Water Street

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Authors: Patricia Reilly Giff

Tags: #Ages 8 and up

BOOK: Water Street
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For more than forty years, Yearling has been the leading name in classic and award-winning literature for young readers.

Yearling books feature children's favorite authors and characters, providing dynamic stories of adventure, humor, history, mystery, and fantasy.

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With love
to
James Patrick Giff,
Immortality

I am so grateful to Wendy Lamb for her unfailing support and belief in my books;

to George Nicholson, my agent, for all the years of advice and friendship;

to Kathy Winsor Bohlman for her expertise in more areas than I can count;

to my three children: Jim, who shares the world of books and ideas with me; Alice, who reads and warms my heart with her praise; and Bill, who has spent so many hours on my manuscripts, thoughtfully reviewing, and adding immeasurably to my work. I am blessed by their love.

And always, gratitude to my husband, Jim, who makes life as sweet as it is.

BEFORE

Thomas had made himself a notebook with cardboard covers and sewed in the pages, but if the book wasn't handy, he used anything, paper bags from the market, or even the edges of the newspaper.

He wrote stories about anything he saw, and he saw a lot. He walked through the streets of Brooklyn along the water, or leaned against the store windows on Livingston Street watching people hurrying along, making up stories about this one or that one.

Sometimes he thought about how it had started, this writing of his, and his mind jumped to the woman's collar and the cuff of her sleeve with a wrist barely visible.

Strange, he couldn't picture her face, and he didn't know her name anymore, but he knew what she'd been doing, teaching him letters, teaching him words, leaning forward, and he remembered something she had said: “With just the sweep of a pen, Thomas, you can change the world, all of it.”

He hadn't known what she was talking about then; he'd thought it was impossible. But he'd known it for a long time now, ever since he'd begun to write, really write. He could decide whatever world he wanted on paper, and that was the world it would be.

But now he turned the corner to see the bridge towers that were going up; someday there'd be a span crossing the East River, reaching from one tower to the other. In front was Water Street.

Grand name for a street.

Halfway down was a brownstone building with a sign:
TOP FLOOR VACANT.
You could probably see the towers from up there. You could look down and see everything. There must be dozens of stories right in that street.

Pop was ready to move again, Thomas could see that. They'd lived in four, no, five different places in the past few years. Thomas hurried back along the way he'd come. If Pop was around, he'd tell him about the place. And even if he didn't come in until the middle of the night, Thomas would wait up for him.

Water Street.

CHAPTER ONE
{BIRD}

Bird clattered down the stairs in back of Mama, past Mrs. Daley's on the first floor, and Sullivan the baker at the window in front. Outside she and Mama held hands, swinging them back and forth as they hurried along Water Street.

“Hot.” Bird squinted up at the sun that beat down, huge and orange.

“Even this early,” Mama agreed.

For a quick moment, they stopped to look at the tower standing by itself at the edge of the East River. One day it would be part of a great bridge.

What would it be like to stand on top, arms out, seeing the world the way a bird would? she wondered.

Bird, her nickname.

She pulled her heavy hair off her neck. “Mrs. Daley says they'll never be able to finish that bridge. She says it will
collapse under its own weight and tumble right into the river.”

They said it together, laughing: “Mrs. Daley says more than her prayers.”

“Still,” Bird said, “half of Brooklyn says the same thing.”

“Not I,” Mama said, “and not your da. We know anything is possible, otherwise we'd still be in the Old Country scrabbling for a bit of food.”

Bird glanced at Mama, the freckles on her nose, her hair with a few strands of gray coming out of her bun ten minutes after she'd looped it up: Mama's strong face, which Da always said was just like Bird's. She couldn't see that. When she looked in the mirror, she saw the freckles, the gray eyes, and the straight nose, but altogether it didn't add up to Mama's face.

She was glad to reach the house on the corner, the number 112 painted over the door, and the vestibule out of the sun.

They climbed the stairs, the light dim as they stopped to catch their breath on each landing. “Let me.” Bird took the blue cloth medicine bag that hung over Mama's shoulder. “It seems your patients are always on the top floor.”

