Baltimore (2 page)

Read Baltimore Online

Authors: Jelena Lengold

BOOK: Baltimore
4.67Mb size Format: txt, pdf, ePub

“Would you like some juice?” she asks, as if I were there for a dress fitting.

“No, thank you. I helped myself to some water.”

Little does she care. Evidently, the fact that I’ve been waiting on this little bench for the last fifteen minutes didn’t even deserve a hint of an apology.

“All right,” she says in her calm voice, as she shows the woman who was laughing during my fifteen minutes to the door. “You may go in now.”

And then, suddenly, I’m in this other room, once again waiting for her.

She shouts from the other room:

“Are you sure you wouldn’t like a cup of coffee, tea, some juice, or something else?”

“No, really, I’m fine,” I shout back.

In the room I see two chairs, two sofa chairs, a coffee table, more flowers, and even more of the female garbage. Flower arrangements and the like. All right, everything is quite tasteful, but it somehow makes my stomach turn.

I bet she’s not coming in so she can see where I’m going to sit. But, I know that trick. I won’t sit anywhere. I’ll stand in the middle of the room and wait for her to come in.

And here she is, finally, with a cup of coffee in her hand.

“Where do you sit?” I ask.

“I sit here, across from you,” she says and motions me to a chair.

She then spends some time observing the potted Japanese violets standing in the window, and says:

“I don’t know what’s wrong with them. They won’t bloom like they’re supposed to.”

“That’s odd,” I say. “They certainly have enough light here.”

Could it be that she too feels a little uncomfortable, or is this the standard beginning – seemingly informal? Like, we just met to talk about flowers. What would happen if I were to tell her flowers were the last thing in the world I was interested in? If I were to tell her my mother’s home was always packed with rubber plants, cactuses, and by and large resembled a jungle so that we were never able to sit comfortably in any part of the apartment? What would happen if I were to say this, and if I were to ask her not to bother me with her flowers? Would that be considered impolite? What would happen if I were to tell her that I’ve made it a point not to have any plants in my home? And that in my opinion, plants don’t find apartments pleasant at all. In fact, I think these plants are unhappy, condemned to listen to our quarrels, to watch us having bad sex, to breathe in our cigarette smoke and the scent of our bathroom fresheners, and worst of all, sometimes they’re even condemned to endure light throughout the night. Plants that would have gone to sleep long ago, and dreamt about other plants. I could have told her all this, but of course, I didn’t.

Finally, she sits in her chair. Her cup is in her hand. In fact, she’s holding it with both hands. I’ve always liked it when people held their cups of coffee with both hands. It makes them seem so vulnerable. They look like someone who is trying to keep warm by holding this cup. I’m inclined to develop an instant and irrational liking to people who hold their cups in this manner.

Why is she doing this to me?

She smiles at me – a nice, warm smile. Not at all fake. Trained, maybe, but honest. It’s clear she’s not afraid of the silence between us. Leaning back in her sofa chair, which is, as I’ve just come to notice, significantly lower than mine, she slowly brings the coffee cup to her lips and takes a sip. Once again she places it in her lap, still using both hands.

“So, how are things?” she asks.

“Confusing,” I say, determined to be completely honest.

Since I’ve already decided to pay for the aggravation, the least I could do is try to be honest.

“Confusing. Aaall right. And what else?”

“Well… to be honest, I also find it all a little silly. Unusual. I even feel a bit humiliated, but not too much.”

“Why humiliated?”

“It’s like, well, you should be able to solve your own problems. If you ask for help, it means you’re weak. I guess?”

“Whose voice is telling you you’re weak?”

The voice of my husband, I’m thinking to myself. But I don’t say anything. He’s the one who thinks if he can do everything on his own then everyone else should too.

“All right. Here’s what I know about you. You’re forty-three years old, a writer by profession, you’re married… do you have any children?”

Oh, dear God. Here it comes.

“No, I don’t have any children.”

“Was this a mutual decision or….”

