Wm & H'ry: Literature, Love, and the Letters Between Wiliam and Henry James (15 page)

“George Eliot is . . .” “
Daniel Deronda
: A Conversation,”

Henry James,
Atlantic Monthly
(December 1), p. 

“G.S. babbles . . .”
I
,
p. 5

“it impossible . . .”
I
, p. 23

“Something even . . .” “George Sand,” Henry James,
Galaxy
(July 1), p. 4

“[I] think I may . . .”
I
,
p. 4

“need not press . . .”
The Question
, p. 2

“It is again . . .”
II
,
p. 2

“It’s a strange . . .”
III
,
p. 1

“dancing a . . .”
The Correspondence of William James
,
ed. Ignas K. Sprupskelis and Elizabeth M. Berkeley, vol. 4 (Charlottesville: University Press of Virginia), p. 244

128

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“the whirligig . . .”
Essays in Psychical Research
, William James (Cambridge, Mass.: Harvard University Press, 1), p. 13

“The wheel of . . .”
III
,
p. 300

“The term I . . .”
The American Scene
,
Henry James (London: Chapman and Hall, 10), p. 20

“If I were . . .”
Complete Stories: –
,
Henry James (New York: Library of America, 1), pp. 22–23

“the story . . .”
II
,
p. 143

“throws much . . .”
III
,
p. 3

“approach her . . .”
Wings
,
p. xxii

“She worked . . .” Ibid., p. 

“spurn . . .”
I
,
p. 

“I feel as . . .”
I,
p. 

“It was a . . .”
I
,
p. 

“I never . . .”
I
,
p. 133

“Your eyes . . .”
The Jameses
,
R. W. B. Lewis (New York: Farrar, Straus and Giroux, 11), p. 10

“world of . . .”
The Three James
,
C. Harley Grattan (New York: New York University Press, 12), p. 215

“All art is . . .”
The Tragic Muse
,
Henry James (New York: Penguin, 15), p. 23

“[Spencer] regards . . .”
Writings –99
, p. 2

“My experience . . .” Ibid., pp. 2–30

“Experience proceeds . . .” Ibid., p. 25

“has grown . . .”
II
,
p. 4

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“I doubt . . .”
I
,
p. 20

“I sometimes . . .”
II
,
30

“It is impossible . . .” “Winchelsea, Rye, and
Denis Duval
,
”

Henry James,
Scribner’s Magazine
(January 101), p. 4

“Most
perfect
. . .”
II
,
p. 241

“His impression . . .”
The Turn of the Screw and The Lesson of
the Master
,
Henry James (New York: Modern Library, 130), p. 12

“With . . . your tragic . . .”
II
,
p. 14

“She only watched . . .”
The Tragic Muse
,
Henry James (New York: Penguin, 15), p. 303

“To day is a . . .”
I
,
p. 231

“This strict fusion . . .” “The Novels of Mr. Henry James,”

Percy Lubbock,
Times Literary Supplement
,
July , 10

“What a
deprecatory
. . .” “What Is an Emotion?” William James,
Mind
(April 14), p. 202

“I can’t give . . .”
I
,
p. 30

“his readers . . .”
The Academy: A Weekly Review of Literature
,

Science
,
and Art
, April 1, 14, p. 2

“to give a . . .”
Writings –99
, p. 45

“But if you . . .” Ibid.

“I needn’t dilate . . .”
I
,
p. 121

“Alack! . . .”
I
,
p. 134

“On the spot . . .”
I
,
p. 133

“I can well . . .”
I
,
p. 12

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“lay the basis . . .”
I
,
p. 