“Ah, isn't it so,” Mama said, holding her side. “And the babies always coming in the dead cold of winter, or on steamy days like this.”

Bird could feel the tick of excitement. Mama's words to her were deep inside her head:
“Only days until your thirteenth birthday. You're old enough to come with me for a birthing.”
Bird's feet tapped it out on the steps:
a baby, a baby.

She'd been helping Mama for a long time, chopping her healing herbs and drying them, helping to wash old Mrs. Cunningham, bringing tonic to Mr. Harris. But this! A baby coming! She couldn't have been more excited.

On the fifth floor, the door was half-open. Two children played under a window; an old man rocked in the one chair, a toddler on his lap pulling at his beard. “The daughter's inside,” he said.

In the bedroom, the daughter lay in a nest of blankets, her head turned away, her hair in long dark strands over the covers. She made a deep sound in her throat, then turned toward them, and Bird could see how glad she was that Mama was there.

Who wouldn't be glad to see Mama, who knew all about healing, about birthing? Mama, who always made things turn out right.

Mama patted the woman's arm. “I know, Mrs. Taylor.” She nodded at Bird. “Now here's what you'll do. You'll sit on the other side of the bed there. Hold her hand, and cool her forehead with a damp cloth.”

Easy enough, Bird thought.

“And I'll have the work of it,” the woman said before another pain caught her, blanching the color from her cheeks.

“You've done it all before.” Mama leaned over to open her bag. “After three girls, there's nothing to the fourth, is there now?”

Mama made a tent of the blankets so she could help with the birth, and Bird went into the other room to fill a pan with water and wring out a rag. She stepped over the
children as she went, bending down to touch the tops of their heads.

Back in the bedroom she ran the rag over the woman's neck and face. She held her hand during the pains for as long as she could stand it, then pulled her own hand away in between each one. Bird's hands were larger than Mama's already, but still she felt as if her fingers were being crushed in the woman's grip.

At first the woman talked a little, telling them that her husband wanted a boy, that he wouldn't forgive her if it was another girl, but after a while it was only her breathing Bird heard in that stifling room, and sometimes that sound in her throat, but Mama's voice was sure and soft, telling her it wouldn't be long.

Bird sat there thinking about the miracle of it, to be like Mama, to be able to do this. She wanted nothing more than that, to go up and down the streets of Brooklyn, with all that Mama knew in her head, the herbs to cure in a bag looped over her arm, the babies to birth. Bird watched Mama wipe her own forehead with her sleeve, then put her hands on the woman, pressing down and murmuring, “Take another breath, and as you let it out, push with me, push.”

It went on and on, and the room was filled with that July heat, with air that never moved. Such a long day, and the sounds the woman made were much louder now, so loud that the two children came to the door, staring in, until Mama realized they were there. She reached with her foot to push the door and gently closed them out.

And then the smell of blood was in the room, and the
baby slid into Mama's hands, wet and glistening. “A girl.” She handed her to Bird.

Too bad about the foolish husband, Bird thought, looking down at the baby, who was pale, and tiny, and crying weakly. “Beautiful,” she breathed, then washed her with water from the pan and wrapped her in the receiving blanket Mama took from her bag.

Bird could feel the wetness in her eyes from the wonder of it, and the woman sighed and asked, “What's your name?”

“Bridget Mallon.” The name sounded strange; no one called her anything but Bird.

“Bridget,” the woman said. “Then that will be her middle name. Mary Bridget.”

Bird felt a rush of tears. “For me? How can I ever—” She rocked the baby gently. This was just the beginning, her first baby, and there'd never be another like her. It was almost as if that baby were looking straight at her, and that she knew it, too. Mary Bridget. A person with a name.

Mama went into the other room to wash her hands, then came back to clean the woman.

Bird hated to give the baby up, but Mama raised her eyebrows, so she kissed the baby's cheek and put her into the woman's arms.

“How disappointed he'll be,” the woman said.

“He's lucky,” Bird said fiercely, then rinsed the woman's face one last time.

As they left the apartment, the old man pressed a few coins into Mama's hand. Bird knew at least one of those
coins would make its way into the saving-for-the-farm box in the kitchen drawer. That box had been filling slowly for all the years she could remember.

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