Alcatraz (13 page)

And yet, it seemed so odd to see a person from my regular life in the middle of the library.
Ms.
Fletcher wasn’t a friend, but she was one of the few constants in my life.
She had directed my moves from foster family to foster family, always checking in on me, looking after me .
.
.

Spying on me?

Ms.
Fletcher still wore her unflattering black skirt, tight bun, and horn-rimmed glasses.
She stood next to a hefty man in a dark business suit with a black shirt and a red power tie.
As he turned, conversing with Ms.
Fletcher, I could see that he wore a patch over one eye.
The other eye held a red-tinted monocle.

Bastille breathed in sharply.

‘What?’
I asked quietly.

‘He only has one eye,’ she said.
‘I think that’s Radrian Blackburn.
He’s a very powerful Oculator, Alcatraz – they say he put out his own eye to increase the power focused through his single remaining one.’

I frowned.
‘Blackburn?’
I whispered.
‘That’s an interesting name.’

‘It’s a mountain,’ Bastille said.
‘I think in the state you call Alaska.
Librarians named mountains after themselves – just like they named prisons after us.’

I cocked my head.
‘I’m pretty sure that Alcatraz Island is older than I am, Bastille.’

‘You were named after someone, Alcatraz,’ Sing said, crawling up next to us.
‘A famous Oculator from long ago.
Among people from our world – and among our opponents – names tend to get reused.
We’re traditional that way.’

I leaned forward.
Blackburn didn’t look all that threatening.
True, he had an arrogant voice and seemed a bit imposing in his black-on-black suit.

Still, I had expected something more dramatic.
A cape, maybe?

I was, of course, missing something very important.
You’ll see in a moment.

Beside me, Bastille looked
very
nervous.
I could see her pulling her purse up, reaching one hand inside of it.
An odd gesture, I thought, since I doubted there was anything inside that purse that could face down a Dark Oculator.
Anyway, the voices from below quickly stole my attention.
I could just barely hear what Blackburn was saying.

‘.
.
.
you hadn’t scared him off last night,’ the Oculator said, ‘we wouldn’t
be
in this predicament.’

Ms.
Fletcher folded her arms.
‘I brought you the sands, Radrian.
That’s what you wanted.’

Blackburn shook his head.
Hands clasped behind his back, he began to stroll in a slow circle, his well-polished shoes clicking on the stones below.

‘You were supposed to watch over the boy,’ he said, ‘not
just
collect the sands.
This was sloppy, Shasta.
Very sloppy.
What possessed you to send a regular thug to go collect the child?’

Ms.
Fletcher sent the gunman
, I thought with a stab of anger.
She really was working for them, all this time
.

‘That’s what I’ve always done,’ Ms.
Fletcher snapped.
‘I send one of my men to move the boy to another foster home.’

Blackburn turned.
‘Your man drew a gun on a Smedry.’

‘That wasn’t supposed to happen,’ Ms.
Fletcher said.
‘Someone must have bribed him – someone from one of the other factions, I’d guess.
The Order of the Shattered Lens, perhaps?
We won’t know for certain until the interrogation is complete, but I suspect that they were afraid that you’d manage to recruit the boy.’

Recruit me?
That comment made me cock my head.
However, there was something more pressing in that statement.
It implied that Ms.
Fletcher
hadn’t
wanted me killed.
For some reason, that made me relieved, though I knew it was foolish.

Down below, Blackburn shook his head.
‘You should have gone yourself to collect him, Shasta.’

‘I intended to go along,’ Ms.
Fletcher said.
‘But .
.
.’

‘But what?’

She was silent for a moment.
‘I lost my keys,’ she said.

I frowned.
It seemed like an odd comment to make.
Blackburn, however, simply laughed at this.
‘It still has the better of you, doesn’t it?’

I could see Ms.
Fletcher flushing.
‘I don’t see what problem you have working with me.
The man who tried to shoot the boy was working for someone else.
We should be focusing on discovering what those sands do.’

‘The problem is, Shasta,’ Blackburn said, growing solemn again, ‘this operation was sloppy.
When my people are sloppy, it makes
me
look incompetent.
I’m not very fond of that.’
He paused, then looked at her.
‘This is not a time we can spare mistakes.
Old Smedry is in this town somewhere.’

Ms.
Fletcher paused.
‘Him?
You think it was
him
?’

‘Who else?’
Blackburn asked.

