Voices (10 page)

When Orrec Caspro set off the next time to entertain the Gand of the Alds of Ansul, his retinue was Chy the lion tamer, Shetar the lion, and Mem the groom.

Mem was anxious and uneasy. What if the Alds asked me to unsaddle Branty, or tried to talk groom-talk with me? They'd know in a moment that I didn't know a hock from a pastern. No fear, said Gry, they were just like Gudit, they wouldn't allow a strange boy in their stables with their prized horses. Anyhow, she'd keep me right beside her when we were at the Palace. All I had to do as Mem was walk through the streets at Branty's head, groom fashion, as if Orrec needed help managing his horse.

So I did that, feeling foolish and quite frightened. Branty was a comfort to me. He walked along, his shod hoofs ringing loud and regular on our stone-paved streets, his big head nodding up and down beside me, ears flicking forward and back; now and then he blew air out his nostrils. His big, dark eye had a kind look in it. He was old—older than I was—and had travelled over all the Western Shore. Where Orrec asked him to go he went with a noble patience. I wished I was like him.

We followed Galva Street up the low hill from Goldsmiths' Bridge to the square before the Council House. I looked at that building with a swell of pride. It is broad and tall, built of silvery-grey stone, with rows of high, delicate windows. It's dome of copper rises lightly above all the roofs of the city as Sul floats above the lower mountains. Steps go up from the great square to the terrace in front of the doors, where people used to make speeches and debate, when we governed ourselves. The Waylord had told me the terrace was so constructed that if you stood in front of the central doors and spoke only a little louder than usual your
voice could be heard all over the square. But I'd never been up those steps; I'd never even walked on the square before. It belonged to the Alds, not the citizens.

In the middle of it stood the huge tent with it's red peaks and long red banners flying from the poles, almost hiding the Council House.

An officer came to meet us as we approached the entrance to the square and ordered the blue-cloaked guards to let us pass.

Men came to meet us from the stables, off to the left of the square. I held Branty while Orrec dismounted, and an elderly Ald took the reins from me and with a little
tck-tck
to Branty led him away. Chy the lion tamer came up next to me, with Shetar short-leashed, and we followed Orrec across the pavement. There was a carpet in front of the tent and a folding chair and a parasol for Orrec; no seats for us, but a little boy, a siege brat, a slave, handed Chy a parasol of red paper. We stood behind Orrec. Chy at once gave me the parasol to hold over the three of us, and stood with arms folded in a lofty posture. I saw that this would make sense to the Alds, who would see me as Chy's or Orrec's slave.

The Alds' slaves here at their court all wore a robe or tunic of coarse striped cloth, grey and white or dun
and white. Some were Alds and some my countrymen. They were all men or boys. The women would be kept elsewhere, indoors, hidden. And none of them would be Alds.

Various courtiers in various kinds of finery came out of the tent, and several officers came up from the barracks which the Alds built above the East Canal behind the Council House, where our voting booths used to be. When at last the Gand came out of the big tent, everybody stood up. Two Ald slaves followed him; one held a huge red parasol over his head, while the other held a fan in case the Gand needed to be cooled off. It was a mild spring day, the sun mostly veiled by light clouds, a soft sea wind blowing. Seeing the slaves stand there with their silly equipment I thought how stupid the Alds were—couldn't they look around and see they didn't need parasols, or fans, or the wide-brimmed hats the courtiers wore? Couldn't they see this wasn't the desert?

Imitating the behavior of the Ald slaves, I didn't look directly at the Gand Ioratth, but stole glances. He had a heavy, seamed face, sallow like most Alds, with a short hawk nose and narrow eyes. The Alds' pale eyes always make me queasy, and I've thanked my ancestors
many times for letting me have the dark eyes of my people. The Gand's sheep hair was short and grey, frizzing out under his hat; his eyebrows frizzed out too, and a short rim of close-cut grey beard followed his jawline. He looked tough and tired. He greeted Orrec with a smile that lightened his face and a gesture I had never seen any Ald make, opening out his hands from his heart in welcome with a bow of his head. It seemed a greeting to an equal. And he called Orrec "Gand of the Makers."

But he won't let him under his roof, I thought.

