assault rifle to class and blew away half his buddies, Lord knows it fucken happens. Maybe I'd be the kid just
hearing
about it. Hearing about some poor fuck, probably the quiet one, the wordsmith, the one with thoughts and shit, at the back of the class. Until the gun came to school. I'd be the guy just
hearing
about it, with the tickly kind of luxury of deciding whether to be sympathetic or devastated, or not even pay attention at all, the way people do when shit happens that doesn't involve them. That's the kind of day I re-shoot in my head. Still full of different melted things, and dogs and all, but with me the outsider, up the street getting ice-cream, ignoring my carefree years, the way we do, and just getting bored and ornery.

I'm trying to sleep when the other cons on my row are waking up. One of them hears me sigh, and tosses some words through his door. ‘Little? You a fuckin star!'

‘Yeah, right,' I say. ‘Tell the prosecution.'

‘Hell, youse'll get the
bestest
fuckin attorneys, hear what I'm sayin?'

‘My attorney can't even speak fucken English.'

‘Nah,' says the con, ‘they dissed his ass, he history. I saw on TV he said he still workin on it, but that's bullshit, he ain't even hired no more. You get big guns now, hear what I'm sayin?'

The guy eventually quiets up, and I snatch an hour of shitty sleep. Then a guard comes to maneuver me to a phone at the end of the row. He marches me proudly past all the other cells, kind of parades in front of them, and everybody jams up to their doors to watch me pass.

‘Yo, Burn! Burnem Little, yo!'

I get sat by the phone. The guard fits himself an earpiece, then dials home for me. The number's disconnected. I get him to dial Pam's.

‘Uh-huh?' she answers through a mouthful of food. ‘Pam, it's Vern.'

‘Vern? Oh my Lord, where
are
you?'

‘Houston.'

‘Hell, that's right – we saw it on TV. Are they feeding you?'

The guard leans over and whispers, ‘Egg and chorizo, half an hour.'

‘Uh – egg and chorizo, we're having.'

‘What, just that? Just chorizo and egg?'

The guard frowns. He makes the motions of a full tray of trimmings.