‘There are a lot of elderly Oculators, Radrian,’ she said.

Blackburn shook his head.
‘I should think that you, of all people, would recognize the Old One’s handiwork.
He’s in the city, after the same thing that we were.’

‘Well,’ Ms.
Fletcher said.
‘If Leavenworth was here, he’s gone now.
He’ll have the boy out of Inner Libraria before we can track him down.’

‘Perhaps,’ Blackburn said quietly.

I squirmed.
As I listened, I’d revised my earlier opinion of Blackburn.
I didn’t like this man.
Blackburn seemed too .
.
.
thoughtful.
Careful.

Dangerous.

‘I’ve always been curious,’ Blackburn said, as if to himself.
‘Why did they leave a Smedry of the pure line to be raised in Inner Libraria?
Old Leavenworth must have known that we would find the boy.
That we would watch him, control him.
It seems like an odd move, wouldn’t you say?’

Ms.
Fletcher shrugged.
‘Perhaps they just didn’t want him.
Considering his .
.
.
parentage.’

What?
I thought.
Say more on that!

But Blackburn didn’t.
He just shook his head thoughtfully.
‘Perhaps.
But then this child seems to have an inordinately powerful Talent.
And there were always the sands.
Old Smedry must have known, as we did, that the sands would arrive on the boy’s thirteenth birthday.’

‘So, they used the boy as bait for the sands,’ Ms.
Fletcher said.
‘But we got to them first.’

‘And old Smedry ended up with the child.
Who gained the better half of the deal, I wonder?’

Tell me where the sands are!
I thought.
Say something useful!

‘As for the sands,’ Ms.
Fletcher said.
‘There is the matter of payment .
.
.’

Blackburn turned, and I caught a flash of emotion on his face.
Anger?

Ms.
Fletcher raised a finger.
‘You don’t own me, Blackburn.
Don’t presume to think that you do.’

‘You’ll get paid, woman,’ Blackburn said, smiling.

It was not the type of smile one wanted to see.
It was dark.
Dark as the footprints I had followed.
Dark as the hatred in a man’s eyes the moment he does something terrible to another person.
Dark as an unlit street on a silent night, when you know something is out there, watching you.

It was from this smile that I realized where Radrian Blackburn got the title ‘Dark’ Oculator.

‘You would sell the child too, wouldn’t you?’
Blackburn said, still smiling as he removed his monocle, rubbed it clean, then placed it in his pocket.
‘You would pass him off for wealth, as you did with the sands.
Sometimes you impress even me, Fletcher.’

Ms.
Fletcher shrugged.

Blackburn placed a different monocle onto his eye.

Wait
, I thought.
What am I forgetting?

And then I realized what it was.
Ms.
Fletcher’s footprints, along with Blackburn’s, shone below.
I was still wearing the Tracker’s Lenses.
Cursing quietly, I pulled them off, then switched them for my Oculator’s Lenses.

Blackburn glowed with a vibrant black cloud.
He crackled with power, giving off an aura so strong that I had to blink against the terrible shining darkness.

If Blackburn gave off an aura like that .
.
.
what did I give off?

Blackburn smiled, turning directly toward the place where I was hiding with the others.
Then his monocle flashed with a burst of power.

I immediately fell unconscious.

11

Y
ou probably assume you know what is going to happen next: me, tied to an altar, about to get sacrificed.
Unfortunately, you’re wrong.
The story hasn’t gotten to that part yet.

This revelation may annoy you.
It may even frustrate you.
If it does, then I’ve achieved my purpose.
However, before you throw this book against the wall, you should understand something about storytelling.

Some people assume that authors write books because we have vivid imaginations and want to share our vision.
Other people assume that authors write because we are bursting with stories, and therefore
must
scribble those stories down in moments of creative propondidty.

Both groups of people are completely wrong.
Authors write books for one, and only one, reason: because we like to torture people.

Now, actual torture is frowned upon in civilized society.
Fortunately, the authorial community has discovered in storytelling an even more powerful – and more fulfilling – means of causing agony in others.
We write stories.
And by doing so, we engage in a perfectly legal method of doing all kinds of mean and terrible things to our readers.

Take, for instance, the word I used above.
Propondidty
.
There is no such word – I made it up.
Why?
Because it amused me to think of thousands of readers looking up a nonsense word in their dictionaries.

