Absent Friends (14 page)

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OYS
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O
WN
B
OOK

Chapter 7

The Way Home

September 11, 1978: The Girls (Marian)

Marian is Jimmy's, and Jimmy is hers, though what that means to each may not be the same. Marian knows this, and Jimmy has not asked her to marry him, not yet. But that Jimmy is what she wants Marian has always known.

Eight years old: the stray dog the kids have been feeding since Marian found him (a secret from their parents; they've named him King) is sneaking from one backyard to another. He gets stuck under a chain-link fence. The more he tries to wriggle out, the more caught he gets. He's whining; he's bleeding. Marian tries to talk to him, softly, to make him not so scared, so someone can help him, but King just growls at her. He barks, snaps at Markie when Markie tries to go up close to him, but then he looks at them so sadly. No one thought Markie could really help, not Markie, but he went right up there, like he could be the hero, maybe, this time. Tom, Tom is thinking: Stay back! he tells them. If the dog barks too loud, someone will find him. “Someone” means a grown-up, of course. A grown-up could free King—these kids are still young, grown-ups can do anything—but a grown-up, the kids are stone certain, will take him to the pound and leave him there all by himself.

But the kids know what to do: Jack runs for Jimmy. They all watch Jimmy jog up, stop, and stand still. Marian's crying, but she wipes her eyes. Jimmy looks, taking it all in. The kids are quiet, and they wait, even Jack, who never waits. Finally Jimmy walks to King, squats down; King growls. Jimmy grins, and now he does say something, something to the dog. None of them hears.

Jimmy reaches slowly, maybe so he won't scare King. He grips the chain-link, grunts as he lifts. King yelps, howls, writhes; he barks at Jimmy, a desperate warning, but Jimmy ignores it. King barks once more, then clamps his jaws on Jimmy's bare arm. Jimmy shouts, but he doesn't stop lifting.

Then King is free, Jimmy and King rolling on the ground in dust, in growling and yelling, until Jimmy yanks his arm up and King darts away. A lot of noise now, the dog, the kids; and Mrs. Molloy, Tom and Jack's mom—the closest house—comes running out. Mrs. Molloy scoops Jimmy up, rushes him into her kitchen, wraps his arm in a towel while she calls his dad. The kids all crowd into the kitchen, watching, silent. Marian and Sally and Vicky press close together. Mrs. Molloy smiles at Jimmy while she holds the towel tight, and even though her smile is sad the way it always is, it still makes the kids less scared.

Mrs. Molloy doesn't kick them out, in fact she tells Jack, Why don't you give everybody cookies? And Jack does, grinning at the girls like it's a party. Mrs. Molloy acts like it's no big deal, Jimmy's arm is turning her towel red. The kids' hearts all slow down, stop pounding so hard, and nobody cries.

Jimmy's dad takes him to the hospital. He needs twelve stitches in that arm, Jimmy, and he does the damnedest thing. He tells his dad it was the Cooleys' funny black dog from down the street that bit him. Tells him he was throwing sticks for it, and the dog, well, it just got a little carried away. My fault, Jimmy says. Why say this? Because the Cooleys' dog has tags, the Cooleys' dog had its rabies shots. You tell someone a stray dog bit you, they hunt it, they catch it, they kill it to see if it gave you rabies: all the kids know. Jimmy tells the kids, King tore up my arm while I'm trying to help him, now they're gonna kill him, like it's for
me
? No way.

Tom smiles when Jimmy tells them this, says, Jimmy, that's a lie, you told your dad a lie.

Jimmy says, Yeah, and I sure hope he doesn't ask me anything else about it, because I'm gonna get it all screwed up.

So all the kids wait to see if Jimmy starts to foam at the mouth, but he doesn't, so everything's all right.

And from then to now, Marian's in love.

Marian will wait for Jimmy; Jimmy will ask her when he's ready.

Marian's happy.

M
ARIAN
'
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TORY

Chapter 4

The Women in the Tent

October 31, 2001

Marian stepped to the reception desk. She smiled and greeted Elena, careful to ask after her family.

“Mama was supposed to go back to San Juan yesterday, but Aunt Pilar cried and cried,” Elena told her. “So she stayed.” Elena's cousin had been an electrician, working in the south tower.

“Tell your aunt she's in my prayers.”

“Thank you. She'll like that.”

Marian took the message slips Elena handed her and said nothing else. She'd given Elena the names of three grief counselors, two of them Spanish-speaking. She wished Elena's aunt would call someone and get some help: grief was an easier burden if not carried alone. But Marian knew better than to try to push people to do what was best for them. She tried to take lessons from life—how else to keep from despairing?—and she liked to think she had many years ago learned that one.

