Wildwood Dancing (2 page)

Before Father became so ill, Tati and I had scarcely given a thought to such weighty matters as what might happen to Piscul Dracului, with no son to inherit our father’s property. My elder sister was a dreamer, and I had a different kind of future in mind for myself: one in which I would work alongside my father, traveling and trading and seeing the world. Marriage and children were secondary in my scheme of things. Now—with Father’s cough ringing in our ears, and his white face regarding us across the supper table—they had become a frightening reality. I remembered Aunt Bogdana saying that sixteen was the
ideal age for a young woman to wed. Tati was already in her seventeenth year; I was only one year younger.

Father went off to bed as soon as the meal was over; he’d hardly touched his food. The others disappeared to our bedchamber, but I waited for Florica to bank up the fire in the big stove and for Petru to bolt the front door, and for the two of them to retire to their sleeping quarters. Then it was safe, and I ran up the stairs to our chamber, my worries set aside for now, my heart beating fast with an anticipation that was part joy, part fear. At last it was time.

The long room we sisters shared had four round windows of colored glass: soft violet, blood-red, midnight-blue, beech-green. Beyond them the full moon was sailing up into the night sky. I put Gogu on a shelf to watch as I took off my working dress and put on my dancing gown, a green one that my frog was particularly fond of. Paula was calmly lighting our small lanterns, to be ready for the journey.

With five girls, even the biggest bedchamber can get crowded. As Tati fastened the hooks on my gown, I watched Iulia twirling in front of the mirror. She was thirteen now, and developing the kind of curvaceous figure our mother had had. Her gown was of cobalt silk and she had swept her dark curls up into a circlet of ribbon butterflies. We had become clever, over the years, in our use of the leftovers from Father’s shipments. He was good at what he did, but buying Piscul Dracului had eaten up a lot of his funds and, even in partnership with his wealthy cousin, he was still making up for lost ground. I saw the books every day—he had been unable to conceal from
me that finances remained very tight. We sisters had to improvise. We made one new dancing gown anytime a cargo contained a little more of a certain fabric than the buyer had requested. I wore Tati’s hand-me-downs; Paula wore mine. Iulia, with her fuller figure, did rather better, because she could not fit into either Tati’s clothes or mine. All the same, she complained; she would have liked a whole wardrobe of finery. Tati was clever with her needle, and adjusted old things of Mother’s to fit her. Mother was gone. We had lost her when our youngest sister was born. Stela was only five—easy to dress.

Paula had finished lighting the lamps. Now she crouched to bank up the fire in our little stove and ensure its door was safely shut. One year Iulia’s junior, Paula was our scholar. While I was good at figures, she shone in all branches of learning. Our village priest, Father Sandu, came up to Piscul Dracului once a month to provide Paula with private tutoring—I shared in the mathematical part of these lessons—and went home with a bottle of Petru’s finest ţuicǎ in his coat pocket. Most folk believed education of that kind was wasted on girls. But Father had never cared what people thought.
Follow your heart
was one of his favorite sayings.

“What is it, Jena?” Paula had noticed me staring at her. The heat from the stove had flushed her cheeks pink. Her dark eyes were fixed on me with an assessing look. Tonight she was wearing dove-gray, with her spectacles on a chain around her neck, and her brown curls disciplined into a neat plait.

“You look pretty tonight,” I said. “So do you, Stela.” Stela, our baby, was rosy-cheeked and small, like a little bird, maybe
a robin. Her hair, the same ebony as Tati’s, was wispy and soft, and tonight it was tied back with rose-pink ribbons to match the gown Tati had made for her. She was standing by the oak chest, jiggling up and down in excitement.

“What about your hair, Jena?” asked Tati, doing up my last hook. “It’s all over the place.”

“Never mind,” I told her, knowing nobody would be looking at me while she was anywhere near. My elder sister’s gown was a simple one of violet-blue that matched her eyes. Her hair rippled down her back like black silk. Tati didn’t need jewelry or ribbons or any sort of finery. She was as lovely as a perfect wildflower. It always seemed to me a generous fairy must have presided over her christening, for Tati was blessed with the kind of beauty that draws folk’s eyes and opens their minds to dreams.