"Heathen," they called us. A word we learned from them. If it meant anything, it meant people who don't know what's sacred. Are there any such people? "Heathen" is merely a word for somebody who knows a different sacredness than you know. The Alds had been here seventeen years and still hadn't learned that the sea, the earth, the stones of Ansul are sacred, are alive with divinity. If anybody was heathen it was them, not us, I thought. So I stood stewing in my resentment and not listening to what the men said, Ioratth and Orrec, the two princes, the tyrant and the poet.

Orrec began to recite, and the viol of his voice woke me to hearing; but it was some Ald poem the Gand had asked for, one of their endless epics about wars in the desert, and I wouldn't listen.

I looked among the courtiers for the Gand's son Iddor, the one who had teased Shetar. He was easy enough to pick out. He wore a lot of finery, with feathers and cloth-of-gold ribbons on his fancy hat. He looked a good deal like his father, but was taller and handsomer, although very light-skinned. He was restless, always talking to a companion, fidgeting, gesturing, moving his body. The old Gand sat unmoving, intent on the story, his linen robe falling as if carved of stone, his short, hard hands spread on his thighs. And most of his officers listened as intently as he did, drinking in the words. Orrec's voice sang with passion, and I began hearing the story in spite of myself.

When he stopped, after a tragic scene of betrayal and reconciliation, the hearers all applauded by hitting their palms together. The Gand had a slave bring Orrec water in a glass. ("They'll break it, afterwards," Chy murmured to me.) Plates of sweets were offered about, not to Chy or me. Ioratth leaned forward holding out a morsel of something to Shetar. Chy led her forward. She sat down, sniffed the candy politely, and looked away. The Gand laughed. He had a pleasant laugh that
creased his whole face. "Not food for a lion, eh, Lady Shetar?" he said. "Shall I send for some meat?"

Chy, not Orrec, answered him, gruff and brief: "Better not, sir."

The Gand was not offended. "You keep her to a diet, eh? Yes, yes. Will she do her bow again?"

I could not see that Chy moved or did anything, but the lion stood up and did a deep cat stretch in front of the Gand. While he laughed, she looked round for the little ball of bone marrow that was her reward, and Chy slipped it into her mouth.

Iddor had come forward and said now to Orrec, "What did you pay for her?"

"I got her for a song, Gand Iddor," Orrec said. He spoke still seated;he was tuning his lyre, an excuse for not rising. Iddor scowled. Orrec looked up from the instrument and said, "For a tale, more truly. The nomads who had the cub and her mother wanted to hear the whole tale of
Daredar
told, so they'd know more of it to tell at their shows. I told it for the three nights it takes to tell, and for that my reward was the lion cub. We were all well satisfied."

"How do you know that tale? How did you learn our songs?"

"I hear a tale or a song, and it's mine," Orrec said. "That's my gift."

"That and the making of songs," said Ioratth.

Orrec bowed his head.

"But where did you hear them?" the Gand's son insisted. "Where did you hear
Daredar
told?"

"I travelled in northern Asudar, Gand Iddor. Everywhere the people gave me their songs and stories, telling and singing, sharing their wealth with me. They didn't ask for payment, not a lion cub, not even a copper penny—only a new song or an old tale retold. The poorest people of the desert are most generous in word and heart."

"True, true," the elder Gand said.

"Did you read our songs? Have you put them in books?" Iddor spat out the words "read" and "books" as if they were turds in his mouth.

"Prince, among the people of Atth I live by the law of Atth." Orrec spoke not only with dignity but fiercely, a man whose honor has been challenged answering the challenge.

Iddor turned away, daunted either by Orrec's direct response or by his father's glare. He said, however, to one of his companions, "Is it a man, then, playing that fiddle? I thought it was a woman."

Among the Alds, only women play the plucked and bowed instruments of music, and only men the flutes and horns—so Gry told me later. All I understood then was that Iddor wanted to insult Orrec, or wanted to flout his father, and insulting Orrec was a way to do that.

"When you are refreshed, Maker, we should like to hear you speak verse of your own making," Ioratth said, "if you will forgive and enlighten our ignorance of the poetry of the west."

It surprised me that the Gand spoke so formally and elaborately. He was an old soldier, no doubt about that, and yet everything he said was measured, even flowery, with archaic words and turns of phrase, pleasant to hear. It was the way you might expect a people to speak who shunned writing and made all their art of words aloud. Until now I had hardly heard an Ald say anything, only shout orders.

