Read Young Orson: The Years of Luck and Genius on the Path to Citizen Kane Online
Authors: Patrick McGilligan
and Hearst newspapers, 94–95, 226, 735
in Hollywood, 558, 574
influence of, 233–34, 236, 238, 515, 588
as newspaperman, 94–95, 152, 265
and Orson’s teen years, 186, 188
and Tavern Club, 174, 251
and Woodstock summer theater, 275
Stevens, Mrs. Florence “FloFlo” (Katherine Krug), 186, 188, 233-34, 235, 273, 276, 327, 574, 728
Stevens, George, 558, 588, 589, 668, 669, 743
Stevens, George Jr., 743
Stevens, Landers, 558, 668
Stevens, Thomas Wood, 149, 185, 230
Stevenson, Robert (director), 644
Stevenson, Robert Louis, 180, 278, 467, 468
Stewart, James G. (sound man), 678
Stewart, James “Jimmy,” 689
Stewart, Paul, 198, 498, 501
and
American School of the Air
, 324, 326
and
The Campbell Playhouse
, 518, 531, 545–46, 642
and
Citizen Kane
, 359, 649, 665, 686, 704, 744
Stinson, Eugene, 94
Stoker, Bram, 467–68
Stony Creek, Connecticut, 480–81
Stony Creek Playhouse, 472, 473, 478, 483–84, 485, 489
Strange Case of Dr. Jekyll and Mr. Hyde, The
(home movie), 278
Stranger, The
(film), 133, 452, 454, 596, 640, 726, 727, 737
Stravinsky, Igor, 113–14, 724
Straw Hat, The
(
An Italian Straw Hat
; later
Horse Eats Hat
), 354
Streets of New York, The
(stage play), 358
Strictly Dishonorable
(film), 712
Strindberg, August, 211, 327
Stronger, The
, 211
Sturges, Preston, 153, 623, 712
Suber, Howard, 713–14, 743
Sullavan, Margaret, 517–18, 531, 576, 618, 638
Sullivan, Ed, 608
“Summing Up, The” (Welles and Houseman), 460–61, 462
Svengali, 276, 282
Swiss Family Robinson, The
(film), 608
Synge, J. M., 188, 192
Tabu
(film), 589
Taft, Lorado, 86, 93, 120, 280
Tagore, Rabindranath, 99, 102
Taibhdhearc theater, Galway, 192, 195
Tarbox, Hascy, 164, 173, 179, 279
Tarbox, Todd,
Orson Welles and Roger Hill: A Friendship in Three Acts
, 136, 739
Tarkington, Booth, 498
Clarence
, 517
and Orson’s father, 24, 146
Seventeen
, 497
The Magnificent Ambersons
, 23–24, 25, 65–66, 106–7
Tasca di Cuto, Prince Alessandro, 738
Tavern Club, Chicago, 152–53, 174, 185, 201, 227, 237, 238, 251, 280, 554
Taylor, Davidson, 508, 649
Taylor, Laurette, 94
Tchaikovsky, Peter Ilyich, Piano Concerto No. 1 in B Flat Minor, 471
Tchelitchew, Pavel, 375, 403, 445
Teapot Dome scandal, 684n
Teichmann, Howard, 256
Temple, Shirley, 558, 583
Ten Million Ghosts
(stage play), 357, 359, 365–67, 368, 370, 416
Tennant, Barbara, 4
Thackeray, William Makepeace,
Vanity Fair
, 572
Thalberg, Irving, 266–67
Theatre Guild, New York, 116, 149, 164, 165, 175, 196, 201, 385, 417, 452
and
Five Kings
, 463, 490, 515, 519, 522–24, 527, 530, 531, 533–35
and Mercury Theatre, 519, 535
and
Porgy
, 336
Theatre Royal, Dublin, 205
Third Man, The
(film), 160, 607, 737–38, 745
“This Can’t Be Love” (song), 680
Thomas, Edna, 297, 336, 337, 340, 343, 344, 347
Thompson, William Hale “Big Bill,” 79
Thompson, Dorothy, 512
Thompson, Woodman, 262
Thomson, David, 352, 376
Rosebud: The Story of Orson Welles
, 407, 439, 525, 737
Showman: The Life of David O. Selznick
, 407
Sight and Sound
essay by, 744–45
Thomson, Virgil, 522
and
Antony and Cleopatra
, 428
and
The Cradle Will Rock
, 385
and
The Duchess of Malfi
, 442
and
Four Saints in Three Acts
, 305
and
Horse Eats Hat
, 356
and John Houseman, 305, 307, 332, 333–35, 355, 385, 386, 419, 611–13
and
Panic
, 307, 308, 310
and
The Second Hurricane
, 382
and
The Shoemaker’s Holiday
, 433
and Voodoo
Macbeth
, 332–33, 341, 343, 344, 345, 356
Thornton, Cherokee, 335
Three Comrades
(film), 517
Three Stooges, The, 690
Three Weekends
(film), 571
