Authors: Colson Whitehead
John Henry Days
The Colossus of New York
Apex Hides the Hurt
This book is a work of fiction. Names, characters, businesses, organizations, places, events, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.
Copyright © 2011 by Colson Whitehead
All rights reserved. Published in the United States by Doubleday, a division of Random House, Inc., New York, and in Canada by Random House of Canada Limited, Toronto.
and the portrayal of an anchor with a dolphin are registered trademarks of Random House, Inc.
The epigraphs are by Walter Benjamin, Ezra Pound, and Public Enemy, respectively.
Jacket design by Rodrigo Corral Design
LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA
Whitehead, Colson, 1969—
Zone one : a novel / Colson Whitehead. — 1st ed.
1. Zombies—Fiction. 2. Virus diseases—Fiction. I. Title.
TO BILL THOMAS
“The gray layer of dust covering things has become their best part.”
e always wanted to live in New York. His Uncle Lloyd lived downtown on Lafayette, and in the long stretches between visits he daydreamed about living in his apartment. When his mother and father dragged him to the city for that season’s agreed-upon exhibit or good-for-you Broadway smash, they usually dropped in on Uncle Lloyd for a quick hello. These afternoons were preserved in a series of photographs taken by strangers. His parents were holdouts in an age of digital multiplicity, raking the soil in lonesome areas of resistance: a coffee machine that didn’t tell time, dictionaries made out of paper, a camera that only took pictures. The family camera did not transmit their coordinates to an orbiting satellite. It did not allow them to book airfare to beach resorts with close access to rain forests via courtesy shuttle. There was no prospect of video, high-def or otherwise. The camera was so backward that every lurching specimen his father enlisted from the passersby was able to operate it sans hassle, no matter the depth of cow-eyed vacancy in their tourist faces or local wretchedness inverting their spines. His family posed on the museum steps or beneath the brilliant marquee with the
poster screaming over their left shoulders, always the same composition. The boy stood in the middle, his parents’ hands dead on his shoulders, year after year. He didn’t smile in every picture, only that percentage culled for the photo album. Then it was in the cab to his uncle’s and up the elevator once the doorman screened them. Uncle Lloyd dangled in the doorframe and greeted them with a louche “Welcome to my little bungalow.”
As his parents were introduced to Uncle Lloyd’s latest girlfriend, the boy was down the hall, giddy and squeaking on the leather of the cappuccino sectional and marveling over the latest permutations in home entertainment. He searched for the fresh arrival first thing. This visit it was the wireless speakers haunting the corners like spindly wraiths, the next he was on his knees before a squat blinking box that served as some species of multimedia brainstem. He dragged a finger down their dark surfaces and then huffed on them and wiped the marks with his polo shirt. The televisions were the newest, the biggest, levitating in space and pulsing with a host of extravagant functions diagrammed in the unopened owner’s manuals. His uncle got every channel and maintained a mausoleum of remotes in the storage space inside the ottoman. The boy watched TV and loitered by the glass walls, looking out on the city through smoky anti-UV glass, nineteen stories up.
The reunions were terrific and rote, early tutelage in the recursive nature of human experience. “What are you watching?” the girlfriends asked as they padded in bearing boutique seltzer and chips, and he’d say “The buildings,” feeling weird about the pull the skyline had on him. He was a mote cycling in the wheels of a giant clock. Millions of people tended to this magnificent contraption, they lived and sweated and toiled in it, serving the mechanism of metropolis and making it bigger, better, story by glorious story and idea by unlikely idea. How small he was, tumbling between the teeth. But the girlfriends were talking about
the monster movies on TV, the women in the monster movies bolting through the woods or shriveling in the closet trying not to make a sound or vainly flagging down the pickup that might rescue them from the hillbilly slasher. The ones still standing at the credit roll made it through by dint of an obscure element in their character. “I can’t stand these scary stories,” the girlfriends said before returning to the grown-ups, attempting an auntly emanation as if they might be the first of their number promoted to that office. His father’s younger brother was fastidious when it came to expiration dates.
