Americans in Paris: Life & Death Under Nazi Occupation (6 page)

When Sylvia told André Gide in 1935 that the shop might close, he declared, ‘But something must be done!’ Thanks to Gide and fellow writers Jean Schlumberger and Paul Valéry, something was. They created the Friends of Shakespeare and Company, whose members paid dues for two years to support the shop. Almost all of France’s best writers contributed. André Maurois, Jean Paulhan, Jules Romains and Georges Duhamel headed a long list of donors who paid a minimum of $45 a year to attend readings by French and American novelists and poets. The poet Archibald MacLeish sent $75. The largest donation came from Sylvia’s childhood friend, Carlotta Welles Briggs, with whom she had spent summers at the Welles’s country house near Bourré in the Touraine.

The civil war in Spain brought American writers back to Paris, where they took leave from the battlefront. Ernest Hemingway, John Dos Passos and the English poets W. H. Auden and Stephen Spender became Sylvia’s loyal customers. Sylvia persuaded Hemingway to do a reading to raise funds. He agreed on condition that Spender join him on the platform. This was less generosity than stage-fright. He was so nervous that he drank copiously before and during his reading of the short story ‘Fathers and Sons’. Faltering at first, he was declaiming like a Shakespearean dramatist by the end. The
Paris Herald Tribune
wrote, ‘He was beginning to show grace under pressure.’ Hemingway left Europe again when the Republicans lost the war in Spain and the half million Spanish refugees who escaped to France were be interned in camps.

In 1936, with the shop on a more secure footing, Sylvia made her first visit to the United States since coming to Paris in 1917. Her older sister, Holly, followed by younger sister Cyprian and their father, had moved to Altadena, California, where Sylvia saw them for a few weeks. By the time she stopped in Princeton to see childhood friends, severe menstrual bleeding took her to a Connecticut hospital for diagnosis and a hysterectomy. While Sylvia was away from Paris, a young German-Jewish photographer, Gisèle Freund, whom she and Adrienne had encountered two years earlier, supplanted her in Adrienne’s affections and apartment. Returning to convalesce in Paris, Sylvia, without demur, moved into the mezzanine rooms above Shakespeare and Company. The three women remained close, usually having lunch together in Adrienne’s kitchen.

A year later, after receiving nominations from parliamentarian Edouard Herriot and Henri Hoppenot, a poet in the French diplomatic corps, the French government made Sylvia a Knight of the Legion of Honour. It was the first official recognition she had received of her contribution to Franco-American letters. While she made light of her ‘little ribbon gibbon given me by the French’, she wore it proudly when occasion demanded.

At the outbreak of war in September 1939, Sylvia’s family urged her to return home. But her home was Paris. Friends, though, were leaving. The few American writers there in 1940, like Henry Miller and Robert McAlmon, as well as the photographer Man Ray, were fleeing to the south, where most went on to safer countries. Gisèle Freund waited until the Germans were bombing the industrial suburbs of Paris before she too escaped, first to the south, finally to Argentina. As a German-Jewish refugee, she would have been arrested immediately. By June 1940, Joyce was on his way to Switzerland. Sylvia Beach, Adrienne Monnier and their contracting circle of brave friends awaited the humiliation of their city.

On Monday, 3 June, Adrienne wrote, ‘Loud noise of planes roaring over our heads. Raid: 200 planes, numerous victims.’ Six days later, she and Sylvia heard German artillery pounding Paris’s outskirts. Adrienne’s diary entry for the day said, ‘We think seriously of putting mattresses in the cellar to sleep on.’ Only the day before, a friend warned them that ‘Paris will be involved in the battle.’ Two days later, the same friend’s husband ‘let me understand that Paris will not be involved in the battle’. Rumours, compounded by government radio bulletins that lied about the war, were confusing rather than reassuring. Someone warned Adrienne that, if she stayed in Paris, people would assume she welcomed German occupation. By the morning of 12 June, Adrienne was ready to quit: ‘Personal longing to leave and go to Rocfoin’, the village southwest of Paris where her mother and father had a smallholding. After asking Sylvia to bicycle to Montparnasse station to see whether there were any trains, Adrienne had lunch in her kitchen with her sister, Marie. Marie, whose pet name was Rinette from Marinette, persuaded her to stay, saying that ‘we should live such moments here’. Sylvia, meanwhile, urged Ruth Camp, a young Canadian student who worked for her, to escape. Canada, unlike the United States, was at war with Germany, making Ruth subject to detention as an enemy alien. Sylvia despaired that ‘she could not be persuaded to leave in spite of my efforts to push her homeward, [and] was still helping me when the Germans swarmed into France’. As the Germans neared Paris, Ruth, in Sylvia’s words, ‘did try to get away. She was machine-gunned in the ditches, and was later interned in spite of her efforts.’ On the 13th, Sylvia had an urge to flee. She went to the American Embassy, where she discovered it was too late.

