William Shakespeare: The Complete Works 2nd Edition (356 page)
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Authors: William Shakespeare
Tags: #Drama, #Literary Criticism, #Shakespeare
BOOK: William Shakespeare: The Complete Works 2nd Edition
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Or else of thee this I prognosticate:
Thy end is truth’s and beauty’s doom and date.
15
When I consider every thing that grows
Holds in perfection but a little moment,
That this huge stage presenteth naught but shows
Whereon the stars in secret influence comment;
When I perceive that men as plants increase
Cheered and checked even by the selfsame sky;
Vaunt in their youthful sap, at height decrease,
And wear their brave state out of memory:
Then the conceit of this inconstant stay
Sets you most rich in youth before my sight,
Where wasteful time debateth with decay
To change your day of youth to sullied night;
Holds in perfection but a little moment,
That this huge stage presenteth naught but shows
Whereon the stars in secret influence comment;
When I perceive that men as plants increase
Cheered and checked even by the selfsame sky;
Vaunt in their youthful sap, at height decrease,
And wear their brave state out of memory:
Then the conceit of this inconstant stay
Sets you most rich in youth before my sight,
Where wasteful time debateth with decay
To change your day of youth to sullied night;
And all in war with time for love of you,
As he takes from you, I engraft you new.
16
But wherefore do not you a mightier way
Make war upon this bloody tyrant, time,
And fortify yourself in your decay
With means more blessed than my barren rhyme?
Now stand you on the top of happy hours,
And many maiden gardens yet unset
With virtuous wish would bear your living flowers,
Much liker than your painted counterfeit.
So should the lines of life that life repair
Which this time’s pencil or my pupil pen
Neither in inward worth nor outward fair
Can make you live yourself in eyes of men.
Make war upon this bloody tyrant, time,
And fortify yourself in your decay
With means more blessed than my barren rhyme?
Now stand you on the top of happy hours,
And many maiden gardens yet unset
With virtuous wish would bear your living flowers,
Much liker than your painted counterfeit.
So should the lines of life that life repair
Which this time’s pencil or my pupil pen
Neither in inward worth nor outward fair
Can make you live yourself in eyes of men.
To give away yourself keeps yourself still,
And you must live drawn by your own sweet skill.
17
Who will believe my verse in time to come
If it were filled with your most high deserts?—
Though yet, heaven knows, it is but as a tomb
Which hides your life, and shows not half your parts.
If I could write the beauty of your eyes
And in fresh numbers number all your graces,
The age to come would say ‘This poet lies;
Such heavenly touches ne’er touched earthly faces.’
So should my papers, yellowed with their age,
Be scorned, like old men of less truth than tongue,
And your true rights be termed a poet’s rage
And stretched metre of an antique song.
If it were filled with your most high deserts?—
Though yet, heaven knows, it is but as a tomb
Which hides your life, and shows not half your parts.
If I could write the beauty of your eyes
And in fresh numbers number all your graces,
The age to come would say ‘This poet lies;
Such heavenly touches ne’er touched earthly faces.’
So should my papers, yellowed with their age,
Be scorned, like old men of less truth than tongue,
And your true rights be termed a poet’s rage
And stretched metre of an antique song.
But were some child of yours alive that time,
You should live twice: in it, and in my rhyme.
18
Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate.
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date.
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimmed,
And every fair from fair sometime declines,
By chance or nature’s changing course untrimmed;
But thy eternal summer shall not fade
Nor lose possession of that fair thou ow‘st,
Nor shall death brag thou wander’st in his shade
When in eternal lines to time thou grow’st.
Thou art more lovely and more temperate.
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date.
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimmed,
And every fair from fair sometime declines,
By chance or nature’s changing course untrimmed;
But thy eternal summer shall not fade
Nor lose possession of that fair thou ow‘st,
Nor shall death brag thou wander’st in his shade
When in eternal lines to time thou grow’st.
So long as men can breathe or eyes can see,
So long lives this, and this gives life to thee.
19
Devouring time, blunt thou the lion’s paws,
And make the earth devour her own sweet brood;
Pluck the keen teeth from the fierce tiger’s jaws,
And burn the long-lived phoenix in her blood.
Make glad and sorry seasons as thou fleet‘st,
And do whate’er thou wilt, swift-footed time,
To the wide world and all her fading sweets.
But I forbid thee one most heinous crime:
O, carve not with thy hours my love’s fair brow,
Nor draw no lines there with thine antique pen.
Him in thy course untainted do allow
For beauty’s pattern to succeeding men.
And make the earth devour her own sweet brood;
Pluck the keen teeth from the fierce tiger’s jaws,
And burn the long-lived phoenix in her blood.
Make glad and sorry seasons as thou fleet‘st,
And do whate’er thou wilt, swift-footed time,
To the wide world and all her fading sweets.