Authors also create lovable, friendly characters – then proceed to do terrible things to them (like throw them in unsightly, Librarian-controlled dungeons).
This makes readers feel hurt and worried for the characters.
The simple truth is that authors
like
making people squirm.
If this weren’t the case, all novels would be filled completely with cute bunnies having birthday parties.

So, now you know the reason why I – one of the most wealthy and famous people in the Free Kingdoms – would bother writing a book.
This is the only way I can prove to all of you that I’m not the heroic savior that you think I am.
If you don’t believe what I’m telling you, then ask yourself this: would any decent, kindhearted individual become a writer?
Of course not.

I know how this story ends.
I know what really happened to my parents.
I know the true secret of the Sands of Rashid.
I know how I finally ended up suspended over a bubbling pit of acid magma, tied to a flaming altar, staring at my reflection in the twisted, cracked dagger of a Librarian executioner.

But I am not a nice person.
And so, I’m not going to reveal any of these things to you.
Not yet, anyway.

So there.

‘I can’t believe how
stupid
I am!’
Bastille snapped.

I blinked, slowly coming awake.
I was lying on something hard.

‘I should have realized that Alcatraz would have an aura,’ Bastille continued.
‘It was so obvious!’

‘He only just started using Oculator’s Lenses, Bastille,’ Sing said.
‘You couldn’t have known he’d have an aura already.’

She shook her head.
‘I was sloppy.
I just .
.
.
have trouble thinking of that idiot as an Oculator.
He doesn’t seem to know anything.’

I groaned and opened my eyes, discovering a bland stone ceiling above me.
The something hard I was lying on turned out to be the ground.
And no, it didn’t want to be friends with me.

‘What happened?’
I asked, rubbing my forehead.

‘Shocker’s Lenses,’ Bastille said.
‘Or .
.
.
well,
one
Shocker’s Lens.
They cause a flash of light that knocks out anyone who’s looking at the Oculator.’

I grunted, sitting.
‘I’ll have to get a set of those.’

‘They’re
very
difficult to use,’ Bastille said.
‘I doubt you could manage it.’

‘Thanks for the confidence,’ I grumbled.
We were in a cell, apparently.
It felt more like a dungeon than a prison.
There was a pile of straw to one side, apparently to use for sleeping, and there didn’t appear to be any ‘facilities’ besides a bucket by the wall.

It was certainly not a place I wanted to spend any extended period time.
Especially in mixed company.

I stumbled to my feet.
My jacket was gone, as were Sing’s bag of weapons and Bastille’s handbag.
‘Is there anyone out there?’
I asked quietly.
The cell had three stone walls, while the front was set with more modern-style, cagelike bars.

‘One guard,’ Bastille said.
‘Warrior.’

I nodded, then took a deep breath and walked up to the front of the cell.
I put one hand on the bars and activated my Talent.

Or, at least, I tried to.
Nothing happened.

Bastille snorted.
‘It won’t work, Smedry.
Those bars are made from Reinforcer’s Glass.
Things like Smedry Talents and Oculator powers won’t affect them.’

‘Oh,’ I said, lowering my hand.

‘What did you expect to do anyway?’
she snapped.
‘Save us?
What about the soldier out there?
What about the Dark Oculator, who is in the room next door?’

‘I didn’t think—’

‘No.
No, you Smedrys
never
think!
You make all this talk about “seeing” and “information,” but you never do anything useful.
You don’t plan, you just
go
.
And you drag the rest of us along with you!’

She spun and walked as far from me as she could, then sat down on the floor, not looking at me.

I stood silent, a little stupefied.

‘Don’t mind her, Alcatraz,’ Sing said quietly, joining me at the front of the cell.
‘She’s just a little angry with herself for letting us get caught.’

‘It wasn’t her fault,’ I said.
‘It was mine.’

It was mine
.
Not words I’d often said.
I was a little surprised to hear them come out of my mouth.

‘Actually,’ Sing said, ‘it’s really not
any
of our fault.
You were right to suggest following Blackburn – he was probably our best chance of finding the sands.
But, well, this is how things turned out.’

Sing sighed, running his hand along one of the bars.
I reached out and felt one too, noting now that Bastille had been right – the bar didn’t quite feel like iron.
It was too smooth.

‘There were a few Smedrys who could have gotten through these bars, Reinforcer’s Glass or no,’ Sing said.
‘Ah, to have a Talent like that .
.
.’

