Read Watercolor Painting for Dummies Online
Authors: Colette Pitcher
Tags: #Art, #Techniques, #Watercolor Painting, #General
Watercolor Painting for Dummies (13 page)
Before you paint, you need to get the paints in your palette ready for painting, or as I say, you need to
activate
your paints. (Chapter 2 shows you how to put your pigments into your palette using the color wheel as a guide.) When paint sits, it dries out. You can still use it; you just need to get it juiced up and ready to go. Add water by dropping it in with your brush or spraying the paint with your spray bottle. You can mix the dry pigment and water in the well, or you can make a puddle in the mixing area of the palette until the paint is the consistency of ink and the color is what you want.
Get in the habit of having paint ready so you don’t have to stop in the middle of painting to mix more. When you’re starting out, you may not know how much paint to mix, so mix more than you think you’ll need if you don’t want to stop and make more in the middle of the painting. If you have to call a halt while you’re in the middle of a wash, the wash may dry and cause you to miss the opportune time to add paint while it’s still damp. I often spray my whole palette so all the colors are damp and ready to paint. If you know you only need a couple of colors to execute a painting, then just activate those.
To activate your paint,
1.
Dip a clean, damp #12 round brush into the well of pure pigment and get a half pea–size amount out.
If the paint is dry or in pan form, gather paint by wriggling the wet brush hairs on the pigment and the paint will transfer. You won’t get a measurable size (like a pea), but you’ll pick up enough paint to move to the mixing area.
Use a clean brush every time you change colors. Clean the brush by swirling it in your filled water container to remove any previous paint. You want to keep the wells of pure pigment uncontaminated by other colors.
2.
Place the pigment on the mixing area and add a little water by dipping the hairs of the brush into the water container and bringing it back to the mixing area.
Add this brush load of water to your pigment in the mixing area. Water dilutes the paint. You can get a wide range of
value,
light to dark, by the amount of water you add to paint. (Chapter 5 explores values.) You can adjust the color by adding more water or more pigment. The paint should become liquid.
After a bit of time, paint dries out and forms little chunks of hard pigment. If you apply paint straight from the well onto your paper, the brush may pick up a chunk of pigment that can leave a streak of color behind. This all happens in the blink of an eye. Avoid streaks by pulling the paint into the mixing area and adding a little water and mixing it until it’s smooth and chunk-free.
3.
Swirl the water and paint together with the brush.
You should have a nice even mix of color with no lumps.
Test the color by painting a brush stroke on a scrap of paper.
Add more water if it’s thick and too dark.
Add more pigment if the color is too pale. Evaluate the color after it’s dry because it will dry lighter.
Use several brushes — one for each color — to activate your paint. You save pigment by not constantly rinsing out all the color. Just set the brush by the color without rinsing, and it will be ready to go when you need that color.
The mixing area should be large enough to be able to mix several puddles of color without them flowing together. If you need more mixing area, use the lid from your palette.
For most applications, you hold and use your brush like you do a pen or pencil (see Figure 3-1a). However, holding your brush other ways produces other techniques:
On the side:
Try holding your brush like you would grip a stair railing. The bristles should come out next to your thumb as you use all four fingers to hold the handle (see Figure 3-1b). The brush lines up parallel to the paper so that when you apply paint, the side of the brush creates wide strokes.
Toward the end:
You can get more movement when you grip the brush loosely near the end of the handle (see Figure 3-1c). Think like an artist here and step away from the paper. Stand back, hold your arm out, and use your whole arm to paint.
The way you apply paint is called a
stroke.
Because oil paint is thick, the strokes are visible, and an oil painter has to think about brush strokes that remain in the paint. As a watercolorist, you don’t have that concern. Watercolor strokes don’t show because the paint lies flat. You can get several types of strokes from the same brush, and the many types of brushes can help you produce a vast array of strokes. (See Chapter 2 for more on brushes.)
Figure 3-1:
Several ways to hold your paintbrush.
Experiment with your brushes to explore the strokes that are possible. You may want to use brush stroke paper available in art supply stores. The paper is gray but turns black when clear water is applied to it, so you can see what your stroke looks like. When the water dries, the color reverts to gray, so you can use the paper over and over. And water is all you should put on this paper; you can’t use it again if you put paint on it. If you don’t want to buy special paper, you can do the same thing with water and regular watercolor paper. If you want a permanent record of different strokes, use paint on regular watercolor paper.
Most brushes fall into one of two categories: rounds and flats. The following sections tell you how to use different types of brushes to produce different types of strokes.
The mixing area of your palette can get messy. When it’s too messy, you may not be able to mix fresh clean colors. The solution is easy: Take the damp sponge that always sits by your water container and sponge up the dirty watercolor. Don’t forget to rinse the sponge until it’s clean again.
If the palette is really dirty, you may want to clean it beside the sink. Scoop any old and chunky paint out of its well, clean the well with your water-soaked sponge, then put in fresh paint.
After you use a palette for a long time, it may become discolored by staining paint. If the stain bothers you, scrub it with a little bleach mixed with water to make it white again. Clean the bleach off completely so it doesn’t influence future paint.
Like your house, cleanliness is a matter of style and taste. I have seen beautiful paintings come from disgustingly dirty palettes. I have also seen artists who keep their palettes neat and tidy at all times. Most of us live somewhere in between.