The anti-Nazi, anti-Soviet, Hungarian-Jewish writer Arthur Koestler had been hiding in Adrienne’s apartment. The French authorities had already interned him with other foreigners, many of whom were also anti-Nazis and Jews. The Nazis would take charge of those still stuck in the camps when the occupation began. After Koestler’s temporary release, Adrienne took him in. He was reading Stendhal’s
Le Rouge et le noir
on her sofa, when a four leaf clover in the book ‘fell right between his eyes!’ Adrienne kissed the spot and assured him it was an omen that he would be safe. A year later, Koestler wrote discreetly in London, ‘I still had some friends. Who these friends were, how they passed me on in turn, hiding me for one night each, and how they succeeded in obtaining for me a travelling permit to Limoges, where a fortnight later I ceased legally to exist, will be an amusing and moving story to tell at a time when the night has gone from Europe and acts of kindness and solidarity no longer count as crimes.’ When the Nazi night had passed, he was free to give Adrienne credit without putting her in jeopardy: ‘For a few days I remained in hiding, first at the flat of Adrienne Monnier, then at the P.E.N. Club.’ The president of International PEN was Sylvia and Adrienne’s old friend Jules Romains. The French novelist’s anti-Nazi views were known, and he fled Paris for the south in hope of reaching New York with his wife, Lise, the French-American novelist Julien Green and American surgeon Dr Alexander Bruno. Romains said, more in hope than truth, ‘It is impossible that France should go fascist.’

On 14 June, Sylvia’s and Adrienne’s bookshops, like all other businesses in Paris, were closed. Sylvia’s premises enjoyed some protection. Two American diplomats, Third Secretary Tyler Thompson and her friend Keeler Faus, had personally affixed red American seals to her apartment and shop to tell the Germans they belonged to a US citizen. But Sylvia and Adrienne’s anti-Nazi past made them vulnerable to the occupier. Adrienne, as well as hiding Arthur Koestler, had assisted the brilliant German-Jewish writer Walter Benjamin’s escape from Paris to the south of France. (Benjamin was hoping to obtain an American visa from the consulate in Marseilles and travel to the United States via Spain and Portugal. He made an exhausting trek over the Pyrenees, but Spanish police forced him back to Nazi-occupied France. Rather than be sent to a concentration camp, he committed suicide.) Adrienne had also written a long condemnation of Nazi anti-Semitism in her
Gazette des Amis des Livres
in 1938: ‘From the day the Jews were emancipated (as you know, it is one of the glories of the French Revolution that they were), they have proved that they could be national elements of the first order.’ Sylvia had sold artists’ prints in her shop to raise money for Spain’s legitimate republican government to fight the Nazi-supported Francisco Franco. She also had many Jewish friends, including an unpaid voluntary assistant at Shakespeare and Company, Françoise Bernheim.

As the Germans occupied each arrondissement in Paris, someone told Adrienne that they were ordering everyone to remain indoors for forty-eight hours. Wehrmacht loudspeaker vans repeated this message, until it became known the curfew had been amended to begin at 9 p.m. Adrienne waited with Sylvia all morning in her apartment. At noon, they noticed civilians on the streets. In some places, Parisians were accepting gifts of food from German army trucks sent to feed the populace. In others, women flirted with soldiers. One of the better bordellos posted a notice: ‘Business as usual from 3 p.m.’ A few cafés opened to serve their first uniformed German customers, who were polite and paid for all they ate and drank. Adrienne was disgusted by a common sentiment she overheard: ‘What if the Germans are here? At least there will be order.’ She prepared lunch for Sylvia in the kitchen where for twenty years the earthy and maternal bookseller had cooked oily peasant dinners for the luminaries of French and American literature. It would be her last lunch before the Germans began requisitioning most of France’s food.

After lunch, the husband of Adrienne’s sister Rinette, painter Paul-Emile Becat, came to the flat to see her and Sylvia. He told them he had seen ‘the procession of the first German battalions this morning at the Place de l’Etoile’. A great phalanx of helmeted Wehrmacht troops marched to a Nazi band, while the Swastika flew over the Arc de Triomphe. At this scene, Parisians had stared sullen and silent, many of them weeping. Adrienne ended her diary of the day, ‘In the evening, great depression.’ She was not alone.

