Read What Matters Most is How Well You Walk Through the Fire Online
Authors: Charles Bukowski
I am
one of them.
how did we get here?
where are our ladies?
what happened to
our lives and years?
this appears to be a calm Sunday
evening.
the waiters move among us.
we are poured water, coffee, wine.
bread arrives, armless, eyeless bread.
peaceful bread.
we order.
we await our orders.
where have the wars gone?
where have, even, the tiny agonies
gone?
this place has found us.
the white table cloths are placid ponds,
the utensils glimmer for our
fingers.
such calm is ungodly but
fair.
for in a moment we still remember the
hard years and those to come.
nothing is forgotten, it is merely put
aside.
like a glove, a gun, a
nightmare.
3 old men at separate tables.
eternity could be like this.
I lift my cup of coffee,
the centuries enduring
me,
nothing else matters so
sweetly
now.
this then
is the arena
forevermore.
this then is the arena
where you must
succeed or fail.
you have had some
success here
but they expect more
than that
in this arena.
there have been defeats too,
befuddling defeats.
there is no mercy in this
arena,
there is only victory or
defeat,
something living or something
dead.
this arena
is neither just
nor good.
there is no permanent
escape from this
arena.
and each temporary escape
has a permanent price.
neither drink nor love
will
see you through.
in this arena
now
stretching your arms
looking out the window
watching cats and leaves and shadows
thinking of vanished women and old automobiles
while Europe runs up and down your rug
you can only sing popular melodies
in the last of your mind.
this is plagiarism, of course, sitting here with
my hands and my feet,
sitting here lighting another deadly
cigarette,
then pouring more deathly booze into
myself,
and this is plagiarism
because I used to read Pound to my
drunken prostitute, my first
love.
I just didn't know, still don't.
I buried her, went on to
others,
then got married in Las Vegas,
and lost.
what we'd all like to do, of
course, is to cut through the
fog of centuries
and get down into where it
shines and blazes,
blazes and shines,
roars.
I gave it a shot,
missed.
I go to CoCo's,
get my Senior Citizen's
Dinner,
good deal, soup or salad,
the beverage, the main
course, cornbread
too.
and I sit with the
other old
farts,
listen to them
talk,
not bad, really, they've also
been burned down to the
nub.
now I sit here
plagiarizing, still probably
zapped by the Key West
Cuba Kid Fisherman
who opted out over his
last orange juice
somewhere in
Idaho.
we all steal.
but I'll tell you
the plagiarism I like best
is this pouring of the
cabernet sauvignon,
1988
from the
Alexander Valley.
and once I held a woman's
hand as she was dying of
cancer in a small room on
some 2nd floor
and the stink of it spread
for a thousand yards
everywhere
and I tried not to breathe.
my mother, your mother,
anybody's mother
and she said, dying,
“Henry, why do you write
those terrible
words?”
a man hit a pregnant woman
he seemed to know her
knocked her down on the sidewalk
outside the Mexican food place
she was wearing a black dress with
orange dots
she fell on her back and screamed
she had a bloody nose
and the man was fat
powerful
in workingman's clothes
and a crowd gathered:
“what did you
hit her for?”
“it's not right! you shouldn't do
that!”
he just stood there
looking down at her
as she sobbed
the blood from her nose
running into her
mouth.
more people gathered
there must have been
15 people.
“somebody do something!” a woman
said.
nobody did.
just then an old battered black car
with the headlights on
at noon
came down the street at
70 m.p.h.
a bearded man was driving
swerving to avoid a car
he flashed by with 2 wheels
momentarily up on the
curb near the
crowd.
there were shouts:
“LOOK OUT!”
“JESUS!”
then he got the wheels back down
on the street
fired through the
red light
without hitting a thing and
was gone.
when the crowed recovered
and looked around again
the pregnant woman
was still on the
sidewalk
she looked almost
asleep
but the man was
gone.
“the son-of-a-bitch got
away,” somebody
said.
one man looked up at the
sky
as if looking for an invasion
from space.
the cook from the Mexican cafe
stood in his
dirty apron.
then somebody moved forward and
helped the pregnant woman
to her feet.
I keep getting phone calls from the
helpless and the lonely and the
depressed.
yes, I tell them, that happens to all of
us.
oh, you're writing poems now? I'll buy your
book.
women? you lose them and you find
them. be strong. eat well.
sleep late, if
possible.
you're sick? you should jog, jog
along the water. watch for the
dolphins. you need vitamin E, cigarettes, and a
new typewriter ribbon.