She walked down the short corridor to her own office thinking of Elena's aunt, Mrs. Padilla, whom she'd met half a dozen years before at Elena's wedding. She thought of all the prayers, her own and others', rising as the smoke rose, climbing toward Heaven on behalf of Elena's cousin, on behalf of so many people. Marian had indeed been praying for Elena's cousin, and for the sons and sisters of the small number of people she knew personally who had lost loved ones. And for all the people she did not know, and especially all the people who might not have anyone to pray for them.

And, yes, for Jimmy.

Marian went to church in Manhattan now, at Holy Innocents, and had for many years; not every week, but often. She had not been to St. Ann's back home since she'd left, except for a few weddings, a few funerals. Until last month, when she had crossed the choppy water back to Staten Island the first Sunday after the attacks to attend mass with her father because he'd asked her to.

In the echoing dimness of St. Ann's, where she had spent each Sunday morning of her childhood (Jimmy sometimes there, more often not, his devoutness being of a different nature), Marian had sat beside her father and waited for comfort: if not the comfort of God, at least the comfort of the familiar. Through the ponderous swells of organ music, through the homily, through the prayers spoken together and those whispered alone, she waited. She did not take communion, having not been to confession. Her father's face showed his disappointment. Watching the patient, shuffling communion line, Marian wondered why she had not been to confession since the attacks. She had, through the years, permitted herself confession and therefore communion: her doubts allowed it. Because she had never been certain that keeping her dark secret was wrong (had never been sure, she reminded herself strictly, that the secret was the truth), she had released herself from the obligation to confess it. But in these times, even to prepare for this morning's mass—even to prepare for coming back here—she had found confession impossible.

Nevertheless, she prayed from the heart, as was required. Faith was a compact, like anything else, and Marian was prepared to uphold her part of the bargain. She prayed and waited.

But the music remained just sound, the smoke clouding from the bronze censers mere fragrance. Father Connor's earnest sermon was nothing but words, and Marian found herself not listening to them, hearing instead the soft weeping of people at the first of what would now be a lifetime of Sunday masses without the husbands, wives, sons and daughters, fathers and friends they were accustomed to have beside them. She saw a tear on her father's cheek. Awkward, she patted his hand. “I miss your mother,” he whispered, though it was nearly four decades since Marian's mother had passed away.

So many crowded into St. Ann's that day, the faces and voices from her childhood. Marian knew why they had come, why her father had wanted her to come: just to be there, together.

A memory bloomed in Marian's mind: a windy autumn Sunday when Sister Hilda, the squeaky-voiced nun they had loved because she laughed and knew what was important, had ordered the whole Sunday school class into their jackets, marched them to the park, and taught them to make Indian tepees out of sticks and tablecloths. Each leaning stick would fall, she showed them, but for the others (and the kids all tried to make one stand alone, or two; Tom had three briefly motionless, but then they clattered down). But together, Sister Hilda told them, united (as we are united in faith) and supporting each other (as we do with our prayers and our service), they created shelter.

In St. Ann's five days after the world had changed, Marian tried to feel sheltered. So many steps along her path had been marked here, so much joy and sorrow shared, so much comfort offered, taken, given. She tried to feel that comfort now.

Though even then—long before Harry Randall began his relentless excavating of their days and nightmares—even then, Marian could not rid herself of the exhausting weight of what she had never shared.

And as her clear low voice rose to join the others, filling the church with safeguarding song, she felt it, this secret, not as she always had—as a burden she could never put down—but as empty space, a tear in the fabric of protection, leaving her open to the terrifying sky.

P
HIL
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TORY

Chapter 5

The Way Home

October 31, 2001

Tired of sitting, Phil swiveled off the diner stool, scooped up his papers, and dropped them on the pile by the door for other people to read. He exchanged
¿Qué pasas?
with Francisco, working the register. Phil spoke passable Spanish. He'd learned it after he realized you were limiting yourself in criminal practice in New York if you didn't. He paid his bill and picked up another cup of coffee to go.

Three blocks south he stopped on the corner, took out his cell phone. The cell phones went dead and live now in a contorted checkerboard as you moved through the city. He'd searched out and found the places on his usual routes that were most likely to work: more and more of those every day, this was one of the things people meant when they said things were getting back to normal.

Back to normal.

The walk to this corner took Phil past a bus shelter, its glass walls covered, as all the bus shelters were downtown, as the blank walls of buildings were, and fences, and newsstands, and mailboxes, with wind-tattered, rain-wrinkled Xeroxes: smiling people, at birthday parties, at graduation, holding beer bottles, holding babies; height and weight, tattoos and tiny birthmarks all detailed, and long lists of phone numbers, home, work, cell, brother's cell, daughter's cell, so you could call if you saw any of these people who would never be seen again. On the sidewalk at the base of the bus shelter, a muddled rainbow of melted wax clutched candle ends. Flames shivered on two red candles in tall glass holders painted with images of the Virgin of Guadeloupe, and also on a Yahrzeit candle, plain white wax in a round squat glass. Flowers, some fresh, some withered, lay among the candles, below the pictures. And embedded flat in the wax, a small pewter cross on a ribbon. You had to look closely for that; it was hard to see.