I didn’t make a big effort with my appearance. When people commented on our family of sisters, Tati was always the beautiful one. If they noticed me at all, they called me sensible or practical. I had bushy hair, brown like Paula’s, which refused to do what I wanted it to, and eyes of a color somewhere between mud and leaf. My figure was a lot more straight-up-and-down than Iulia’s, even though I was two years her elder. The one special thing about my green gown was the pocket I had sewn into it for Gogu, since he needed a safe retreat if he got tired or upset. Tonight the only ornament I carried was the frog himself, sitting on my shoulder.
You look lovely, Jena. Like a forest pool on a summer’s day
.

Tati darted across to make sure our door was bolted. Then,
by the shifting light of the lanterns, we moved to the most shadowy corner of the chamber: the place where we had once sat playing games by candlelight and made the most astonishing discovery of our lives.

We dragged out the heavy oak chest from against the wall and set our lanterns on it so their light was cast into the little alcove where the chest had been, an indentation that wasn’t even big enough to store a folded blanket in.

“Come on,” Iulia urged. “My feet are itching for a dance.”

The first time we had done this, in our earliest days at Piscul Dracului—when I was only six, and Stela was not yet born—Tati and I had been amusing the younger ones by making shadow creatures on the wall: rabbits, dogs, bats. At the moment when all our hands had been raised at once to throw a particular image on the stones, we had found our forest’s hidden world. Whether it had been chance or a gift, we had never been sure.

It made no difference that we had done this over and over. The sense of thrilling strangeness had never gone away. Every Full Moon, our bodies tingled with the magic of it. The lamp shone on the blank wall. One by one, we stretched out our hands, and the lantern light threw the silhouettes onto the stones. One by one, we spoke our names in a breathless whisper:

“Tatiana.”

“Jenica.”

“Iulia.”

“Paula.”

“Stela.”

Between the shadows of our outstretched fingers, a five-pointed star appeared. The portal opened. Instead of a shallow alcove, there was a little archway and a flight of stone steps snaking down, down into the depths of the castle. It was dark, shadow-dark.… The first time it ever happened, back when there were only four of us, we had clutched one another’s hands tightly and crept down, trembling with excitement and terror. For the others the fear had dissipated over the years; I could see no trace of misgiving in any of them now, only shining eyes and eager faces.

I was different. The magic drew me despite myself; I passed through the portal because it seemed to me I must. There were eldritch forces all around, and the only thing sure was that the powers of the wildwood were unpredictable. It was curious: from the first I had felt that without me, my sisters would not be safe in the Other Kingdom.

Lanterns in hand, we made our way down the winding stairway, holding up our long skirts as our shadows danced beside us on the ancient stone walls. It was so deep, it was like going to the bottom of a well. Gogu rode on my shoulder down the twists and turns of the stair, until we came to the long, arched passage at the bottom.

“Hurry up!” urged Iulia, who was at the front of the line.

Our slippers whispered on the stone floor as we glided along under the carved extravagance of the roof. Here, there were enough gargoyles and dragons and strange beasts to decorate the grandest building in all Transylvania. They clung to the corners and crept around the pillars and dripped from the arches, watching us with bright, unwavering eyes. Subterranean mosses
crawled over their heads and shoulders, softening their angular forms with little capes of green and gray and brown. The first time we saw this Gallery of Beasts, Tati had whispered, “They’re not real, are they?” and I had whispered back, “Just nod your head to them, and keep on walking.” I had sensed, even then, that respect and courtesy could go a long way to keeping a person safe in a place such as this.

As we passed now, I felt something jump onto my shoulder—the one not occupied by Gogu—and cling there, its needle claws pricking my skin through the soft fabric of the green gown. It was doing its best to look like a frog, rolling up its long tail and bulging its eyes, while casting surreptitious glances at Gogu.

The frog tensed.
Interloper
.

The little creature poked out a forked tongue, hissing.

“Lights out!” ordered Iulia, and we each covered our lanterns in turn. As our eyes adjusted to the sudden darkness, a pale expanse came into view ahead of us: the mist-wreathed waters of a broad lake, illuminated by the moon. Through the vaporous cloud we could see the bobbing torches of those who were waiting to escort us on the last part of our journey.

“Ooo-oo!”
Iulia called in a falling cadence.
“Ooo-oo!”

The little boats came, one by one, out of the tendrils of mist—high-prowed and graceful, each shaped in the form of a creature: swan, wyvern, phoenix, wood duck, and salamander. In each stood a figure, propelling the craft by means of a slender pole: push and lift, push and lift. The response to Iulia’s call came in five voices, each different, each as uncanny as the others. Our guides were what they were; the only human creatures in this midnight realm were ourselves.