Orrec was quite able to give as good as he got in polite exchange as well as verbal duelling. Earlier, reciting from the
Daredar
epic, he had laid aside his northern accent and spoke like an Ald, blurring the harsher consonants and stretching out the vowels. Answering the Gand now he kept that softness. "I am the last and least of that line of makers, Gand," he said, "and it is not in
my heart to put myself before far greater men. Will you and your court permit me to say, rather than my own verses, a poem of the beloved maker of Urdile, Denios?"

The Gand nodded. Orrec finished tuning his lyre, explaining as he did so that the poem was not sung, but that the voice of the instrument served to set the poetry apart from all words said before and after it, and also to say, sometimes, what no words could. Then he bowed his head to the lyre and struck the strings. The notes were plangent, clear, impassioned. The last chord died away, and he spoke the first words of the first canto of
The Transformations.

Nobody moved till he was done. And they were silent for a long moment afterwards, just as the crowd in the marketplace had been. Then they were about to clap their hands in praise, but the Gand held up his hand in a sudden gesture—"No," he said. "Again, Maker! If you will, speak us this marvel once again!"

Orrec looked a little taken aback, but he smiled and bowed his head to the lyre.

Before he touched the strings a man spoke loudly. It was not Iddor but one who stood near him among his troop: he wore a red-and-black robe and a red headdress that came down straight, boxlike, from a high red
hat to his shoulders, hiding his head and leaving only his face visible. His beard had been singed off, leaving a burnt frizz along his chin. He carried a long, heavy, black stick as well as a short sword. "Son of the Sun," he said, "is not once enough and more than enough to hear this blasphemy?"

"Priest," Chy whispered to me. I knew he was a priest, though we didn't see them often. Redhats, we called them, and hoped never to see them, for when a citizen was to be stoned to death or buried alive down in the mudflats, it was the redhats who did it.

Ioratth turned to look at the priest. It was like the turn of a hawk's head, a quick, how-dare-you frown. But he spoke mildly. "Most Blessed of Atth," he said, "my ears are dull. I heard no blasphemy. I beg you to open my understanding."

The man in the red headdress spoke with great assurance. "These are godless words, Gand Ioratth. There is in them no knowledge of Atth, no belief in the revelations of his sacred interpreters. It is all blind worship of demons and false gods, talk of base earthly doings, and praise of women."

"Ah, ah," Ioratth said, nodding, not contradicting but not seeming shaken by this denunciation. "It is true
that the heathen poets are ignorant of Atth and his Burnt Ones. They perceive darkly and in error, yet let us not call them blind. The fire of revelation may yet come to them. Meanwhile, we who were forced to leave our wives long years ago, do you begrudge even our hearing a word about women.? You the Blessed, the Fire-Burnt, are above pollution, but we are only soldiers. To hear is not to have, but it gives some comfort none the less." He was perfectly solemn saying this, but some of the men about him grinned.

The man in the headdress began to reply, but the Gand abruptly stood up. "In respect for the sacred purity of the Fire-Burnt," he said, "I will not ask the Blessed Rudde or his brothers to stay and listen longer to words that offend their ears. And any other man who does not wish to hear the heathen poet's songs may go. Since only he is cursed who hears the curse, as they say, those who have dull ears, like me, may stay and listen safely. Maker, forgive our disputes and our discourtesy."

He sat down again. Iddor and the redhats—there were four of them—and the rest of Iddor's group all went back into the great tent, talking loudly, discontented. One man who stood near Ioratth also slunk
away as unnoticeably as he could, looking anxious and unhappy. The rest stayed. And Orrec struck the lyre, and spoke the opening of
The Transformations
again.

The Gand let his people applaud at the end, this time. He had another glass of water brought to Orrec ("Fortune in crystal," Chy hissed to me), and then he dismissed his retinue, saying that he wished to speak with the poet "beneath the fern-palm," which evidently meant in private.

A couple of guards remained standing at the tent entrance, but the officers and courtiers went back into the big tent or to the barracks, and Chy and I were dismissed by the officious slave with the fan. We went to the stable side of the courtyard, following several men who, I realised now, had come from the stables or elsewhere to hear the poetry and had been standing all along unobtrusively on the fringe of the group. Some were soldiers, others hostlers, a couple of them were boys. Most of them were interested in Shetar. They wanted to get closer to her than Chy would let them get. They tried to strike up conversation, asking all the usual questions—what's her name, where did you get her, what does she eat, has she killed anybody. Chy's answers were curt and haughty, as befitted a lion tamer.