Back to normal.

Standing on the breezy corner where transmission was good, Phil finished his coffee. He squashed the cup into the overflowing trash can and wished, not for the first time, that he still smoked. He thumbed the phone's speed-dial button and lifted it to his ear.

Sally's “Hello?” was quiet and low, the voice of a woman unsurprisable, not strong, but determined.

“It's me.” So many years he had been saying this to her, just this,
It's me.
Before that,
It's Phil
; before that, briefly,
Phil Constantine,
and early on, once or twice,
Hello, Mrs. Keegan, this is Phil Constantine, your husband's lawyer.

So many years.

But the silence that answered him now was new.

“Are you all right?” he asked. “You heard the news? That reporter?”

After the silence: “Last night. I thought you'd call then.”

“I didn't know if you wanted me to.”

“I didn't. But I thought you would.”

“I want to see you.”

“You can't come out here.”

“I'll meet you on the ferry.”

They had done that before: Phil took the boat to Staten Island, Sally boarded on that side, and they were together for a stolen hour in neither her world nor his. In this itinerant province, Phil and Sally angled toward each other on a worn wooden bench or stood close at the rail. No matter the weather, they never rode inside. And while Phil took pleasure from Sally's warmth when stars burned fiercely through painful winter air, he favored still more the heat that radiated from her on high-summer noons, when other pairs of lovers stood not touching, or vanished into the boat's cooled interior, when the sky was hazed over and he could hear thunder rumbling.

On these trips they would cross the water without leaving the boat, as many times as time allowed. The harbor itself was no-man's-land, but their corner of the boat was their private country, their commonwealth of two.

It was on the boat, in the early years, that their treaties were forged, that the decrees they had issued over and over against each other were broken again and again. Until finally they admitted that though the way they lived was impossible, they could not stay apart.

Sally had never accused Phil of anything but this: not wanting to live in her world. Preferring their secret country, their world of stars and fog where even Kevin was a foreigner.

Part of this was true. And an important part was wrong. As life without Sally was unbearable to Phil, life without Kevin had quietly (Phil unable to say exactly when this happened) become unthinkable.

There had been about Kevin, always, the kind of sweet, breezy innocence that adults claim for children but that Phil didn't remember from his own childhood in himself, his cousins, his friends. Kevin's eyes always lit when Phil walked through the door.

Phil knew that light, saw it every day. His clients looked at him that way the first few times he entered the visiting rooms in their jails. They smiled expectantly, waited for the magic, and nine times out of ten he disappointed them. He couldn't get them out. Couldn't send them home. Couldn't tell them it was going to be okay. The light would fade, smothered by bewilderment and the start of despair.

“But you're supposed to be a hotshot,” the client would complain, always that, some variation of that.

“Right,” he'd say. “That's why you got three years instead of twenty.”

Phil would leave, but never before he saw the new understanding dawning in their eyes: that bars, guards, and exercise yards were their lives now. That Phil Constantine hadn't been able to save them. But what Kevin wanted—candy, a kite, someone to push his fire truck around—that was easy. Phil loved Kevin because he never had to disappoint him.

Sally said: Stay. Nothing else, nothing so difficult. The ferry would become Phil's commuter route; they would no longer need it as their Shangri-la. Sunny summer afternoons and frosted winter mornings would belong to them, to be added to their long collection of whispered nights.

Pleasant Hills would welcome him, Sally assured him, circling him in the warmth of her arms one spent evening years ago, when they were still almost new to each other.

“Sure.” He'd kissed her. “As soon as they forget who I am.”

They'd had this dialogue before, and most of the time her soft pressure and his refusal closed the question. But this time Sally's face took on the distant, clouded look it always had when she talked about Markie. She held Phil closer, her red hair drifting around her shoulders, and said, “It wasn't your fault.”

Phil had heard Sally tell him this before. It had been the first thing she'd said to him when they'd faced each other on the steps of St. Ann's after Markie's funeral mass.

An irreverent breeze was snapping the flag on the firehouse, trying to get a game going with the treetops, tossing grit in the pallbearers' faces. The hard glances that shot Phil's way when he entered the church told him how Pleasant Hills felt about him and his being there, but he'd known that even before he'd boarded the ferry. He found a place in a rear pew. As the unfamiliar service progressed, he sat, stood, read silently and aloud, though he didn't kneel, and not knowing the hymns, he didn't sing.

