Authors: Diana Wynne Jones
Cart and Cwidder
DIANA WYNNE JONES
BOOK ONE
CART AND CWIDDER
A G
REENWILLOW
B
OOK
An Imprint of
HarperCollins
Publishers
For Rachel
Map
1
“Do come out of that dream, Moril,” Lenina said.
“Glad rags, Moril,” said Brid. “We're nearly in Derent.”
Moril sighed reproachfully. He had not been in a dream, and he felt it was unfair of his mother to call it that. He had merely been gazing at the white road as it wandered northward, thinking how glad he was to be going that way again, and how glad he would be to get out of the South. It was spring, and it was already far too hot. But that was not the worst of the South. The worst, to Moril's mind, was the need to be careful. You dared not put a foot, or a word, out of place for fear of being clapped in jail. People were watching all the time to report what you said. It gave Moril the creeps. And it irked him that there were songs his father dared not sing in the South for fear of sounding seditious. They were the best songs, too, to Moril's mind. They all came from the North. Moril himself had been born in the North, in the earldom of Hannart. And his favorite hero, the Adon, had once upon a time been Earl of Hannart.
“You're dreaming again!” Lenina said sharply.
“No, I'm not,” said Moril. He left his perch behind the driving seat and climbed hastily into the covered back of the cart. His mother and his sister were already changed into their cheap tinsel-trimmed show dresses. Lenina, who was pale and blond and still very beautiful, was in silver and pale gold. Brid, who was darker and browner, had a glimmering peacock dress. Lenina hung Moril's suit above the rack of musical instruments, and Moril squeezed up to that end to change, very careful not to bang a cwidder or scrape the hand organ. Each instrument was shiny with use and gleaming with care. Each had its special place. Everything in the cart did. Clennen insisted on it. He said that life in a small cart would otherwise become impossible.
Once Moril was changed, he emerged from the cart as a very flamboyant figure, for his suit was the same peacock as Brid's dress and his hair was redâa bright, wild red. He had inherited Lenina's paleness. His face was white, with a few red freckles.
“You know, Mother,” Brid said, as she had said before every show since they left Holand, “I don't think I like that color on Moril.”
“It makes people notice him,” said Lenina, and went to take the reins while Clennen and Dagner changed in their turn.
Moril went to walk in the damp springing grass on the roadside, which was rough-soft under his toes, where he could have a good view of the cart that was his home. It was painted in a number of noticeable colors, principally pink and gold. Picked out in gold and sky blue along the sides were the words
Clennen the Singer.
Moril knew it was garish, but he loved this cart all the same. It moved softly, because it was well sprung and well oiled, and ran easily behind Olob, the glistening brown horse. Clennen always said he would not part with Olob for an earldom. Olobâhis real name was Barangarolob, because Clennen loved long namesâwas harnessed in pink and scarlet, with a great deal of polished brass, and looked as magnificent as the rest of the turnout. Moril was just thinking that his mother and Brid on the driving seat looked like two queensâor perhaps a queen and a princessâwhen Clennen stuck his head out of the canvas at the back.
“Admiring us, are you?” he called cheerfully. Moril smiled and nodded. “It's like life,” Clennen said. “You may wonder what goes on inside, but what matters is the look of it and the kind of performance we give. Remember that.” His head popped back inside again.
Moril went on smiling. His father was always giving them odd thoughts to remember. He would probably want this one repeated to him in a day or so. Moril thought about itâin the dreamy way in which he usually gave his attention to anythingâand he could not see that their turnout was like life. Life was not pink and gold. At least, some of theirs was, he supposed, but that was only saying the cart
was
life.
He was still pondering when they came under some big trees covered with pale buds, and the canvas cover went down with a bit of a clatter, revealing Clennen and Dagner dressed in scarlet and ready for the show. Moril scampered back and climbed up with them. Clennen smiled jovially. Dagner, whose face was tight and pinched, as it always was before a show, pushed Moril's cwidder into his hands and Moril into the right place without a word. He handed the big old cwidder to Clennen and the panhorn to Brid, and took up a pipe and a long, thin drum himself. By the time they were all settled, Olob was clopping smoothly into the main square of Derent.
“Ready,” said Clennen. “Two, three.” And they struck up.
Derent was not a big place. The number of people who came into the square in response to their opening song was not encouraging. There was a trickle of children and ten adults at the most. True, the people sitting outside the tavern turned their chairs round to get a better view, but Moril had a vague feeling, all the same, that they were wasting their talents on Derent. He said so to Brid, while Lenina was reaching past him to receive the hand organ from Dagner.