The boats pulled in to the shore. The boatmen stepped out to help us board. The next part, my frog didn’t like. He began to quiver in fright, a rapid trembling that went right through his body. I was used to this; he did it every time. I held him against my breast and, as I climbed into the boat, I murmured, “It’s all right, Gogu, I’ve got you. We’ll be there soon.”

Tǎul Ielelor: the Deadwash. This was the place where Costi had drowned. Our mother had warned us about it, over and over: we should never go there, for to do so was to risk harm at the hands of the vengeful fairy folk who had robbed us of our cousin. And yet, since the very first time the portal had opened for us, the realm that lay beyond had shown us warmth and kindness, open arms, and welcoming smiles. I was still cautious; I did not have it in me to trust unconditionally. All the same, it was impossible to believe that the person who had drowned our cousin was one of those greeting us on our nocturnal journeys.

The folk of the Other Kingdom had their own name for this expanse of shining water—at Full Moon, they called it the Bright Between. The lake waters spanned the distance between their world and ours. Once we set foot in their boats, we were caught in the magic of their realm.

Time and distance were not what they seemed in the Other Kingdom. It was a long walk from Piscul Dracului to the Deadwash in our world—an expedition. Gogu and I had made that forbidden trip often, for the lake drew us despite ourselves. At Full Moon, the walk to Tǎul Ielelor was far shorter. At Full Moon, everything was different, everything was upside down
and back to front. Doors opened that were closed on other days, and those whom the human world feared became friends. The Bright Between was a gateway: not a threat, but a promise.

It was all too easy to lose track of time in the Other Kingdom—to forget where you were and where you had come from. This might be the familiar forest, the same one in which Petru farmed our smallholding, and Uncle Nicolae harvested pines to sell for timber, and Cousin Cezar went out hunting in autumn. It was the same and not the same. When we crossed the Bright Between, we entered a realm that existed at the same time and place as ours, with the same trees and hillsides and rocks. But it was not open to humankind, except for those lucky few who found a portal and its key. And the folk who lived there lived by their own laws, laws not at all like those of the human world. Any aged man or woman with stories to tell knew that. There were tales about men who’d gone through a portal and spent a night among the forest folk, and when they’d come back again, a hundred years had passed, and their wives and children were dead and buried. There were stories about people who had visited the fairy revels and been driven right out of their minds. When they returned to the human world, all they did was wander around the forest in a daze, until they perished from cold or hunger or thirst. There were still more accounts of folk who had gone into the forest and simply disappeared.

So, although we believed such misfortunes would never befall
us
—for we were constantly assured by the folk of the Other Kingdom that they loved and welcomed us—we had made a set of rules to keep us safe. If anything went wrong, the others
were to come to Tati or me immediately: they were to do as we told them, without question. There was no eating or drinking while we were in the Other Kingdom, except sips from the water bottle one of us always brought from home. There was no leaving the glade where the dancing took place, however tempted we might be to wander off down beguiling pathways into the moonlit forest. We must keep an eye on one another, keep one another safe. And when Tati or I said it was time to go home, everyone must go without argument. Those rules had protected us through nine years of Full Moons. They had become second nature.

The boats swept across the Bright Between. As we passed a certain point, the air filled with a sweet, whispering music. Swarms of small bright creatures that were not quite birds or insects or fairy folk swooped and rose, hovered and dived around us, making a living banner to salute our arrival. Underwater beings swam beside our craft, creatures with large, luminous eyes, long hands, fronded tails, and glowing green-blue skin. Many dwelled in or on Tǎul Ielelor: ragged swimmers resembling weedy plants, their gaze turned always up, up to the surface; the beguiling pale figures of the
Iele
, from whom the lake got its name, reaching out graceful white arms from bank or islet or overhanging willow. Should an unwary man from our world be passing, they would seek to entice him from his path forever. As we neared the opposite shore, an assortment of tiny folk rowed out from the miniature islands to join us, in a bobbing flotilla of boats made from nutshells and dried leaves and the discarded carapaces of beetles. We reached the far shore, and my escort—who was three feet high and almost as wide,
with a scarlet beard down to his boot tops—handed me out. He made a low bow.