But I forbid thee one most heinous crime:
O, carve not with thy hours my love’s fair brow,
Nor draw no lines there with thine antique pen.
Him in thy course untainted do allow
For beauty’s pattern to succeeding men.
Yet do thy worst, old time; despite thy wrong
My love shall in my verse ever live young.
20
A woman’s face with nature’s own hand painted
Hast thou, the master-mistress of my passion;
A woman’s gentle heart, but not acquainted
With shifting change as is false women’s fashion;
An eye more bright than theirs, less false in rolling,
Gilding the object whereupon it gazeth;
A man in hue, all hues in his controlling,
Which steals men’s eyes and women’s souls amazeth.
And for a woman wert thou first created,
Till nature as she wrought thee fell a-doting,
And by addition me of thee defeated
By adding one thing to my purpose nothing.
Hast thou, the master-mistress of my passion;
A woman’s gentle heart, but not acquainted
With shifting change as is false women’s fashion;
An eye more bright than theirs, less false in rolling,
Gilding the object whereupon it gazeth;
A man in hue, all hues in his controlling,
Which steals men’s eyes and women’s souls amazeth.
And for a woman wert thou first created,
Till nature as she wrought thee fell a-doting,
And by addition me of thee defeated
By adding one thing to my purpose nothing.
But since she pricked thee out for women’s pleasure,
Mine be thy love and thy love’s use their treasure.
21
So is it not with me as with that muse
Stirred by a painted beauty to his verse,
Who heaven itself for ornament doth use,
And every fair with his fair doth rehearse,
Making a couplement of proud compare
With sun and moon, with earth, and sea’s rich gems,
With April’s first-born flowers, and all things rare
That heaven’s air in this huge rondure hems.
O let me, true in love, but truly write,
And then believe me my love is as fair
As any mother’s child, though not so bright
As those gold candles fixed in heaven’s air.
Stirred by a painted beauty to his verse,
Who heaven itself for ornament doth use,
And every fair with his fair doth rehearse,
Making a couplement of proud compare
With sun and moon, with earth, and sea’s rich gems,
With April’s first-born flowers, and all things rare
That heaven’s air in this huge rondure hems.
O let me, true in love, but truly write,
And then believe me my love is as fair
As any mother’s child, though not so bright
As those gold candles fixed in heaven’s air.
Let them say more that like of hearsay well;
I will not praise that purpose not to sell.
22
My glass shall not persuade me I am old
So long as youth and thou are of one date;
But when in thee time’s furrows I behold,
Then look I death my days should expiate.
For all that beauty that doth cover thee
Is but the seemly raiment of my heart,
Which in thy breast doth live, as thine in me;
How can I then be elder than thou art?
O therefore, love, be of thyself so wary
As I, not for myself, but for thee will,
Bearing thy heart, which I will keep so chary
As tender nurse her babe from faring ill.
So long as youth and thou are of one date;
But when in thee time’s furrows I behold,
Then look I death my days should expiate.
For all that beauty that doth cover thee
Is but the seemly raiment of my heart,
Which in thy breast doth live, as thine in me;
How can I then be elder than thou art?
O therefore, love, be of thyself so wary
As I, not for myself, but for thee will,
Bearing thy heart, which I will keep so chary
As tender nurse her babe from faring ill.
Presume not on thy heart when mine is slain:
Thou gav’st me thine not to give back again.
23
As an unperfect actor on the stage
Who with his fear is put besides his part,
Or some fierce thing replete with too much rage
Whose strength’s abundance weakens his own heart,
So I, for fear of trust, forget to say
The perfect ceremony of love’s rite,
And in mine own love’s strength seem to decay,
O’er-charged with burden of mine own love’s might.
O let my books be then the eloquence
And dumb presagers of my speaking breast,
Who plead for love, and look for recompense
More than that tongue that more,hath more expressed.
Who with his fear is put besides his part,
Or some fierce thing replete with too much rage
Whose strength’s abundance weakens his own heart,
So I, for fear of trust, forget to say
The perfect ceremony of love’s rite,
And in mine own love’s strength seem to decay,
O’er-charged with burden of mine own love’s might.
O let my books be then the eloquence
And dumb presagers of my speaking breast,
Who plead for love, and look for recompense
More than that tongue that more,hath more expressed.
O learn to read what silent love hath writ;
To hear with eyes belongs to love’s fine wit.
24
Mine eye hath played the painter, and hath steeled
Thy beauty’s form in table of my heart.
My body is the frame wherein ’tis held,
And perspective it is best painter’s art;
For through the painter must you see his skill
To find where your true image pictured lies,
Which in my bosom’s shop is hanging still,
That hath his windows glazed with thine eyes.