I hang up.
I go over and sit down in front of the
typewriter.
little do they know, those suffering
bastards, that no man is completely
sane. I am sweating behind the ears.
the phone rings again. I
listen. I listen until it stops
then I lean over the
keysâ¦
another great book in the works
for
Barnes and Noble.
I write poetry, worry, smile,
laugh
sleep
continue for a while
just like most of us
just like all of us;
sometimes I want to hug all
Mankind on earth
and say,
god damn all this that they've brought down
upon us,
we are brave and good
even though we are selfish
and kill each other and
kill ourselves,
we are the people
born to kill and die and weep in dark rooms
and love in dark rooms,
and wait, and
wait and wait and wait.
we are the people.
we are nothing
more.
my movies are getting better finally.
but I remember this one old movie I starred in.
I worked as a janitor in a tall office building
at night, with other men and
women who cleaned up the shit
left behind by other people.
those men and women had a very tired and dark and
useless feeling about them.
this one old man and I
we used to work very fast together
and then sit in an office on the top
floor
at the Big Man's desk
our feet up there as
we looked out over the city and
watched the sun come up while
drinking whiskey
from the Big Man's wet bar.
the old man talked and I listened to the
years of his life
not much
he was just another tired guy who cleaned up
other people's shit
and did a good job of it.
I didn't.
they canned me.
then I got a job as a dishwasher
and they also canned me there because
I wasn't a good dishwasher.
this was a seemingly endless low-budget movie
it ran for years and years
it didn't cost 50 million to make
it didn't have an anti-war message
it really didn't have much to say about anything
but you still ought to read my poems
and see it.
a different fight now, warding off the weariness of
age,
retreating to your room, stretching out upon the bed,
there's not much will to move,
it's near midnight now.
not so long ago your night would be just
beginning, but don't lament lost youth:
youth was no wonder
either.
but now it's the waiting on death.
it's not death that's the problem, it's the waiting.
you should have been dead decades ago.
the abuse you wreaked upon yourself was
enormous and non-ending.
a different fight now, yes, but nothing to
mourn, only to
note.
frankly, it's even a bit dull waiting on the
blade.
and to think, after I'm gone,
there will be more days for others, other days,
other nights.
dogs walking, trees shaking in
the wind.
I won't be leaving much.
something to read, maybe.
a wild onion in the gutted
road.
Paris in the dark.
if you're going to try, go all the
way.
otherwise, don't even start.
if you're going to try, go all the
way.
this could mean losing girlfriends,
wives, relatives, jobs and
maybe your mind.
go all the way.
it could mean not eating for 3 or
4 days.
it could mean freezing on a
park bench.
it could mean jail,
it could mean derision,
mockery,
isolation.
isolation is the gift,
all the others are a test of your
endurance, of
how much you really want to
do it.
and you'll do it
despite rejection and the
worst odds
and it will be better than
anything else
you can imagine.
if you're going to try,
go all the way.
there is no other feeling like
that.
you will be alone with the
gods
and the nights will flame with
fire.
do it, do it, do it.
do it.
all the way
all the way.
you will ride life straight to
perfect laughter, it's
the only good fight
there is.
CHARLES BUKOWSKI
is one of America's best-known contemporary writers of poetry and prose, and, many would claim, its most influential and imitated poet. He was born in Andernach, Germany, to an American soldier father and a German mother in 1920, and brought to the United States at the age of three. He was raised in Los Angeles and lived there for fifty years. He published his first story in 1944 when he was twenty-four and began writing poetry at the age of thirty-five. He died in San Pedro, California, on March 9, 1994, at the age of seventy-three, shortly after completing his last novel,
Pulp
(1994).
   During his lifetime he published more than forty-five books of poetry and prose, including the novels
Post Office
(1971),
Factotum
(1975),
Women
(1978),
Ham on Rye
(1982), and
Hollywood
(1989). Among his most recent books are the posthumous editions of
What Matters Most Is How Well You Walk Through the Fire
(1999),
Open All Night: New Poems
(2000),
Beerspit Night and Cursing: The Correspondence of Charles Bukowski and Sheri Martinelli 1960-1967
(2001), and
The Night Torn Mad with Footsteps: New Poems
(2001).
   All of his books have now been published in translation in over a dozen languages and his worldwide popularity remains undiminished. In the years to come, Ecco will publish additional volumes of previously uncollected poetry and letters.
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