Thucydides, 195
Thurber, James, 577
Thurston, Harry, “The Great Thurston,” 87–88, 127, 334, 713
Tichacek, Stephen Jan, 492–93
Time
, 453–54, 459, 462–63, 464, 512, 524–25
’
Tis Pity She’s a Whore
(stage play), 318–19, 320, 324, 327, 328, 446, 464, 583
Todd, Richard Kimball, 135
Todd School for Boys, Woodstock, Illinois, 133–39, 316
arts curriculum of, 149–50, 165–66
“Big Bertha” history tour to New York, 219
and
Everybody’s Shakespeare
, 302–4
expansion of, 166
graduates of, 183–84
and “Marching Song,” 235
Orson as drama coach in, 217–18, 219, 253, 271, 272, 320
Orson’s time in, 131, 132, 135–39, 141–45, 150, 152, 156–58, 162–66, 179–81, 329, 331, 475, 519, 683
Red & White
(school newspaper), 141–44, 150, 156, 158
and Richard Ives Welles, 78–79, 82, 131
Roger Hill as headmaster of, 115, 147, 149, 164, 320
school performances of Orson, 136–39, 150, 156–58, 165–66, 172–74, 175, 179–81, 196, 214, 217–18, 242, 253, 277, 320–21, 329, 360, 362, 412, 444, 739
and Woodstock summer theater, 272–75, 279
Tokyo Story
(film), 745
Toland, Gregg, 474, 667, 670–73, 683, 687, 701, 703, 704, 735
Tone, Franchot, 560, 600
Tonight Show, The
(TV), 709
Too Much Johnson
(stage play/film), 472–80, 481–84, 485, 486, 487
adaptation of, 472, 482, 484
cinematic aspects of, 474, 475, 479, 548, 565, 589
editing of, 473, 478-80
and finances, 478, 481, 490
and Mercury Theatre, 410, 475, 490, 521
opening night, 482–84
players in, 472, 473, 489, 492, 502
postponement of, 513, 515
scenes of, 472–73, 475, 477–78
screen rights of, 481–82
unfinished footage of, 551, 746
Toscanini, Arturo, 270
Touch of Evil
(film), 297, 642, 679, 728, 745, 747
Toumanova, Tamara, 439
Toussaint Louverture, 329
Towne, Gene, 608
Tozere, Frederick, 446
Tracy, Lee, 674
Tracy, Spencer, 576, 584, 623
Trader Horn
(film), 589
Treasure Island
(films), 247n
“Treasure Island” (radio), 467, 468–69
Tree, Herbert Beerbohm, 271, 529, 618
Tretyakov, Sergei, 205
Trial, The
(film), 710
Trilby
(stage play), 276, 277, 278, 279, 281, 282, 284, 285, 295
Trotsky, Leon, 495
Truffaut, François, 312, 427
Tsar Paul
(stage play), 276, 277, 278, 279, 287–89
Tull, Clyde, 184
Turpentine
(stage play), 353
Twain, Mark, 315, 316, 572
“Twentieth Century” (radio), 531
Twentieth Century–Fox, 644
2001: A Space Odyssey
(film), 745
Tyler, George C., 229, 235–36, 239, 294, 295
Tynan, Kenneth, 249
UAW (United Auto Workers), 389
Un Chapeau de Paille d’Italie
(
An Italian Straw Hat
) (stage play), 354–57
Uncle Tom’s Cabin
(stage play), 320–21, 358
Underwood, Drury, 22, 27, 30, 75
United Press, 647
United Productions, 660
Universal Pictures, 462, 618
“Vakhtangov,”
see
Alland, William
Valley Forge
stage play), 305, 308, 549
Van Anda, Carr Vattel, 636
Vance, William, 278, 286, 287, 474, 668
Vandamm, Florence, 261
Van Dyke, W. S., 587, 589
Van Vechten, Carl, 347
Van Zandt, Philip, 705
Variety
, 295, 404, 510, 533, 550–51, 557
Vassar College, Experimental Theatre, 327, 402, 423
Venice Theatre, New York, 393–95, 402
Verne, Jules,
Around the World in Eighty Days
, 358, 497, 498
Vertigo
(film), 744, 745
Victoria Regina
(stage play), 434
“Victoria Regina” (radio), 547
Vidal, Gore, 737
Vidor, King, 567, 587–88
Viertel, Peter,
Dangerous Friends
, 383
Vigil in the Night
(film), 589
Voodoo
Macbeth
, 339–54, 355, 362, 363, 618
backstage team for, 332, 334–35, 341, 373
black community backlash about, 341–42, 346, 352
casting of, 335–37, 352, 386, 586, 727
costs of, 351
critical reviews of, 348–49, 353
documentary film of, 348n
and Negro Unit, 329, 331–37, 339, 351–54