“Well, sort of, yes, I guess… we didn’t really come out and say we didn’t want children, but we didn’t really try to have them either. On the contrary. We made sure it didn’t happen. Had I decided I wanted children, I’m sure my husband would have supported me, but since it frightens me, he, of course, never forced me to do anything that frightened me….”

I shouldn’t have mentioned my fear. If she now starts pestering me about this….

“In any case,” I quickly continued so as not to allow her to jump in with one of her questions, “I don’t think this presents a major problem for me. It’s quite clear now that I won’t be having children and I’ve learned to live with it. Sometimes I feel a bit uneasy when I find myself with a group of women who have children, and they start talking about them, because I can’t participate, but for the most part, it’s okay.”

She smiled. I got the impression that she realized I didn’t wish to talk about it anymore.

I too leaned back in my sofa chair. The hell with it. I’m here. Whatever happens, happens.

“I’m afraid of this,” I said.

“What exactly frightens you?”

“Pain frightens me, naturally. I know this is a process and that it will last and that it will be painful the entire time. I’m afraid of what we’re going to dig up, and of all the feelings I’m going to experience on my way there, wherever that might be. I’m afraid of giving up halfway through. I’m afraid I might even make it all the way and then reach a place not worth all the searching and all that pain. I’m afraid of all the things that might creep out in the meantime.”

And then I told her all those things about the writing. How my writing used to give me great pleasure, how nothing could be more important, and how the satisfaction I felt after writing a story couldn’t be compared to anything else.

“Maybe the problem is,” I said, “is the fact that I’ve decided to write a novel. Maybe I’m expecting too much of myself, who knows. Maybe the short stories were an ideal genre for me. You lift the lid just a bit, for a few days, dig around your inner self, write the story and quickly close it again before all the demons find their way out. Open, write, close. Over and over again. And now, suddenly, a novel. This means that lid, that manhole, has to stay open for a long time. For months and months. And I have to live next to it, sit on the edge of that ravine, look down and feel my legs tremble above the abyss. To be exposed for months to the stench that is about to gush forth. And this is why I haven’t written anything for the last two, three years. I tell people I’m writing a novel but, in truth, I’m doing nothing. I wander aimlessly about the apartment, clean it to no end, play computer games, write to strangers all over the world, have conversations with cyber maniacs which, had I made notes, could have been played on Broadway that same instant, but I never bothered to write them down. That’s the strangest thing of all. It’s not unusual when you find it hard to do a job you never really liked. But when you suddenly can’t do something you used to like, something you used to enjoy, well, then there must be a problem somewhere. This is why I came to you. Primarily because of this. I want to know why I can’t write a novel.”

To me this sounded like an excellent explanation. I almost believed in it myself.

Our conversation revolved around this problem a little while longer. I told her a little about my family. She posed small, pleasant questions, and I talked. About my mother, about my father, about the nice, green house where I grew up. I felt like crying again when I came to that part, but I controlled myself. She said:

“Feel free to cry.”

I suddenly felt like this was all too much. I thought things would go more slowly. That it wouldn’t hurt right away. I told her I have nothing against warm and open communication; that I’m willing to make an honest effort, but that I nevertheless need time to open up. I felt like I was walking on top of an enormous ball, contemplating whether or not I’m going to stay there and waste our time, or if I’m just going to dive into the depths. And I knew the latter frightened me immensely.

“I see,” she said, “that you have a very pleasant way of letting others know where your boundaries are, how far they can go with you. You do this in such a way as not to hurt the other person.”

I was both thrilled by her compliment as well as ashamed by the fact that such little praise could make me so happy. Could it be that I crave approval to that extent?

“Would you say your life has been a happy one so far?”

What a tough question! Is there anyone who can honestly say they are happy? And as far as the other question goes, the one about the meaning of happiness, I don’t even want to think about it, let alone discuss it. It’s so overdone.