Filing with the other mourners from the gloom of the church after the coffin had passed, Phil squinted in the thin, bright sun. He looked for the widow, spotted her by the line of black limousines. Beside her a little boy, his hair red like hers, dug furiously in the dirt with a stick. Phil had glimpsed the boy in church. The child had squirmed and jiggled and had had to be quieted. Not quite three, Phil thought, though Phil was no judge of children's ages. He'd met the boy just once or twice before, though Markie had talked about him all the time. His name was Kevin. Why hadn't he ever asked his age?

Phil watched as the boy sat, as a dark-haired young woman bent to speak to him. Marian Gallagher, that's who she was. Worked for some tenants' rights group, a rising star in the nonprofit world. He'd talked to her. He'd been ready to put her on the stand, a character witness, if Markie's case had gone to trial, if there hadn't been a plea. The book on her: she never lied. A useful reputation for a witness to have, if she's on your side.

Marian Gallagher lifted the child to his feet, brushed dirt from his bottom. The boy scowled, tugged; she wouldn't let him go. Forget it, pal, Phil thought. There's always someone who gets in the way of your work. But take it from me: she's doing you a favor. That hole you were digging, it'll be deeper and wider and better in your head than it ever would've been, if she'd left you alone to dig it.

He waited at the top of the steps for the press of neighbors and family to thin. When it did, he walked down to Sally Keegan, took her black-gloved hand, and told her he was sorry.

She said, “Thank you,” and then she said, “It wasn't your fault.” Behind her black net veil her eyes shone a deep emerald. He was surprised at their color, expecting a paler green, and then surprised at his surprise. They'd only met twice before; when had he noticed her eyes?

She squeezed his hand and held it, though having said what he came to say, he had been about to turn and walk away, leave her to those who loved her. Instead, she bent to the child, truculent in the dark-haired woman's grip, and said, “Kevin, this is Mr. Constantine. He was a friend of your daddy's.”

The child stared up at Phil, eyes narrowed, looking to see if anything about him was interesting at all.

Phil was hit with a gust of childhood memory: his neck aching after Saturday morning services as, not yet allowed to go home and change into jeans and grab his comic books or his basketball, he stood around the anteroom where they made kiddush, looking up at one adult after another, wondering how so many people could find so many stupid things to say to a kid.

Crouching outside St. Ann's, Phil didn't say anything. He met Kevin's eyes; they were the same green he remembered Sally's being, the gray-green he must have been wrong about. Without smiling, he winked. From his pocket he retrieved a roll of LifeSavers. He pried the red one off the top and offered it to Kevin.

Kevin stopped squirming, and his face glowed in an instant three-year-old grin. As he popped the candy in his mouth, Phil heard and ignored a disapproving click of the tongue from Marian Gallagher. He saw and ignored the protesting look she gave Sally. He knew and ignored what it meant:
You let your child—Markie's child—take food from the hand of this man?

She never lied, and he guessed she wasn't much on hiding her feelings, either.

Phil winked at the boy again. Kevin squeezed both eyes shut, trying to respond. They grinned at each other, and Phil straightened up. Sally reached for Phil's hand. “Thank you,” she said again.

They hardly knew each other, and she owed him nothing. Yet the morning she buried her husband, standing on the steps of the church surrounded by people staring at Phil in silent accusation (he was an outsider, he was the hired professional who'd failed, he was so easy to blame), Sally Keegan cleared her throat and said again, quietly and forcefully so everyone would hear, the one thing he could not say to himself: “It wasn't your fault.”

A few years later, in the soft darkness, six-year-old Kevin asleep across the hall, she was saying the same thing again.

Phil rolled onto his back. “Your neighbors disagree.”

“They'd get used to you.”

“Oh, I don't think so.”

“Kevin would like it if you were here more often.”

He turned his head to her. “Kevin gets a kick out of Uncle Phil because I bring him funny presents and take him to the ball game. If I lived here, everything would be different.”

“He needs a father.”

“I'm not his father. Sal, he knows that.”

Sally fell silent then. An hour or so later Phil left. Riding home on the late ferry, watching as the bridge slipped by and the towers grew, Phil tried to tell himself he was wrong. Who the hell cared where he lived? How well did he know his neighbors now, how much time did he spend at home? Maybe Sally's neighbors really would get used to him. Maybe Kevin really would like it. Why not move to Pleasant Hills, if that was what Sally wanted?

Because of Sally's eyes.

Because when Sally asked him to come live in Pleasant Hills, her eyes darkened. They went from clear green jewel to troubled water. No matter how close she held him, how she promised him it would be the right thing and it would work out, he knew it never would, when he looked in her eyes.