Orson as director of, 329, 331–32, 339–42, 343–45, 348, 382, 418, 513
premiere of, 346–49, 350, 353
rehearsals for, 339–43, 346
road production of, 351, 366
success of, 348, 349, 353, 401, 564
Virgil Thomson as composer of, 332–33, 341, 343, 344, 345, 356
WABC (radio station, NY), 337, 338, 415, 459, 499, 512, 547
Wade, Horace Takisson, 123
Wagner Act (1935), 388
Wakenight, Frances, 129
Waldorf, Wilella, 361, 376Walker, Vernon L., 673
Walk Together Chillun
(drama), 331–32, 342
Wallace, Edgar, 233
Wallis, Gladys, 237, 571, 637
Walsh, Raoul, 567
Walska, Ganna, 154–55, 238
Wanger, Walter, 563, 567
Ward, Lydia Avery Coonley, 108
Warner, Henry C., 128, 130
Warner, Jack, 567
“War of the Worlds” (Mercury Theatre), 499–512
audience for, 506, 508, 512
broadcast of, 503, 505–8, 681
cast for, 502
and CBS, 498, 501, 508–10, 511, 513, 516
celebrity as result of, 512, 562
considered too corny, 500, 501, 502, 505, 509
death threats as result of, 511
disclaimers for, 506, 508, 509, 512
film proposal for, 645
government investigation of, 511
as Halloween prank, 511
Howard Koch’s script for, 499–501, 504, 648–50
legal responsibility for, 509, 510, 511
media reactions to, 509–11, 513–14, 537–38
music for, 501–2, 503, 505, 506
Orson’s adaptation of the novel, 499, 501, 504, 508
panicked reactions to, 508–12, 513, 538, 561, 648
press conference about, 510–11
rehearsals of, 501–3
script auctioned off, 523
script passed by censors, 501, 509
special effects for, 501, 503
writings about, 503, 504, 648–50
Warrick, Ruth, 108, 685–89, 693, 734
Warring-Manley, Marian, 465
Washington, Fredi, 347
Washington Daily News
, 533
Watkinson, Eve, 206
Watson, Augusta Crafts Tolman, 9, 12, 72
Watson, Ben, 7–8
Watson, Dudley Crafts, 89, 102, 181, 321
and Art Institute of Chicago, 103, 110, 279, 280
and Beatrice Welles’s illness and death, 105
and Beatrice’s performances, 72, 73, 83, 97–98, 103, 161
family of, 106, 109
and Hillside estate, 108–9
and Milwaukee Art Institute, 83, 97–98, 103
and Orson’s future plans, 109, 110
and Ravinia Festival, 94
trip to Europe, 106, 159, 168
and Welles family, 82
and Woodstock summer festival, 280, 281, 282, 286
Watson, James, 7
Watson, William Weldon, 7
Watson, William Weldon III, 9
Watson family, 106, 110, 117–18, 129
Watts, Richard Jr., 364, 366, 376, 427, 428, 436, 513
Wayne, John, 585n, 5980
WEAF (radio station, NY), 338
Webster, John, 409, 410, 445, 446
Weidig, Adolf, 10
Weill, Kurt, 385, 415
Weissberger, L. Arnold:
and
The Campbell Playhouse
, 569
and
Citizen Kane
, 696
and
The Cradle Will Rock
, 392
and “First Person Singular,” 459
and Orson’s finances, 581, 605–6, 614, 616, 630, 656–59, 701
and RKO contract, 551, 559, 565, 597, 628
and “War of the Worlds,” 509
and Welles divorce, 608, 656–59, 702
Weissberger, Augusta, 335, 343, 370, 378, 391, 410, 423, 457, 476, 485, 554, 605, 657
Weitzenkorn, Louis, 571
Welles, Beatrice (daughter), 716, 729, 747
Welles, Beatrice Ives (mother):
in Chicago, 78–79, 83
death of, 104–6, 107, 108, 109, 146, 152, 178, 720
and Dick, 26, 27–28, 716
end of marriage, 81–82, 90, 95, 96–97
family background of, 7–12
friends of, 49–50
health problems, 77, 99, 103–4
and her mother’s death, 77–78
influence of, 277, 371, 379
in Kenosha, 33–34, 38–46, 49–53, 57–60, 62, 69–71, 72, 81, 83
musical interests of, 10–12, 31, 39, 41, 43, 72–73, 83, 86, 89, 98, 99
poem by “B.I.W.,” 76
pregnancy of, 63
public image of, 38
public performances by, 40, 44–45, 56, 58, 59, 62, 71, 72–73, 74–75, 78, 83–84, 92, 97–98, 101–2, 103, 130, 161, 379
and religion, 98–99, 371
and school board, 57–58, 64, 78