 

German forces seized both houses of France’s parliament, the Chamber of Deputies over the Seine from the Place de la Concorde and the Senate in the Luxembourg Gardens. They also commandeered the Ministry of Foreign Affairs on the Quai d’Orsay, the Naval Ministry beside the Hôtel Crillon and most other government buildings. Signs were posted in German saying they were under the ‘protection’ of the German army. Troops set up light cannon and machine guns at the main approaches to the Arc de Triomphe. They replaced French flags with Swastikas on government buildings, monuments, the arcades of the rue de Rivoli and the main hotels. Robert Murphy wrote, ‘I was amazed in those first occupation days to discover how thoroughly the Germans had prepared for every phase of military government. It became apparent that they had drafted comprehensive blueprints long in advance to suit whatever conditions they might encounter in conquered countries.’

The only fatal incident occurred at nine in the morning, when a lone French soldier shot at German troops in the southern suburb of Antony. ‘The German soldiers responded to the firing, killing the French soldier and a woman,’ noted the Paris Prefect of Police, Roger Langeron, in his diary. No Americans were harmed.

The Germans honoured most of the embassy certificates of American property ownership, including one that Bullitt personally issued to a French friend, Marie-Laure de Noailles. Married to an aristocrat, Marie-Laure was the daughter of a Jewish banker. Bullitt’s gesture undoubtedly saved her collection of Goyas and other masterpieces from German seizure. Nonetheless, the Nazis requisitioned two American homes near Paris in Versailles. One belonged to James Hazen Hyde, whose house was ransacked by German troops. The other was the villa of the twice-widowed Mrs James Gordon Bennett, in her youth Miss Maud Potter of Philadelphia. Her first husband had been Baron George de Reuter of the news agency his father founded. Five years after his death, she wed the eccentric, 73-year-old owner of the
Paris Herald
. When the Germans occupied her Versailles villa, she stayed in her Paris townhouse in the avenue d’Iéna near the American Ambassador’s residence. Other American losses were houses north of Paris belonging to Harlan Page Rowe and Ogden Bishop, both looted during the battles. The Luftwaffe bombed American oil and communications facilities on the northern French coast. Another American loss during the Battle of France was a consignment of 150,000 cigarettes for Ambassador Bullitt. The Germans did not tamper with any other embassy supplies, but a Wehrmacht colonel told French officials in the Paris customs house, ‘So these are Bullitt’s cigarettes! Well, he won’t get them. I used to live in Philadelphia and I never did like Bullitt. Take them away.’

In the evening, Bullitt received a visit at the embassy from Police Prefect Roger Langeron. For the past weeks, the two men had come to know and respect each other. Langeron told the ambassador that the Germans had arrested and were interrogating his chief of general intelligence, Jacques Simon. This violated the assurances given that morning by General von Studnitz, who told Langeron, ‘If order is maintained, if you can guarantee the security of my troops, you won’t hear a word from me.’ Langeron asked for Bullitt’s help. The ambassador called Robert Murphy, who went immediately to the Crillon with a message from Bullitt: if Simon were not released, no one would be responsible for security in Paris. Without Langeron’s 25,000 policemen, who had remained at Bullitt’s request when the French government was planning to remove them, the occupation which had gone smoothly until evening would become a shambles. At 11 p.m., Simon appeared unharmed in Langeron’s office on the Ile de la Cité.

THE NAZIS REQUISITIONED the best Parisian hotels–not only the Crillon, but the Ritz, Majestic, Raphael and George-V. The American Embassy beat them to the Hôtel Bristol, Ambassador Bullitt having already leased it from proprietor Hippolyte Jammet. The elegant hotel in the rue du Faubourg Saint-Honoré was suitable as an American refuge, because its basement shelter was the only one in Paris with protection against poison gas. The hotel flew the American flag, which the Germans did not remove. One American expatriate, Isadora Duncan’s brother Raymond, made the Bristol bar his second home. The Hellenophile Duncan was easy to recognize, invariably dressed in a toga and hand-made sandals. His Left Bank art gallery, the Akademia in rue de Seine, was close enough to the Bristol for him to walk there over the river. Representatives of the American Red Cross, the Rockefeller Foundation and the American ambulance units moved into the Bristol. Anne Morgan also took up residence there, hiding foreign and French Jews under quasi-diplomatic protection until she found ways for them to leave France. Dorothy Reeder, directress of the American Library in the rue de Téhéran, went to the Bristol on the occupation’s first day to work for the embassy verifying that the residents were American citizens.