“Hmm… I don’t really know. Let’s just say that the only thing I can tell you for certain is that, so far, my life has not been an unhappy one. I’ve been blessed with so many things. Compared to other people, I’ve fared well. I’m not ill. I’m not an invalid. I’m not unattractive. I have the right number of fingers and toes. I didn’t have to experience the things I truly dread, like being born in a town consisting of ten houses stacked on top of each other on some mountain somewhere. For me, that is the worst imaginable fate, even though this might not be the case. But, when I travel somewhere and see such places and houses, and think about the people who live there, I know I’m very lucky I’m not one of them. Compared to the people who are really unhappy, I guess I’m happy. I don’t know.”

A small clock stood in the window, sideways, strategically positioned so that I could see it, and be aware of how my time was running out much faster than I would like it to. I remember the operation from two years ago. That was easy. You go in, they put you out, remove a few gallstones, which caused you unbearable pain, and – you come out healthy. Sheer magic. How great would it be if the therapist could do the same.

“And if therapy did work like this,” she asked, “what would you like to change?”

Finally, an easy question.

I blurted out, all in one breath, a few hundred of my faults. Then I stopped myself halfway through because it was clear that the surgical removal of just the first half would mean a great deal.

“You know,” she smiled, “those who love themselves are inclined to forgive themselves for their faults. I wouldn’t want you to have unrealistic expectations regarding therapy. Therapy may not be able to help you fix everything you might consider a fault, but it can help you to accept it. To be at peace with it. To discover things about yourself that are unique and then embrace them, love them, and live with them.”

I wanted to jump up and kiss her.

However, my time was up, and while I was getting ready to get up and leave, she began telling me about how we were going to start with about ten sessions and then see how we were getting on, and whether or not all this had any sense.

“Actually,” I said at the door, “that would be really devastating, to hear you tell me after a few sessions that you no longer wish to be my therapist because I’m a lost cause.”

She laughed, honestly, as she was showing me out.

You idiot, why do you feel the need to make your therapist laugh?

As I was driving home, my cheeks were burning and I had a minor headache, but I kept thinking about how absolutely wonderful her last comment was. She is someone who gives me permission to be who I am. No better, no worse. I don’t think I’ve had anything like that with anyone in my entire life. Even if she wasn’t one-hundred-percent honest, even if there was a hidden motive behind her permission, it was still nice of her to say it. It was as though she told me I was just fine, no matter what I was like. The point was to find out what I was really like. This, perhaps, didn’t have to be that difficult?

A situation like this one:

It’s almost midnight. I get into bed wishing to forget everything about the day as quickly as possible. Tomorrow everything will reappear, there’s no doubt about that. Still, I’ll be safe for a few hours. Sleep is awesome. Insomnia is one of the rare things I’ve never had trouble with. I sink into a deep sleep as though it were a pleasant thought. As though I were going under anaesthesia. I just choose to sleep and, there I am, on the other side, already gone.

The remote is in place. I usually flick through the channels a little before falling asleep. Might as well be honest, I know only too well that porn movies start a quarter after midnight on cable. I don’t know how you feel about them, but they always do a good job of putting me to sleep. Ten minutes of porn; oh that’s plenty! More than enough. They can go on to develop their plot for as long as they like – I’ll be fast asleep. And so, while flicking through the channels, because the porn movie won’t start for another five minutes, I come across my old love. There he is, walking around in a hat and long coat, the same Bogart wannabe from fifteen years ago, the one I was so crazy about and the reason I imagined I was the victim of Jupiter gone mad, Hank Chinaski’s mistress, Ingrid Bergman herself, while also being ugly, like the famous hunchback of the even more famous church in Paris, the reincarnation of Ernest Hemingway, born only to amuse and mesmerize him, just like Aska enchanted her wolf, which I did well for a while. But only for a while. Wolves are there to eat you, no doubt about that. They’re not there to bake cookies with you for the rest of your life, or hold the yarn for you while you wind it into a ball.