Now see what good turns eyes for eyes have done:
Mine eyes have drawn thy shape, and thine for me
Are windows to my breast, wherethrough the sun
Delights to peep, to gaze therein on thee.
Thy beauty’s form in table of my heart.
My body is the frame wherein ’tis held,
And perspective it is best painter’s art;
For through the painter must you see his skill
To find where your true image pictured lies,
Which in my bosom’s shop is hanging still,
That hath his windows glazed with thine eyes.
Now see what good turns eyes for eyes have done:
Mine eyes have drawn thy shape, and thine for me
Are windows to my breast, wherethrough the sun
Delights to peep, to gaze therein on thee.
Yet eyes this cunning want to grace their art:
They draw but what they see, know not the heart.
25
Let those who are in favour with their stars
Of public honour and proud titles boast,
Whilst I, whom fortune of such triumph bars,
Unlooked-for joy in that I honour most.
Great princes’ favourites their fair leaves spread
But as the marigold at the sun’s eye,
And in themselves their pride lies buried,
For at a frown they in their glory die.
The painful warrior famousèd for might,
After a thousand victories once foiled
Is from the book of honour razed quite,
And all the rest forgot for which he toiled.
Of public honour and proud titles boast,
Whilst I, whom fortune of such triumph bars,
Unlooked-for joy in that I honour most.
Great princes’ favourites their fair leaves spread
But as the marigold at the sun’s eye,
And in themselves their pride lies buried,
For at a frown they in their glory die.
The painful warrior famousèd for might,
After a thousand victories once foiled
Is from the book of honour razed quite,
And all the rest forgot for which he toiled.
Then happy I, that love and am beloved
Where I may not remove nor be removed.
26
Lord of my love, to whom in vassalage
Thy merit hath my duty strongly knit,
To thee I send this written embassage
To witness duty, not to show my wit;
Duty so great which wit so poor as mine
May make seem bare in wanting words to show it,
But that I hope some good conceit of thine
In thy soul’s thought, all naked, will bestow it,
Till whatsoever star that guides my moving
Points on me graciously with fair aspect,
And puts apparel on my tattered loving
To show me worthy of thy sweet respect.
Thy merit hath my duty strongly knit,
To thee I send this written embassage
To witness duty, not to show my wit;
Duty so great which wit so poor as mine
May make seem bare in wanting words to show it,
But that I hope some good conceit of thine
In thy soul’s thought, all naked, will bestow it,
Till whatsoever star that guides my moving
Points on me graciously with fair aspect,
And puts apparel on my tattered loving
To show me worthy of thy sweet respect.
Then may I dare to boast how I do love thee;
Till then, not show my head where thou mayst prove me.
27
Weary with toil I haste me to my bed,
The dear repose for limbs with travel tired;
But then begins a journey in my head
To work my mind when body’s work’s expired;
For then my thoughts, from far where I abide,
Intend a zealous pilgrimage to thee,
And keep my drooping eyelids open wide,
Looking on darkness which the blind do see:
Save that my soul’s imaginary sight
Presents thy shadow to my sightless view,
Which like a jewel hung in ghastly night
Makes black night beauteous and her old face new.
The dear repose for limbs with travel tired;
But then begins a journey in my head
To work my mind when body’s work’s expired;
For then my thoughts, from far where I abide,
Intend a zealous pilgrimage to thee,
And keep my drooping eyelids open wide,
Looking on darkness which the blind do see:
Save that my soul’s imaginary sight
Presents thy shadow to my sightless view,
Which like a jewel hung in ghastly night
Makes black night beauteous and her old face new.
Lo, thus by day my limbs, by night my mind,
For thee, and for myself, no quiet find.
28
How can I then return in happy plight,
That am debarred the benefit of rest,
When day’s oppression is not eased by night,
But day by night and night by day oppressed,
And each, though enemies to either’s reign,
Do in consent shake hands to torture me,
The one by toil, the other to complain
How far I toil, still farther off from thee?
I tell the day to please him thou art bright,
And do‘st him grace when clouds do blot the heaven;
So flatter I the swart-complexioned night
When sparkling stars twire not thou gild’st the even.
That am debarred the benefit of rest,
When day’s oppression is not eased by night,
But day by night and night by day oppressed,
And each, though enemies to either’s reign,
Do in consent shake hands to torture me,
The one by toil, the other to complain
How far I toil, still farther off from thee?
I tell the day to please him thou art bright,
And do‘st him grace when clouds do blot the heaven;
So flatter I the swart-complexioned night
When sparkling stars twire not thou gild’st the even.
But day doth daily draw my sorrows longer,
And night doth nightly make grief’s strength seem stronger.