“prompter . . .”
I,
p. 143

“irradiating . . .”
I,
p. 144

“He belongs . . . ,” “strike[s] you . . .”
I
,
p. 4

“I should be . . . ,” “I’d give . . .”
I
,
p. 5

“so far . . . ,” “a great . . .”
I
, p. 134

“a Veronese picture . . .”
Wings
, p. 3

“almost as if . . .” Ibid., p. 1

“But I envy . . .”
I
,
p. 15

“This chapter . . .”
Writings –99
,
p. 153

“yet a painter . . .” Ibid., p. 155

“Very exquisitely . . .”
I
,
p. 103

“What does the . . .”
Complete Stories
, p. 40

“as big as all . . . ,” ““He ought . . .”
I
,
p. 101

“a class of . . . ,” “There was nothing . . .”
The Human Comedy
,

Honoré de Balzac (New York: Peter Fenelon Collier,

200), p. 2

“

,
or  . . .” III
,
p. 2

“common schools . . .”
The Question
, p. 44

“avoiding vulgarity . . . ,” “the barking . . .” Ibid., p. 1

“pomposity . . .”
I
,
p. 1

“[He] has a sense . . .”
I
,
p. 22

“the determination . . .”
I
,
p. 34

131

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“a certain impression . . .”
I
,
p. 3

“There wd. be . . .”
II
,
p. 142

“must go one’s . . .”
II
,
p. 145

“kind of mystic . . .”
II
,
p. 14

“TELL THIS . . .”
II
,
p. 1

“They simply . . . ,” “How can one . . .”
II
,
p. 2

“I can
meet
. . .”
II
,
p. 2 (corrected slightly for punctuation)

“What a relief . . . ,” “the qualities . . . ,” “cold bloodedly . . .”

II
,
p. 13

“with a certain . . . ,” “the
matter . . .
,” “show her . . .”
II
,
p. 31

“a curious . . .”
II
,
p. 31

“prayed on . . .”
II
,
p. 33

“
roars
. . .”
II
,
p. 33

“over the heads . . .”
II
, p. 33

“ill-natured . . .”
II
,
p. 33

“awfully vulgar . . .”
II
,
p. 33

“horror for . . .”
II
,
p. 34

“a small amount . . .”
I
,
p. 22

“A strange coldness . . .”
II
,
p. 

“You will live . . .”
I,
p. 135

“All intellectual . . . ,” “Apparently . . . ,” “Speaking of . . .”
II
,

p. 15

“Kate afterwards . . .”
Wings
, pp. 40–41

“reversed every . . .”
III
,
p. 220 (slight correction for punctuation)

132

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“I went fizzling . . .”
III
,
p. 220

“too much . . .”
Writings –99
,
p. 2

“Americans who . . .” Ibid., p. 30

“the one . . . ,” “into vivid . . .”
III
,
p. 23

“What you say . . .”
III
,
p. 23

“I thought . . .”
III
,
p. 242

“It was a scant . . . ,” “nothing of . . .” “The Manners of American Women,” Henry James,
Harper’s Bazaar
(April 10), p. 355

“in the manners . . .” Ibid., p. 35

“a mere subject . . .”
I
,
p. 153

“she has . . .”
I
,
p. 154

“She seems . . .”
I
, p. 153

“
Cut out . . .”
I
,
p. 10

“young wom[e]n . . .”
Writings –99
,
p. 4

“Women, we are . . .” “George Sand,” Henry James,
Galaxy
(July 1), p. 4

“
Exquisite
in . . .”
II
,
p. 30

“women have . . .”
Terminations
,
Henry James (New York: Harper & Brothers, 15), p. 212

“Your young . . .”
I
,
p. 4

“deepened the . . .”
The Bostonians
,
Henry James (Kansas: Digireads.com, 200), p. 123

“The young man . . .”
I
,
p. 32

“Her insanity . . .”
I
, pp. 30–1

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“I hope . . .”
I
,
p. 31

“Nothing in . . .” “The Manners of American Women,”

Henry James,
Harper’s Bazaar
(April 10), p. 355

“no bottled-lightning . . .”
Writings –99
,
p. 31

“Pauline is . . .”
III
,
p. 5

“racing with . . .”
III
,
p. 4

“much the . . .”
II
,
p. 355

“No one . . .”
III
,
p. 1

“Her father’s life . . .”
Wings
, p. 3

“Our relatives . . .”
II
, pp. 35–30

“difft in . . .”
III
,
p. 340

“For some . . . ,” “It’s impossible . . .”
III
,
p. 341

“Masterly . . .”
II
,
p. 