Well, that’s the guy walking across the TV screen and talking about how this city has been destroyed by vulgarity, the invasion of primitive people, and the lack of taste of nobodies who were born to this world due to a mistake of nature. And he’s saying all this right when I want to watch my ten minutes of porn, do what’s supposed be done during this time, and then calmly and peacefully fall asleep.

It’s not too pleasant when you realize, with your hand down your pajamas, that you had spent half your youth loving a trained fascist, disguised as a man of renaissance beauty.

What do I watch now?

A little of both?

Channel one: He’s reciting some sort of self-loving monologue in front of a mirror in the last remaining watering hole in the old part of the city, whining over the bulldozers that are going to tear everything down first thing tomorrow, after which someone else will come to cover the demolished shrine with modern and estranged chrome.

Channel fifteen: They don’t have a problem with bad taste here. They’re all wearing tiger and leopard print lingerie, together with 12-inch heels, the most horrible wigs ever, silicone breasts, and they’re ready for action.

Channel one: He’s walking along a river and grieving for the fish that are slowly losing their habitat because, alas, all of the remaining embankments have been occupied by boat restaurant owners. I have no intention of thinking about this now, the subject is boring and not at all erotic, but, damn it, we spent so many hours on these boats, arguing and making up. I recognize the hand motion. Even though he has aged. Both he and his hand. And my hand, probably. He once told me that I had child-like hands, that he noticed this while we were making love; that he looked up at my hands and thought: My God, I’m making love to a child. And now look, that child and that hand are cheating on you with third-rate porn, click, go away….

Channel fifteen: Not fair. Whenever I switch to them, she’s giving him a blowjob. Why is all porn made only for men?

Channel one: He’s wearing his wise-disgusted-embittered expression. An expression of a man who knows something others can’t see yet. An expression of a man who has already endured Weltschmertz in place of all those living in ignorance. An expression of a man who was aware of the beauty of unformed stone before Michelangelo and who had grasped the horror, which was to follow, before the mayor of Hiroshima. The million dollar question is: Why does this expression still mean something to me even though I’ve been aware of its fraudulence for more than a decade? Is there a way we can ever truly get over an old love?

Channel fifteen: That’s better. They’re lying on a bed and kissing. I try to ignore the fact that she’s still wearing the heels. And that she has long, purple nails. Because, if I focus on the details, there goes the fun.

And then, like in a bad SF movie, the painting on the wall above their bed takes me straight back to….

Channel one: Do you remember? Of course you do. You can use that expression of disgust to show off till your dying day. But such things are never forgotten. Who cares about the fate of a tennis court built in the wrong place. I’m asking you, do you remember the hotel room with the same cheap painting on the wall. Aha?! I got you now, Romeo.

Fifteen: He has grabbed her from behind and is holding her breasts firmly while thrusting himself into her, and thrusting and thrusting. Now their phone is going to ring, I’m sure of it.

One: And then the phone rang, remember, and you wouldn’t stop, you just answered it and spoke to the woman from the travel agency while I thought I was going to have to bite into the pillow if you didn’t hurry up and end the conversation.

Fifteen: Their phone didn’t ring.

One: …threw the phone on the floor….

Fifteen: He is turning her around and looking at her and spreading her legs.

One: …he is turning me around and looking at me and spreading my legs….

A little bell in my head is screaming that he never even loved me the right way.

But too late.

Too late.

I fell asleep.

Get lost. All of you. Leopard prints. Clever. Culturally enlightened. Filled with silicone. His silicone vanity. Sticking out abnormally above all the other heads that naturally tilt downwards. His built-up ego wrapped in a perfectly pressed shirt. And why do they always smear the sperm all over their faces and breasts in the end? Are they marking their territory? What is it, damn it? I’ll never be able to understand.

Click.

Go away.

Other books

Take it Deep (Take 2) by Roberts, Jaimie
Stopping Time by Melissa Marr
A Dry White Season by Andre Brink
A Love All Her Own by Janet Lee Barton
Rifts by Nicole Hamlett
These Delights by Sara Seale