29
When, in disgrace with fortune and men’s eyes,
I all alone beweep my outcast state,
And trouble deaf heaven with my bootless cries,
And look upon myself and curse my fate,
Wishing me like to one more rich in hope,
Featured like him, like him with friends possessed,
Desiring this man’s art and that man’s scope,
With what I most enjoy contented least:
Yet in these thoughts myself almost despising,
Haply I think on thee, and then my state,
Like to the lark at break of day arising
From sullen earth, sings hymns at heaven’s gate;
I all alone beweep my outcast state,
And trouble deaf heaven with my bootless cries,
And look upon myself and curse my fate,
Wishing me like to one more rich in hope,
Featured like him, like him with friends possessed,
Desiring this man’s art and that man’s scope,
With what I most enjoy contented least:
Yet in these thoughts myself almost despising,
Haply I think on thee, and then my state,
Like to the lark at break of day arising
From sullen earth, sings hymns at heaven’s gate;
For thy sweet love remembered such wealth brings
That then I scorn to change my state with kings’.
30
When to the sessions of sweet silent thought
I summon up remembrance of things past,
I sigh the lack of many a thing I sought,
And with old woes new wail my dear time’s waste.
Then can I drown an eye unused to flow
For precious friends hid in death’s dateless night,
And weep afresh love’s long-since-cancelled woe,
And moan th‘expense of many a vanished sight.
Then can I grieve at grievances foregone,
And heavily from woe to woe tell o’er
The sad account of fore-bemoaned moan,
Which I new pay as if not paid before.
I summon up remembrance of things past,
I sigh the lack of many a thing I sought,
And with old woes new wail my dear time’s waste.
Then can I drown an eye unused to flow
For precious friends hid in death’s dateless night,
And weep afresh love’s long-since-cancelled woe,
And moan th‘expense of many a vanished sight.
Then can I grieve at grievances foregone,
And heavily from woe to woe tell o’er
The sad account of fore-bemoaned moan,
Which I new pay as if not paid before.
But if the while I think on thee, dear friend,
All losses are restored, and sorrows end.
31
Thy bosom is endearèd with all hearts
Which I by lacking have supposed dead,
And there reigns love, and all love’s loving parts,
And all those friends which I thought buried.
How many a holy and obsequious tear
Hath dear religious love stol’n from mine eye
As interest of the dead, which now appear
But things removed that hidden in thee lie!
Thou art the grave where buried love doth live,
Hung with the trophies of my lovers gone,
Who all their parts of me to thee did give:
That due of many now is thine alone.
Which I by lacking have supposed dead,
And there reigns love, and all love’s loving parts,
And all those friends which I thought buried.
How many a holy and obsequious tear
Hath dear religious love stol’n from mine eye
As interest of the dead, which now appear
But things removed that hidden in thee lie!
Thou art the grave where buried love doth live,
Hung with the trophies of my lovers gone,
Who all their parts of me to thee did give:
That due of many now is thine alone.
Their images I loved I view in thee,
And thou, all they, hast all the all of me.
32
If thou survive my well-contented day
When that churl death my bones with dust shall cover,
And shalt by fortune once more resurvey
These poor rude lines of thy deceased lover,
Compare them with the bett‘ring of the time,
And though they be outstripped by every pen,
Reserve them for my love, not for their rhyme
Exceeded by the height of happier men.
O then vouchsafe me but this loving thought:
‘Had my friend’s muse grown with this growing age,
A dearer birth than this his love had brought
To march in ranks of better equipage;
When that churl death my bones with dust shall cover,
And shalt by fortune once more resurvey
These poor rude lines of thy deceased lover,
Compare them with the bett‘ring of the time,
And though they be outstripped by every pen,
Reserve them for my love, not for their rhyme
Exceeded by the height of happier men.
O then vouchsafe me but this loving thought:
‘Had my friend’s muse grown with this growing age,
A dearer birth than this his love had brought
To march in ranks of better equipage;
But since he died, and poets better prove,
Theirs for their style I’ll read, his for his love.’
33
Full many a glorious morning have I seen
Flatter the mountain tops with sovereign eye,
Kissing with golden face the meadows green,
Gilding pale streams with heavenly alchemy;
Anon permit the basest clouds to ride
With ugly rack on his celestial face,
And from the forlorn world his visage hide,
Stealing unseen to west with this disgrace.
Even so my sun one early morn did shine
With all triumphant splendour on my brow;
But out, alack, he was but one hour mine;
The region cloud hath masked him from me now.
Flatter the mountain tops with sovereign eye,
Kissing with golden face the meadows green,
Gilding pale streams with heavenly alchemy;
Anon permit the basest clouds to ride
With ugly rack on his celestial face,
And from the forlorn world his visage hide,
Stealing unseen to west with this disgrace.
Even so my sun one early morn did shine
With all triumphant splendour on my brow;
But out, alack, he was but one hour mine;
The region cloud hath masked him from me now.
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