“infinite talk . . . ,” “acclaimed and . . . ,” “twenty . . .”
The Art
of the Novel: Critical Prefaces by Henry James
,
Henry James (Chicago: University of Chicago Press, 2011), p. 14

“That’s all . . .”
I
,
p. 

“I take up . . .”
I
,
p. 15

“Do in writing . . .”
I
,
p. 1

“Behold all . . .”
I
,
p. 2

“Doing these . . .”
III
,
p. 42

“of a large . . .” “George Sand,” Henry James,
Galaxy
(July 1), p. 52

“The spectacle . . .”
I
,
p. 50

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“Oh yes,
. . .”
II
,
p. 315

“gossiped to . . . ,” “heroic in . . .”
II
,
p. 311

“‘coloured’ . . .”
II
,
p. 310

“I am troubled . . .”
II
,
p. 315

“& then . . .”
II
,
p. 311

“I don’t see . . .”
II
,
p. 31

“I have got . . .”
I
,
p. 321

“a really . . .”
II
,
p. 

“I have done . . .”
II
,
p. 

“tenderly . . . ,” “longer than . . .”
II
,
p. 10

“The story is . . .”
II
,
p. 

“I trust . . .”
II
,
p. 11

“It had great . . . ,” “How worked . . .”
II
,
p. 32

“The loveliest . . .”
Further Recollections of a Diplomatist
,
Sir Horace Rumbold (London: Edward Arnold, 103), p. 105

“You can’t . . .”
The Selected Letters of Henry James
,
ed. Leon Edel (New York: Farrar, Straus, and Giroux, 1), p. 1

“great Psychist . . .”
II
,
p. 32

“She was a . . .”
II
,
p. 40

“That life is . . . ,” “the lightness . . .”
Writings –99
,
p. 44

“My task . . .” Ibid., p. 45

“Are you not . . . ,” “She had . . .”
II
,
p. 40

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“I can’t now . . .”
III
,
p. 34 (corrected slightly)

“As an artist . . .”
III
,
p. 33

“I have uttered . . .”
I
,
p. 3

“I think it . . .”
I
,
p. 1

“I hope you . . .”
I
,
p. 30

“The multitude . . .”
I
,
p. 10

“If
that’s . . .”
II
,
p. 41

“It is superlatively . . .”
II
,
p. 3

“But why won’t . . .”
III
,
p. 301

“I mean . . .”
III
,
p. 305

“[it] goes agin . . .”
III
,
p. 301

“Mine being . . .”
III
,
p. 33

“I’m always sorry . . .”
III
,
p. 305

“the powers . . .”
III
,
p. 125

“I made an ass . . .”
III
,
p. 125

“The chief . . .”
III
,
p. 12

“The last boil . . .”
III
,
p. 12

“There is
something . . .”
III
,
p. 310

“Gazing at your . . .”
II
,
p. 123

“beautiful, innocent . . .”
III
,
p. 51

“Perfect [thing] . . .”
II
,
p. 41

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“This is really . . .”
II
,
p. 335

“very exquisite . . .”
III
,
p. 114

“not ‘ghosts’ . . .”
The Turn of the Screw and Other Stories
,

Henry James (Oxford: Oxford University Press, 12), p.

liii

“A queer pair . . .”
III
,
p. 103

“You must . . .”
III
,
p. 104

“The official . . .”
III
,
p. 14

“the picturesque . . .”
Transatlantic Sketches
,
Henry James (Boston: James R. Osgood, 15), p. 15

“This beautiful . . .” Ibid., pp. 15–1

“It comes from . . .”
I
,
p. 321

“very old . . .”
Wings of the Dove
, p. v