He liked to watch monster movies and the city churning below. He fixed on odd details. The ancient water towers lurking atop obstinate old prewars and, higher up, the massive central-air units that hunkered and coiled on the striving high-rises, glistening like extruded guts. The tar-paper pates of tenements. He spotted the occasional out-of-season beach chair jackknifed on gravel, seemingly gusted up from the street below. Who was its owner? This person staked out corners of the city and made a domain. He squinted at the slogans cantering along stairwell entrances, the Day-Glo threats and pidgin manifestos, a.k.a.’s of impotent revolutionaries. Blinds and curtains were open, half open, shut, voids in a punch card decipherable only by defunct mainframes lodged in the crust of unmarked landfills. Pieces of citizens were on display in the windows, arranged by a curator with a taste for non sequitur: the splayed pinstriped legs of an urban golfer putting into a colander; half a lady’s torso, wrapped in a turquoise blazer, as glimpsed through a trapezoid; a fist trembling on a titanium desk. A shadow bobbed behind a bathroom’s bumpy glass, steam slithering through the slit.
He remembered how things used to be, the customs of the skyline. Up and down the island the buildings collided, they humiliated runts through verticality and ambition, sulked in one another’s shadows. Inevitability was mayor, term after term. Yesterday’s
old masters, stately named and midwifed by once-famous architects, were insulted by the soot of combustion engines and by technological advances in construction. Time chiseled at elegant stonework, which swirled or plummeted to the sidewalk in dust and chips and chunks. Behind the façades their insides were butchered, reconfigured, rewired according to the next era’s new theories of utility. Classic six into studio honeycomb, sweatshop killing floor into cordoned cubicle mill. In every neighborhood the imperfect in their fashion awaited the wrecking ball and their bones were melted down to help their replacements surpass them, steel into steel. The new buildings in wave upon wave drew themselves out of rubble, shaking off the past like immigrants. The addresses remained the same and so did the flawed philosophies. It wasn’t anyplace else. It was New York City.
The boy was smitten. His family stopped by Uncle Lloyd’s every couple of months. He drank the seltzer, he watched monster movies, he was a sentry at the window. The building was a totem sheathed in blue metal, a changeling in the nest of old walk-ups. The zoning commission had tucked the bribes into their coats, and now there he was, floating over the tapering island. There was a message there, if he could teach himself the language. On rainy-day visits the surfaces of the buildings were pitiless and blank, as they were this day, years later. With the sidewalks hidden from view, the boy conjured an uninhabited city, where no one lived behind all those miles and miles of glass, no one caught up with loved ones in living rooms filled with tasteful and affirming catalog furniture, and all the elevators hung like broken puppets at the end of long cables. The city as ghost ship on the last ocean at the rim of the world. It was a gorgeous and intricate delusion, Manhattan, and from crooked angles on overcast days you saw it disintegrate, were forced to consider this tenuous creature in its true nature.
If you’d asked him on any of those childhood afternoons
what he wanted to be when he grew up—tapping his shoulder as the family car inserted itself into the queue for the Midtown Tunnel or as they hummed toward their exit on the Long Island Expressway—he would have had nothing to offer with regards to profession or avocation. His father wanted to be an astronaut when he was a kid, but the boy had never been anything but earthbound, kicking pebbles. All he was truly sure of was that he wanted to live in a city gadget, something well-stocked and white-walled, equipped with rotating bosomy beauties. His uncle’s apartment resembled the future, a brand of manhood waiting on the other side of the river. When his unit finally started sweeping beyond the wall—whenever that was—he knew he had to visit Uncle Lloyd’s apartment, to sit on the sectional one last time and stare at the final, empty screen in the series. His uncle’s building was only a few blocks past the barrier and he found himself squinting at it when it strode into view. He searched for the apartment, counting metallic blue stories and looking for movement. The dark glass relinquished nothing. He hadn’t seen his uncle’s name on any of the survivor rolls and prayed against a reunion, the slow steps coming down the hall.
If you’d asked him about his plans at the time of the ruin, the answer would have come easily: lawyering. He was bereft of attractive propositions, constitutionally unaccustomed to enthusiasm, and generally malleable when it came to his parents’ wishes, adrift on that gentle upper-middle-class current that kept its charges cheerfully bobbing far from the shoals of responsibility. It was time to stop drifting. Hence, law. He was long past finding it ironic when his unit swept a building in that week’s grid and they came upon a den of lawyers. They slogged through the blocks day after day and there had been too many firms in too many other buildings for it to have any novelty. But this day he paused. He slung his assault rifle over his shoulder and parted the blinds at the end of the corridor. All he wanted was a shred of uptown. He tried
to orient himself: Was he looking north or south? It was like dragging a fork through gruel. The ash smeared the city’s palette into a gray hush on the best of days, but introduce clouds and a little bit of precip and the city became an altar to obscurity. He was an insect exploring a gravestone: the words and names were crevasses to get lost in, looming and meaningless.