‘I think your Talent is pretty useful,’ I said.
‘It saved us down below, and that stumble you did to create a distraction was great.
I’ve never seen anything so amazing!’

Sing smiled.
‘I know you’re just saying that.
But I appreciate it anyway.’

We stood quietly for a moment, and I found myself feeling frustrated, and more than a little guilty.
Despite what Sing had said, I felt responsible for getting us captured.
Slowly, the real weight of what was going on began to press against me.

I’d been imprisoned by the type of people who sent armed gunmen to collect young boys from their homes – people who included a man so evil, he left dark footprints burning on the ground.
Blackburn obviously could have killed me if he’d wanted.
That meant he had kept me alive for a reason.
And I was growing more and more certain I didn’t want to know what that reason was.

It had been a long time since I’d felt true dread.
I’d learned over the years to be a bit callous – I’d had to, with my foster parents abandoning me so often.
In that moment, however, dread pushed through my shell.

Bastille was still sulking in the back, so I glanced at Sing, looking for some sort of comfort.
‘Sing?
Our ancestors – could you tell me about some of them?’

‘What would you like to know?’

I shrugged.

‘Well,’ Sing said, rubbing his chin.
‘There was Libby Smedry – she was quite the capable one.
I’ve often wished to have a Talent half as grand as hers.’

‘And it was?’

‘She could get impossible amounts of water on the floor when she did the dishes,’ Sing said, sighing slightly.
‘She single-handedly ended the drought in Kalbeeze during the fourth-third century – and she did it while keeping all their dishware sparkling clean!’

He smiled wistfully.
‘Also, I suppose everyone knows about Alcatraz Smedry the Seventh – he would be about sixteen generations removed from you.
The Librarians weren’t around then, but Dark Oculators were.
Alcatraz Seven had the Talent to make annoying noises at inappropriate times.
He defeated enemy after enemy – you see, he distracted the Dark Oculators so much that they couldn’t concentrate hard enough to work their Lenses!’

Sing sighed.
‘Thinking about those kinds of Talents always makes tripping seem so bland.’

‘Breaking things isn’t all that great either,’ I said.

‘No, Alcatraz.
Breaking things – now that’s a
real
Talent.
One of the great old talents, talked about in the legends.
I know I shouldn’t really complain about my power – I should be happy to have anything.
But you .
.
.
it would be a true shame to speak ill of a Talent like that.
And it couldn’t have been given to a better Smedry.

A better Smedry
.
.
.

Sing smiled at me encouragingly, and glanced away.
I’m getting too attached to him
, I thought.
To all of them – Grandpa Smedry, Sing, even Bastille
.

‘Come on,’ Sing said.
‘Don’t look so glum.’

‘You don’t really know me, Sing,’ I found myself saying.
‘I’m not a good person.’

‘Nonsense!’
Sing said.

I leaned against the bars of the cell, glancing out – not that there was much to look at.
A simple stone wall stood across from the cell.
‘You don’t know the things I’ve done, Sing.
The .
.
.
breaking.
The pain I’ve brought to good people – people who just wanted to give me a home.’

Sing shrugged.
‘Actually, Alcatraz, Grandpa Smedry spoke of you sometimes.
He talked about the .
.
.
mishaps that happened around you.
He said he thought it might be related to your Talent, and turns out it was.
Not your fault at all!’

Why did you burn down your foster parents’ kitchen?
Grandpa Smedry had asked.
It seems like a perversion of your Talent
.
.
.

‘No,’ I said.
‘It
was
my fault, Sing.
I didn’t break simple, ordinary things.
I broke the things that were the most valuable to people who cared for me.
I made them hate me.
On purpose.’

‘No,’ Sing said.
‘No, that doesn’t sound like something a Smedry could do.’

‘Every family has its black sheep, Sing,’ I said.
‘I’m a .
.
.
broken Smedry.
Maybe that’s why the Dark Oculator didn’t kill me.
Maybe he knows that I’m not noble like the rest of you.
Maybe he knows that he might be able to pull me to his side.
Perhaps I’d be better there.’

Sing fell silent.
I waited for him to look horrified or betrayed.

After a few moments, Sing raised a hand and put it on my shoulder.
‘You’re still my cousin.
Even if you’ve done bad things, that doesn’t make you a Dark Oculator.
Anything you’ve done, you can fix.
You can change.’